Audioletter Jan 2008
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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St. -
Press Coverage That the Scranton Jazz Festival Has Received
scrantonjazzfestival.org SCRANTON JAZZ FESTIVAL ABOUT This summer The Scranton Jazz Festival will celebrate its 11th year at the historic Radisson Lackawanna Station Hotel and various downtown Scranton venues. Attracting international, national, and regional jazz/blues and world beat artists, the SJF has proven its true potential to become a long-term musical event. Only with your support, does the festival continue to have the opportunity for an enormous impact on the cultural and economic development of our region. Fostering America’s original art form, jazz, Scranton has a rich history, dating back to the 1930’s when two jazz legends, Tommy Dorsey and Jimmy Dorsey, performed regularly with the Scranton Sirens Jazz Band. Our area is also credited with hosting the first known recorded jazz festival, “The Cavalcade of Dixieland Jazz”, in 1951. Since its premiere in 2005 the festival has drawn audiences from the entire Mid-Atlantic region, resulting in tremendous notoriety and exposure to the international jazz world. The SJF can help revive our region as a cultural epicenter, spreading the arts throughout the northeast, no different than such festivals as Newport, Rhode Island; Saratoga Springs, Florida; and Monterey, California. With your generosity, to support this program, we will be able to significantly enrich our community and region. Your donation will help us to defer costs for production, artists fees, advertising, and promotional expenses. In addition, your contribution will enable us to receive matching funds, provided by local and state funding organiza- tions. Together, as a united team, we can make artistic magic happen for Scranton. How incredible would it be to see this festival, in time, be considered a major summer destination place for the jazz/blues and world beat community? Only with your help will that magic happen. -
Prospectus 19/ 20 Trinity Laban Conservatoire Of
PROSPECTUS 19/20 TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE CONTENTS 3 Principal’s Welcome 56 Music 4 Why You Should #ChooseTL 58 Performance Opportunities 6 How to #ExperienceTL 60 Music Programmes FORWARD 8 Our Home in London 60 Undergraduate Programmes 10 Student Life 62 Postgraduate Programmes 64 Professional Development Programmes 12 Accommodation 13 Students' Union 66 Academic Studies 14 Student Services 70 Music Departments 16 International Community 70 Music Education THINKING 18 Global Links 72 Composition 74 Jazz Trinity Laban is a unique partnership 20 Professional Partnerships 76 Keyboard in music and dance that is redefining 22 CoLab 78 Strings the conservatoire of the 21st century. 24 Research 80 Vocal Studies 82 Wind, Brass & Percussion Our mission: to advance the art forms 28 Dance 86 Careers in Music of music and dance by bringing together 30 Dance Staff 88 Music Alumni artists to train, collaborate, research WELCOME 32 Performance Environment and perform in an environment of 98 Musical Theatre 34 Transitions Dance Company creative and technical excellence. 36 Dance Programmes 106 How to Apply 36 Undergraduate Programmes 108 Auditions 40 Masters Programmes 44 Diploma Programmes 110 Fees, Funding & Scholarships 46 Careers in Dance 111 Admissions FAQs 48 Dance Alumni 114 How to Find Us Trinity Laban, the UK’s first conservatoire of music and dance, was formed in 2005 by the coming together of Trinity College of Music and Laban, two leading centres of music and dance. Building on our distinctive heritage – and our extensive experience in providing innovative education and training in the performing arts – we embrace the new, the experimental and the unexpected. -
The Compositional Language of Kenny Wheeler
THE COMPOSITIONAL LANGUAGE OF KENNY WHEELER by Paul Rushka Schulich School of Music McGill University, Montreal March 2014 A paper submitted to McGill University in partial fulfillment of the requirements of the degree of D.Mus. Performance Studies ©Paul Rushka 2014 2 ABSTRACT The roots of jazz composition are found in the canon ofthe Great American Songbook, which constitutes the majority of standard jazz repertoire and set the compositional models for jazz. Beginning in the 1960s, leading composers including Wayne Shorter and Herbie Hancock began stretching the boundaries set by this standard repertoire, with the goal of introducing new compositional elements in order to expand that model. Trumpeter, composer, and arranger Kenny Wheeler has been at the forefront of European jazz music since the late 1960s and his works exemplify a contemporary approach to jazz composition. This paper investigates six pieces from Wheeler's songbook and identifies the compositional elements of his language and how he has developed an original voice through the use and adaptation of these elements. In order to identify these traits, I analyzed the melodic, harmonic, structural and textural aspects of these works by studying both the scores and recordings. Each of the pieces I analyzed demonstrates qualities consistent with Wheeler's compositional style, such as the expansion oftonality through the use of mode mixture, non-functional harmonic progressions, melodic composition through intervallic sequence, use of metric changes within a song form, and structural variation. Finally, the demands of Wheeler's music on the performer are examined. 3 Resume La composition jazz est enracinee dans le Grand repertoire American de la chanson, ou "Great American Songbook", qui constitue la plus grande partie du repertoire standard de jazz, et en a defini les principes compositionnels. -
Grover Kemble and Za Zu Zaz Reunion
Volume 39 • Issue 7 July/August 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. above: Winard Harper Sextet; below: Allan Harris. Photos by Tony Mottola. 2011 “Ring dem Bells!” azzfest 2011 on June 11 at the College of Saint J Elizabeth in Morristown kicked off with the ringing of the noon bells at Anunciation Hall just as Emily Asher’s Garden Party was set to begin playing outside its entrance. That caused only a minor setback at our brand new venue where the benefits outweighed any clouds and drizzle. All activities had been seamlessly moved indoors, which turned out to be a boon for one and all, with no missed notes. Dolan Hall proved to be a beautiful venue and the Jazz Lobsters easily fanned across its stage. The languid start to “Splanky” gave way to a crisp, sparking horn crescendo. Bari sax man Larry McKenna was featured as arranger and soloist on “You Go to My Head,” and his velvety, luxurious tone sparked bandleader/ pianist James Lafferty’s continued on page 30 New JerseyJazzSociety in this issue: Deconstructing Dave NEW JERSEY JAZZ SOCIETY April Jazz Social: Dave Frank . 2 Dave Frank digs into Dave McKenna at April Jazz Social Bulletin Board . 2 Governor’s Island Jazz Party 2011 . 3 Text and photos Mail Bag. 3 by Tony Mottola NJJS Calendar . 3 Co-Editor Jersey Jazz Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info . 6 ianist and educator May Jazz Social: Sue Giles . 52 PDave Frank explored Crow’s Nest . -
Zzcalifornia Aconservatory
a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015. -
Exit Here for Jazz…
Volume 43 • Issue 11 December 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Pianist Marc Cary, center, is flanked by members of his Harlem Sessions All-Stars during their performance at the Exit 0 Jazz Festival in Cape May on Nov. 7. Photo by Mitchell Seidel. Exit Here For Jazz… Now in its 4th year, Exit 0, the new iteration of a twice-yearly Cape May jazz festival, expands its soul and R&B offerings (and its audience) while still serving up plenty of outstanding straight-ahead and trad jazz. Jersey Jazz’s Mitchell Seidel offers an inside view in words and pictures beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 In The Mailbag. .4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 USPS Statement of Ownership ........47 NJJS/Pee Wee T-shirts. 48 nce again, the holiday season is upon us! For are selected by the Music Committee, but it has New/Renewed Members ............48 Othe New Jersey Jazz Society, that means become a tradition that the President selects the storIes (among other things) it’s time for the annual group to perform at the annual meeting. For this Exit 0 Jazz Festival ..............cover meeting, at which the officers report on the state of year’s meeting, I have picked the DIVA Jazz Trio, Big Band in the Sky ..................8 the society and leadership is elected for the coming consisting of Sherrie Maricle on drums, Tomoko Talking Jazz: Ted Nash ..............12 year. -
STILL STOMPING STRONG New Jersey Jazz Society Marks 50 Years of Annual Pee Wee Russell Memorial Benefit
Recorder Community Newspapers Out&About GUIDE TO THE ARTS AND LEISURE • THURSDAY, FEBRUARY 28, 2019 STILL STOMPING STRONG New Jersey Jazz Society marks 50 years of annual Pee Wee Russell Memorial benefit By SANFORD JOSEPHSON His legacy will be celebrated at this CONTRIBUTING WRITER year’s Stomp with music by Andy Far- ber and his Orchestra featuring spe- In 1968, Pluckemin resident Jack Stine cial guests, vocalist Catherine Russell, had an idea. One of his favorite musical multi-reedist Adrian Cunningham, and performers, jazz clarinetist Pee Wee Rus- trumpeter Warren Vache. sell, had died on Feb. 15, and Stine want- Vocalist Roseanna Vitro, a resident of ed to honor him with a memorial concert. Warren, will be presented with this year’s The first Pee Wee Russell Memorial Stomp Distinguished Musician Award, and jazz was held that year, and two years later, radio station WBGO 88.3FM will be hon- Stine founded the New Jersey Jazz Society. ored as this year’s jazz advocate. From noon to 5 p.m. on Sunday, April 7, And, as is the tradition, dancing is wel- the 50th annual Pee Wee Russell Memori- come and encouraged, spurred by a group al Stomp will be held at the Hyatt Regency of vintage-clad dancers who annually in Morristown by the Jazz Society. Stine, grace the Pee Wee stage. who died last June at the age of 96, com- bined the first concert with a fundraiser Youth Group and raised more than $3,000 for a scholar- A new feature of this year’s Stomp will ship in Russell’s name at Rutgers Univer- be a performance by the New Jersey Youth sity. -
Radio 3 Listings for 12 – 18 January 2019 Page
Radio 3 Listings for 12 – 18 January 2019 Page 1 of 12 SATURDAY 12 JANUARY 2019 Rudolf Macudzinski (piano), Bratislava Slovak Radio Martin Handley presents Radio 3's classical breakfast show, Symphony Orchestra, Ludovít Rajter (conductor) featuring listener requests. SAT 01:00 Through the Night (m0001yjc) The Art of the Cello 04:03 AM Email [email protected] Orlande de Lassus (1532-1594) Estelle Revaz in a solo recital featuring Bach, Berio and Dulces Exuviae - motet Gubaidulina recorded in Switzerland. Jonathan Swain presents. Currende, Erik van Nevel (conductor) SAT 09:00 Record Review (m0001zpc) with Andrew McGregor. 01:01 AM 04:09 AM Johann Sebastian Bach (1685-1750) Ludwig Norman (1831-1885), Niklas Willén (arranger) 9.00am Prelude from Cello Suite No 3 in C BWV1009 Andante Sostenuto for orchestra Estelle Revaz (cello) Sveriges Radios Symfoniorkester [Swedish Radio Symphony ‘L’Alessandro amante’ – 18th century songs and instrumental Orchestra], Niklas Willén (conductor) pieces by Bononcini, Handel, Pescetti, Steffani, Draghi, 01:04 AM Mancini, Vinci, Leo & Porpora Luciano Berio (1925-2003) 04:19 AM Xavier Sabata (counter tenor) Les mots sont allés Zoltán Kodály (1882-1967) Vespres D’arnadi (ensemble) Estelle Revaz (cello) Mónár Anna (Anie Miller) from Hungarian Folk Music Dani Espasa (director & harpsichord) Polina Pasztircsák (soprano), Zóltan Kocsis (piano) Aparte AP192 01:07 AM http://www.apartemusic.com/discography/lalessandra-amante/ Johann Sebastian Bach (1685-1750) 04:27 AM Allemande from Cello Suite No 3 in C, BWV 1009 -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Radio & Records National Airplay
RADIO & RECORDS NATIONAL AIRPLAY MOST ADDED KENNY BURRELL/GROVER WASHINGTON (15) HOTTEST Last BOBBY HUTCHERS0N (19) Week Togethering (Blue Note) Good Bait (Landmark) STANLEY JORDAN (11) DAVID SANBORN (19) 1 0 BOBBY HUTCHERSON/Good Bait (Landmark) Magic Touch (Blue Note) Straight To The Heart (WB) 10 © STANLEY JORDAN/Magic Touch (Blue Note) D. ANGER & B. HIGBIE QUINTET (10) JAMES WILLIAMS (IS) 2 3 DAVID SANBORN/Straight To The Heart (WB) Live At Montreux (Windham Hill) Alter Ego (Sunnyside) MAYNARD FERGUSON (7) 4 o JAMES WILLIAMS/Alter Ego (Sunnyside) DAVE GRUSIN (14) Live From San Francisco (Palo Alto) One Of A Kind (GRP) 3 5 DAVE GRUSIN/One Of A Kind (GRP) RARE SILK (7) 6 O TAHIA MARIA/The Real Tania Maria: Wild! (Concord Picante) STANLEY JORDAN (14) American Eyes (Palo Alto) Magic Touch (Blue Note) 5 7 JACKSON/BROWN/WALTDN/ROKER/lt Don't Mean A Thing If You... (Pablo) 20 Q DAROL ANGER & BARBARA HIGBIE QUINTET/Live At Montreux (Windham Hill) """ER L0CKW00D GROUP "Didier Lockwood Group" (Gramavision) 8/5 17 © YELLOWJACKETS/Samurai Samba (WB) 2/1 Medium 3/2, Li9h, 1/0, Ex,ra AddS 21 To,al AdClS 5 WM0T KBEM KRVS KLCC Medium K^FM ' ' ' ' - . ^LSK, Heavy: 25 (£) KENNY BURRELL/GROVER WASHINGTON/Togethering (Blue Note) NEW PULSE JAZZ BAND "Boogis Man" (Kilmamock) 8/1 11 $ FALCON & THE SNOWMAN/Soundtrack (EMI America) Rotations: Heavy 0/0, Medium 3/0, Light 5/1, Extra Adds 0, Total Adds 1, WYBC. Medium: WFAE WMOT WNUR 8 12 BOBBY SHEW QUARTET/Breakfast Wine (Pausa) DON MENZA "Horn Of Plenty" (Pausa) 8/0 15 BILL REICHENBACH QUARTET/BIN Reichenbach Quartet (Silver Seven) KAD^KJZZ^LU ' 6/0, Li9ht 0/0' 0' TOtal AddS 0' HeaVV: WBF0, WHR0 Medium: WGBH' WBEE.