Double Indemnity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Essay for "Midnight"
Midnight By Kyle Westphal Long-standing critical con- sensus and the marketing prowess of Turner Classic Movies have declared 1939 to be “Hollywood’s Greatest Year”— a judgment made on the basis of a handful of popular classics like “Gone with the Wind,” “The Wizard of Oz,” “Stagecoach,” and “Mr. Smith Goes to Washington,” and a rather large stable of films that represent studio craftsmen at its most competent and unpretentious. There is no finer product of that collabo- Two-page advertisement from May 1939 edition of Photoplay. rative ethos than Midnight” Courtesy Media History Digital Library. — a shimmering comedy that exemplifies the weary cosmopolitan style of its stu- dio, Paramount Pictures. It received no Academy The plot, such as it is, is pure screwball. Colbert Award nominations, but it can go toe-to-toe with any stars as Bronx-bred but lately itinerant showgirl Eve ’39 warhorse. Peabody, who awakes on a train and disembarks in Paris with nothing but the gold lamé dress on her Film critic Dave Kehr has affectionately described back. She winds up in the taxi of Tibor Czerny (Don Paramount’s ’30s output as an earnest examination Ameche), who willingly drives her from nightclub to of an imagined “Uptown Depression,” positing an nightclub in search of a gig. Recognizing the futility economic calamity that “seemed to have its greatest of this plan, Colbert sneaks away from Ameche and effect not on switchboard operators and taxi drivers, uses her Monte Carlo municipal pawn ticket as en- but on Park Avenue socialites, Broadway stars and trée to a society soirée hosted by society matron well-heeled bootleggers.” Coming late in the cycle, Hedda Hopper. -
The Apartment Complex: Urban Living and Global Screen Cultures, Edited
Review How to Cite: Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi. org/10.16995/os.22 Published: 09 December 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Screens, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Screens is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi.org/10.16995/os.22 REVIEW The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9 Ana Maria Sapountzi University of St Andrews, GB [email protected] This is a book review of Pamela Robertson Wojcik’s The Apartment Complex: Urban Living and Global Screen Cultures (2018), which is comprised of essays by scholars responding to and utilising her concept of the apartment plot film which she established in her previous book The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 (2010). -
Sequenzanalyse "Ace in the Hole"
Universität Zürich Filmanalyse I/II Seminar für Filmwissenschaft WS/SS 2001/02 Plattenstrasse 54 Leitung: 8032 Zürich Prof. Dr. Ch. Brinckmann Sequenzanalyse: »»AAccee iinn tthhee HHoollee«« (The Big Carnival) von Billy Wilder 15. Oktober 2002 Meret Lehmann Peter Clausen Helvetierstrasse 6 Hasenbüelweg 38 4313 Möhlin 6300 Zug Tel. 061 851 36 79 Tel. 041 720 04 11 [email protected] [email protected] Inhaltsverzeichnis 1. Einleitung. .......................................................................................... 1 2. »Ace in the Hole« (The Big Carnival) von Billy Wilder ............................. 2 2.1 Synopsis ................................................................................ 2 2.2 Produktionsdaten.................................................................... 3 2.3 Produktionsgeschichte............................................................. 4 2.4 Filmgeschichtliche Einordnung ................................................. 4 2.5 Ausgewählte Sequenz im Film.................................................. 7 2.6 Rezeption............................................................................... 7 3. Sequenzprotokoll................................................................................. 9 3.1 Vorgehen ............................................................................... 9 3.2 Schematisches Sequenzprotokoll .............................................. 9 4. Auswertung ........................................................................................ 10 4.1 Kameraführung...................................................................... -
Marilyn Monroe, Lived in the Rear Unit at 5258 Hermitage Avenue from April 1944 to the Summer of 1945
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-2179-HCM ENV-2015-2180-CE HEARING DATE: June 18, 2015 Location: 5258 N. Hermitage Avenue TIME: 10:30 AM Council District: 2 PLACE: City Hall, Room 1010 Community Plan Area: North Hollywood – Valley Village 200 N. Spring Street Area Planning Commission: South Valley Los Angeles, CA Neighborhood Council: Valley Village 90012 Legal Description: TR 9237, Block None, Lot 39 PROJECT: Historic-Cultural Monument Application for the DOUGHERTY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Hermitage Enterprises LLC c/o Joe Salem 20555 Superior Street Chatsworth, CA 91311 APPLICANT: Friends of Norma Jean 12234 Chandler Blvd. #7 Valley Village, CA 91607 Charles J. Fisher 140 S. Avenue 57 Highland Park, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. NOT take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal warrants further investigation. 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2015-2179-HCM 5258 N. Hermitage, Dougherty House Page 2 of 3 SUMMARY The corner property at 5258 Hermitage is comprised of two one-story buildings. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Billy Wilder: Film Noir Inventor and Genius -- #1
Billy Wilder: Film Noir Inventor and Genius -- #1 #3 — Websites: Use these websites as to research Double Indemnity, Billy Wilder and the history of Noir Films. Billy Wilder Movies and Reviews http://www.csmonitor.com/durable/1998/01/30/feat/tv.1.html The Christian Science monitor reviews the American Masters PBS series, "Billy Wilder: The Human Comedy." Classic Turner Films review Billy Wilder’s work http://www.filmsite.org/suns.html Review of the film Sunset Boulevard http://www.filmsite.org/apar.html Review of the film The Apartment http://www.prairienet.org/ejahiel/arisemyl.htm Review of the film Arise, My Love http://www.prairienet.org/ejahiel/ballfire.htm Review of the film A Ball of Fire http://www.prairienet.org/ejahiel/foraffai.htm Review of the film The Major and The Minor http://www.boxoff.com/cgi/getreview.pl?filename=All&where=Name&terms=SABRINA+\(1954\) Review of the film Sabrina http://www.filmsite.org/seve.html Review of the film, The Seven Year Itch http://www.filmsite.org/some.html Review of the film, Some Like It Hot Movie Tributes, Posters and Databases http://www.eonline.com/Facts/People/0,12,37822,00.html E-Online -- A list of Billy Wilder's films with links to information about each of them http://kennedy-center.org/honors/years/wilder.html Kennedy Center Tribute to Billy Wilder http://www.reelclassics.com/Directors/Wilder/wilder.htm Movie posters and links to Billy Wilder’s movies http://www.german-way.com/cinema/bwilder.html General information about Billy Wilder and different film genres http://us.imdb.com/M/person-exact?Wilder%2C+Billy An Internet movie Database Double Indemnity Resources http://www.filmunlimited.co.uk/Century_Of_Films/Story/0,4135,91758,00html Information about Double Indemnity http://www.filmsite.org/doub.html General descritption and analysis of the film, Double Indemnity http://www.filmunlimited.co.uk/Century_Of_Films/Story/0,4135,91758,00.html#top Description of Billy Wilder’s work, Double Indemnity and other good links to essays about the author, actors and writers. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
+- Vimeo Link for ALL of Bruce Jackson's and Diane
Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer.. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet
ISSN 2380-5064 | Arsenal is published by the Augusta University Libraries | http://guides.augusta.edu/arsenal Volume 1, Issue 2 (2017) Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet Breana Walton Citation Walton, B. (2017). Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet. Arsenal: The undergraduate research journal of Augusta University, 1(2), 23-29. http://doi.org/10.21633/issn.2380.5064/s.2017.1.02.23 This open access article is distributed under a Creative Commons Attribution- NonCommercial-NoDerivs 2.0 Generic License (https://creativecommons.org/licenses/by-nc-nd/2.0/) ISSN 2380-5064 10.21633/issn.2380.5064/s.2017.1.02.23 Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet Breana Walton Department of English and Foreign Languages Faculty Mentor: Tim Sadenwasser, Department of English and Foreign Languages and Honors Program; Todd Hoffman, Department of English and Foreign Languages ABSTRACT Directed by Billy Wilder (1944) and Edward Dmytryk (1944) respectively, the films noir Double Indemnity and Murder, My Sweet each have a storyline that unfolds from a first person perspective as told by a narrator. The techniques used in the films establish this first person perspective through which the films are understood. Both films include voice over as a technique, which determines who the narrator is and the amount of information withheld or disclosed to the audience. Establishing the visual perspective of the narrator is portrayed through differently for each film. -
^ for Immediate Release
^ For immediate release LACMA Public Programs MARCH 2012 Art & Music: THE JAZZ CRUSADERS ELLSWORTH KELLY SELECTS: Casque D’or LACMA MUSE PRESENTS: YOUNG DIRECTORS Madcap modernism: mid-century NIGHT cartoons from upa and beyond Talks & Courses Rabbits, Bugs and Trumpets: A Visit to a few Verbal Wonderlands Monday, March 5 | 8 pm Resnick Pavilion | Free, tickets required | Seating is limited | Tickets: 323 857-6010 or reserve online Poetry often inspired the artists whose work is featured in the special exhibition In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States , and they often wrote poetry as part of their creative processes. Author Aimee Bender currently teaches creative writing at USC and has taught courses in surrealist writing. She reads her own work as well as a short story by Leonora Carrington, whose art is featured in the exhibition. Bender is the author of four books, including The Girl in the Flammable Skirt and The Particular Sadness of Lemon Cake . Her writing has appeared in Granta , Harper's , The Paris Review, and more, and she has been heard on This American Life and Selected Shorts . In her courses at USC, she regularly uses Shambhala Press's guide called The Book of Surrealist Games . That California Look: Mid-Century Fashion Magic with Curator Kaye D. Spilker Wednesday, March 7, 2012 | 2 pm Bing Theater | Reservations required General Admission: $15 | Tickets: 323 857-6010 or purchase online. Costume Council members: Free | Tickets 323 857-6555 or e-mail [email protected] to RSVP and purchase guest tickets. Los Angeles, with its perfect climate for a year-round indoor/outdoor lifestyle, Hollywood glamour, beach culture, and brilliant promoters, gave the nation sportswear—casually elegant "playclothes" that successfully married fashion and function.