DOCSLIB.ORG

Questions & Answers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Questions & Answers Hindrances ................................................................................................................ 56 MLP45E: Introduction ............................................................. 2 Languages of Equestria ............................................................................................. 57 Chapter 1: Questions & Answers ............................................. 3 Character Quirks ....................................................................................................... 58 Chapter 2: Character Races ..................................................... 6 Height and Weight by race ........................................................................................ 60 Earth Pony .................................................................................................................. 7 Chapter 5: Magic ................................................................... 61 Pegasus Pony .............................................................................................................. 8 New Spells By Class ................................................................................................... 62 Unicorn Pony .............................................................................................................. 9 New Spell Descriptions ............................................................................................. 62 Crystal Pony ................................................................................................................ 9 Buffalo ...................................................................................................................... 10 Chapter 6: Equipment ........................................................... 70 Diamond Dog ............................................................................................................ 10 Equestrian Currency .................................................................................................. 71 cheezedoodle96.deviantart.com Donkey ...................................................................................................................... 11 Equipment List .......................................................................................................... 72 Dragon ...................................................................................................................... 12 Special Components & Materials .............................................................................. 72 Griffon ...................................................................................................................... 13 Crafting Rules ............................................................................................................ 72 Minotaur ................................................................................................................... 14 Magical Technology .................................................................................................. 78 Yak ............................................................................................................................ 15 Vehicle Rules ............................................................................................................. 81 Zebra ......................................................................................................................... 16 Chapter 7: Gameplay ............................................................. 83 Chapter 3: Comic & Fanon Races ........................................... 17 New Actions .............................................................................................................. 84 Boar .......................................................................................................................... 18 New Conditions ......................................................................................................... 84 Changeling Orphan ................................................................................................... 18 Rules Additions & Modifications ............................................................................... 85 Deerfolk .................................................................................................................... 20 Optional House Rules ................................................................................................ 86 Hippocampus ............................................................................................................ 22 Chapter 8: Cartoon Physics .................................................... 88 Hippogriff .................................................................................................................. 23 Cartoon Physics Overview ......................................................................................... 88 Kirin (Dragon-Pony) .................................................................................................. 24 Automatic Powers ..................................................................................................... 89 Chapter 4: Character Options ................................................ 26 Learnable Powers ...................................................................................................... 89 Cutie Marks ............................................................................................................... 27 Chapter 9: Zingers ................................................................. 95 Religion in Equestria ................................................................................................. 29 Zinger Rules ............................................................................................................... 95 Bard Option .............................................................................................................. 31 Optional Zinger Rules ................................................................................................ 95 Cleric Options ........................................................................................................... 33 Credits & Other Boring Stuff .................................................. 97 Introduction – Sorcerer Options ....................................................................................................... 37 Changelog ................................................................................................................. 99 Warlock Options ....................................................................................................... 40 New Skill & Skill Uses ................................................................................................ 40 MLP45E New Backgrounds ..................................................................................................... 41 New Feats ................................................................................................................. 47 1 Welcome! Future Updates: MLP45E (My Little Pony: For 5th Edition [D&D]) is a rulebook intended to be used with the 5th edition of the Dungeons & Dragons roleplaying game to create a roleplaying Here’s a few of the upcoming additions being worked on for later revisions: campaign set in the world of My Little Pony and its nation of Equestria. It is not a Gargoyle, Centaur, and Goat races standalone set of roleplaying rules. The author is not affiliated with Hasbro or its subsidiary Artificer class, Avenger class (rogue archetype) Wizards of the Coast, and claims no ownership of any names or screen-captures owned by More alchemical items, herbs, and special components Hasbro, Hasbro Studios, Studio B Productions, DHX, or Top Draw Animation. All MLP fan art Magic items & discussion on prices is used with permission of the artists. Pony name generator If you wish to role-play using these rules, you can try out the D&D Basic Rules for More zingers cheezedoodle96.deviantart.com free, although it is a limited version of the game. If you want to dive in head-first, you More season 4 - 5 updates should purchase a copy of the D&D 5th edition Player’s Handbook, which is available in Comics/chapter books update your local game and hobby stores, and everywhere online. If you’re the Dungeon Master running the game, I encourage you to also pick up a copy of the D&D 5th Edition Starter Set, which is very reasonably-priced and includes a short introductory adventure. If you like the game and intend to continue writing your own adventures, the Dungeon Master should also acquire a copy of the 5th Edition Dungeon Master’s Guide and Monster Manual. For further premade adventures you might like the Hoard of the Dragon Queen hardcover adventure and its sequel, Rise of Tiamat, or the Princes of the Apocalypse adventure (which makes a good sequel to the adventure in the Starter Set). You can also go to DNDClassics.com and purchase one of their 5th edition adventure PDFs. The “Ghosts of Dragonspear Castle” adventure is a good starting point, which will take characters from level 1 to 10. Finally, there’s many sources of free adventures available online. You may have to adapt them to 5th-edition rules, but it may be the best option if paid adventures aren’t in your budget! Current Status: Playtesting As you can see below, a number of the sections are incomplete or missing artwork. I’m still in the process of adding more content to this document, so over time those holes will be filled in. For the
Load more

Recommended publications
  • The University of Chicago Looking at Cartoons
    THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
    [Show full text]
  • Animation:Then,Now,Next
    Fall 2020 FYI, section 093 is a 2nd half of the semester course. If you wish to enroll in the full-semester version please email instructor FILM1600 : Then|Now|Next [email protected] for permission code. (August 17,2020) What you need to know! Designed to be online (asynchronous – anytime during the week) since 2016. It is not a zoom/IVC adaptation because of COVID. The course incorporates extensive visual media that make up the majority of the course content (no required book to purchase). It is now 99% Closed Captioned (spring 2020). Updated each semester with newest advances in the field. This course is 8 weeks long, which means things move a bit faster to fit everything in but is very manageable with good organization. What is different about this course… this is not a history course but reveals the people, processes and future changes in how animation is used in digital media. The content of the course draws directly from the professor’s experience and insights working at Disney Feature Animation and Electronic Arts (games). Weekly Modules are structured to emulate regular in-person classes. The modules contain each week's opening animations, lectures, readings, and quizzes. You can access the material several weeks before due dates. Course Content Animation techniques have evolved from simple cartoon drawings to 3D VFX. Today this evolution continues as it is Link to Sample Lecture Class rapidly being integrated into XR. From Animation's beginnings, (2 lectures per week) each new technological innovation extended the creative possibilities for storytelling (e.g.
    [Show full text]
  • Audition Information Rehearsal Schedule Synopsis
    Contemporary Theatre invites you to audition for… By Eric John Meyer Directed by Lily Telegdy ‘23 Streaming April 8th-10th, 2021 The Antelope Party will be a filmed production that will rehearse in-person with masks and social distancing! If you are interested in getting involved in the theatre community, but would like a lower commitment show, The Antelope Party could be for you! AUDITION INFORMATION Auditions will be held virtually for this production via self-tape and submitted on Google Forms! This form will be sent out in January, and there is no need to sign-up previously to submitting your audition. Please prepare a 1-minute contemporary comedic monologue from any published source! It can be from a play, T.V. show, or movie! Memorization is not necessary, but please be familiar with the piece. There will be no callbacks for this production! REHEARSAL SCHEDULE This is a lower commitment show and we will only rehearse three days a week! The commitment for this production begins Monday, February 22nd, 2020 and will extend to Saturday, March 27th. March 22nd to March 27th will only be used in the case of reshoots. During the rehearsal and filming stages of this process, we will generally meet for 3 hours, from 7-10pm during school days with a possibility of 12-4pm on Sundays. SYNOPSIS Pony Up, America! Equestria is a land of friendship. Equestria is a land of magic. Equestria is Ben’s apartment in rural Pennsylvania. Every Tuesday night, Ben hosts "The Rust Belt Ponies Meet-Up Group for Adult Fans of MY LITTLE PONY: FRIENDSHIP IS MAGIC.” Sharing fun with these friends is a wonderful place to be.
    [Show full text]
  • Ssi-92Orderform
    GAMES AVAILABLE FROM SSI PRODUCT 5.25" 3.5" Price Qty Total Part No. Part No. IBM A Line in the Sand 041621 141621 $39.95 Buck Rogers: Matrix Cubed 041551 141551 $19.95 Carrier Strike 041581 141581 $69.95 Carrier Strike Expansion Disk 041711 141711 $29.95 Conflict: Korea 041551 141551 $19.95 Conflict: Middle East 041391 141391 $19.95 Curse of the Azure Bonds* 041221 141221 $19.95 Gary Grigsby's Pacific War 041781 141781 $79.95 Gateway to the Savage Frontier* 041401 141401 $19.95 Gettysburg: The Turning Point 041891 NIA $59.95 Hills far* 041201 NIA $19.95 Matrix Cubed 041541 141541 $19.95 No Greater Glory 041441 141441 $29.95 Pool of Radiance* 041131 141131 $19.95 Second Front 041291 NIA $29.95 Secret of the Silver Blades* 041331 141331 $19.95 Shadow Sorcerer* 041461 NIA $19.95 Tony La Russa's Ultimate Baseball 041411 141411 $19.95 Typhoon of Steel 041181 141181 $19.95 Western Front 041431 141431 $29.95 TONY LA RUSSA'S DATA DISKS IBM 1990 MLBPA Teams 041501 141501 $19.95 1991 MLBPA Teams 041611 141611 $19.95 AVAL Classic Stadiums 041471 141471 $19.95 NUNL Classic Stadiums 041481 141481 $19.95 Classic Stadiums 041521 141521 $14.95 Fantasy Manager 041531 141531 $19.95 Great Teams 041491 141491 $19.95 AMIGA Champions ofKrynn* NIA 151301 $19.95 Conflict: Korea NIA 151551 $19.95 Conflict: Middle East NIA 151391 $19.95 Curse of the Azure Bonds* NIA 151221 $19.95 Death Knights of Krynn* NIA 151371 $19.95 Eye of the Beholder* NIA 151361 $19.95 Gateway to the Savage Frontier* NIA 151401 $19.95 Gettysburg: The Turning Point NIA 151891 $59.95 No Greater Glory NIA 151441 $29.95 Second Front NIA 151291 $29.95 Secret of the Silver Blades* NIA 151331 $19.95 Shadow Sorcerer* NIA 151461 $19.95 Typhoon of Steel NIA 1511181 $14.95 TOTAL ORDER:$ Quantities available while supplies last.
    [Show full text]
  • My Little Pony: Equestria Girls: Friendship Games
    Begin Reading Table of Contents Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. For Audrey D. and her grandma, some of my very best friends A Whole New Ball Game Sunset Shimmer dashed toward Canterlot High. Her red-gold hair wafted behind her like a pony’s wavy mane. She was so excited! She glanced at her phone one more time. Could the news really be true? She ran over to the statue of the Wondercolt. Rainbow Dash and Applejack were already there, and the other girls were seconds behind her. “I got your text, Rainbow Dash,” Sunset Shimmer exclaimed breathlessly. “Did something come through the portal? Is Equestrian magic on the loose? Did Twilight come back with a problem that only we can solve?” Pinkie Pie giggled. “Has a giant cake monster covered all the cakes in the world in cake?” Rainbow Dash was surprised that all the girls had overreacted. What did they want? Another trio of evil Sirens to infiltrate their school and try to sow disharmony? She held up her guitar. The emergency was that she had broken a string—and she really wanted to practice some new songs for their band, the Sonic Rainbooms.
    [Show full text]
  • Central Park Conservancy
    Summer is here. It's time to get outside and volunteer! Opportunities abound in gardens, museums and festivals in NYC. Stay cool, use sunscreen, bug spray, have fun & make a difference! Central Park Conservancy Central Park is the most frequently visited urban park in the United States. Volunteer opportunities for ages 18 and up include: Saturday Green Team - click here to Learn More Gardener’s Assistant Program - click here to Learn More Greeter Program - click here to Learn More Attend a Volunteer Open House to get started. Battery Dance Festival Website: www.batterydance.org/ Battery Dance presents the 38th Annual Dance Festival with free outdoor performances August 11 to 16 at Robert F. Wagner, Jr. Park and a free indoor closing event at Pace University on August 17. Volunteers help with daily production set-up, hosting the entrance tables, greeting audience members and handing out playbills. They also help with activities related to our closing event on August 17 and dance workshops throughout the week. Benefits include attending free dance performances in a beautiful park, gaining experience in dance production, taking part in the downtown dance community and making new friends and connections! Available Shifts: (Most needed: 7pm-10:30pm shift) August 11 - 12 - 9am-2pm; 2pm-7pm; 7pm-10:30pm August 13 - 16 - 10am-1pm; 2 pm-7 pm; 7pm-10:30pm August 17 - 3pm - 9pm Call Natalia Mesa, 212-219-3910 or email [email protected] Friends of Governors Island Website: www.govisland.com Take a short ferry ride to meet new people and spend time outdoors while giving back to NYC’s most innovative public space.
    [Show full text]
  • Animating Race the Production and Ascription of Asian-Ness in the Animation of Avatar: the Last Airbender and the Legend of Korra
    Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism.
    [Show full text]
  • MLP 617 – the Times They Are a Changeling– Outline 16-Mar-2015
    Distribution: Production: Devon Cody Meghan McCarthy Josh Haber Jim Miller Denny Lu Lesley Crawford Claire Bartleman The HUB: Linda Shima Tsuno Wayne Winstead Hasbro Studios: Stephen Davis Kathy Page Brian Lenard Gabriel Monje Daniel Barnes Finn Arnesen Nina Scales Hasbro Brand: Jamie Cipolla Yusun Hwang Husuk Jung Andrea Ehret Marissa Mansolillo Samantha Lomow Gretchen Forrest Kristen Riley Katherine Padilla Brain Chapman MY LITTLE PONY 6 The Times They Are A Changeling 617 Outline by: Kevin Burke and Chris “Doc” Wyatt Outline: March 16, 2015 MLP 617 – The Times They Are A Changeling– Outline 16-Mar-2015 TEASER SC. 1 - EXT. THE FRIENDSHIP EXPRESS – DAY Establishing – the train speeds through a beautiful Equestrian landscape. SC. 2 – INT. THE FRIENDSHIP EXPRESS – DAY TWILIGHT is trying to get in a little time with her trainee STARLIGHT—But the ponies are too excited to focus. They’re on their way to the Crystal Empire on an official trip to visit Twilight’s new niece (the Royal Baby-- Flurry Heart) and her parents Shining Armor and Cadence. As the ponies chat about how excited they are, SPIKE stumbles in, dragging a MASSIVE STEAMER TRUNK. As the train rounds a bend, the trunk scoots away from him, smashes into the wall, and ejects TONS of clothing—burying Spike! As the ponies help dig Spike out of the pret-a- porte mountain, they ask him: “Why have you packed more clothes than Rarity when she’s going to Equestria Fashion Week?” Spike: “They’re all disguises.” Um, What? Explanation please… Spike humblebrags that in the Crystal Empire he’s “kind of a big deal”—They call him the “Great Hero” because he, “you know, saved the kingdom… a couple of times.
    [Show full text]
  • Perceptual Evaluation of Cartoon Physics: Accuracy, Attention, Appeal
    Perceptual Evaluation of Cartoon Physics: Accuracy, Attention, Appeal Marcos Garcia∗ John Dingliana† Carol O’Sullivan‡ Graphics Vision and Visualisation Group, Trinity College Dublin Abstract deformations to real-time interactive physics simulations e.g. Cel Damage by Pseudo Interactive R and Electronic Arts R . A num- People have been using stylistic methods in classical animation for ber of papers have been published on simulating cartoon physics many years and such methods have also been recently applied in 3D using a range of different approaches from simple geometrical de- Computer Graphics. We have developed a method to apply squash formations to complex physically based models of elasticity. In this and stretch cartoon stylisations to physically based simulations in paper we present the results of a number of experiments that were real-time. In this paper, we present a perceptual evaluation of this performed to address the question of whether and to what degree approach in a series of experiments. Our hypotheses were: that styl- stylisation contributes to the quality of a real-time interactive simu- ised motion would improve user Accuracy (trajectory prediction); lation. that user Attention would be drawn more to objects with cartoon physics; and that animations with cartoon physics would have more 1.1 Contributions Appeal. In a task that required users to accurately predict the tra- jectories of bouncing objects with a range of elasticities and vary- Our main contribution in this paper is to validate some well known ing degrees of information, we found that stylisation significantly assumptions that stylised behaviour has the potential to signifi- improved user accuracy, especially for high elasticities and low in- cantly affect a user’s perception and response to a scene.
    [Show full text]
  • Incongruous Surrealism Within Narrative Animated Film
    University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 Incongruous Surrealism within Narrative Animated Film Daniel McCabe University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McCabe, Daniel, "Incongruous Surrealism within Narrative Animated Film" (2021). Electronic Theses and Dissertations, 2020-. 529. https://stars.library.ucf.edu/etd2020/529 INCONGRUOUS SURREALISM WITHIN NARRATIVE ANIMATED FILM by DANIEL MCCABE B.A. University of Central Florida, 2018 B.S.B.A. University of Central Florida, 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Fine Arts in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2021 © Daniel Francis McCabe 2021 ii ABSTRACT A pop music video is a form of media containing incongruous surrealistic imagery with a narrative structure supplied by song lyrics. The lyrics’ presence allows filmmakers to digress from sequential imagery through introduction of nonlinear visual elements. I will analyze these surrealist film elements through several post-modern philosophies to better understand how this animated audio-visual synthesis resides in the larger world of art theory and its relationship to the popular music video.
    [Show full text]
  • Clue Book Table of Contents
    CH11now SORCERER ~~MATED FANTASY ADVENTURE CLUE BOOK TABLE OF CONTENTS INTRODUCTION .......................................................................... 1 CREDITS Winning and Losing ............................................................... 1 Author Getting Help ......................................................................... 1 Jeff (iroteboer TRAVELLING THE WILDERNESS ................... ................................ 2 Developer The Wilderness Map ... .. ... .... .................. : ........ ....................... 2 Jeff (jroteboer Scanning the Wilderness ....................................................... 2 Editor The Passage of Time ............................................................. 3 Eileen Matsumi USING THE TACTICAL DISPLAY .................................................... 4 Art, Ciraphic Design and Desktop Publishing Encounters ............. ....... ..................................... , ................. 4 LOVIS SAEKOW DESIQN: DAVID BOVDREAV, CHRIS MISHAK Combat ................................................................................ 5 Pre-press Production Tips for Exploring Dungeons ........... ...................................... 7 LOVIS SAEKOW DESIQN: KIRK NICHOLS, RAY (iARCIA &JEV ROTHE SPECIFIC ENCOUNTERS .............................................................. 9 Printing List of Encounters ................................................................. 9 American Lithographers, Inc. Encounter Descriptions ......................................................
    [Show full text]
  • Animating Film Theory Animating Film Theory
    animating film animating animating film theorytheory film theory karen beckman, editor Animating Film Theory Animating Film Theory Karen Beckman, editor Duke university Press Durham anD LonDon 2014 © 2014 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Typeset in Chaparral Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data Animating film theory / Karen Beckman, editor. pages cm Includes bibliographical references and index. isbn 978- 0- 8223- 5640- 0 (cloth : alk. paper) isbn 978- 0- 8223- 5652- 3 (pbk. : alk. paper) 1. Animated films—History and criticism. 2. Animated films—Social aspects. 3. Animation (Cinematography) I. Beckman, Karen Redrobe nc1765.a535 2014 791.43′34—dc23 2013026435 “Film as Experiment of Animation—Are Films Experiments on Human Beings?” © Gertrud Koch. In memory of Ruth Wright (1917–2012) Contents Acknowledgments · ix Animating Film Theory: An Introduction · karen beckman · 1 Part I: Time and Space 1 : : Animation and History · esther LesLie · 25 2 : : Animating the Instant: The Secret Symmetry between Animation and Photography · tom GunninG · 37 3 : : Polygraphic Photography and the Origins of 3- D Animation · aLexanDer r. GaLLoway · 54 4 : : “A Living, Developing Egg Is Present before You”: Animation, Scientific Visualization, Modeling · Oliver Gaycken · 68 Part II: Cinema and Animation 5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms · hervé Joubert- Laurencin; transLateD by Lucy swanson · 85 6 : : “First Principles” of Animation · aLan choLoDenko · 98 7 : : Animation, in Theory · suzanne buchan · 111 Part III: The Experiment 8 : : Film as Experiment in Animation: Are Films Experiments on Human Beings? · GertruD koch; transLateD by DanieL henDrickson · 131 9 : : Frame Shot: Vertov’s Ideologies of Animation · mihaeLa mihaiLova anD John mackay · 145 10 : : Signatures of Motion: Len Lye’s Scratch Films and the Energy of the Line · anDrew r.
    [Show full text]