2009 Oscarscheat Sheet

Total Page:16

File Type:pdf, Size:1020Kb

2009 Oscarscheat Sheet 2009 OSCARS CHEAT SHEET BEST PICTURE BEST FOREIGN FILM ”The Curious Case of Benjamin Button” “The Baader Meinhof Complex,” Germany “Frost/Nixon” “The Class,” France “Milk” “Departures,” Japan “The Reader” “Revanche,” Austria “Slumdog Millionaire” “Waltz With Bashir,” Israel BEST ACTOR BEST ADAPTED SCREENPLAY Richard Jenkins, “The Visitor” Eric Roth and Robin Swicord, “The Curious Frank Langella, “Frost/Nixon” Case of Benjamin Button” Sean Penn, “Milk” John Patrick Shanley, “Doubt” Brad Pitt, “The Curious Case of Peter Morgan, “Frost/Nixon” Benjamin Button” David Hare, “The Reader” Mickey Rourke, “The Wrestler” Simon Beaufoy, “Slumdog Millionaire” BEST ACTRESS BEST ORIGINAL SCREENPLAY Anne Hathaway, “Rachel Getting Married” Courtney Hunt, “Frozen River” Angelina Jolie, “Changeling” Mike Leigh, “Happy-Go-Lucky” Melissa Leo, “Frozen River” Martin McDonagh, “In Bruges” Meryl Streep, “Doubt” Dustin Lance Black, “Milk” Kate Winslet, “The Reader.” Andrew Stanton, Jim Reardon and Pete Docter, “WALL-E” BEST SUPPORTING ACTOR Josh Brolin, “Milk” BEST ANIMATED FEATURE Robert Downey Jr., “Tropic Thunder” “Bolt” Philip Seymour Hoffman, “Doubt” “Kung Fu Panda” Heath Ledger, “The Dark Knight” “WALL-E” Michael Shannon, “Revolutionary Road” BEST ART DIRECTION BEST SUPPORTING ACTRESS “Changeling” Amy Adams, “Doubt” “The Curious Case of Benjamin Button” Penelope Cruz, “Vicky Cristina Barcelona” “The Dark Knight” Viola Davis, “Doubt” “The Duchess” Taraji P. Henson, “The Curious Case of “Revolutionary Road” Benjamin Button” Marisa Tomei, “The Wrestler” BEST CINEMATOGRAPHY “Changeling” BEST DIRECTOR “The Curious Case of Benjamin Button” David Fincher, “The Curious Case of “The Dark Knight” Benjamin Button” “The Reader” Ron Howard, “Frost/Nixon” “Slumdog Millionaire” Gus Van Sant, “Milk” Stephen Daldry, “The Reader” Danny Boyle, “Slumdog Millionaire” 1 2009 OSCARS CHEAT SHEET BEST SOUND MIXING BEST DOCUMENTARY “The Curious Case of Benjamin Button” “The Conscience of Nhem En” “The Dark Knight” “The Final Inch” “Slumdog Millionaire” “Smile Pinki” “WALL-E” “The Witness - From the Balcony of Room 306” “Wanted” BEST DOCUMENTARY BEST SOUND EDITING “The Curious Case of Benjamin Button” “The Dark Knight” “The Dark Knight” “Iron Man” “Frost/Nixon” “Slumdog Millionaire” “Milk” “WALL-E” “Slumdog Millionaire” “Wanted” BEST MAKEUP BEST ORIGINAL SCORE “The Curious Case of Benjamin Button” “The Curious Case of Benjamin Button,” Alexandre “The Dark Knight” Desplat “Hellboy II: The Golden Army” “Defiance,” James Newton Howard “Milk,” Danny Elfman “Slumdog Millionaire” A.R. Rahman BEST ANIMATED SHORT FILM “WALL-E,” Thomas Newman “La Maison en Petits Cubes” “Lavatory - Lovestory” “Oktapodi” BEST ORIGINAL SONG “Presto” “Down to Earth” from “WALL-E,” Peter Gabriel and Thomas Newman “This Way Up” “Jai Ho” from “Slumdog Millionaire,” A.R. Rahman and Gulzar “O Saya” from “Slumdog Millionaire,” A.R. Rahman BEST ANIMATED SHORT FILM and Maya Arulpragasam “Auf der Strecke” (On the Line) “Manon on the Asphalt” “New Boy” “The Pig” BEST COSTUME “Spielzeugland” (Toyland) “Australia” “The Curious Case of Benjamin Button” “The Duchess” BEST VISUAL EFFECTS “Milk” “The Curious Case of Benjamin Button” “Revolutionary Road” “The Dark Knight” “Iron Man” BEST DOCUMENTARY FEATURE “The Betrayal (Nerakhoon) “Encounters at the End of the World” “The Garden” “Man on Wire” “Trouble the Water” 2.
Recommended publications
  • 170101 ATC Flexpass Interim Bro Outside
    E SUBSCRIB / G R O . E R T A THE A ARIZON ! Y A TOD SUBSCRIBE 8 201 - - -- 7 201 Y FAMIL ATC THE JOIN ARIZONA THEATRE COMPANY OFFERS A VARIETY OF SUBSCRIPTION OPTIONS TO GIVE YOU THE BEST OPPORTUNITY TO SEE ALL THE SHOWS YOU WANT TO SEE, WHEN YOU WANT TO SEE THEM, FROM WHATEVER SEATS YOU CHOOSE. WHEN YOU SUBSCRIBE TO ATC, YOU’RE FAMILY! 6-PLAY FULL SEASON SUBSCRIPTION BUILD-YOUR-OWN SUBSCRIPTION FLEX PASSES The Rolls Royce of subscriptions! For the true Join the ATC family on your terms! If you know the Enjoy subscriber benefits without the commitment! theatre connoisseur, you get to sample everything shows and dates you’d like to attend, we have just WHEN YOU PURCHASE A FLEX PASS, YOU RECEIVE: that ATC has to offer! the package for you! Our 3, 4, and 5-Play packages offer almost all the benefits of our 6-Play - Best seats in ANY section at the time of pass WHEN YOU PURCHASE A 6-PLAY, YOU RECEIVE: Subscriptions, and you get to be part of the ATC redemption - Guaranteed best seats for the shows you can’t family for a fraction of the price of single tickets! - Flexibility to redeem passes in any combination wait to see you choose WHEN YOU PURCHASE A 3-PLAY, 4-PLAY, OR - Unlimited free exchanges - Locked-in pricing for any tickets for the entire 5-PLAY PACKAGE, YOU RECEIVE: - Lost ticket insurance season, at a significant savings over single - Guaranteed best seats for the shows you can’t ticket prices - Priority renewals and seating upgrades wait to see - Early-bird access to special add-on productions - The satisfaction of knowing you’re
    [Show full text]
  • Joker (2019 Film) - Wikipedia
    Joker (2019 film) - Wikipedia https://en.wikipedia.org/wiki/Joker_(2019_film) Joker (2019 film) Joker is a 2019 American psychological thriller film directed by Todd Joker Phillips, who co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as the Joker. An origin story set in 1981, the film follows Arthur Fleck, a failed stand-up comedian who turns to a life of crime and chaos in Gotham City. Robert De Niro, Zazie Beetz, Frances Conroy, Brett Cullen, Glenn Fleshler, Bill Camp, Shea Whigham, and Marc Maron appear in supporting roles. Joker was produced by Warner Bros. Pictures, DC Films, and Joint Effort in association with Bron Creative and Village Roadshow Pictures, and distributed by Warner Bros. Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, who was initially attached to the project as a producer. The graphic novel Batman: The Killing Joke (1988) was the basis for the premise, but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Theatrical release poster Principal photography took place in New York City, Jersey City, and Newark, from September to December 2018. It is the first live-action Directed by Todd Phillips theatrical Batman film to receive an R-rating from the Motion Picture Produced by Todd Phillips Association of America, due to its violent and disturbing content.
    [Show full text]
  • EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards Only
    EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Years refer to year of presentation. Leading Actor Casey Affleck 1 nomination 2017: Leading Actor (Manchester by the Sea) Andrew Garfield 2 nominations 2017: Leading Actor (Hacksaw Ridge) 2011: Supporting Actor (The Social Network) Also Rising Star nomination in 2011, one nomination (1 win) at Television Awards in 2008 Ryan Gosling 1 nomination 2017: Leading Actor (La La Land) Jake Gyllenhaall 3 nominations/1 win 2017: Leading Actor (Nocturnal Animals) 2015: Leading Actor (Nightcrawler) 2006: Supporting Actor (Brokeback Mountain) Viggo Mortensen 2 nominations 2017: Leading Actor (Captain Fantastic) 2008: Leading Actor (Eastern Promises) Leading Actress Amy Adams 6 nominations 2017: Leading Actress (Arrival) 2015: Leading Actress (Big Eyes) 2014: Leading Actress (American Hustle) 2013: Supporting Actress (The Master) 2011: Supporting Actress (The Fighter) 2009: Supporting Actress (Doubt) Emily Blunt 2 nominations 2017: Leading Actress (Girl on the Train) 2007: Supporting Actress (The Devil Wears Prada) Also Rising Star nomination in 2007 and BAFTA Los Angeles Britannia Honouree in 2009 Natalie Portman 3 nominations/1 win 2017: Leading Actress (Jackie) 2011: Leading Actress (Black Swan) 2005: Supporting Actress (Closer) Meryl Streep 15 nominations / 2 wins 2017: Leading Actress (Florence Foster Jenkins) 2012: Leading Actress (The Iron Lady) 2010: Leading Actress (Julie
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • A Publication of the Science Fiction Research Association in This Issue
    292 Spring 2010 Editors Karen Hellekson SFRA 16 Rolling Rdg. A publication of the Science Fiction Research Association Jay, ME 04239 Review [email protected] [email protected] In This Issue Craig Jacobsen SFRA Review Business English Department Counting Down 2 Mesa Community College 1833 West Southern Ave. SFRA Business Mesa, AZ 85202 Statement in Response to the Arizona Immigration Bill 2 [email protected] Ask not what you can do for SFRA… 2 [email protected] SFRA Award Winners 3 Call for Executive Committee Candidates 4 Managing Editor Feature Janice M. Bogstad McIntyre Library-CD Scholarly Research and Writing 101 4 University of Wisconsin-Eau Claire Nonfiction Reviews 105 Garfield Ave. Classics and Contemporaries 8 Eau Claire, WI 54702-5010 [email protected] The Universe of Oz 9 The Unknown Lovecraft 10 Nonfiction Editor War of the Words: The Utopian Vision of H. G. Wells 11 Ed McKnight Fiction Reviews 113 Cannon Lane Deceiver 12 Taylors, SC 29687 [email protected] The Casebook of Victor Frankenstein: A Novel 12 Ares Express 14 Fiction Editor Nebula Awards Showcase 2010 15 Edward Carmien Brain Thief 16 29 Sterling Rd. Transition 17 Princeton, NJ 08540 Media Reviews [email protected] Avatar 18 Media Editor Pumzi 20 Ritch Calvin The Imaginarium of Doctor Parnassus 22 16A Erland Rd. Southern Portable Panic: Federico Álvarez’s Ataque de Pánico! 23 Stony Brook, NY 11790-1114 District B13 (Banlieue 13) 24 [email protected] Small Steps for Ants, a Giant Leap for Mankind: The SFRA Review (ISSN 1068- 395X) is published four times a year by Saul Bass’s Phase IV 24 the Science Fiction Research Association Pushing the Wrong Buttons 25 (SFRA), and distributed to SFRA members.
    [Show full text]
  • 2013 Year in Review
    OPERA AMERICA 2013 GROWING ONSTAGE AND OFF OPTION 1 TABLE OF CONTENTS A SURGE OF INNOVATION 6 RESONATING IN NEW SPACES 14 A COMMUNITY OF VOICES 20 OPERA AMERICA FINANCIAL REPORT 28 ANNUAL FIELD REPORT 30 SUPPORT FOR OPERA AMERICA 55 COVER: Maria Aleida as Queen of the Night in Opera Carolina’s production of The Magic Flute. Photo by Jon Silla. LEFT: Nina Yoshida Nelsen, Ji Hyun Jang and Mihoko Kinoshita in Houston Grand Opera’s production of The Memory Stone by Marty Regan and Kenny Fries. Photo by Felix Sanchez. CONCEPT AND DESIGN FOR ANNUAL REPORT BY THE LETTER FROM THE CHAIRMAN Since its inception OPERA America has existed as a community of like-minded individuals committed to the artistic and financial strength of the field. This past year, our definition of community expanded: our conference, held in Vancouver, affirmed our commitment to all of North America, while our growing partnership with Opera Europa continued to bridge the continents through our shared dedication to an art form that knows no borders. Most profoundly, however, the opening of the National Opera Center in New York has created a new center for our community, a tangible space where individual and company members can gather for auditions, recitals and professional learning programs. The center’s technology capabilities enable us to share these offerings globally, even as its flexible amenities enable us to share our love for opera locally. We are delighted to present our global, national and local achievements of the past year through this Annual Report. To our members we offer gratitude for your support of these achievements.
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
    Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies.
    [Show full text]
  • The Semi-Circle Basel
    The Semi-Circle Play-readings since 2010 2020 2020 07 22 Vampirella (Virtual via Zoom) by Angela Carter 2020 06 24 Cooking with Elvis (Virtual via Zoom) by Lee Hall 2020 05 26 Dumb Show (Virtual via Zoom) by Joe Penhall 2020 04 28 What Shall We Tell Caroline (Virtual via by John Mortimer Zoom) 2020 03 09 Kiss of the Spider Woman (El beso de la by Manuel Puig mujer araña) 2020 02 03 The Real Thing by Tom Stoppard 2020 01 06 The Philanthropist by Christopher Hampton 2019 2019 12 02 Inspector Drake and the Perfect Crime by David Tristram 2019 11 04 We Were Dancing, Still Life & Hands Across by Noel Coward the Sea 2019 10 07 Once a Catholic by Mary O'Malley 2019 09 02 Overtones by Alice Gerstenberg A Little Box of Oblivion by Stephen Bean 2019 07 01 No Exit by Jean-Paul Sartre 2019 06 03 The Party Through the Wall by Muriel Spark This Property is Condemned by Tennessee Williams The End of the Picnic by David Campton 2019 05 06 Daisy Pulls it Off by Denise Deegan 2019 04 08 The Turn of the Screw by Henry James adapted by Ken Whitmore 2019 02 04 The Frozen Deep by Wilkie Collins 2019 01 07 The Surrogate by Patricia Cotter 2018 2018 12 03 That Face by Polly Stenham 2018 11 05 Good Grief by Keith Waterhouse 2018 10 01 The Day After the Fair by Frank Harvey 2018 09 03 Central Park West by Woody Allen 2018 07 02 The Magic Tower, The Pretty Trap & Interior by Tennessee Williams Panic 2018 06 04 A Voyage Around My Father by John Mortimer 2018 05 07 Penguin Diplomacy, by John Finnemore Borderland by Sarah Woods 2018 04 09 Jenny Lomas by David Eldridge 2018 03 05 Lost in Yonkers by Neil Simon 2018 02 05 Not Talking by Mike Bartlett 2018 01 08 Quartermaine's Terms by Simon Grey 2017 2017 12 04 Inspector Drake and the Black Widow by David Tristram 2017 11 06 An Ordinary Day by Dario Fo 2017 10 02 Brimstone & Treacle by Dennis Potter 2017 09 04 Amateur Rites by Tim Luscombe 2017 07 03 Antigone by Sophocles 2017 12 06 Bedroom Farce by Alan Ayckbourn 2017 05 08 A Day in the Death of Joe Egg by Peter Nichols 2017 04 03 R.U.R.
    [Show full text]
  • The Physician at the Movies
    The physician at the movies Peter E. Dans, MD Wall Street: Money Never Sleeps GekkoisbroughtdownbyFoxwho,afterheiscaughtdoing Starring Michel Douglas, Shia La Beouf, Josh Brolin, Carey insidertrading,saveshishidebywearingawiretoincriminate Mulligan, Eli Wallach. Gekko. Before being sent to prison, Gekko sequesters $100 Directed by Oliver Stone. Rated PG-13. Running time 133 millioninaSwissaccountinhischildren’snames. minutes. The sequel begins in October 2001 at Sing Sing, where Gekkoisreleasedafterhavingservedhiseight-yearsentence t’shardtobelievethattheoriginalWall Streetwasreleased forinsidertradingandsecuritiesfraud.Hereclaimshispos- twenty-threeyearsago.LikeThe Godfather,ithasachieved sessions, including an out-of-date cell phone and, when no IiconicstatuswithitsmemorableOscar-winningperformance oneistheretomeethim,hetakesacabbackto“thecity.”The byMichaelDouglasasGordonGekkoanditssignatureline sceneshiftsto2008withtwoGenXersinbedasthemorn- “Greedisgood.”Gekkoaccumulatesbillionsbyweddinghis ingnewscomesonthetelevision.ThewomanisGekko’ses- beliefthat“informationisthemostvaluablecommodity”with trangeddaughterWinnie,whoangrilyshutsofftheTVupon a philosophy based on the writings of the sixth-century-BC hearing that Gekko is back in the limelight promoting his Chinese warlord Sun Tzu. As Gekko tells his protégé Bud bookIs Greed Good?Winnieusedtovisitherfatherregularly Fox(CharlieSheen),“Idon’tjustthrowdartsataboard.Read inprisonuntilherbrotherdiedofadrugoverdosethatshe SunTzu’sThe Art of War.Everybattleiswonbeforeitisever blamed on her
    [Show full text]
  • Viola Davis's Call to Adventure
    PROFILES DECEMBER 19 & 26, 2016 ISSUE VIOLA DAVIS’S CALL TO ADVENTURE How the star of “Fences” and “How to Get Away with Murder” got away from her difficult past. By John Lahr “I had a call to adventure, a call to live life bigger than myself,” Davis said. Photograph by Awol Erizku for The New Yorker n January 25, 2009, a jubilant Meryl Streep stood before a gala crowd at the O Screen Actors Guild Awards, in Los Angeles, having just won an award for her role in “Doubt,” the flm adaptation of John Patrick Shanley’s Pulitzer Prize- winning play about sexual abuse, race, and the Catholic Church. Clutching her statuette, Streep gave a shout-out to the rest of the cast. When she got to Viola Davis—who had earned her frst Academy Award nomination for her performance as the mother of an African-American boy a priest is accused of abusing—Streep saluted her colleague as “gigantically gifted,” then threw up her hands. “My God!” she said. “Somebody give her a movie!” The industry seems to have listened. Davis—“a newcomer at forty-fve,” as Streep later joked—has made twenty-one flms since then. Not all her roles have been large or central to the narrative arc, but, as Aibileen Clark, the maid who helps expose the folly of the white Mississippi matrons she serves, in “The Help”(2011), she was a popular success and gained a second Academy Award nomination. “No one had ever akst me what it felt like to be me,” Aibileen says at the end of the flm.
    [Show full text]