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JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms. -
Music to My Ears
intrigue and involvement: a surge of Music to My Ears fiery music, a torch of burning melody, a swell of harmonic affection for the underdog (such as Kurt Weill partially Irving Kolodin managed for Lost in the Stars, a 1949 view of a not dissimilar subject). An opera lover listening unaware to The An Opera to Forget fanaticism did not serve so well in The Most Important Man could not, for the and a Tenor to Remember Saint of Bleecker Street, nor prisoners most part, tell whether it related to of society in Maria Golovin. What he blacks and whites in South Africa or LIKE MANY other operas in the reper has thought to do with racial prejudice unhappy artisans in north Italy. Its tory of which it aspires to become a in The Most Important Man is not only method has more to do with Tosca part, Gian Carlo Menotti's The Most skimpy playwriting, but insufficiently than with the veldt, and leaves us hop Important Man ends unhappily. Like productive of musical impulse. ing in vain for new tones, new tunes, practically none other, it also begins We are asked to believe that Toimo new turns of Menottian invention. unhappily. This is not merely because Ukamba, brilliant black student of sci As the love-torn embodiment of pro its principal character finally dies ig- entist Dr. Otto Arnek, will survive a scribed passion, Eugene Holmes (a nominiously like a beast at bay, but postgraduate course in worldly disillu brilliant survivor of the unfortunately also because the beginning idea of sion and drug addiction to become his deceased Metropolitan National Com wringing lyric sentiment from the sub "master's" most trusted assistant; con pany) is first-class, with an order of ject of a Negro scientist at war with clude the researches that would make impulse accessible only to one born the apartheid society of which he is a the country the most powerful in the with the same black skin as Ukamba. -
Springfield Leader Bagel, Vegetable, Fruit, Juice, French Milk
•**• • o B18 — THURSDAY, DECEMBER 6, 1990 — WOHRALL NEWSPAPERS CROSSWORD PUZZLE -ACROSS Edited by Trude Michel Jaffe horoscope t Fen 2 Under, asea 31 Scoundrels 47 Nixon running 6 Crones 3 Carry on stares mate For week of Dec 9-Dec 15 LEO (July 23 to Aug. 22) Spend time SAGITTARIUS (Nov. 22 to Dee: 21) avoid signing any contracts. Shield your- 10 Secure 4 Make more 33 24-carat 48 Moon goddess ARIES (March 21. to April 19) Begin catching up on your reading and writing. Join up with friends for a country outing. self from invasions of privacy. Explore artistic hobbies or crafts. •, ' nominees due — Page 5 14 Winged precipitous your march toward better health. Aerobic supplement inside canary? 49 Dry • A friend will bring a business planput of Visit a favorite resort for some fun and 15 Earthenware 5 Assistants 36 Hunting trophy 50 Thou-shalt-nol exercise and a sensible diet are the ways mothballs. Efficiency and order are etpe-' vessel 6 Antlers 39 Consequences 51 Pianist to keep you healthy, wealthy and wise/ cially necesary, Re-open communication relaxation. Put your mind on cruise con- 16 Influence, 7 Like a bump 41 Too sweet Poter Try out a new hairstyle or go on a.shop- channels with relatives. • trol and do come daydreaming about the informally on — 42 Crowned head 52 Pavlova ping spree. Express yourself. good old days. 17 New • 8 Future fireflies •44 Plead 53 Small, sturdy VIRGO (Aug. 23 to Sept. 22) Do not TAURt)s'(AprUJ20 to May 20) Stay The following are the winning 18 Plant part 9 Surfeits 45 Old English .dog forget your ideals in that mad rush for CAPRICORN (Dec. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN SEPTEMBER-OCTOBER, 1969 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 * 799-3467 SEPTEMBER-OCTOBER, 1969 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Vice-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. LYLE H. FISHER E. H. CORR1GAN, JR. HOWARD J. HOOK, JR. MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera MAURICE ABRAVANEL RICHARD KARP San Francisco Opera University of Minnesota VICTOR ALESSANDRO GLADYS MATHEW San Antonio Symphony Community Opera ROBERT G. ANDERSON MRS. LOUDON MELLEN Tulsa Opera Opera Soc. of Wash., D.C. WILFRED C. BAIN ELEMER NAGY Indiana University Hartt College of Music ROBERT BAUSTIAN MME. ROSE PALMAI-TENSER Santa Fe Opera Mobile Opera Guild MORITZ BOMHARD RUSSELL D. PATTERSON Kentucky Opera Kansas City Lyric Theater JOHN BROWNLEE MRS. JOHN DEWITT PELTZ Manhattan School of Music Metropolitan Opera STANLEY CHAPPLE GEORGE SCHICK University of Washington Metropolitan Opera EUGENE CONLEY MARK SCHUBART No. Texas State Univ. Lincoln Center WALTER DUCLOUX MRS. L. S. STEMMONS University of Texas Dallas Civic Opera PETER PAUL FUCHS LEONARD TREASH Louisiana State University Eastman School of Music ROBERT GAY LUCAS UNDERWOOD Northwestern University University of the Pacific BORIS GOLDOVSKY GIDEON WALDROP Goldovsky Opera Theatre Juilliard School of Music WALTER HERBERT MRS. J. P. WALLACE Houston Grand Opera Shreveport Civic Opera LUDWIG ZIRNER University of Illinois Do not rriiss the SPECIAL ANNOUNCEMENTS on page 16. -
Boston Symphony Orchestra Concert Programs, Season 104, 1984-1985
Boston Symphony Orchestra SEIJI OZAWA, Music Director ^0M^ 'boston * i symphony i \ orchestra i \ SEIJI OZAWAyJ 104th Season W ifA Music Dtrictor X V SHARE THE SENSE OF /Qfcf EXCLUSIVELY FINE CHAMPAGNE COGNAC Proof Imported By Remy Martin Amerique, Inc . N Y . NY 80 Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J.R Barger, Vice-President George H. Kidder, Vice-President Mrs. George L. Sargent, Vice-President William J. Poorvu, Treasurer \ernon R. Alden Mrs. Michael H. Davis E. James Morton David B. Arnold, Jr. Archie C. Epps David G. Mugar Mrs. John M. Bradley Mrs. John H. Fitzpatrick Thomas D. Perry, Jr. Mrs. Norman L. Cahners Mrs. John L. Grandin Irving W Rabb George H.A. Clowes, Jr. Harvey Chet Krentzman Mrs. George R. Rowland William M. Crozier, Jr. Roderick M. MacDougall Richard A. Smith Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Mrs. James H. Perkins Richard P Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Administration of the Boston Symphony Orchestra, Inc. Thomas W. Morris, General Manager William Bernell, Artistic Administrator Daniel R. Gustin, Assistant Manager Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Promotion Josiah Stevenson, Director ofDevelopment Theodore A. Vlahos, Director ofBusiness Affairs Charles S. Fox, Director ofAnnual Giving Anita R. Kurland, Administrator of Youth Activities Arlene Germain, Financial Analyst Richard Ortner, Administrator of Charles Gilroy, ChiefAccountant Tanglewood Music Center Vera Gold, Assistant Director ofPromotion Robert A.