Sandra Swift and the Caverns of the Moon

Total Page:16

File Type:pdf, Size:1020Kb

Sandra Swift and the Caverns of the Moon Chapter One: Missing! Bud finally had to call out a third time. “Sandy, are you deaf?” In point of fact Sandra Swift’s hearing was rather healthy . always had been . but she had been concentrating with her thermal and evolved gas analyzer and wanted to carefully scale her efforts back to normal perspective before replying. She finally looked up at Bud Barclay with a hint of annoyance. “Busy, Bud. See me busy?” If Bud looked contrite it wasn’t noticeable. Especially since his face was similar to hers. Both of them were gazing at each other through multi-lensed armored turrets at the end of flexible metal stalks. At the time of design expression had been considered something of a non-essential luxury. His voice, however, carried an apology over to her. “Sorry. I just wanted your help.” Sandy couldn’t see where Bud needed it. Like herself he was standing some three meters tall: a body made of jointed cylinders composed of Tomasite reinforced Duralloy surrounding a flattened disc, giving the both of them a crablike shape. The crab form was heightened not only by the video stalks, but by the four jointed metal legs and instrument- laden arms which made up the rest of their appearance. Bud was, at the moment, some eighteen meters away. Sandy concentrated, using the laser rangefinder. Ah . exactly eighteen point seven two two meters away. He seemed in no apparent distress. “What is it?” “Look over at the lower slope of G-21. Tell me what you see.” Sandy turned her turret to focus where Bud was indicating. G-21 was the designation assigned to the nearest edge of the Montes Jura, rising to the north of them just over a kilometer away. Somewhere beyond the slope to their left was Crater Bianchini, while Crater Maupertuis lay some distance further to their right. She scanned the slope, registering nothing. “Okay, so I’m dense---” “No, no. It’s right there in front of you. See the bright line running diagonally down?” Oh. So obvious she was missing it. “You mean that line starting near the top of the slope?” “Uh huh. I’ve been looking for minutes now and, the more I study it, the odder it seems. It’s almost more like a scar . like something tried to take a slice out of the mountain.” “And the slice went down.” Sandy extended her telescopic eye as far as possible, giving the line a thorough examination. “What would cause that?” To her amusement she noted how Bud’s turret shook back and forth. “Something about it’s familiar,” he replied. “I keep thinking I should know the answer, but nothing comes. Do you think we could manage a closer look?” Sandy consulted her notes. The current test had slightly over another hour left on its schedule before they had to board the donkey and return to Swiftbase. They were well ahead of their assigned tasks so some sightseeing was reasonable. “I think Florian would like some samples from the slope at any case. Sure.” Both of them retracted their legs, settling down upon the tread assemblies. Before driving off, Sandy beamed an update to both the relay satellite high above them, as well as to the recording package on the donkey which waited eight kilometers away. She then moved to follow Bud, both of their treads raising gentle clouds of dust behind them. Putting on a burst of speed, Sandy soon brought herself close alongside Bud. “If it was a rock fall,” she said, still examining the long scar, “then why aren’t there any debris between it and the bottom of the slope?” “I know. I’m not a geologist but it bothers me too.” Sandy continued her study. “Looks more like maybe something side-swiped the mountain---” A hiss of static. Bud’s version of catching his breath. “Like a trail left by an airplane crash,” he exclaimed. “That’s what it reminds me of.” Sandy considered it. “Meteor impact?” “Could be. Maybe we’ll locate some of the fragments when we get closer . what!” “Bud!” But it was no use. The world suddenly shifted, heaving violently and tilting upwards. Sandy found herself staring into a growing darkness. A few odd flashes of light . an inability to move . and then she was surrounded by static. * * * * * * * “Test interrupted,” the controller announced over the loudspeaker. “All stations check their recordings.” The sound of hydraulic pumps hissing filled the room as the metallic petals of the virtual command shells slowly parted. Sandy Swift and Bud Barclay carefully shook themselves free of the transfer webs and rose from the moist interiors, lifting their goggles off and their eyes blinking as they accustomed themselves once more to the surroundings of the Virtual Lab. Sandy nodded gratefully at the offer of bottled water from a technician, drinking heavily from it as she turned to watch Bud stagger out of his shell. “What happened?” she finally asked. Bud Barclay . senior astronaut for Swift Enterprises . was holding one hand to the side of his head, grimacing and also drinking water as he approached. “Did everything suddenly flip over and go dark?” Sandy nodded as she peeled herself out of the shell. “Just a few bright ticks in my vision, then nothing.” She looked up at the glass-enclosed control booth. “Freida? Anything?” Inside the booth Freida Morgan, one of Swift Enterprises’ rising young cyberneticists, was slowly shaking her head as she reached for the microphone. “All contact was broken, Sandy,” she said. “We’re still checking data.” “No telemetry at all?” “Everything’s blank.” Lowering the microphone, Morgan exchanged some words with a technician in the booth. “We’re going to contact Swiftbase and see what happened at their end,” she finally told Sandy. “We’ll be up there in a moment.” Exchanging a look with Bud they both left the Virtual Lab, slipping robes on over the snug-fitting transfer garments they both wore. Stepping up a flight of stairs they were soon in the control booth. Morgan was at a console in the back of the booth, bending over an indicator with a technician, and she nodded at them as they came closer. “Everything was all right until this point,” she said, her finger tracing a path on the indicator where various lines of data were suddenly replaced by zeroes. “Telemetry was fine. No indication at all of internal systems malfunction.” She looked up to peer at the both of them closely. “You sure both of you are okay?” “We’re fine,” Bud replied, intently studying the indicator. Sandy found her attention on him and she held back a smile. People who thought they knew Bud only saw him as a continually joking character. They never saw him when a test flight . even one that never left the ground . came up against a problem. They never saw the one- hundred per cent professional which emerged at those moments. Of course Sandy reflected that, if she had her druthers, such “moments” would never arrive in the first place. There had been more than friendly concern behind Morgan’s question. She was not only in charge of the Foresight Project but had been the chief designer of the Foresight robots, as well as having supervised most of the programming which had gone into her creations. The robots were not only vulnerable to mechanical or electronic problems, but also to any problems which their human “hosts” brought with them. Head colds . stomach aches . any sort of ailment could return along the feedback loop and cause operational problems within the robots. Sandy sent a reassuring nod past Bud to Morgan, who was happy at the immediate news, but still concerned over the reported failure. “Keep drinking water,” she told both of them. “No one’s supposed to transition out of VR that quickly.” “Let’s see the recorded feed,” Sandy suggested, and the three of them turned to face the glass wall of the control booth. Ahead of them, the broad space of the Virtual Lab darkened as the telejector systems came on, producing two separate lobes filling the upper portion of the room with an image of what the two Foresight Robots each saw during their final moments. Once more Sandy and Bud “saw” themselves approaching the slope of G-21. They watched as, once again, everything suddenly heaved up . then flashes of light . static, and finally darkness. Sandy was shaking her head. “If I’d remained a meter or so behind Bud I could’ve at least seen what happened to him.” “Re-run at forty per cent,” Morgan instructed one of the technicians. The telejector image faded briefly, then resumed from the beginning of the previous scene. This time everything had been slowed down, and everyone in the control booth watched as it happened again. Even given the additional clarity of the telejector imaging there seemed to be no new clues. “Okay, so the both of us obviously fell into something,” Sandy said, absently using a corner of her robe to pat some of her blonde hair dry. “But that area was checked for holes or crevices. There should’ve been nothing.” Morgan had been reading a report which a technician had passed to her. She wordlessly passed it on to Bud. “Swiftbase reports no seismic activity in the region,” he told Sandy, his eyes on the report. “They’ve got their own satellites sending back images. The dust we kicked up is still settling, but there’s no immediate trace of either of us.” Sandy took the report, knowing full well she wouldn’t see anything the others had missed, but simply wanting something to do with her hands while she thought.
Recommended publications
  • Inside Scientology/Dianetics
    Inside Scientology/Dianetics How I Joined Dianetics/Scientology and Became Superhuman by Robert Kaufman (1995 revision) The first work ever to disclose the secret Scientology materials. Foreword: Son of Scientology Epigraph Endorsements A message from the author Robert Kaufman A Letter in Scientologese Preface Introduction: Dianetics, the Ultimate Do-It-Yourself Book PART I: The Franchise Raw Meat Preclear Marty The New York Org Saint Hill The OT II The Dianetics Course Auditing Live Preclears A Scientology Party Life on the Outside An Evening at the Franchise Scientology Cognition PART II: The Hill The Manor The Power Process Solo Audit Class The Tapes OTs and Other Superhumans Solo Packs A-D Bruce Twin Checkouts The Bank The Sea Org Albert Ward Practical Drills Final Preparations and Solo Audit Out-Going Lines PART III: The AOUK The Upper Levels The Special Briefing Course PART IV: In the Wog World Scientology Sickness Beyond the Wall of Fire Life in Present Time Postscripts APPENDICES: Scientologiana A. Dramatic Personae Update B. English Translation of "Scientologist's Letter" C. Scientology Today D. The High Cost of Infinity E. Processing Revisited F. A Message from L. Ron Hubbard, May 9, 1984 G. From Hubbard's Axioms H. Success Stories I. Security Checks J. The Clearing Course Materials (1968 and Perhaps Subsequent) K. A Tempered Word for Scientology L. Whither Scientology? M. Scientologese N. First Abridged Unapproved Dictionary of Scientologese Robert Kaufman died of cancer on 29 July 1996. During the final years of his life, Robert Kaufman revised the manuscript of his book, Inside Scientology (published in 1972), but could not sell it to a publisher.
    [Show full text]
  • The Black Freedom Movement and Community Planning in Urban Parks in Cleveland, Ohio, 1945-1977
    THE BLACK FREEDOM MOVEMENT AND COMMUNITY PLANNING IN URBAN PARKS IN CLEVELAND, OHIO, 1945-1977 BY STEPHANIE L. SEAWELL DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Clarence Lang, Chair Professor Jim Barrett Professor Adrian Burgos Associate Professor Sundiata Cha-Jua Associate Professor Kathy Oberdeck ii Abstract African American residents of Cleveland, Ohio made significant contributions to their city’s public recreation landscape during the Civil Rights and Black Power Movements. Public parks were important urban spaces—serving as central gathering spots for surrounding neighborhoods and unifying symbols of community identity. When access to these spaces was denied or limited along lines of race, gender, sexuality, or class, parks became tangible locations of exclusion, physical manifestations of the often invisible but understood fault lines of power that fractured, and continues to fracture, urban landscapes. In Cleveland, black activists challenged these fault lines through organizing protests, developing alternative community-run recreation spaces, and demanding more parks and playgrounds in their neighborhoods. This dissertation considers five recreation spaces in Cleveland—a neighborhood park, a swimming pool, a cultural garden, a playground, and a community-run recreation center—in order to make three important interventions into the scholarship on black urban Midwest communities and postwar African American freedom struggles. First, this dissertation takes up spatial analysis of black activism for improved public recreation opportunities, and argues this activism was an important, if often understudied, component of broader Black Freedom Movement campaigns in the urban north.
    [Show full text]
  • Seasonal Roads Lynn K
    Northern Michigan University NMU Commons All NMU Master's Theses Student Works 8-2014 Seasonal Roads Lynn K. Fay Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Fiction Commons Recommended Citation Fay, Lynn K., "Seasonal Roads" (2014). All NMU Master's Theses. 34. https://commons.nmu.edu/theses/34 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. SEASONAL ROADS By Lynn Kimball Fay THESIS Submitted To Northern Michigan University In partial fulfillment of the Requirements For the degree Of MASTER OF FINE ARTS Office of Graduate Education and Research 2014 SIGNATURE APPROVAL FORM Title of Thesis: Seasonal Roads This thesis by Lynn Kimball Fay is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research. Committee Chair: Associate Professor Jennifer A. Howard Date First Reader: Professor John Smolens Date Second Reader: Assistant Professor Matthew Bell Date Department Head: Dr. Ray Ventre Date Dr. Brian D. Cherry Date Assistant Provost of Graduate Education and Research ABSTRACT SEASONAL ROADS By Lynn Kimball Fay (L. E. Kimball) Lynn Kimball Fay has been publishing for twenty-five years under the pen-name L. E. Kimball. As a writer, I’m interested in the way Truth seems to me—intuitively—nonlinea.
    [Show full text]
  • Picture This and Then Walk Onit
    Picture This… And Then Walk On it… 1 / 6 2 / 6 Picture This… And Then Walk On it… 3 / 6 Buy Picture Walking Historic Almondbury: Then and Now (walk the talk) on Amazon.com ✓ FREE SHIPPING on qualified orders.. And then, one night, there came with withering breath A messenger from God, the angel reaper, ... A picture this of love, the love that can sustain And strengthen in the bitter hour of pain ; Love to ... r, And happiness, then walk in it yourself. Picture This is a 2008 romantic comedy film released on July 13, 2008 on television by ABC ... At the pool, she loses her glasses (she has myopia), hits her head then falls in the swimming pool. ... Mom's on Strike · Just a Walk in the Park · The One · Beautiful Girl · This Time Around · Lucky 7 · See Jane Date · Picking Up .... Another difficulty involved public perception of my work habits. I used to work until about 5:30 each night, and then walk the mile to my boarding house for supper .... She'd wanted to walk. She'd wanted ... Then he'd said, softly, “Whenever you're ready, talk to me.” Celia hadn't ... just like his. She'd appreciated Picture This • 157.. Picture This - Take My Hand. Picture This. Loading... Unsubscribe from ... Walking On Cars 34,225,500 views ... Dell looses control over domain to a squatter, Malware delivered This next picture shows the blueprints of the inside of the motor. ... He then walks through the long, thin path, walks back to the switches, and flips two of them up.
    [Show full text]
  • The Mission of Lighthouse Writers Workshop Is to Provide the Highest Caliber of Artistic Education, Support, and Community for W
    And We Created Worlds Created We And The mission of Lighthouse Writers Workshop is to provide the highest caliber of artistic education, support, and community for writers and readers of all ages in the Rocky Mountain Region and beyond. We strive to ensure that literature maintains its proper prominence in the culture, and that individuals achieve their fullest potential as artists and human beings. We conduct workshops for young writers for students 8-18 in-house and at local schools with the goal of fostering creativity, confident 10 Volume Writers Anthology | Young A Lighthouse Writers Workshop self-expression, and interest in the power of language and story. This is the program’s tenth published anthology. And We Created Worlds Connor Rodenbeck, Editor Olivia Oksenhorn, Assistant Editor A Lighthouse Writers Workshop Young Writers Anthology Volume 10 Table of Contents Connor Rodenbeck, editor Introduction xi SEBLA ABBADY A Verse to Vulnerability (extended) 1 Emily Asper Drowning 3 The Tulip 4 Caroline Avram The Tale of Cotton Bows 5 Mattae Baca The Conversation Days Before 6 Emerson Barnes Another World is Possible 7 Mackenzie Bash Mad Lib Poem (Fill in the Blank) 9 Nelson Belanger The City at Night 10 Kate Bestall Tricycle Red 11 Meera Bipin The Sky 12 Christiane Boree Beelzebub’s Assistant 13 Quinn Brush Green 14 Mason Burns Breakfast 16 Manueal Casteneda Considering Dying While Conscious 17 Francesca Castillo Summer Surprise 18 Leyla Castillo To my Late Wife, From the Widower 21 Power and Cause 22 Jillian Childs Untitled 23 Joshua Corn Well 26 Nadia Debick I Am… 28 Lily Defnet cardboard 29 Kenley Ellis Untitled 30 Elliotte Enochs A Letter to Dysphoria: 31 Daphne Erskine Eyes 34 My Guardian 35 Another Ode to Silent Poets 36 Andy French Why I Want Scars: 37 Flowerboy pt.2 38 Gabrielle French Shades of Pink 39 Hunter Grogan The Witch 40 Salem Hansen The Night Sky Tells Stories, Too.
    [Show full text]
  • Read an Excerpt
    10¢ AND A SILVER STAR... A SARDONIC SAGA OF PTSD A NOVEL Bruce D. Johnson Copyright © 2018 by Bruce D. Johnson All rights reserved. No part of this book may be reproduced or trans- mitted in any form or by any means without written permission from the author. ISBN 978-0-578-42041-7 Printed in USA by Ingram Spark & Lightning Source® for Edit Ink Publishers. This is a work of fiction. Names, characters, businesses, places, events, locales, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. This book is dedicated to: Ron Johnson, who struggles with PTSD, one day at a time and Erik Enstrom, who tragically lost his battle with PTSD and the 500,000+ lives impacted by this disorder. ACKNOWLEGEMENTS This novel is not finished. Admittedly, it boasts a plot, conflict, a point of view, a setting, characters, and even a theme . lots of neat literary stuff, but, it’s not finished. However, like an airplane, barreling down the runway on its takeoff run, it has reached V1, the “commitment to fly” speed. The book is with the publisher. Not a day goes by that I don’t conceive of another amusing or salient tidbit that I wish I could pop in here or there, but, for better or for worse, this is what the reader gets. For the sake of my dear wife Gail, I hope you enjoy it. She has been amazingly tolerant of my choice of a leisure recreation.
    [Show full text]