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A Semiotic Analysis in Music Video of Naughty Boy's La La

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A Semiotic Analysis in Music Video of Naughty Boy's La La A SEMIOTIC ANALYSIS IN MUSIC VIDEO OF NAUGHTY BOY’S LA LA LA A THESIS BY DIMAS ANUGRAH SATYA REG. NO.130705096 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA A SEMIOTIC ANALYSIS IN MUSIC VIDEO OF NAUGHTY BOY’S LA LA LA A THESIS BY DIMAS ANUGRAH SATYA REG. NO.130705096 SUPERVISOR CO-SUPERVISOR Dr. Muhizar Muchtar, M.S. Dr. Dra. T. Thyrhaya Zein, M.A. NIP. 19541117 198003 1 002 NIP. 19630109 198803 2 001 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfilment of the requirements for the degree of Sarjana Sastra from Department of English. DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head, Secretary, Dr. Deliana, M.Hum. Rahmadsyah Rangkuti, M.A. Ph.D NIP. 19571117 198303 2 002 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on February, 06th 2018 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP. 19600805 198703 1 001 Board of Examiners Dr. Muhizar Muchtar, M.S ___________________ Dr. Deliana, M.Hum ___________________ Dr. Dra. T. Thyrhaya Zein, M.A. ___________________ UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, DIMAS ANUGRAH SATYA, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION. Signed : Date : February 06th, 2018 UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION NAME : DIMAS ANUGRAH SATYA TITLE OF THESIS : A SEMIOTIC ANALYSIS IN MUSIC VIDEO OF NAUGHTY BOY’S LA LA LA QUALIFICATION : S-1/SARJANA SASTRA DEPARTMENT : ENGLISH I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCTION AT THE DISCRETION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA. Signed : Date : February 06th, 2018 UNIVERSITAS SUMATERA UTARA ACKNOWLEDGEMENT ﱠﺍﻟﺴﻼَ ُﻡ َﻋﻠَ ْﻴ ُﻜ ْﻢ َﻭ َﺭ ْﺣ َﻤﺔُ ﷲِ َﻭﺑَ َﺮ َﻛﺎﺗُﻪ ُ Alhamdulillah, First I expresshighest gratitude to Allah Subhanahu Wa Ta’ala for blessing, commpassion, opportunity, health, and mercy to complete this thesis entitled A SEMIOTIC ANALYSIS IN MUSIC VIDEO OF NAUGHTY BOY’S LA LA LA that submitted as the final requirement in accomplishing undergraduate degree at English Department, Faculty of Cultural Studies, University of Sumatera Utara. In arranging this thesis, a lot of people have provided motivation, advice, and support for me. In this valuable chance, I intended to express gratitude and appreciation to all of them. I present my sincere appreciation to The Dean of Faculty of Cultural Studies,Dr. Budi Agustono, M.S., The Head of English Department, Dr. Deliana M.Hum, and The Secretary of English Department, Rahmadsyah Rangkuti, M.A, Ph.D, who have given all the opportunities and facilities in completing this thesis. I present my sincere gratitude to Dr. Muhizar Muchtar, M.S as supervisor and Dr. Dra. T. Thyrhaya Zein M.A, as co-supervisor for the guidance and suggestion in accomplishing this thesis. Then, to all lectures who have taught and supported me in finishing my study. The gratitude also goes to mybeloved parents, my mother Lili Julianti and my father Rajab for the endless love, pray, and support to finish this thesis. My brothers UNIVERSITAS SUMATERA UTARA Aulia Rangga Jaya, Angger Arya Kencana, Imam Muafa for every support in any form to finish this study. I am very grateful to have some close friends who always support me. The appreciation goes to M. Rizki Hawan, Irhas Azmi, Aulia Anggie, M. Daud, Yunita Safitri, Ika Damayani that support me while doing this thesis and become a good listener for every problem I faced, especially when I had to revise this thesis and re- start over and over again. I also want to express my appreciation to my spiritual partners Ikhwanda Zikri, M. Syukur, M. Yusuf that give me a spirit and emotional support while doing this thesis. Your oppinions never stop surprise me and also allow me to see my problem from a different angle. I would like to say thanks to my brothers of Jagung; that accompany me while manage the business in the faculty and thanks to my brothers of DWP for the gaming time that we have while bored. I also thanks to Grab Company that allow me to take a part in the company that help me to acquire some money. Finally, I would like to thank everybody who was important to the successful realization of this thesis. This thesis is far from perfect, but it is expected that it will be useful not only for the writer, but also for the readers. For this reason, constructive thoughtfull suggestion and critics are welcomed. Medan, February 06th 2018 Dimas Anugrah Satya Reg. No. 130705096 UNIVERSITAS SUMATERA UTARA ABSTRAK Seiring perkembangan zaman, masyarakat mulai membuat keputusan berdasarkan informasi yang ditemukan di media–media elektronik seperti Radio, Televisi, dan Internet. Salah satu media yang sering digunakan khususnya oleh generasi muda adalah video musik. Tertarik dengan hal tersebut, penulis melakukan penelitian dengan tujuan : mendeskripsikan tanda-tanda semiotik yang terdapat dalam video musik Naughty Boys-La La La dan mendeskripsikan makna yang terkandung dalam tanda-tanda semiotik yang terdapat dalam video musik Naughty Boys-La La La. Pengumpulan data dilakukan dengan studi kepustakaan dengan metode observasi dan dokumentasi dengan mengklasifikasi video menjadi gambar-gambar dalam bentuk sekuen. Penelitian ini menggunakan metode deskriptif kualitatif dengan menganalisis data-data secara komprehensif menggunakan teknik struktur film dan teori semiotik Roland Barthes.Hasil penelitian ini menunjukkan bahwa tanda-tanda semiotik yang terdapat dalam video musik ini berupa tampilan visual yang terdapat pada gambar- gambar yang menceritakan perjalanan seorang anak dari rumahnya menuju bukit tambang bersama teman–teman yang ditemuinya dan verbal yang terdapat pada lirik berupa kata-kata yang mengandung unsur pembangkangan; Kemudian makna dari tanda-tanda yang terdapat dalam penelitian ini adalah makna denotasi berupa perjalanan seorang anak dengan mengajak seekor anjing, penjaga gym dan polisi menuju sebuah tambang untuk menghadap patung kambing; Makna konotasi yang didapat adalah tokoh utama sang anak menyampaikan ideologi tentang pembangkangan kepada orang-orang tertindas yang ditemuinya; dan mitos yang terdapat dalam video ini adalah adanya penggambaran seorang messiah kepada sang anak dalam mencari pengikut untuk melawan iblis atau kejahatan. Temuan yang didapat dalam penelitian ini adalah bahwa penelitian semiotik pada video menggunakan teknik struktur film untuk memudahkan pengambilan objek pada suatu gambar. Kata Kunci : Video Musik, Semiotik, Roland Barthes UNIVERSITAS SUMATERA UTARA ABSTRACT As the times progressed, people began to make decisions based on information found in electronic media such as Radio, Television, and the Internet. One of media that is often used especially by the younggeneration is the music video. Interested in this, the writer do a research with the objective: to describe the semiotic signs realized in the music video of Naughty Boys-La La La and to describe how the meaning of semiotic signs realized in the music video of Naughty Boys-La La La.Data collection was obtained by library research through observation and documentation by classifying video into pictures in the form of sequences. This research used descriptive qualitative method by analyzing data comprehensively using film structure technique and Roland Barthes’ semiotic theory. The results of this research indicated that the semiotic signs portrayed in this music video were visual signs that realized in the images that told about a boy travelled from his house to the mine hill with his friends that he met while travelling; and verbal signs that realized in the lyrics that portrayed about rebellion words; then the meaning of the semiotic signs realized in this research were the denotation meaning was a boy's journey to a mine hill by inviting a dog, gym guard and policeman to face the goat statue; the connotation meaning was the boy as main character conveys the ideology of disobedience to the oppressed people he met; and the myth realized in this video was the depiction of a messiah that symbolized by the boy in seeking followers to fight demon or evil. The findings that contained in this video were the film structure technique that used to analyze the video, help to focusing the object in the image. Key Words : Music Video, Semiotics, Roland Barthes UNIVERSITAS SUMATERA UTARA TABLE OF CONTENTS AUTHOR’S DECLARATION .............................................................................................
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