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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
And “Humanism” in Christopher Marlowe's Tragedies
International Journal on Studies in English Language and Literature (IJSELL) Volume 3, Issue 12, December 2015, PP 6-10 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) www.arcjournals.org Analysis of “Desire” and “Humanism” in Christopher Marlowe’s Tragedies Yonggang Zhao School of Foreign Languages, China West Normal University No. 1 Shi Da Road, Nanchong, 637009, Sichuan, China [email protected] The research is financed by Sichuan Foreign Language and Literature Research Center (Project No. SCWY14-18) and Research Innovation Team of China West Normal University Named “Study on Ecological Literature Criticism” Abstract: Christopher Marlowe was the most significant playwright in Great Britain before Shakespeare and he has been titled as “the Farther of English Tragedy”. His special achievements lies in his contributions to advocate humanism in his plays which makes him become the forerunner of Shakespeare and other playwrights in Renaissance period. This paper explores how he shows his “humanism” by describing the hero’s “desire” in his three most important tragedies Tamburlaine the Great, The Tragic History of Doctor Faustus and The Jew of Malta. Keywords: Desire, Humanism, Christopher Marlowe’s Tragedies. 1. INTRODUCTION Christopher – Marlowe, the playwright and poet of British Renaissance in the 16th century, after waiting for up to four hundred years, obtained courtesy to be buried in Westminster Abbey ―poet‘s Corner‖ in 2002, slept with the most influential art elites in British history such as Chaucer, Shakespeare, Dickens, Browning, Tennyson, Byron, and Milton and accepted people‘s memorial and respect because of his extraordinary literary achievement and contribution to English literature, in 2002. -
Link to Magazine Issue
fr~m tn~ ~ir~~t~r Dear SOHS members and friends: This issue of Southern Oregon Heritage Today is unique, in that it deals exclusively with the issue of race in Southern Oregon, a some times controversial and heated topic, and one that has frequently been downplayed as we examine the history of our region. And that's exactly why we wanted to take it on. From the mistreatment of Native Americans by immigrant white settlers to the relocation of Japanese residents to camps just across the California border, from the use (and abuse) of illegal Mexican laborers in the Rogue Valley's orchards to the racism displayed toward Chinese miners and laborers in Jacksonville, from the intol erance shown Mrican Americans in 21st century Medford, Ashland or Eagle Point to the slavery and warfare between Indian tribes during the pre-contact era, the fabric of Southern Oregon society has often been torn, tattered, and tested by intolerance, racism, ignorance, and hate. It is the Southern Oregon Historical Society's obligation to tell these stories, even if some people may not wish to hear or read about them. We do so here not with any intention to divide or demonize, rather to help our readers understand that we are all part of a greater whole, a common heritage, and that one does not heal and grow by denying an often conflict-ridden, complicated past. Library & Most are stories from the past; some are more present-day. I espe cially want to thank D.L Richardson for telling his story of what it's like for an African-American man to arrive to a new posting in !iiOo-Samudson. -
Captain America: Iron Nail (Marvel Now) Volume 4 Free
FREE CAPTAIN AMERICA: IRON NAIL (MARVEL NOW) VOLUME 4 PDF Rick Remender,Pascal Alixe,Nic Klein | 144 pages | 02 Sep 2014 | Marvel Comics | 9780785189534 | English | New York, United States Major Marvel leak hints that an epic new Avengers movie is closer than we thought – BGR JavaScript must be enabled to use this site. Please enable JavaScript in your browser and refresh the page. We are shipping all orders on time, but please expect possible delays in transit. The post office and other shippers are overwhelmed and some shipments may experience significant delays. Some international orders have seen delays as large as weeks. Auction in progress, bid now! Weekly Auction ends Monday October 26! This item is not in stock. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. Volume 1 - 1st printing. Written by Rick Remender. Art and Cover by John Romita. Thrust into a bizarre, inhospitable world far from home, the all-new, high-adventure, mind-melting, tough-as-nails, sci-fi, pulp-fantasy era of Captain America starts NOW! Arnim Zola's ambitions leave Captain America stranded in the upside-down territory known as Dimension Z. With no country and no allies, what's left for the Sentinel of Liberty to protect? Just the one thing his foe values most: Zola's son! Steve has saved the boy's life, but can he keep him alive against the savage barbarians of Phrox - with the fate of a world hinging on his victory? And when Zola's terrible experiments on the indigenous creatures give birth to a terrible new foe, the Odd War of Dimension Z begins! Softcover, pages, full color. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Read It Here
Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
“Mark This Show”: on Dramatic Attention in Christopher Marlowe’S and William Shakespeare’S Tragedies
“MARK THIS SHOW”: ON DRAMATIC ATTENTION IN CHRISTOPHER MARLOWE’S AND WILLIAM SHAKESPEARE’S TRAGEDIES by JAMIE PARIS B.A. (Honours), University of Winnipeg, 2005 M.A., University of Regina, 2008 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) AUGUST 2015 © Jamie Paris, 2015 ii Abstract This dissertation will argue that the early modern theatre and the early modern church were both concerned with keeping the attention of their audiences, and that one of the ways that dramatic interest in Christopher Marlowe's and William Shakespeare's plays was generated was by staging acts that can be read as ambiguous, interrupted, failed or parodic confessions, prayers, and sermons. In particular, I will argue that when the characters in Marlowe’s and Shakespeare’s tragedies fail to find solace in acts that model reformed devotional practices, they eventually suffer the strange but dramatically engaging consequences of their tragic passions like despair, hatred, jealousy, fear, and rage. This dissertation, then, will bridge the turn to religion and affect studies as a means of arguing that early modern tragedy was consumed with attracting, and sustaining, the dramatic attention of the audience. While it is not possible to say, with any finality, why tragedies hook an audience's attention, it is possible to suggest how Marlowe's and Shakespeare's tragedies used the passions generated by the failure of model devotional acts as a means of capturing and sustaining the attention of the audience. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
{PDF EPUB} Thunderbolts Justice Like Lightning... by Kurt Busiek Thunderbolts #1 Was the Greatest Trick Marvel Comics Ever Pulled
Read Ebook {PDF EPUB} Thunderbolts Justice Like Lightning... by Kurt Busiek Thunderbolts #1 was the greatest trick Marvel Comics ever pulled. On March 10 Marvel launched a new mutant team in its long-awaited Children of the Atom #1 (which was delayed a year by COVID-19). But not all is as it seems (or was advertised) with the Children of the Atom, with the issue ending in a twist reveal about the heroes' identities. This isn't the first time Marvel has managed to hold on to a secret about a new 'superhero' team. Almost 25 years ago (in 1997 to be exact – mark your calendars to celebrate next year), Marvel capitalized on the absence of teams such as the Avengers and Fantastic Four who were then trapped in the Heroes Reborn dimension by building up a high-profile new team of superheroes called the Thunderbolts. (Incidentally, this year marks the 25th anniversary of Heroes Reborn, which Marvel is celebrating by reviving the title's branding for a new summer event). Created by writer Kurt Busiek and artist Mark Bagley, the Thunderbolts were led by Citizen V, an updated version of a Golden Age Marvel hero, and promised to deliver "Justice Like Lightning" (according to their tagline), to Avengers-level villains and threats. Marvel built the new team up as a group on par with Earth's Mightiest Heroes, ready to step up and save the world in the Avengers' absence. But Thunderbolts #1 ended with its own massive twist reveal about the true nature of the heroes of the Thunderbolts (spoiler alert: they were not new characters at all, but ones readers already knew – we'll get into it). -
Captain America Created by Joe Simon & Jack Kirby WRITER NICK
Steve Rogers’ reality has been secretly rewritten by Kobik, a sentient Cosmic Cube acting under the influence of the Red Skull. In Steve’s new history, a Hydra agent named Elisa Sinclair--A.K.A. Madame Hydra--took Steve from his mother and enrolled him in a school where he was trained to believe in Hydra’s ideals. He also befriended a young Helmut Zemo, whose father, Heinrich, would later be killed by Bucky Barnes. In the present, Zemo and Madame Hydra have returned to Steve’s side, and the pieces are falling into place for a complete Hydra takeover. Steve killed the Red Skull and assumed control of his forces, Madame Hydra gathered a new Hydra High Council, and Zemo routed the Thunderbolts and captured Bucky, but Kobik was shattered in the process.* Meanwhile, fugitive former S.H.I.E.L.D. Director Maria Hill is closing in on the truth… *WARNING! READ THIS ISSUE AFTER THUNDERBOLTS #12, ON SALE NOW! NICK SPENCER WRITER KEVIN LIBRANDA, YILDIRAY CINAR & JON MALIN ARTISTS RACHELLE ROSENBERG COLOR ARTIST VC’S JOE CARAMAGNA LETTERING DANIEL ACUNA COVER ARTIST R.B. SILVA & MARTE GRACIA VARIANT COVER CARLOS LAO PRODUCTION DESIGN ALANNA SMITH ASSISTANT EDITOR TOM BREVOORT EDITOR AXEL ALONSO EDITOR IN CHIEF JOE QUESADA CHIEF CREATIVE OFFICER DAN BUCKLEY PRESIDENT ALAN FINE EXECUTIVE PRODUCER Captain America created by Joe Simon & Jack Kirby CAPTAIN AMERICA: STEVE ROGERS No. 16, June 2017. Published Monthly except in January, February, March, and April by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. -
SFU Thesis Template Files
“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes by Brett Pardy B.A., The University of the Fraser Valley, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art, and Technology Brett Pardy 2016 SIMON FRASER UNIVERSITY Summer 2016 Approval Name: Brett Pardy Degree: Master of Arts Title: “To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes Examining Committee: Chair: Frederik Lesage Assistant Professor Zoë Druick Senior Supervisor Associate Professor Adel Iskander Supervisor Assistant Professor Michael Ma External Examiner Faculty Member Department of Criminology Kwantlen Polytechnic University Date Defended/Approved: June 16, 2016 ii Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2012), and demonstrate the significant reorientation of the film franchise towards the American military’s “War on Terror”. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. -
The Legacy of Integration at New Orleans' Benjamin Franklin High School
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 Broad Shoulders, Hidden Voices: The Legacy of Integration at New Orleans' Benjamin Franklin High School Graham S. Cooper University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the African American Studies Commons, Oral History Commons, Social History Commons, and the United States History Commons Recommended Citation Cooper, Graham S., "Broad Shoulders, Hidden Voices: The Legacy of Integration at New Orleans' Benjamin Franklin High School" (2015). University of New Orleans Theses and Dissertations. 1971. https://scholarworks.uno.edu/td/1971 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Broad Shoulders, Hidden Voices: The Legacy of Integration at New Orleans’ Benjamin Franklin High School A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History by Graham Cooper BA History University of New Orleans, 2012 May, 2015 Acknowledgment This work could not have been completed without the support and encouragement of many.