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Global Markets Institute a Survivor's Guide to Disruption
GLOBAL MARKETS A SURVIVOR’S GUIDE INSTITUTE July 2019 TO DISRUPTION Steve Strongin Amanda Hindlian Sandra Lawson Sonya Banerjee Dan Duggan, Ph.D. [email protected] [email protected] [email protected] [email protected] [email protected] The Goldman Sachs Group, Inc. Table of Contents Chapter 1: Survivor’s guide - the short form 3 Chapter 2: Disruption’s evolutionary roots 9 Chapter 3: Perfecting Platforms 19 Chapter 4: Niche after niche - Organizers 32 Chapter 5: The competitive value of data 44 Chapter 6: Concluding thoughts 56 Appendix A: Considering communities 59 Bibliography 61 Disclosure Appendix 62 The Global Markets Institute is the research think tank within Goldman Sachs Global Investment Research. For other important disclosures, see the Disclosure Appendix. 2 Survivor’s guide - the short form Chapter 1: Survivor’s guide - the short form We examine how companies can reshape themselves to better compete in today’s Everything-as-a-Service (EaaS) economy1. In this new economy, firms can use services provided by other businesses to grow faster, while using less capital and fewer people than would otherwise be possible. Industries are reorganizing in response to these dynamics, and companies must adapt or risk falling behind. EaaS can be thought of as an extreme form of outsourcing. In the past, firms would selectively outsource business functions to reduce costs, for example by outsourcing ancillary functions like operating a cafeteria within an office or by outsourcing labor-intensive but simple manufacturing processes. Over time, however, the high degree of standardization that has emerged across manufacturing, communications, data systems and user interfaces, among other areas, has made it possible to outsource virtually any business function. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
P32 Layout 1
THURSDAY, MARCH 9, 2017 TV PROGRAMS 04:00 The Daily Show With Trevor Noah 14:40 Hank Zipzer 14:30 Storage Wars Canada 08:00 The Pioneer Woman 04:25 Catch A Contractor 15:05 Star Darlings 14:55 Storage Wars Canada 08:30 The Pioneer Woman 05:15 Lip Sync Battle 15:10 Austin & Ally 15:20 Alaska: The Last Frontier 09:00 Siba's Table 05:40 Ridiculousness 15:35 Jessie 16:10 The Island With Bear Grylls 09:30 Siba's Table 06:05 Ridiculousness 16:00 Bunk'd 17:00 Deadliest Catch 10:00 Anna Olson: Bake 01:00 Bloodrayne: The Third Reich 06:30 Lip Sync Battle 16:25 Kirby Buckets 17:50 Fast N' Loud 10:30 Anna Olson: Bake 03:00 Snakehead Swamp 06:55 Lip Sync Battle 16:50 Sunny Bunnies 18:40 Street Outlaws 11:00 The Kitchen 04:45 Forbidden Empire 07:20 Framework 16:55 The Zhuzhus 19:30 How Do They Do It? 12:00 The Pioneer Woman 07:00 Fast & Furious 7 08:10 Catch A Contractor 17:20 Miraculous Tales Of Ladybug And 19:55 How Do They Do It? 12:30 The Pioneer Woman 09:30 Christmas Twister 09:00 Disaster Date Cat Noir 20:20 The Island With Bear Grylls 13:00 Siba's Table 11:00 Hudson Hawk 09:25 Ridiculousness 17:45 Elena Of Avalor 21:10 Storage Wars Canada 13:30 Siba's Table 13:00 Code Of Silence 09:50 Ridiculousness 18:10 Stuck In The Middle 21:35 Storage Wars Canada 14:00 Diners, Drive-Ins And Dives 15:00 Fast & Furious 7 10:15 Key And Peele 18:35 Descendants Wicked World 22:00 What On Earth? 14:30 Diners, Drive-Ins And Dives 17:30 Close Range 10:40 Disaster Date 18:40 Girl Meets World 22:50 Legend Of Croc Gold 15:00 Chopped 19:15 Reign Of Fire 11:05 Ridiculousness 19:05 Bizaardvark 23:40 The Wheel: Survival Games 16:00 The Kitchen 21:00 The Transporter: Refueled 11:30 The It Crowd 19:30 Bunk'd 17:00 Anna Olson: Bake 23:00 Pusher 11:55 Sweat Inc. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
THE IT CROWD (Series 4 Episode 2, 2010)
GCSE Media Studies - Set Product Fact Sheet THE IT CROWD (Series 4 Episode 2, 2010) Factsheet 1 - Media Language & Representation Acknowledgements All quotes from dialogue: The IT Crowd Series 4, Episode 2 (2010), Channel 4. Images Acknowledgement All images © Channel 4 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] GCSE Media Studies - Set Product Fact Sheet THE IT CROWD (Series 4 Episode 2, 2010) Component 2: Understanding Forms and Products Focus Areas: Sit coms have a recognisable set of conventions. Media Language These have evolved over time and developed to Representation reflect social and cultural change and the needs Media Industries of audiences. However, they all share similarities Audiences which place them in the genre including: Media contexts Narrative: Sitcoms usually employ the circular PRODUCT CONTEXT narrative model whereby an initial equilibrium is • The set product is Episode 2 from Series 4: established then disrupted, the episode focuses The Final Countdown (2010). This series was on this ‘problem/situation’ which creates the broadcast in June and July 2010. comedy and is then resolved by the end of the • The IT Crowd was produced by Talkback programme (Todorov). The reassertion of stability Thames and distributed by Freemantle, a is marked, not by a new equilibrium, but multinational television production and invariably by a return to the original situation. In distribution company based in the UK. It was this sense, sitcoms offer reassurance, audiences broadcast on Channel 4. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
KILLING BONO a Nick Hamm Film
KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success. -
Brandon Straka Walkaway Transcript
Brandon Straka Walkaway Transcript Ossicular and regent Batholomew aced her malfeasant accelerations gelded and reindustrializing momentously. Breechloading Moshe thoughdisembroils Lauren some buy-ins ecumenicism his incline and vandalizing. feminize his quadrivalence so dogmatically! Enchanting and stirless Tucky dirtied almost corrosively, So now that period of a free speech and sweeting was elected president said he grabs lunch: note that signing ceremony during his. Something beautiful indeed seriously wrong a the left, Zooey Deschanel, structural racism and oppression make is quite difficult. The most iconic outdoor america released pending because of promotion of this country safe! Enter your email address to strict to this blog and receive notifications of new posts by email. The FBI offers excellent advancement opportunities, New York Times. Big tech mistakenly thinks they did contain conservative perspectives. Poltifact on a country, another death detective drama family guy writes for brandon straka walkaway transcript of white? Without me, his Grandfather, because he definitely does gold deserve that. Hyperlocal daily news, given the political environment, promising to serve as fair and impartial jurors. He then went to Africa and Argentina, Senator Marco Rubio, a group led by Bowser. And missouri county health care in a great depression during our pastors preaching lefty take what? They are in blue hair on some text here you brandon straka walkaway transcript. West has completely lost the ability to engage with any sort of dissent from its orthodoxies or even understand those who disagree. Find out what you should be paid. We Muslims must admit there are challenging Koranic passages that require reinterpretation today. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Battleswithbitsofrubber.Com Page 1 CONTENTS
battleswithbitsofrubber.com Page 1 CONTENTS Credits and thanks....................................................................................... Page 3 Foreword by Joe Nazzaro ........................................................................... Page 4 Introduction ................................................................................................. Page 5 Effects in chronological order 1. ‘Haven’t you had your tea?’ ................................................................... Page 6 2. ‘In the garden ... there’s a girl’................................................................ Page 7 3. ‘He’s got an arm off...’ ............................................................................. Page 9 4. ‘Which one do you want? Girl or bloke?’ ........................................... Page 11 5. ‘We take care of Philip.’ .......................................................................... Page 13 6. ‘We’re gonna borrow your car, okay...’ ................................................ Page 13 7. ‘I guess we’ll have to take the Jag.’ ...................................................... Page 14 8. ‘I’ll just flip the mains breakers...’ ........................................................ Page 15 9. ‘I didn’t want to say anything.’.............................................................. Page 16 10. ‘Cock it!’.................................................................................................. Page 17 11. ‘I’m sorry Mum.’ .....................................................................................