CALL #(ITEM) TITLE PUB INFO CT 220 Y43 1990 Yearbook / by the Editors of Memories Magazine

Total Page:16

File Type:pdf, Size:1020Kb

CALL #(ITEM) TITLE PUB INFO CT 220 Y43 1990 Yearbook / by the Editors of Memories Magazine CALL #(ITEM) TITLE PUB INFO CT 220 Y43 1990 Yearbook / by the editors of Memories magazine. New York : Doubleday DS 143 K25 1993 The Trotskys Thank you for the giant sea tortoise : and other unforeseen results of GV 1493 M23 1971 New York magazine competitions / Mary Ann Madden. Made possible by‐‐ : the death of public broadcasting in the United HE 8689.7 P82 L43 1997 States / James Ledbetter. HF 5439.5 M7 1993 Mr. Salesman : a book / edited by Diane Keaton. Santa Fe HM 24 S5726 1987 Sociology through humor / [collected by] Joseph E. Faulkner St. Paul HQ 834 L69 1977 Divorce syndrome / Ann Lloyd. A midsummer night's sex comedy [sound recording] : music from the M 176 M46 M53 1982 SDR Orchestra music. Selections Woody Allen film / [by Felix Mendelssohn]. p1981. M 1527 G68 1980 SDR The great movie themes. Volume 1 [sound recording]. [S.l. : s.n. M 1527 S43 W43 1960z SDR What's up [196‐?] Casino Royale [sound recording] : an original soundtrack recording / Music M 1527.2 B33 C37 1967 SDR Casino Royale. Selections composed and conducted by Burt Bacharach. What's new pussycat? [sound recording] : original motion picture M 1527.2 B33 W53 1965 SDR What's new pussycat? Selections soundtrack / music by Burt Bacharach ; lyrics by Hal David. ¿Qué tal Pussycat? [sound recording] = What's new Pussycat? : banda sonora original de la película / music by Burt Bacharach ; lyrics by Hal M 1527.2 B33 W53 1982 SDR David. M 1527.2 B85 1994 CDS Bullets over Broadway [sound recording] New York M 1527.2 E94 1997 CDS Everyone says I love you [sound recording] : original soundtrack New York M 1527.2 F36 1972 SDR Famous movie themes [sound recording]. New York : Paramount Records M 1527.2 F55 1970z v. 2 SDR Filmusic. Volume II [sound recording] : [original soundtrack recordings] United States : Centurion Manhattan [sound recording] : music from the Woody Allen film / M 1527.2 G47 M36 1978 SDR music by George Gershwin. Manhattan [sound recording] : original motion‐picture soundtrack / M 1527.2 G47 M36 1979 ACR Music by George Gershwin. Manhattan [sound recording] : music from the Woody Allen film / M 1527.2 G47 M36 1979 CDS George Gershwin ; music orchestrated and adapted by Tom Pierson. Hannah and her sisters [sound recording] : a selection of music from M 1527.2 H43 1987 CDS the motion picture. Universal City Hannah and her sisters [sound recording] : a selection of music from M 1527.2 H43 1987 SDR the motion picture. Universal City The purple rose of Cairo [sound recording] : music from the original M 1527.2 H96 P87 1985 SDR motion picture soundtrack / music composed and conducted by Dick M 1527.2 M55 1995 CDS Mighty aphrodite [sound recording] : music from the motion picture [New York?] : Sony Classical Selections from the soundtrack of the motion picture "Radio days" M 1527.2 R33 1987 CDS [sound recording]. New York : RCA Novus Selections from the soundtrack of the motion picture "Radio days" M 1527.2 R33 1987 SDR [sound recording]. New York M 1527.2 S73 1980 SDR Original soundtrack of the Woody Allen's Stardust memories [sound [Germany] : Bella Musica M 1527.2 W66 1993 CDS Woody Allen classics [sound recording]. New York : Sony Masterworks 1982 1988 NC 1429 P6 A4 1978 Medium rare : cartoons / by Bill Plympton ; introduction by George ‐q‐ NC 1529 P47 A4 1989 Tullio Pericoli. English Tullio Pericoli : Woody New York : Harcourt Brace PE 1122 H82 1976 Humor in America : an anthology / edited by Enid Veron. Jovanovich PN 1583 L94 1987 Great Jews on stage and screen / Darryl Lyman. PN 1583 T66 1989 Comedy greats : a celebration of comic genius past and present / Barry PN 1590 S3 W5 1974b Show business laid bare / Earl Wilson. PN 1942 B4 1982 Farce : a history from Aristophanes to Woody Allen / Albert Bermel The comprehensive and definitive account of farce : one of the world's PN 1942 B4 1982b funniest art forms / Albert Bermel. PN 1969 C3 G3 1991 Intimate nights : the golden age of New York cabaret / James Gavin. PN 1969 C3 G3 1992 Intimate nights : the golden age of New York cabaret / James Gavin. PN 1969 C65 S76 1997 Laughing in the dark : a decade of subversive comedy / Laurie Stone. ‐q‐ PN 1988.3 A45 A56 1985 Woody Allen ‐q‐ PN 1992.2 M37 1986 The history of television / Rick Marschall. Total television : a comprehensive guide to programming from 1948 to PN 1992.3 U5 M3 1991 the present / Alex McNeil. 1991 PN 1992.4 C33 A32 1974 Cavett / Dick Cavett and Christopher Porterfield. PN 1992.4 C33 A33 1983 Eye on Cavett / by Dick Cavett and Christopher Porterfield. Stand‐up comedians on television / [essays by Larry Gelbart ... et al. ; New York : Harry N. Abrams ‐q‐ PN 1992.8 C66 S72 1996 interview by George Plimpton ; curatorial essay by David Bushman]. Publishers It don't worry me : the revolutionary American films of the seventies / PN 1993.5 U6 G496 2003 Ryan Gilbey. Behind the Oscar : the secret history of the Academy Awards / by PN 1993.92 H65 1993 Anthony Holden. PN 1994.9 H66 1995 Hollywood wits / edited by K. Madsen Roth. New York : Avon Books PN 1994.9 W57 1999 Wisecracks / [compiled by] Rosemarie Jarski. Lincolnwood PN 1995.67 N7 K38 1999 Manhattan on film : walking tours of Hollywood's fabled front lot / Personality comedians as genre : selected players / Wes D. Gehring ; PN 1995.9 C55 G427 1997 foreword by Dennis E. Hensley. ‐q‐ PN 1995.9 C55 G88 1996 Legendary comedies / Peter Guttmacher. The National Society of Film Critics on movie comedy / edited by Stuart PN 1995.9 C55 N35 1977 Byron and Elisabeth Weis. New York : Grossman Publishers PN 1995.9 C55 S38 1981 Comedian comedy : a tradition in Hollywood film / by Steve Seidman PN 1995.9 C55 S397 1992 Laughing in the dark : movie comedy from Groucho to Woody / Ted Seventy years of great film comedians : a Joe Franklin memory lane PN 1995.9 C55 S6 1981 scrapbook / [by Ronald L. Smith]. PN 1995.9 J46 F7 1982 Hollywood's image of the Jew / Lester D. Friedman. PN 1995.9 P78 G3 1987 Psychiatry and the cinema / Krin Gabbard and Glen O. Gabbard. Framework : a history of screenwriting in the American film / Tom PN 1996 S76 1988 Stempel ; foreword by Philip Dunne. PN 1997 A4463 C69 1996 Annie Hall / Peter Cowie. PN 1997 A446314 1984 Annie Hall. Italian Io e Annie / Woody Allen ; [traduzione di Pier Francesco Paolini.] Annie Hall / argumento cinematográfico de Woody Allen e Marshall PN 1997 A446316 1989 Annie Hall. Portuguese Brickman ; tradução de Luís de Almeida Campos. Annie Hall / guión de Woody Allen y Marshal [sic] Brickman ; traducción de PN 1997 A446318 1988 Annie Hall. Spanish José Luis Guarner ; fotografías de Brian Hamill/Photoreporters. PN 1997 C3714 1993 Crimes and Misdemeanors. French Crimes et délits / Woody Allen ; traduit de l'américain par Michel Lebrun. Verbrechen und andere Kleinigkeiten : Drehbuch / Woody Allen ; aus dem PN 1997 C3715 1991 Crimes and misdemeanors. German Amerikanischen von Willi Winkler. PN 1997 C3718 1992 Crimes and misdemeanors. Spanish Delitos y faltas / guión de Woody Allen ; traducción de José Luis Guarner. Everything you always want to know about sex but were afraid to ask. Tout ce que vous avez toujours voulu savoir sur le sexe sans jamais oser le PN 1997 E9414 1990 French demander / Woody Allen ; traduit de l'américain par Michel Lebrun. Everything you always wanted to know about sex but were afraid to PN 1997 E9415 1987 ask. German Was Sie schon immer über Sex wissen wollten Tutto quello che avreste voluto sapere sul sesso ma non avete mai osato Everything you always wanted to know about sex but were afraid to chiedere / Woody Allen ; [traduzione dall'americano di Pier Francesco PN 1997 E9416 1986 ask. Italian Paolini]. Everything you always wanted to know about sex but were afraid to Tutto quello che avreste voluto sapere sul sesso ma non avete mai osato PN 1997 E9416 1991 ask. Italian chiedere / Woody Allen ; [trad. di Pier Francesco Paolini]. Everything you always wanted to know about sex but were afraid to Todo lo que usted quiso siempre saber acerca del sexo y nunca se atrevió a PN 1997 E9418 1986 ask. Spanish preguntar / guión de Woody Allen; [traducción de José Luis Guarner]. PN 1997 H36 1987 Hannah and her sisters / Woody Allen. Hannah et ses soeurs : inédit / Woody Allen ; traduit de l'américain par PN 1997 H3614 1991 Hannah and her sisters. French Michel Lebrun. Hannah und ihre Schwestern : Drehbuch / Woody Allen ; aus dem PN 1997 H3615 1986 Hannah and her sisters. German Amerikanischen von Walle Bengs. Hannah y sus hermanas / guión de Woody Allen ; traducción de José Luis PN 1997 H3618 1987 Hannah and her sisters. Spanish Guarner. Ehemänner und Ehefrauen : Drehbuch / Woody Allen ; Aus dem PN 1997 H8715 1993 Husbands and wives. German. Amerikanischen von Jürgen Neu. Maridos y mujeres / guión de Woody Allen ; traducción de José Luis PN 1997 H8718 1993 Guarner. Interiors = Innenleben : Drehbuch / Woody Allen ; aus dem Amerikanischen PN 1997 I5815 1981 Interiors. German von Hellmuth Karasek und Armgard Seegers. Interiores / guión de Woody Allen ; edición a cargo de Michael Rutman y Thomas Bodmar ; fotografías de Brian Hamill ; traducción y adaptación para PN 1997 I5818 1987 Interiors. Spanish la versión española de José Luis Guarner. Manhattan / Woody Allen ; [draaiboek van Woody Allen en Marshall PN 1997 M36128 1982 Manhattan. Dutch Brickman ; vert. uit het Engels door Barbara van Kooten]. Manhattan : Drehbuch / von Woody Allen und Marshall Brickman ; aus dem PN 1997 M3615 1981 Manhattan. German Amerikanischen von Hellmuth Karasek und Armgard Seegers. Manhattan / Woody Allen ; sceneggiatura di Woody Allen e Marshall PN 1997 M3616 1982 Manhattan.
Recommended publications
  • Download Press Release As PDF File
    JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social
    [Show full text]
  • Book by Marshall Brickman and Rick Elice Music And
    BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time.
    [Show full text]
  • BOEING BOEING by Marc Camoletti Translated by Beverley Cross & Francis Evans
    March 7 – April 2, 2017 on the OneAmerica Mainstage STUDY GUIDE edited by Richard J Roberts with contributions by Janet Allen • Laura Gordon Vicki Smith • Matthew LeFebvre • Charles cooper Indiana Repertory Theatre • 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director • Suzanne Sweeney, Managing Director www.irtlive.com SEASON SPONSOR 2016-2017 SUPPORTERS 2 INDIANA REPERTORY THEATRE BOEING BOEING by Marc Camoletti translated by Beverley Cross & Francis Evans Paris has long been known as the city of love. However, in Bernard’s case, it is the city of interlocking flight schedules, an impeccable bachelor pad, and three well-vetted flight attendants who also happen to be his fiancées! In classic farcical tradition, Bernard and his American friend, Robert, hold on by the skin of their teeth as their affair is threatened with delayed flights and mistaken identity. In the tradition of early Roman comedy, Marc Camoletti offers his audience uproarious models of the knave, the fool, and the clever servant through Bernard, Robert, and Berthe. These three, accompanied by three foreign fiancées, present a whirlwind of slamming doors and romance while challenging and, ultimately, being reined in by the authority of monogamy. Student Matinee: March 22, 2017 Estimated length: 2 hours & 30 minutes THEMES & TOPICS Love and Marriage, Physical Comedy, Genre and Farce, European Culture CONTENT ADVISORY Boeing Boeing is a fun-filled farce that contains references to infidelity and mild sexual innuendo. Recommended
    [Show full text]
  • January 2012 at BFI Southbank
    PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival:
    [Show full text]
  • Being a Non-Entity with Soon-Yi Previn
    Ellipsis Volume 41 Article 27 2014 Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Follow this and additional works at: https://scholarworks.uno.edu/ellipsis Part of the Nonfiction Commons Recommended Citation Hugmeyer, Carl (2014) "Being a Non-Entity with Soon-Yi Previn," Ellipsis: Vol. 41 , Article 27. DOI: https://doi.org/10.46428/ejail.41.27 Available at: https://scholarworks.uno.edu/ellipsis/vol41/iss1/27 This Creative Nonfiction is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Ellipsis by an authorized editor of ScholarWorks@UNO. For more information, please contact [email protected]. Being a Non-Entity with Soon-Yi Previn Carl Hugmeyer Sometimes I realize that I’m not really putting myself out there. Being pleasant and considerate towards those around you is important, but part of me still thinks there should be something else going on. I find it hard to track down my contributions, my expressions, my statements. Partially read New Yorkers pile up and Netflix still recommends more documentaries than sitcoms. There is kale in the refrigerator, yes, and a $23 bottle of wine. Great. But is this supposed to be a model of beautiful living, to show to those who scream at their children, slapping them and then tugging at their arms as they wait for the tank to fill up at the gas station? To those who throw their Burger King wrappers out of the car window? It is dust accumulating, nothing, a mouse in the walls of the world that no one really sees or cares about except when it gets audibly worked up or so thoroughly stuck that a smell begins to emanate.
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • False Authenticity in the Films of Woody Allen
    False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr.
    [Show full text]
  • Annie Hall: Screenplay Pdf, Epub, Ebook
    ANNIE HALL: SCREENPLAY PDF, EPUB, EBOOK Woody Allen,Marshall Brickman | 128 pages | 21 Feb 2000 | FABER & FABER | 9780571202140 | English | London, United Kingdom Annie Hall: Screenplay PDF Book Photo Gallery. And I thought of that old joke, you know. Archived from the original on January 20, Director Library of Congress, Washington, D. According to Brickman, this draft centered on a man in his forties, someone whose life consisted "of several strands. Vanity Fair. Retrieved January 29, The Guardian. Archived from the original on May 10, All the accolades and praise encouraged me to pick up this script. Archived from the original on December 30, Rotten Tomatoes. And I'm amazed at how epic the characters can be even when nothing blockbuster-ish happens. Annie and Alvy, in a line for The Sorrow and the Pity , overhear another man deriding the work of Federico Fellini and Marshall McLuhan ; Alvy imagines McLuhan himself stepping in at his invitation to criticize the man's comprehension. Retrieved March 23, How we actually wrote the script is a matter of some conjecture, even to one who was intimately involved in its preparation. It was fine, but didn't live up to the hype, although that may be the hype's fault more than the script's. And I thought, we have to use this. It was a delicious and crunchy treat for its realistic take on modern-day relationships and of course, the adorable neurotic-paranoid Alvy. The Paris Review. Even in a popular art form like film, in the U. That was not what I cared about Woody Allen and the women in his work.
    [Show full text]
  • Dossier De Presse Wonder Wheel
    Amazon Studios présente En association avec Gravier Productions Une production Perdido Durée : 1h41 "6$*/²."%µ4 -& %²$&.#3& DISTRIBUTION PRESSE .²53010-&'*-.4 45"313 4U-BVSFOU #POOF4NJUI .POUSÏBM 2$)54 5FM5XJUUFS JOGP@NÏUSPQPMFGJMNTDPN #POOF!TUBSQS TUBSQS!TZNQBUJDPDB 1IPUPT WJEÏPTFUEPTTJFSEFQSFTTFUÏMÏDIBSHFBCMFTTVSXXXNÏUSPQPMFGJMNTDPN SYNOPSIS WONDER WHEEL croise les trajectoires de quatre personnages, dans l’effervescence du parc d’attraction de Coney Island, dans les années 50 : Ginny, ex-actrice lunatique reconvertie serveuse ; Humpty, opérateur de manège marié à Ginny ; Mickey, séduisant maître- nageur aspirant à devenir dramaturge ; et Carolina, fille de Humpty longtemps disparue de la circulation qui se réfugie chez son père pour fuir les gangsters à ses trousses. NOTES DE PRODUCTION Woody Allen a toujours éprouvé une grande tendresse pour Coney Island. des situations, à la fois complexes, profondes, intenses, déroutantes et fortes. Ce n’est d’ailleurs pas un hasard si, dans ANNIE HALL, le petit Alvy Singer Je me suis toujours intéressé aux problèmes des femmes. Au fil des siècles, les grandit à proximité du parc d’attraction. Le cinéaste en garde des souvenirs hommes ont eu tendance à exprimer moins volontiers leurs souffrances : le d’enfance joyeux : « Quand je suis né, l’époque florissante de Coney Island était mot d’ordre masculin consiste à ne pas avouer qu’on souffre. C’est comme dans déjà révolue depuis un bon moment, mais c’était encore un endroit magique le base-ball où, quand un “batteur” est touché par un “lanceur”, il est censé ne pour moi, confie-t-il. Ce lieu m’a toujours impressionné. Il y avait là une faune pas montrer qu’il a mal.
    [Show full text]
  • ROBERT GREENHUT Producer
    ROBERT GREENHUT Producer TRUST - Millennium - David Schwimmer, director PICASSO & BRAQUE GO TO THE MOVIES - Independent - Arne Glimcher, director BROOKLYN’S FINEST - Warner Bros. - Antoine Fuqua, director AUGUST RUSH - Warner Bros. - Kirsten Sheridan, director FIND ME GUILTY - Yari Film Group - Sidney Lumet, director STATESIDE - First Look Films - Reverge Anselmo, director THE BLACK KNIGHT - 20th Century Fox - Gil Junger, director WHITE RIVER KID - Independent - Arne Glimcher, director WITH FRIENDS LIKE THESE - Independent - Phillip Frank Messina, director THE PREACHER’S WIFE - Buena Vista - Penny Marshall, director EVERYONE SAYS I LOVE YOU - Miramax - Woody Allen, director MIGHTY APHRODITE - Miramax - Woody Allen, director BULLETS OVER BROADWAY - Miramax - Woody Allen, director RENAISSANCE MAN - Buena Vista - Penny Marshall, director WOLF (Executive) - Columbia - Mike Nichols, director MANHATTAN MURDER MYSTERY - TriStar - Woody Allen, director HUSBANDS AND WIVES - TriStar - Woody Allen, director SHADOWS AND FOG - Orion - Woody Allen, director A LEAGUE OF THEIR OWN - Columbia - Penny Marshall, director REGARDING HENRY (Executive) - Paramount - Mike Nichols, director ALICE - Orion - Woody Allen, director QUICK CHANGE - Warner Bros. - Howard Franklin, Bill Murray, directors POSTCARDS FROM THE EDGE (Executive) - Columbia - Mike Nichols, director CRIMES AND MISDEMEANORS - Orion - Woody Allen, director NEW YORK STORIES - Touchstone - Woody Allen, director WORKING GIRL - 20th Century Fox - Mike Nichols, director BIG - 20th Century Fox - Penny
    [Show full text]
  • Live from New York, It's the Translation of Cultural Humor!
    Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 2015 Live from New York, it's the Translation of Cultural Humor! Megan Hosack Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Television Commons, and the Translation Studies Commons Recommended Citation Hosack, Megan, "Live from New York, it's the Translation of Cultural Humor!" (2015). Undergraduate Honors Thesis Collection. 263. https://digitalcommons.butler.edu/ugtheses/263 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. NON-EXCLUSIVE LICENSE FOR USE OF MATERIALS in the DigitalCommons@Butler University This non-exclusive License defines the terms for the deposit of Materials in all formats into the digital repository of Materials collected, preserved, and made available through the DigitalCommons@Butler University. The Contributor hereby grants to Butler University a royalty-free, non-exclusive worldwide License to use, re-use, display, distribute, transmit, publish, republish or copy the Materials, either digitally or in print, or in any other medium, now or hereafter known, for the purpose of including the Materials in the DigitalCommons@Butler University. Butler University will not make any alteration, other than as allowed by this License, to your submission. Copyright and any other intellectual property right in or to the Materials shall not be transferred by this agreement and shall remain with the Contributor or the Copyright holder if different from the Contributor.
    [Show full text]
  • In 193X, Constance Rourke's Book American Humor Was Reviewed In
    OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism.
    [Show full text]