The Merry Widow, New Musical Play, Adapted From

THE LIBRARY OF THE UNIVERSITY OF NORTH CAROLINA

i^m

ENDOWED BY THE DIALECTIC AND PHILANTHROPIC SOCIETIES

M782.8 L522LX

MUSIC LIB. 'H#a"'6'llWG -

I5Apr'66F

Digitized by the Internet Archive

in 2011 with funding from

University of North Carolina at Chapel Hil

http://www.archive.org/details/merrywidownewmusOOIehr

THE MERRY WIDOW.

mew riDusical lp>la\!.

ADAPTED FROM THE GERMAN OF VICTOR LEON and LEO STEIN.

LYRICS BY ADRIAN ROSS.

MUSIC BY FRANZ LEHAR. ARRANQED KOR THE I^IANO BV H. M. HIGGS.

VOCAL SCORE 5/- NET CASH. Do. do. (Bound)... 7/6 do. do.

CHAPPELL & CO, Ltd., go, NEW BOND STREET, LONDON, W. NEW YORK: MELBOURNE; Rialto, Collins Street. 37, \Yest Seventeenth Street. u & 12, The

All rights reserved under the International Copyriolit Act. Public Pcrfornmnce of all or any part of the work strictly forbidden. Applications for the right 0/ performance must be made to " Mr. GeORCE EDW.A.RDES, Daly's Theatre, Leicester Square, London." The right of reproduction and perforjnance on any 7nechanical instrument is strictly jcscrved.

COPVRIGHT, MCMVll., BY CHAPPELL &. 00.

Produced by Mr. GEORGE EDWARDES. THE MERRY WIDOW.

gramatis ||n-sona;.

VicoMTE Camille de Jolidon Mr. Robert Evett. Marquis de Cascada Mr. Lennox Pawle.

M. DE St. Brioche Mr. Gordon Cleather.

General Novikovich (^Military Attache^ Mr. Fred Kaye.

M. KhADJA {Counsellor of Legatioii) ... Mr. V. O'Connor.

NiSCH {Messenger to the Legation) Mr. W. H. Berry. Waiter at Maxim's Mr. R. Roberts. and Prin'CE Danilo {Secretary of Legatioti) Mk. Joseph Coyne. AND B.vron Popoff {2Iarsovian Ambassador in Paris) Mr. George Graves.

Natalie {Wife of Popoff) Miss Elizabeth P"irth.

Q)1.Q\ {Wife of Novikovich) Miss Nina Skvening.

Sylvaine (IF?/t'

LoLo \ / Miss Amy Webster. Dodo Miss Dorothy Dunbar. Jou-Jou Miss Dolly Dombey. Frou-Frou Miss Daisy Irving. ) {Girls at Maxim's) ••\ Clo-Clo Miss Phyllis Le Grand. Margot Miss Margot Erskixe. Zozo Miss Gertrude Lister. Fin \ Miss IMabel Russell. AND SONIA {the Merry Widow) Miss Lily Elsie.

^nnopsi.5 of .Sftiurn.

ACT I. The Marsovian Embassy in Paris.

ACT II. Grounds of Sonia's House, near Paris.

ACT III. Maxim's Restaurant, Paris.

Stage Director .. .Mr. J. A. E. Malone. Musical Director JIr. Barter Johns. ' ' ' THE MERRY WIDOW.

CONTENTS.

Slct \,

ladies and gentlemen) 1. Opening Chorus (Now, 8 lA. BALL-Musrc ...

are alone, there's no one here) 9 2. Duet {Natalie and CainilU) ... 'A Dutiful Wife' (We " ' In Marsovia (Gentlemen, I pray ! We cannot 3 Entrance Song (Soiiia) and Chorus tear ourselves away) ... 17

29 3A. Ball-Music

' (My Fatherland, it is for thee) 30 4. Song (Danilo) Maxim's

(If I could go with yOQ beyond the 5. Song {Camille) 'Home" distant blue) ... 3S

(Ladies, choice ! that's the universal 6. Finale... voice) ... 44

art 15.

(I bid you wait here for a minute)... 75 7. Opening Chorus and (There was once a Vilia, a witch of Song (Sonia) the wood) 82

" Cavalier (Hallo, maiden ! see him ride) 89 8. Duet {Sonia and Danilo) ... The

"Women" (Oh, the women ! Oh, the women !) 96 9. March-Septet 112 10. Duet {Sonia and Danilo) (Oh, say no more!) 119 11. Duet {Natalie and Camille\ and awaking) 122 R0M.\NCE {Camille) " Love in my heart (Love in my heart

(Ha ! ha ! ha ! Well, gentlemen, 12. Finale... what is your wjll)

act Mi, 168 13. Opening Scene ' Paris ladies) 169 " The Girls at Maxim's (We are little 14. Song {Zozo), Six Girls and Chorus 1S4 "Butterflies" (We are dear little butterflies) 15. Dance {Fifi) and Chorus in a little "Quite Parisian" (I was born, by cruel fate, 16. Song {Nisch) and Chorus ... Balkan State) 1 89

" (Though I say not what I may not Danilo) ... "I love you so 17. Yalse Duet {Sonia and let you hear) . . 197

(You may study her ways as you can) 202 iS. Finale ADDENDUM. 208 13A. Cake Walk Vocal Score. LIBRARY UNIV. Of THE MERRY WIDOW."OR'^H CAROLTNi N91. Act I. OPENING CHORUS. Words by Music by ADRIAN ROSS. FRANZ LEHAR. Prestissimo. Arranged for the Piano by H M. HIGGS

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Allegro

NAT -i 1% r r r ft ^ ff ^

thank you dou . bly for your kind . ness That you so heart . i . ly ex .

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rit: allamindo M, w==r^ NAT. wmm F=P=^ press, It makes me proud hoth as your host . ess And as a

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mean . ing, For when your plea. sure you e . vince You hon . our oursovcreiirn, His

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'j! N.\T. I J' J' J^ J) S: t ^=^ ^t kind ex- pres. sionswill con . tent him, For when I bid you come to ^S _• « k • "if (^) «

N.\T. Pt -flLf^ . . thi . I - ^ dance Un wor Ij' rep re. sent him; Im Mar. so via, here in i. nt i 1

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NATALIE.

1— ^j! Jii^ jr[7~ryp i r p rj

France Your kind ex.pres.sionswill con.tent him, For when I bid voucometo dance Un SYLVAINE.

Jl i h J^ J) ;t ^ ^ g n- P F We hope it will not dis . con. tent him. It we should hlessthu lucky chance That PRASKOVIA

\i'- ' i-U ^i'"^N^ M F DJP We hope it will not dis. con. tent him, If weshouldblessthL-lucky chance That OLGA. ^^^^^^^^ ;t P^P^ We hope it will not dis. con. tent him, If we shouldbless the lucky chance That CAMILLB. T^^ J' i 1' ji J! S i=^^ MP f^ n^ We hope it will not dis. con. tent him. If we shouldbkss the lucky chance That 3S? t 5^ ^m MP P rP We hope it will not dis. con. tent him, If we should blessthe lucky chance That

S'. BRIOCHE.. iSE 5=^ lf=fW ^ ^ k i P ^^^^\^ tEE^^^ We hope it wiU not dis. con.tent him, If we shouldbless the lucky chance That CASCADA.

• Iff- m i ^ ;.' J i! J J! ii ^t ^ We hope it will not dis. con.tent him. If we shouldbless the lucky chance That NOVIKOVICH.. ^ iS=FF r~ ^ iJUW! J^ rrt^— ^EEg^ We hope it will not dis. con.tent him. If we shouldblessthelucky chance That

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We hope it will not dis . con.tent him, If we shouldblessthelucky chance That

F' ^"^' g^' ^>-M ^ r I Pq;=:^-^ p ir ? r i

We hope it will not dis. con.tent him, If we shouldbless the lucky chance That

23260 .

/TN * NAT. ^- . II I | y^^ ^^^3^^ wor - llii.lv I rep . n^ . sent him. Ini Mar . so via here in France.

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PRAS. i'-rn^j^ii nds younow to rep. re . sent him, As Mar. so . via here in France.

OLGA. * mm^wm^ r_p p I f sends younow to rep. re . sent him, As Mar. so via here in France

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sends younow to rep. re . sent him, As Ma,r. so . via here in France. g^=^ .St II W^- ^ ^=^ E ^ sends younow to rep. re. sent him. As Vlar. so via here in France.

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23260 M.w. N9 2. DUET- iNatalie and Camille.)

"A DUIIFL'I WIFE,"

Allegro moderato. Natalie. i¥ 0 # ^We are a . lone,

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^ Ive some . I to you, thing must say

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CAM. I ^ P F ^ that I must tell you too

CAMILLK. rit a timpo P p- p F — NAT. ' ^^^^i^ ;t=£ j gi i i N l^^

can . not lis . ten to words like these! Yet youcanhearthein.tho" 1 am still,— I 1r-

NATALIE.

i'J vJ' J p I m l Ili'J^ ± That, dear . est friend, is what I havedread.ed.

CAM. i l^^^g^ppi pp i 'r ^B long to saythem,and I will, — 1 will!

gl-/ Ci«r}l

* p- NAT. i^ ;fc Its time this was end . ed — Its time you were wed . ded!

o 11 4 CAM. 5^^ ^

Was end . ed? ^A wife for me?

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232 fiO ji w w . n Allegretto. ±=K 'i^=^ CAM. I i^ ^ ^ That can. not tu; For you are my love. the love for

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J' J' J' I m^m trri' I ^^ ^ I beg of you, dear, You will not tell me what I must not hear! For

CAM.

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NAT. 4 jJIJ V? j^j i TJ'J > m^ ^ fol . ly while yet it's be gin . ning! Take care, take care! my

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NAT. J .' gg^^ ! J' J gEEEESp ' I J i r u g out the brand Ere it is tanned, Or from its sleep The flame may

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NAT i' J' !.J J' .1' Y mm^ leap! Tho' it may be but a child . ish game, Yet you may

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14 -Cv /TV ^ NAT. W'J'tJMJ 4 J heart! Play not with fire ^then, friend Be . ware! Allegretto moderato.

CAM. r i P P p p 1 Yes, you are a du . ti . ful fi ^ J "j"ii i '«/• /T\ i^ ^ ^ ^. * ^. *"&!). * Sa. *'m

CAM. ' I J r J' j r J : J c r r. F P ^^ F r r> wife; It goes to my heart like a knife! But spite of the bars that may

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* • IW t ^ er, I love you, and love you for er! And M Ml m i > $ f m J2Ii f^ ^ ^ '^.

CAM.

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til I grow old in the strife. while you are- a du . ti . ful i m5 nY; i>^ ^ ^ A -S, i

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CAM. • a- 7 i=ff J— — fc4t=;i it ^^ ^^ wife! I know there is per . il. but yet 1 would dare_ it! To lose you for S-

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NATALIE. Allegretto. i Take care, take care! My rit:

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ev . er. ah! how could I bear. itr Allegretto.

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NAT. ^ t ^friend, be, ware! And do not plaj- With fire to . day! stamp CAM. ^m > • ^ ^=^ ^ ^=^ mean to dare- I mean to daxe. Though du - ty bars the way; ^ JUF 'F S ^ i f i i'i' i i 1

23260 M w. !!

^ ^ J AT. ^^ P^ S J' J i' J J out the brand Ere it is fanntd. Or from its sleep The flame may Ma. t r=P ^^ F ^ But du . ty's call, that is not all- Love

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leap! Though it may he hut a child . ish game Yet you may AM. ^ ^^f#=^ ^

has a word to say You will lo\-e me yet,

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MAT.

AM.

N.\T. i fP^^^ 7=^ ^ heart! Play not with fire, then, friend, Taki care

CAM. Ji J '; r ^- i J> J' J' i ^ p J. ^ ^ For love vriU bid you dare. And then you will 1 not care ji ti m vi/ r\ t ^ i ^^. ^m^ 'M * ^. * 23260 M.w. w 17

N9 3. ENTRANCE. SONG- 'Sonia.) and CHORUS.

"IN marsovia;

^^_ Allegro

Piano

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Tempo di Mazurka. SOMA. 4^ p=* ^ ^ i ^ p F p Gen.tle.men. 1 pray! How po.lite you are! CASCADA. J' . J-li'^ ^ 1' J' i' ^^ We can. not tear our . selves a.-way! From our ev.'ning

**; =£=^ ^ ^^± ^!rrTtF=f? T M SON. ^tf' ? 7f: ^ ^^^ What things you say! Stop it, pray! No more now, kind.lv,

S? BRIOCHE. ^ ^ ?=# We're daz.zled by your beau_ty's ray, Grop.ing blind . ly!

GAS. ^i) * ^^ star! 19

SON.

Gen . tie . men Now, don't re . peat it, pray! iA St B. ^ ^' '' r p r m m + Our heart . telt hom . age let us pay! Be . fore our rul . ina

CAS.

Our heart, - felt hom. age let us pay! Be . fore our rul , ing -yt 1^'' ^'' '' t °"'' 'I'^'ii't - felt hom. age ^^ CHO. cmms Be . fore our rul . ing

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Our heart - felt hom . age let us pay! Be . tore our rul . ing

SON.

St B.

CAS.

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*tq? h \ SON. ^ ^t ^S^ ^ something wrong, Im so Mar. so. vi . an! For when a man would

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41= SON, ^^=*^ J'itJ'ii^J' P:^ p P P ^ ^'- wed a girl In my o-wn na.tire land. He does .n't call her

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fc=^ K K K „^1{i SON. ;t ^^ ^ •/ J' ^ f^ H star and pearl And want to kiss her hand. Says he. 'Let «« u ^ ^1 i Pe^

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SON.

rit:

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mo . ther has a pig.' That's how it's done.vou know. For

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CASCADA. m i^ rs: Oh!.

CHO.

Oh!.

23260 M 22 Valse

SON.

r i r r r I r r^^ t But ask Pa . pa and dear Mam. ma. That's how we mar. ry in Mar. so . vi

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Ah! St BRIOCHE.

' ^ i' /' #=^ ^ ^^3 Court . ing such as that Is ex-treme.ly CASC.Ml.X. t^ ! > ^ ^^^ ^^ Court . ing such as that Is ex-treme.Iy i ^^ Ha! ha! That's how they KO! CHO. ^ ^ #^^ €: Ha! ha! That's how thiy go!

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^ . Look out for men ey, then ask Pa. S^ B. i ^P S^P^?^ ^flat! We dont do it so!

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pa Whenyoure in Mar . so . vi . a! St BRIOCHE. stB. I When you are CASCADA. CAS. $ When you are

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SONIA. rit. hM SON. ffi^^5 With us a marriage h P m mar . ried Tell us what then? u CAS. i mm mar . riorf Tell us what then? ^ ? i ^ I nh wo . men and men'. When thev are mar - ried, Well, wh.a th-iV CHO. ^1 ^^ ^=r U ^ wo , men and men! When they are mar . ried, Well, what then?

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Mazurka. -*4 SON. s P^ i^^ :^=t^ pi^ IS for lile We dont ud.min- di . vorce. If some . one courts an I i ^ Real iv? Tru ly?

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SON. 3^ ^E ^ P^^ be shot, of if wifi' to oth. ers wife, He will course. And a

S* B. J ij J mf If wife is un Iv? d* CAS. ^ a wife is un - ru ly?

/ :Mz ^ If wife IS un ly' CHO ^ ^ \ a wife is un . ru ly?

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»j '^ i i f F r oth . er men Shouldgive a look or two Her hus.band takes a 4^ I Then her hus band.-

Then her hus band.-

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26 P^ fr=F=F ^ ^^ cud. gul then. And beats her black and blue! Men are all the same, I i* St B.

Thrash . es her black and blue! 4A CAS. V i i J J Thrash . es her black and blue y: i i

Thrash _ es her black and blue! Oil Cllti. ^ ^^ y

Thrash . es her black and blue! Oh

4i=m SON. h } ^ » • i ^ w ^ J.ar- m can see You could beat your wives, I fan . cy!

St B. M I r I -'i' J' J' M ^ s ^^ If you mar.ried me,- On . ly try and :tf CAS. pr> i^^TT ^^ '^ h ^ If you mar. ried me,- On . ly try and

iV Ma dame, oh Clio.

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Ma . dame, oh no!

23260 M.w. w

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SON. M "^ tl F ^' i' I ^ ?= r Ha, hii, ha, ha h;i Just as in Mar . so . vi . *t S'. B. mf Ah I don't do so! i4 CAS. i

Ah I don't do so!

r J J f g' ^Real . 1)-, know! That is not THO. • P ^ P \ Real . Iv you know! That is no so!

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life CAS. f^

mf CHO. ^^ \

23260 M 28

Mz /r\

Mar . so Ha! 4^ /C\ Si B.

Were not ^in Mar . so _ vi /^ _rT\ CAS. T T h p s ^ i w * ^ J r r 111 let you beat me if^)'0u like. We're not in Mar . so . vi

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We r not In M;\x . so _ vi CHO. t ^ #E^ \ Wi;'r not in Mar . so . vi

SON.

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«= li ^ ^^ ^ ^=^r P .f ^ ;/ #- #- # #- 9- #- 55i^ f p ii 1^1 ^EEI P !p # t i

^^ E I ^5E

# «. i=r li ^S T'-f f I ij» 3 f j ^ n f

2326 Om.w. 30

N9 4. SONG-(Danilo.)

"MAXIMS':

Allegretto. # # # > # il ^411 r^r=t i^^t^^r 1 ^^^ i P Piano. / r:s-. 7* ^^^^i: Q" m ^

/T\ lUMLO,

^^=^ !;> $ ^ ^S^ h ^ ^^ My FiL.tht-r.land, it is for ir» m .n ^n n ^ / yv' =44 /^ ^ LJ :3t / CJi^ ^ IV

DAN. .

PAN F=l^ * h ^ ^1 h ^f^SSSf

vs'ovk . ing so hx . h;\ust^ a man And I t.ike all the

4 h rrn n PP s^ S"

DAN. ^==^ ^ •/ ' ^ b b *t 7 g M can; I nt-fd a sli-rp to put me rigW. And thats wliy

m^ I'll =P' M Jt '"f _?< i i. P5S=S^ t=* J^-^-^ i f^ S

* 9=?^ W' p g ^^ ^=& 1 sit up all night Im ve . i-s' bu - s^- at mv club: We have a

-^ Si >>* # ? m 1^f ^m »/- -'-^,1 ^^ ^ f i 1 r]

% liff- J /' *« t: ji ji ji J' fi f^ i> i^ hun . drt-d on the rub; I lose a thou. sand of thf bi-st. Thim M * ^ d =tai "/ -r-n 7 •j^ ^*j^ I IM-fHI 1^^ ^ 23260 Mw 32

h k t ^ ff » DAN. ^F^^^ ^ ^Jii-^'rJ- $ J^ w\i^ J ^^

get the girls to take the rest. 1 go off to Max im's, Where

ih f ^ a tempo p rif. p ^ ^ "Br m^

4W ' J' E #=F# 1

fun and fro lie beams, With all . * the girls I chat ter, I I ^ m ^ ^ ^^m ^

DAN. ^ i' J' I iii' I ^ J' M ff p ^ ^W f r-

laugh and kiss and flat . ter! Lo _ lo, Du . do. Joii . jou. Clo m i d 9 ^ ^^ tJ

D.\N. ^- F^'" ^ J i F P i E p f^p M p .A(<(i- - f /(). . ga/ Frou . froitl ^For sur. names do not mat - ter. I take the first to

^m ^ ~^m g . jZI 5 3 m P5 a ^ 1^ P m 23260 M\v 33

Animate

-" '' fT^ 4

$ ^ P m > , ly, 1 catcti and Iciss tllem stop. The La . dies smile so sweet s

it iif m i a ^ ^ ^ U w s i ^ *^EElgN ^^ neat . ly! Lo _ lo. Do . rfo. Jou _ 707/, C/o - do, Mar _ ^0/, Frow -

rif f. f ^^ ^^ ^ ^^ :-j t^i ^3 Se^. *

DAN.

23260 MW : — r 34

=^F=^ r^^ Ir fczzt ^ ^— 1 sp^ :#=* JE^ im's. a. Then ! if . fre^h my aja ded brain With lit _ tie pj> ^ *—• p-

DAN.

DAN i' j i h i i' J m I i ^ eyes Till thev and I are close al . lies! So ^^m, ^ «=^fi— P S^ i Sa. ^ *j£a. »

DAN. ^'' J J^ ji J ^ ii^

in a - fin ^msjlass of goldnen ^^An . leate ^1i^

23260 M vv w

DAN. '» P } J' ]> j^ t F ^ tj-f.-^ cor - di . ale I sign; For I can do thiit sort of ^M14 i "^/^

^ 11 ^ ^ P3^^ < f y «=f

DAN ^ i ^m>F=g^ ^^ ^ thing;, As well as an . y oth . er king! Then

^g^ 1 4i: J. ^f ^^ ^^ ^ ^ i 4e

" i i Ji'i'i' h ^ ^ ^ '' 7 =P gCFlV P^C^r- ^ I al.iow the love . ly sex To wear ray arms a. round their necks, And i M^if ^^ /«/" I *' n ^^J-w"^ *i i r^«^w

J' ii LUU-jLlJuJ ^ I ^ , ^^ give the wai.ter at the door An or . der for a doz . en more! I'm w f J!^^ Jf rit- ^ i^ 7 til PE^ ^U

23260 M 36

m wm ^ ^^^-=BE ^ hap - py at Max . im's. Whfrt fun and fro . lie buams! With

i=i=t m % a tempo m ^S jt f ^ ^ UJ c^ ' U ^=^

^all the gills chat ter. I laugh anri kiss and flat ter! l^o *=* ^^^ H ^ ^ ^^m ^

sur. names do iiot mat ter I take the first to hand And, then the corks go

S -;:::::: ^^ ^^ i jtllj S ^=r 'ffj^^'fcl: i Si ^ ^ ^

23260 M.v/. 37

DAN. ^ ^^^ U^J-' I J : J' .^1

pop. We dance ami rev . er stop The la . dies smile so sweet _ ly, 1

|i.\N. 1- ^ >* J' J ?= ^ J' ; u ^ catch and kiss them neat - ly lo _ lo. Do . do. Juu jou, CYu ^ ^^ ^iF=im ^^ ^ ^ t:^ i:-j ^, *

DAN. |i P t^^-^?Tp-^ i^i iE rr^^ P F F . c/o, Mar. got, Froti . frou Till I for . get com - plete , ly My dear old Fa . ther-

i *=r m. r' LF ^ } ^\U'U P38 ^ i^^ e ^

23206 Mw 38

N9 5. SONG. Camille.)

"HOME"

Allegretto. Camille.

Piano,

f.\M.

if I could iio with you, Be _ yond— the m^^ dis^*. tant blu km ^^ ^ ^ 13=

C.AM,

To some faii_ land un . known,Where we were— all a . lone,

CAM,

' 23260 M.w 39 U CAM. r •, K ^ $ m To Willi - der thiouahtli;it ma . gic hinrl. That is the

m p i ^ vp

\ C-J ^ m

CAM.

C.VM,

CAM.

232G0 M.w. 40 Piu lento.

CAM. ^ I' i JiJ iJ' fs^ ^ v==^y- Ah, th^it is all to live^for tru . ly. Can hap . pi . ness lie ^r*1 - - -„ ^ , M m ^ 9 s ^

CAM 1=^ ;t F g P ^found else . where? On . ly the sun and sky a . bove Xn ^ '« .^ ^ |f=T^^ ^

CAM. ^ ^^!te==^ i F P M' Smil . inir on ^me and her ^1- love! Ah, when the world is ^i^ ^

CAM

rs r\ ¥ ^:\ ^ r\ ^ M ^ ^ M l ^^ it is the home, nnIt Is our and - pi , ness is there, ves there. home hap

23260 M.w. » ,

41 Allegretto

CAM.

^"' 1=^=*: ^3E i LJ- u m M: CAM. ^ ^5 t ^H-* S i^

Yet all_ th lovr . ly dream Is but_ ,1 I'ub _ ble's slcai i ^ g ^ j'^ n ^ i #^«^ tJ 13 ^ ^ M CAM. •f 1 h F ^ *^ ^ Pi^Si? A rain _ bow's inai; . i'' ray That breaks and_ fades a . wav. M: fl-F^ ^ ^& ^ ^^ # t-j # C-J ^ ^

CAM. * W— 5l ^ * The home 1 thought so fair \A e find _ not a - nv . where ^ m *F m m ^=^ p ^ [^ CJ

41 h h CAM. ! } i ^ * >• kz ^ ^

lis but a ("as . tie in the air. That is the M: m m ^e ^^ ^ _?>?> e t- rr 23260 M w ,

CAM. 9£=P ^- J' ii , } I di»J: =i ^

ion of hap , pi . ness at homi-. But in the M== *.• j;^ ^ 1^ P^ I =© =13 ## C-J S

C \M ^=^ :*

search it vain _ ly w„' ma^- roam 4J^^^1 ^- ^ 1 5^ /^ =e u tJ u =B ^ ^

:M: CAM, :i: r^-r"F cold that We hi^e to wan drr through. Thouffh you're the PM: P55F1= =& # ^e e S CJ r-j

:Mz CAM £i^ si X n J r world to me ar,d 1 to

M: sm * ga^ i:j ^ B tJ U- 't

23260 M w. 43

CAM.

* '^, * '&^.

HAM,

CAM. m^ ^

Allegro. i44l4 mm ^1 inf unimnto _??

-^ p -' J J J ^ ! J n J f

23260 ji.u- 44

N9 6. FINALE.-ACT I.

BALL-MUSIC. Tempo di Valse.

fcpJ iid •^^-rf Piano. mf t^i t^t ^^m m ?% f m fffMiI ^ ^^' p- 1^ tt ^ ^ W^K i • T P i± ^ M ^ ¥m I 1

Tempo di Marcia. J ^ MALE CHORUS. i)Ji P^Pf fSBE^i PPP I' J' La.dies' choice! That's^^the _ ni I u vcr. sal voice: So, Madame, may demand The CHO.

toyij |t f r ^^IHH^ g#feg H-H ' La.dies' choice! That's the u . ni _ ver.^sal voice! So.Madame, may I demand The Tempo di Marcia. =>

mf S # ^ i # ^^Htf-J

^'^ -^'"^ '' t' ^- lP ! '' F ? i f f p fi; F F f I f I high . est hon_our CHO. of your hand? One dance -just one a -lone To call my ve . ry own! 4 k g=gi^[r^ 1 feit' £ i^ 7 1 ^ ^^m P^ high _ est hon_our of your hand? One dance-just one a. lone To call my ve.ryown! '^ E e * » »-«• 14 * ff: :- ^ ^1 ^\ 1 s y^ ±^:gg * Lrjiirj p^I 23260 M.w. 1

pEf^s ^m P ^^m4p Su.preme-Iy hap.py I should be If you had cho - sen me! CHO.

±i: £ fe W P ^ f ri r7 P ff mF Su-preme.ly hap-py I should be If you had cho . sen me!

^ ''' ^^ ^ ^ •/ ia. -? '/ m i P^Jili-t. ^^ ^^ ^^ fe^

SONIA

' P | p r n''ff^F i j^ F h "M p ^^ r ^~^t^P¥^ Gen. tic. men, Tho' of course I like to dance with an _ y, What am I to

^ ^njiTt s y^pq^pi^r; fei mfi/ ;» y:- pPp^

.o».^^^^

SON. Tljr~J iJ' fr^' i' l J-j^^tJnri^^tr'^^^^^ f! out the dance. Give the o.ther girls a chance. There are partners here

J , - p p f J-:-^,m^!^ i . ^=^^^ i i 1" ^^: ^ ^^ /^ ^ f a * "a?. ^ w 232«0 M.w'. 46

SON. i' M' plenty! pin St.BKIOCHE. (a.iidc) animato

Not with millions, sweet and twen-ty! They're get.ting ve . ry pressing now, I must MALE CHORUS. I mm i, ^ ^ i T3L Just a dance! On_ly one! Just a sin.gle dance! CHO. ^ ^ m 4 ^ Just a dance! On.ly one! Just a sin.gle dance! .^ *s^m «7 => :=. => > ^ m 4% Pi^ / Eff 'E/f / J" ant mato ^ ^s

St.B, ^ JM) ff ^ jL I Mp I I ^ r M M^ r put them off some . how- Yes, 111 put them off some. how. r^ .^ i j^ r^ ^ Allegro. i i ^^^ i P f m^^^ ^^^ J^ p# ^ f -''^•[r U^

Piii lento. St.B. P P^^^ They're like flies a . round the hon . ey,

Piu lento. ^—-_ ^ ^ ^^ ^^ -m-^ ^ P ^P^g^ 'i==^ w^ m ^

232(50 M.v,'. ^ 47 Tempo di Marcia moderate. CASCADA.

^ i i j^ J I (^ $ ^5 J^ ) I j) ^^gg W They shall not get the widow's

ii J' J' J' •? •? _ ^ f^,-^inHfT=iri', \ I p- I I p p p ^ p say, don't you know this is wrong of you. Its con.duct that grieves us and pains. If

PP m'>h Ij. Ij WB ^m mm ST. BRIOCHE. H I d^ J ^ You

CAS ii J^ j i' -j) I p^ i)ir^ ;i 1 mr^ J^:r^i I Jm you do not dance, what are we to do But go off and blow out our brains?

pm t t 11% jrr^ m *i=* m n f^ f pp ^sm^ ^ ^ -^^— ST. B. ^^V^ ji JiJij^ Jiji JiJ' J' i I Jmi; ^ If p ^ p wo -men go in for the vote, they say, And want to be e . qual with man; And

^ i i g^ ^ Li ^LJ C^ ^ ?32«(> M w 48

ST. B. }\ J^- ii ^\K J' J) J^ i' J) > I J\ n P ^ ;. Ji ^J^f^^

now that to-night is e . lec- tionday, You won't give a vote when you can! CASCADA.

.^i ST. B. ii h\ i ii }, ji ii I ^ I . h Ji Hr^i j, , ^ Then do not spurn me! E- lector! May I ask your vote and

CAS. "^'h J^ J^ \ t J' ^ J^"X>i I >, Ji ii

E - lec_tor! May I ask your vote and

ifefe ii ST. B. I. i J) Ji i i J) . ff ji ^ I F i voice? Give your vote to Saint Brio- che! I am the

CAS. J J! m iU) I iiij[y-^ ^^ voice? Mind and plump for Cas.ca.da! I am the

2S260 M.w. 49

ST. B. J- J i 4f4f^ ^''|>l. j^ > > i^ I par . ty de _ serv_ ing your choice! Give your vote to

CAS. h\ J' J ii ^ ;, ji > #^1 jt=Mi1-JnH^

par . ty de . serv.ing your choice! Mind and plump for Cas -ca _ da! pm #^^ Don't you vote for CHO. MALE CHORUS. Sfe^ ppg^i Dorit you plump for Cas - ca _ da!

SONIA. dste $^ -•?l^f ^I'm

ST. B. Ji J' ii Ji |-#rii ^ r-p I f JM p r ^ p p Saint Brio.che! I am the par . ty de.serv- ing your choice!

CAS. J^i i) i f*N^ f ?e^ ^r ^ I am the par - ty de , serv - ing your choice!

' ^'' Ssp 1 ,^ J! ii ^^?=JF#1T ^ I ^-Tf P ^^»^ Saint Brio.che! I ^am the par - ty de.serv. ing your choice! CHO.

- 4ee^ £ f^- ^^^ j f i <^ w I am the par . ty de.serv. ing your choice!

23360 M.w. 50

^ -^f^) \^ J] }\ j) SON. ^^ I r^ ^ ^^ not a po . lit . i . cal la . dy, I hate givU- ing votes, and all ^ ^^^^^^ ¥^ ^B,m^ 9^ m ^^

SON. •? •? ^m h J'l J' ir-rrj» J' rr ^ that! It makes a man do what is sha . dy, And

fe^F4= •? •? - y » f * » i ^ yi § 't^^^ U' C^- ^ ^

ff ::3z4^JH^ •? •? SON. A>L ii }] ' J) iF=^=^ JT i^ al ^ *

ru _ ins a wo . man's best hat! But now as you're all of you

) ^ ^ n ;^ \ 7 m pp WM f hh u ^ ^^

SON. :^s ^ ^ M ^: ' ^ stand - ing. And say that you won't leaveMme still 111 ^^ ^^ 23260 M.w, 51

SON. m > J^ J^ J-' ^m T~T^rl^

do what you all are de . mand . ing: You ask me to vote - and I

^m j it A ^m^ m ^m

fe SON. i ^ ^iijijrj ) >j)ii J^

will! I have to think be.fore I give my ST. BRIOCHE.

*^i^i) jS f^ ^^ | M Then do not spurn me! te CASCADA. ^-1.^^ ^ J^ q I JM P ^ P Then pray re. turn me!

5-:

SON. JT ^^ w^^ f^ i I ^ P ^ voice! Now in what di . rec _ tion Shall I make se . lee _ tion? Who is the ^ ^r . ; m :/8 ;* /s

*^'%'- ^ i >t [J c^f ^

S.-JSRO M IV 5Z

fe SON. i ;. -ir^^^^^=i^ 1'^ J^h^ I J' ivii ^ J) par _ ty .de.scrv, ing my choice? Now, in what di . rec . tion Shall I make sc -

•ST.ST. BRIOCHE. 1. I. , . I }^ .^ Ji ^ ^ Look in my di CASCADA.

I i) J i i P^ J^ ii I J' P I'm up for e _ lee . tion! MALE CHORUS. A kk ii i }^ J\ J CHO. f Look in my di fe W^ > P P p n i^^ I'm up for e _ lee . tion!

m m^ x^ m m^^ ^

SON. gg^ _ lec- tion? Who is the par - ty de.serv _ ing my choice?

ST. B. i) il P ^ I JW) Ep #r^) fl ^ ^ p ^ W . rec _ tion! I am the par . ty de.serv. ing your choice! fe tetf CAS. i| J' Jl il ? B mi (7 ^ P^ » I am the par . ty de.serv. ing your choice!

J' ferf |#P^n;^ p ^ ^t==^\^t^ ^ . rec . tion! I ami.m the par . ty de.serv. ing your choice! CHO.

2S2G0 M.w. 53 Allegretto SOiVIA.

^'^ i F M M r ^ I M M F M^~TTf Well, then, gen. tie . men. You have heen nom-in .a - ted for e

» r p jf gj @# pp ^ ' ^ ^ ^ k^ %).

SON. I ffS ft i ^ F M p ? r ^ lee - tion: Then 111 vote- The die is u. m '-U ^-T ^ ^Ei y- ©=tfiitf n ^ ^ ^ ^ -? ^

animato DANILO. (brings in LADIES) ^ M: fc^ SON. tt" ^ r r-H-f^ I p [^ n^ cast! Help has come to me at last! **^ ^m ) Ladies'^^choice! La.dies' choice!

w \^ rf\ m^ ^ %^m J animato Jf /i # # ^ ^g ^ S ^ fiiS di Tempo Valse. ^;Y. rt tempo DAN. 1^ > r 7 I ^g -^ V^ ^ p F M^ ip=P^ ^ Oh, come a . way, a _ way! Mu is call . ing, With its

i -^ "^ r r r ^^ ^m I H a tempo /» r;7. W^ r=t r=? =p ^ m f 23260 M.w. 54

^M -W-rV , ijjp r tf s^ DAN. i P ^^ ma _ gic charm en . thrall . ing! To its ring, ing and sing, ing You

*=s t=tm ^ ^m ^ »'f pp »=» ^ ii M n f n ^ ^ ? I'

g zq a ^isi DAN. rtr it^- ^MiN

lift your feet, Fol . low the chime of the time Of the waltz . 's beat!

' * '^ "^^^ ^ i tt«o jj^j «Y"r F T"^^ "/ l I 1 ^ i=t » f^ ^ =f PP ^

r«7. a tempo DAN. [T i H^ I J f-JTTr [ ^ p "r-^Th^ Oh, come a. way, a . way! Mu . sic is play . ing, Lin.ger not, vain.

I*- Pi* ^^ ^ I- i i=» ^ eS :^ ^' >u ^ tempo # nV. ''i/'« m: si l=^t /. ^ ^ n

DAN. tJ J "p' ^ jj^j I r rTr ?^ ly de . lay ing, Take your part ners, choice is free!

-^i ^? ^?~f i- i^ pg i^^ ?' * ^ ^ # # ^* ^ ft* * 23260 M.w. 55

1 LADY (to a MAN) (both dance off)

I uu^ii^^ir ^^'r'^' ^ Will you please, Sir, dance with me?

ttrf.tf ^ p r P m ft fe Jlf *=H| i y/ ^ 3Ei i ^ f^

SONIA. F^^^p For the

^'-« f M ^ ^ r r

=-- SON. £ fe^ I h^ ^S=5 F r r ? r+^ night of the ball will go by,. And the dawn will be cold in the

A. r ^ 1S:- ^ fr^ iw i i mma f ^Jf t ^ ^ i

SON. hjiip Jig i E^ ^ sky.. Let us cap . ture our joys as they fly,.

m^i^^ If rr ^ P^* t ^B -5^P^ ^ ^ ^ m M 33260 M.w. .

SON. $ W fc i^ ^ & Soon will they fade- and die!- There's a charm in the

*. &• S=3 *M ^ i¥ fi m %\EEX »N^ m ¥ r^

SON. PP hJ' i J J)l;i ; thrill of the strings,. Like the beat of the Doves with their wings fei ^ ^ *^ s j =t^ i i

SON. fe5 S s^5 ^Pi i # ^ & J M it^ Then a . way! No de . la)1 Let us dance while we rnay, For our pleas . ure will ^^««=£ i m f- ^ rit. ^F-p—^^ ^ i i i ^

rt tempo SON. I ^ ^ end with dav!_ LADIES.

tt J J tj ^5 pi?I ^^ ^^ r r " F MP \f Take your part . ners don't dc . lay!

'A i t:-

/' a kmpc M ^=^ 14^ ^^ I ^ ***

23260 M. w. .

11 SOMA.»"- 5=3?= j>\^ i tfp 1^ ^ With its ^^_ way, . way! ic is call - ing, 6h, come a a Mus DANILO.

ji ^ I ^ M^- r r r ^ M its 6h, come a _ way, a . way! Mus ic is call . ini:. With ST. BRIOCHE. ^ S Oh,Jh, come a -. way, a . way! Mus ic is call . ing,- With its CASCADA. :^^=^= fefe tip *i J $ I r J IJ . J J Oh,h, come a _ wway, a _ way! Mus ic is call With its ^ ^^=r=^ h, come . way, a _ way! Mus 10 is call . ing,. With its ^== Oh, a THO. ^ U §E^ ^ itJ ^

Oh,h, come a , way,wai a way! Mus IC IS call With its _(2 (i:>:jt r [^ . ^ ^ ^MM ^m m^ #*^:>=^kit »«-p^ m p / # * ^ S5EE I 1=^ 1 F h f f j f F f1 f f

*=^ If2Z • ' SON. i if f i r r i *r r- ^ ^^ <* i mag charm en thrall . in^;!. To its ring, ing and sing, ing You ^ > .. 1. =f=FF DAN. t i i P l i P mag charm en . thrall _ ing! ^To its ring . ing and sing _ You ing ^j2 w^ ST.B. iir ^ Mr r l ^r r W . 10 mag . charm en _ thrall _ ing! To its ring, ing and sing,^ing You * # I CAS. I rlr /• y I r r Ir *r i P#=^ ^ mag charm en thrall . ing! To its ring, ing and sing . ing You '-Hh^ ^^^^^ p^^^ ^mm mag charm en thrall . ingl To its ring, ing and sing . ing You I U - ^ t £ r ^r r * i mag . ic charm en . thrall . ing! To it: ring .ing and sing . ing You ^^ i=t i i m^ m^m « 1 t r *=i i i^I #!f g M li =f=* ^ » ^ ^ ^^ i *^ ^ 23280 M.w. w ^ 58 * SOX. J J J . :y=Ht; ^ isi :^ i I ^^ r ;f pi- lift your feet, Fol-lowthe chime of the time of the waltz Js beat. Oh, come a. way, a DAN. m^ ^ liftyour ^^way, feet, Fol-lowthe chime of the time of the waltzJs beat. Oh, come a. a ST.B. i ZJt *f=^ e^ * ^ f^lift feet, Fol. the your low chimeof the time of the waltz.'s beat. Oh,^^come a -way, a .

CAS. J- W' -ta * * =5 *

CHO. » » i ife ^ liftyour feet, Fol - low the chime of the time of the waltz-'s beat. ^^ Oh, come a -way, a

Wt^ i It r (f«M

tf f f ,^!0; f . f ^^-^ #y jg f t^ Ie ^ fe^ i? j'tff i r ^ t^t ^ s w w i w p f-^

SON. i ^ way! Mus ic is play . ing^ Dontyou hear what it is DAN. ^^ ^ ^ $ is play hat it is way! Mus ic . ing Dontyou hear w w m I ST.B. w^m * way! Mus ic is play _ infr Dontyou hear what ^it is • « ^ ^ I ^ I ^S m i way! Mus ic is play - ing Dontyou hear what it is ja P • 4* r iif way! Mus ^ play . ing. Dont you hear what CHO. ^ 1 E way! Mus IC IS play Mg. Dont you hear what it is ^ fe^i N^=r _(2 i ^m

%^^ "^r 9- U- I Ifc^M r t? r ^ I % ^ ^ *=t ? i=t r=r f r=t ^ ^ 232(U) M.\v. SON.

DAN.

ST. B.

CAS.

CHO.

SOX. -f-^-^ ^ > y- ^ Till the night shall be gone Our. dance goes on (asirl,) ±: DAN. ? r M^ ^ Till the nig-ht shall be gone dance goes on Not

ST. B. > l =^ ^^ ^ y Y' Till the night shall be gone Our_ dance goes on

^L-; rr p tfJ^ ^^ Till the night shall be gone dance goes

r 7 ? m * Till the night shall be gone dance goes *= CHO. i ^=r^ ^ y H^ ^ w Till the night^shall be gone Our. lance sroes -f-l ^ =^=F NMg ^ i gi^ ^-M ^«;^ ^*: 1^*: ^ ^i=^=^ « ^E^ ^^ jf f Ijf 23260 M w 60

DAN.

ST. BRIOCHE.

DAN.

23260 M.w. 61 SONIA. ST. B. $ ^m i i Ar m word as tok Yes, now the time has jsi^ *=^=ff ^m r< rtr ^ i^ ii i ^m f ^

D.WILO. (aside)

SON. k f U $ =n ^^ ^ come to choose. Ill have to try some cle . ver ^^^ ^ i

I ' ^ P^^ crcsc. * dim in.

1< m'^w^m w^m ttrwm 1 m

SOMA.

DAN.

May I pre _ sent you a dan cer? DAXILO. ^e£ f S Oh, con . found! An Horn.

23260 M.w 62

NAT.

DAN.

Marcia moderato.

\> N h ^ .-. h I ff . S^5 NAT. m m ^ ^ see him dance the pol . ka, Ive tried hiin_ and I know; He ^^P^^ ^ ^^

NAT. ^ J' ^' i' =^p^^ ^ ^^^ I^^f #^ M f al . so knows the ma . zur . ka. Ive tried him, and its_

« I * ^m

J- I. Ji Jl I "h NAT. ^

m ev . stu _ died cake walk I've Hes en the

^m ; ; » —1 ~* i J ~i s^^ )>p ^^m 2:{2(!<> M « w

NAT.

NAT. ^^'^ J' F ^ j> ^^^^^^^^^^^^^ So pray re _ turn him, And do not

NAT.

spurn him! But kind_ly let him have your vote and voice! Won't you plump for ^ ^

NAT. |=^fl=^^^^F^^^^

Jo. 11. don! Give your vote to don! Jo. U. He is the part _ ner des.erv ing your

23260 M 64 SOMA.

m ^ P w An-Oth.Mer

NAT.

^choice! MMHe is the ST. BRIOCHE. "i i< Ji i ii I j)^ Give your vote to Saint Brio.che! I am thet CASCADA.

If ^ ii i< i.i ii [^ ; > i) I / m Wont you plump for Cas.ca.da? MMI am the

i^ ii ji , JH-J*^M ^ F P Don't you vote for . Ii _ don! MEX. Jo I am the wljfT' Pi:? g i ^ifeps Don't you vote for jo . Ii . don I am the

SON.

can . di . date wait . ing my choice!

'' NAT. W > ,hi) ^=F=F

par . ty de . serv . ing your choice! rrs CAMILLE. - T ^p V P ^ Pray say, Ma . dame, your choice I

ST.B.

CAS.

MEN.

S'br. : 23260 M w. 65

(.sees DANILOJ

SON.

CAM,

SON.

(to DANILO.)

SOX,

23260 M,w .

Allegro moderato. SONIA. m m DA.V. ^m 1 T ^^^^ dance! In fact, you dont care for the

fc^ ' ^ JH ^ mg ^ ;(/// ^Sa 1^ ^

DANILO. fc :^ SON. '' O' J » ^ chance? Don't care? Oh, no! My dance, you told me T?in ^ -^m

7> '^ ^^ h U Ls mi^ ^^^ SOMA. ^ ^ I did! What then?

DAN. ^^ f I t I [^ ^ P ff P? ^

The dance is mine then, gen _ tie

DA.V.

23260 M.w. 67 ^SONIA. Of course! NATALIA.

J^ J^ J)

What does he mean? CAMILLE.

il }] J] }^ ]^ m What does he mean?

DA.N. i •/ J^ j^ =*t ^h ^ I j I Wi [? J^ ^ fit! That's so? This dance, for which ST. BRIOCHE.

$ :? iUl i) J' S What does he mean? CASCADA.

q J) j^ ii ,h ^ i m What does he mean? MEN.

tj J) i, il ^ m What does he mean? « ^^^mff=# What does he mean?

DAN. » il J^ '' ' ^ ^^ P F ' 1^ P ' M thou . sand francs! now ex_press my thanks, Is worth at least two f^j-fi H^ »5^' ^ ^^ ^ ^^i 23260 M.w. 68

r'iJ:rpJ i ..K. ^Jl Ji Jl J'J ty! Yours the dance may be, If you'll give two thousand francs to me For char_i -

CAMILLE. *F -d}-d m P Two thousand francs? ^m

It's go.ing,— go - ing No ad-vance?

ST. BRIOCHE. f'ti r iijij Two thousand francs?

(to ST. BRIOCHE.) CASCADA. J'^ '.}\ i< Ji ^ ^ Two thousand francs? But for a dance?

MEN.

j^ TT i I'

l l J Ji J J.^ J, Two thousand francs?

Two thousand francs?

23260 M.w. 6y

(H4lri(

^•' DAK. ' ^' ^- i i r « ^ p P i'P^ It on - ly needs a lit-tle tact! (tu CASCADA.) fet ST.B. j^ ^ J)J)^'' I ^ ^ ^ F ^ P P Two thousand francs! He must be cracked!

^^' ' CAS. I *l l J' Jl Ji ¥ Two thousand francs! k^ I ^i l J^ J) Ji J'^ ^ m MEN. Two thousand francs! WTf^ ^^ ^g Two thousand francs! # L- * =^: ^ i ^^ i r ^ I jre^P w^' rz7. Vi

tt.S . s ^ ^5 d' ^ - ^^ ^g ^ p ^

Uo SOMA.) J) J' HAN. 7 ^y ft ^' ^^ i ^^ii^' ^p r r^^=^r H 1 F Now you see, gracious la . dy, what I say! Your a - dor - ers

.'' ^Ji J' I F

It's Sim. ply sil _ ly!

' ^' ^J> f) Two thousand francs!

W' J' : ^ ^ ^ j .s F F ? J'J) J'J) .^^ .MEN. Two thou.sand francs! It's sira - ply sil . ly!

^ M^^ ^' P i Two thou.sand francs! ItIt'ss Sim. ply sil . ly! fi^fl^^ ^m r^r pr r w , &SP -^ J U J U J ^=^k 23260 M.w. f

f s= DAN. J) h' ;m i^' r ^ ^ i U ^ff (T— all grow chil . ly, When you call on them to pay. They love you yu u ^mf=^ L:m-3^ ^ /> * 1^ ^m ^ T-= ^ 1::='

*-: ^ ^ #• ^ ^ T^5 and a _ dore, But love their mon . ey more. And that's the I m m m m e • » •—•• ^ ^mf ^«\f' ^ ^ # 1:^ # CAMILLE. (SONIA. turns away.) Uo NATALIE.) it =fe DAN. I.'' >. t h E m ^^

sort of man they raise In no . ble mod . ern days. I F^^^ ^ ? J ^ ^ 1 nY i: 1 gj'i.'' r_r r'- ^ 1

Allegro.

CAM ii p-LJ F B i ii' ^ r f f r r * ^r ^ ^can - not let put me off su. Its two thou.sand francs — that I will him ^h jgj 7 #ig W^ g; mi pp. m ^^

23160 M.w. 71

NATALIE (Si'CzfS /lis arm.)

CAM.

NAT.

CAM.

The last is gone, And you are free, And now. mfel m W *- ^s * i i ^ i SOMA.

DAN. fe* ^J J E ^ ^ I ^ ^^ ^1 mad _ ame, per -haps You 11 have the dance with me Now

e -^ ^ 4 p ^^ 4^ ^^ tt i r I A JL

(g^--t» g^fH^ I f ^ ^ ^m 23260 M.w. 12

DANILO. ON. ^i

I must de - cline! The dance is mine, As you will al . low.

*^ sfe f=f^ m i m^ "i/* p ^=M^ t=l g-» F U^ r F * ^

SD.MA. W^~~^ ^ W=H' Thank you, 1 do not dance At least not now! ^

(:>^i^ t=t I j ^ ^ ^ ^ DANILO. :Mi I

Hark to the mu there at the balll Will you not fol . low its

,2. • ^ ' = ?S 1^^ t l * t = i mf PP '^^-ff ^ ^ ^ m

)A.V. $ call? Valse^moderato. 8-

-P- ft ^^ i. ^ rr^ ^ i ^ ^ ^ 23260 M.w. 73 $

^ ^ s^ ^ U' W ^

SOMA.

I J ^^ J i No, I will not Tempo di Valse. rfr^^f p^ m^* a tempo P—= ^^ T=^ ^. *

(He dances round her.) ^1 s^s J ¥7f^f^f ^=^ ^#=4- tt mf con tenerezsa ^oco a ^oco cresc. -t—t- ^ ^m ^ m p • ^ ^^^^^^^^^^^SONIA. ^^ You're a ve . ry bad man, But

^^^ ^1 1^*-^-^ ^ tj. S li'f f f »/ 4=t i»« )• » ^^ J ^ ^- ^ » ^^ -1 isiao u.w. :

(She tiikes his arm.) . DAiMLO.

SON. i r I T ir I r ^

dance like an an _ gell I do what- I can! ^^ *^M^-^ &^^ i^ jt j- *. 1^ nf f «=:* %^ =i=* ii l^'-'j f f ^ (Both dance (The Curtain falls slowly.) off.)

te— s ^f |2.

y/ sernpre fiii «^ l=t =f=f ^ ^ ^ ^

? ¥ t tf f , # «^ rf TO ^t I i forte et molto animato

fe:tf tt ^^ I i 3^ ^W ^ ^M Presto. te^iJ£ *=i i 1 M=" i =£= ^—«H ^^ i ^ yj(/"

-(^^# ^^ :*=t= J } i ^ * af > i

'Jto. END OF ACT I. 23260 M.w —

75 Act_II.

N9 7. OPENING CHORUS and SONG.-(Sonia.)

"VILIA':

Polonaise.

Piano.

"f-f -^- ^; —rprp7_.— ^n 1- r f — mMmmhW + 1^ p —« y—^lj J1 J ^-ii^^^- ^-tJ^ ^ 3

®J>- * * Seb. 23260 M.w. ^. * w

Allegretto nioderato.

so vian dance, when And. you ^^^ll see Our own Mar . . wait here -for a min . ute,

SON.

you un.der. stand, In our owi na . tive land. they he.gin it, Just as it would be,

23260 M . »

77 Vivace I a P m ^ if tF=^ ^^ / /•

S i ' i ' -'Mjij jjjj ijji jjji jj jj^^ sa.

:. J • ^^ ^ i |> ^^^ y « / ^^^^ -^ •# # ^ ^

i * r ^ # ^^ EEi ^^ -- P .ff Jff' P^ ^ f- ^m•—i— ^ s hfS

23260 M.w 78 Allegretto

CHO.

Allegretto

f^TT; t „ ^f ^ f rr .^ff rr f^»— «— • E ^E^ ^ ^ i C^ ^ ^ ^ «Z- a ^s; * » <^ ^ s^^ Ah! ^^¥

CHO. #={s 5 if fe P a « Ah! . s^

Ah! .

1» ^ ^^ ^ i» , t . r . # ^E¥ f r ¥ ^ l*Jf « ^-*^-^ ^ » XJ ^ V -Z ^ ^^TT M F M ? ^^!'^ ftah S Ah!.

1S-^ CHO. ^W f^_r ^r Ah! S

\ Ah! .

23260 M w. CHO.

CHO.

23260 M.w 80

Vivace. l^ lF=f^

/ Hei . a . ho! = ' r r I ^- ft ff=ff^ CHO. *^ I r f - ff f I 1^ ^ F I t V ^ b p I p b P^^ Do-wn in dear Mar that's the way -^ go. In the good old

In the good old

m iF=p ISei - a - ho! CHO. :E ^ t fash ion, danc . ing to and fro; Gai - ly sing . ing and s?F* M p ± g=^ i:

fash - ion, danc . ing to and fro, Gai . ly sing . ing and 5: J ^^ i ^ ^

' jilj ^^^ J jj jj s *

CHO.

23260 M.w. 81

J t Ij I h i I I i 1 Hei! Hei!

CHO. ^ tz

ring . ing! Gai - ly iny and light ly spring . ing, s eI ^ E i: ing and light

n^^=^

Hei! Down in CHO. ^^^^^

Maid , ens danc . ing and cym . bals ring . ing! Down in

^ ^ r i f r i f

Maid . ens danc . ing and cym . bals ring - ing! Down in

^ ^^

dear Mar . so _ via. So we Hei

CHO. ^^

dear Mar . so . via, So we go! Hei ^ ^ =F ^^ dear Mar . so . via, So we go! Hei

23260 MW 82 Allegretto moderato. so^Ia. jr m 4w- I =g=^ ^^^^ A- r * J 7 ± =1^=;^ Now sing our dear Mar - so.vianrhyme. A bal . lad made nin ^rm ^ f- 'P 7 i

/r\

ss = • ( SON. ^'^^ F=F= ^ * I* I P P P ?= old . en time, The sto _ ry all our chil .dren know, A . bout a Vil . ia long a . *=^=4# n\ I 3± m /^L 7~=~ i Fs-^ S"-^ ^ -a-

SONG.-(Sonia.)"viLiAV Allegretto r\ ^ SON. 7 K l|:# ? ^

go! 1. There once was a :^ wood maid -en

- t J^tmf f rirfjia: it—P3 m ^ ^ :»:»( =/^ P f^' *«^ 5EtE uJ tJ^ CJ W^ t^

SON. J J J'.lj rJ Jr | ^sp ti ^

\'\\ . ia, A witch of the wood, A hunt . er be . held her a _

smiled, and no an _ swer she gave, But beck . ondhim in - • to the j^=^=^ ^m %rj\r ffifl T- W t—^^ f—-r 23260 M w. 83 m m The spell of her heau ty up .lone as she stood,

shade of the cave; He nev er had known such a ztz mm s m ' - w f .< « HLIf*? rHi ^ ^ -^^w-^ m ^^^^ r

SUN. E*Ei fe^ •— —1— P r If

. on him was laid-, He look'd and he loni;'d for the

rap tur . ous hliss, No maid _ en of mort . als so

SON. ^'' i tp ^* ^ r i r-—X l Jo^Ji^f r r T^'^-.^'F- mag . ic . al maid! For a sud-dentrem. or Ritcht thro' the love-he.wild . er'd

sweet . ly can kiss! As he.fore her feet he lay She vanishd in the wood a . ^ Fl. thR- i ^ tm ¥ * f^ i ii IJ lempn ^ _/^ u 12? f

rit: SON. i ^ ^

And he sighd as a hap. less lov . er can.

And he call'd vain.ly till his dy . ing dayl

23260 M.w. —

J ^pm^ r r- c i

U Lj-LJ Lj U Ij 'U ij'U Lj

SON.

LJ UJ f L-J W tJ l-J

SON. J' J Ji I ^ J' I ff- love and my bride!' Soft . ly and sad . ly he sigh'd.- r 1 "-^J-Ti $ hi ^ ^P . # ^^ ^t^ # ^ ' V ^ # ^ y A u ^

-» g^ ?=F ^^\'ii ia, O Vil ia! the witch of the wood! ^ iz ^ ia, \ ;i ia! the witch of the wood! P3 ^m ^ \ Vil ia, O Vil ia! witch of the wood! :L_&

3r» i ^ ^EE 1^ B^ P ^-J 23260 M.w. 85 J ^ ^nf m 9^ "^ Would I not die for you, dear, I could!

CHO. ^^

'^^ I i' i P J J Would I not di for you, dear, if I could! ^ i M ^ ^^^ \ Would I not die for you, dear, if I could!

^^ ** =6EZ= ^nLj c^ Lj C^ ^m i~-j ^ ^' ^i>pp /O SON. i ^E ^ !" 'Vil ia, Vil ia, my love and ^my bride r ^ ih it

' [^ ^

/7N SON. I £ Soft ly and sad Iv he sighd. m :- * 5^ If- "'J t-J ^ tf

Allegretto.

SON.

23260 M w SON.

CHO.

* Sa. * 'M. * ^.

./^ Vivace. J it r^ iy Si

^ ^ y (HO 'I p- f F r

Down iiidear Mar . so . via, thats the g^ N Down iridtar-Mar _ so _ via, that's the

' ? jj J" J 'i jlj i iii

* tsa.

23260 M w. 87 J ife i ^ i Hei - a - ho! f?:.,.: ho!

CHO. s^i ;t ^i S ;t way we go, In thegoodold fash _ ion dan _ cing; to and fro,

->^p V p- r F \ i PF P i r i f! feg

way we go, In thegoodold fash . ion dan . cing to and fro, 2 3 3 1 3

^ « J 'j V ^ Vm ^ i"; -r # V -# V V /

Hci! CHO. ^a^ i= W^ Gai . ly sing ing and light - ly spring _ mg! Maid . ens * •— f r f ^ r ir Mf | g \ Gai - Iv sing ing and light . ly spring - ing! Maid . ens

i^ H.-i!

* 1 ^ i .'- ' r ^ dan cing and rvni bals ring P5E=4: ^ m cing and lyin

23260 M.w. ' w r

Hei! Down iu

CHO. '' J rt

dan cing and cym . bals ring - ing Down in a ^ £ \ dan cing and cym . bals ring - ing, Down in

t—T I—J Lj~l— y

I r= I f n dear Mar - so . via, ^So we go I Hci! CH' i ^—rf-T-1 « dear^ Mar . so . via. So we Hei! ^ \ dear Mar . so . via. ^So we Hei!

23260 M 89

N9 8. DUET.—iSonia and Danilo.)

"THE CAVALIER.

II AllRg;retto. Sonia. m

Piano. .ff ^^ hj i:jl3 |.i-j rj^ sa. *

M. SON. -^ -I ' ^ M M ' ^ i ^^ S Hal . lo, maid . en' See him ride, See the horse. man pranc . ing!

-^ =» :M: r\ J. ^m ^ \ ir=^ m Wr^^ i»» ^: it/ SEE .tj ' '-^3 ^ s^ m J * J ^ "Sa. * 'Sa. * ^. * "Sa. *

-^ SON. ^=^ d * i ±: ^^ Has he come to choose a bride From the maid . ens dan . cing?

'J ;~3 * « .^ e p^ r ^:t W ^1=1=^ i

23260 M.w. 90 i^ - ¥ ft 7 » ff ^5 d^ ^ P r=# J ^ J S Look up, maid . en, mark him well! Leave the dan . cers lonen. I}' r'' r^ n r^^ -^Lzr _^ r s^ ^ ^*=i^ se ^-j tf^ ^ ^ 'i&S. * '2e~i5. * 'Sa. « '2a. *

ziJ i; v ^^ p" ft r ^ j : SON. ^=* —ft fe^^ ' * ?

He may like you, who can tell. If he sees you on . ly! ga ^^ ./> I ^ i ^

li^DANILn. ji J^ i^ fl J ^' ^ ^ ^" P P tt So she glan.ces shy and sly, And she meets the horse. man's eye!

r'J ^t J J J J .?^ ^^^E^ ^m ^ J ^ ^ ^^

SONIA. /^ i* rit: /T\ r=? ±1 p- ^' ^' i I F r M' F p Not a word she says, but still, He can take her if he will!

^:^ MM fi ^m f F5 t^ "f rit: « tfiiip

91 Piii lento SON. ^"HdnrTH ^ ^ Sil . ly, sil . ly cav . a lier! He can nei-ther see nor hear,

Ji r^^?^^. :^ ffT^fp«c£i ^ ^ ^?^ #^ i^ ^e¥ ^B i 13 "j^a. a femfo *fe riY.- SON. t=^ !p=i ^' —1^ h P P P P M M r Sil . ly, ^sil . . j'our course, Sil . ly, sil . ly cav ly horse -man! Ride up on man, M. ^ ^S w^^ p ^ (L rih a tftnpo "Sa. * ^. ^.

When he wills it shall have nay, p— ^^^^_^^ Sil , ly, sil _ ly horse, man! t^

SON.

23260 M.w. 92 M Animato. wi m m ^ p ^ m m t-3 e ^

Allegretto. tf i *i=

^tf—ff ifi : • J jT --> =¥^j >^j ^ S^EEt .^j ij^ ^n ^-Hj i rf * *

SONIA. ^^ t^^=^ ^^^ * « ~ir * S ^ - lo! . his . ing! Hal HiTe he comes a gain! See charg.er wheel «t^S ^ m ^m -^am ^i", ^ ^ ^^ * * ^ ^^ ^. * 'Sa. * 'Sa. *

.• M ff SON. (jk It r ^=^ h ^ 1 ^ i' I tt=^

Now he s eems a love - lorn swain. Beg. ging: and ap . peal . ing! M: m ^ 1-F ^e i^tt,.» f f r

23260 M-w — »

93 *t SON. f^^^ i p g r But the maid . en, calm and cool. Sings anddoes. nt mcare now!

* 'ia. * -ScJ.. * '2a. n\

SON. T %• n ^ ^'— P =F '

- ^ ^ so there Cav a lier, if you're a fool 1 am not,— now!" /0\ P 4i-^Iff ,.J > /^ ^^ 1 .?^^- ^ fP a!)!=*# I 1 ^ ^ u. d n.-kNILO.

^=2 i) jj ii i^ w^~T

So ^ ri.aht!" won't, good . night! the horse.man laujfhsJXU If you why, then :^ .^ ^ # i J •' J ' >^ LJ a* ^^ &£: ^^ ^ j'ljf ' LfEJ /!('.• o, fcfe » I* l).\N.

? i ^f p p ^', r p Pn-t . ty maid, en, now good. bye, Take an.oth^. er, so will jj 3^ r?\ #E^ nn w 'if I (ijfinpn ^ ^ ^m fefet ^^ • a U soNiA.SONIA. PPiu lento. ^ |J r r UiJ'f F J' I f ^^ p Sil . ly, sil . ly cav . a lier! You can neither see nor hear! Piu lento. f:l^^±H^i \, 7 WT^/^TT} ^ t^=w T^ ^-f ; a^ Mw=^ ^ =* ^^ ^ m t> 'Sa. 23260 M w — — —

94 Mz rii: a tempo SON. • T ^' -e P p iiJ p r• — — I — — m -r'—P M'r — p? tf f— pF r p—r K" M - . - Sil . ly sil . ly horse man! Ride up . on your course, man! Sil ty, sil . ly cav a

HAN. 44 " • J i ,J' i' i r ? r F g J^r? ; p r r r I Clev: t>r clev. cr horse - man' That'sthe pro. per course, man! Ck-v. er, c'., \-. er cav . a

* • * »-*- it » f p , s y ' f

' i I i

/77; I a tempi I ^^ Pi^*:

^. * '2a. * '2a, *

SON.

D.\N.

SON.

When he wills it, shall have nay! Sil . ly, sil - ly horse - man.

V -^ "-^ 5=; I J; MP F r p F I shalUove and ride Clev.er, olev. er horse - man. 7

pp rii:

iS i * a tempo SON. t=^ =F=^ Ride up . on your course, man, ^Sil _ ly, sil . ly cav Uer!

D.\ N. tf F=^ -I—^^ -f-^ 4 ^ r M' r ^ Thats the pro. per course, man, Clev. er, clev. er cav lier! I ^i i j?l mfo rt tempo^ mf ^wUpS * ^. 83260 Mw w

Allegro moderate

^j-j^ ^Tyn=T^^ i

;i:t,'^» ;, 1 ^^ i SeD. *

*=i

(SONIA mM^rs aftfr him.)

F?!-.^ r^ ^^

(she .t„ps.;^t.ips.)

1 4

"Sa.

SONIA. rs Allegro. M —fUr- # pr J' J' ^' i ' 'S \i V 'y p !p FH'i^' r M P ^ Sil - Iv. sil. lyhorbe-man! Ride up _ on your couise.man'. Sil . ly, sil _ ly cav . a lier! Allesrro. r\ i • * ^ =i 7 > 7 M I I- ^ n7.- ^ ^a^ N^ ^ ^ * 23260 M 96

N9 9. MARCH- SEPTET. "WOMEN."

Tempo di Marcia. DANILO. Danilo.

Oh, the

Piano.

mh I y

^ DAN. It N J ^ \ ^^ i^ I J^ ^ ^ WO - men! How to win them- That's an POPOFF. J^ #^ g I JM P^ Oh, the Tell us, pray! ST. BRIOCHE. ^ ^^ P3 ^Oh, the wo _ men! Tell us, pray! CASCADA.

11 J'- J' ^ I ) Oh, the wo _ men! Tell us, pray! NISCH.

p I JOm Oh, the wo . men! Tell^us, pray! ^KHADJA. P^ ^^B Oh, the wo . men! Tell us, pray! * 11 NOVIKOVICH.INUVIROVIL'H. wm Oh, the wo. men! Tell us, pray!

\ ^ L-i ' ll-^^ J J u 23260 M.w. 97

'^ DAN. ^' ^ ff it i) M' p P T1 ^ ' ^^ p # [^ art I'm ra . ther dim in. For there is no pa . tent -way!

POPOFF.

J t ^ il Jl Winning

•> Sa*r r u cresc. / ^g^^^^ m ^ 1 s ^ 'Jto. ^-^ s^ %i). * *

DAN. ^ M im ^ i^ ^T^^ ^ prrrri Winning wo-men- How's it done? That's what no . bo . dy dis

POP. ^' ^' ^' ^J' 1 \i ^ ^' ^ J^iiHi> U p M '^U^' wo -men Fortheir lov.ers- That's what no _ bo - dy dis

ST.B. ^^ ^^ Winning wo. men— Hows it done?

CAS. ;> ^' I i' j ^^#¥F

Winning wo _ men- How's it done?

^' NIS. ;> U' J' j ^^ P it Winning women- How's done?

KHAD. ji i M' I J^ P^^ Winning wo_men- How's it done?

NOV. E*S1 ' ' JLJ I Jl J. ^ #^Winning wo. men- How's it done?

*^"'* C-^ ^ ^^

232G0 M.w 98 4 DAN. fi: ^^- ^^^js g [) Jm r jvf^—^fe i^'^=a">^

. . ^ev- en an Ed . i - son! With one to flirt cov ers, Not you have and flat_tcr-

FOP. S - ^ ij> «>' 3 I ^ If ^^ . cov . ers, Not ev . en an Ed _ i . son!

ST.B. 1 1 i ^ J' I p p ^^ Not ev . en an Ed . i . son!

-^y=^f ^ ^TT^ ^T: Not ev . en an Ed . i _ son! ^ I }> NIS. t ^ 7 M' ^ p Not ev . en an Ed . i . son!

KH.\D. ^ ^- # P M. _ i Not ev en an Ed _ son! t ^^P ^ Not mev _ en an Ed _ i . son! f^E^ f—w m s -, gj E w /» mw / 5 :fe^^ ^Wii P S 3^ DAN. ^^^^^^^ ^^^ So and so and so and so! So and so and " J- POP. i i ]' J' J- \ :rr^' 1 JL„ir^i^?^f'^^f;^^gpf^ So and so and so and so! And look un.ut _ ter - a - bly at her- So and so and fe:^_JU^4^^ ;E ^ ^ ^^ So and so and so and so! So and so and ^1 Jr^-XT^^ ^R-T So and so and so and so! So and so and ^kEESE^ NIS. g^=^^~rn^ ^ So and so and so and so! So and mso and

NOV.

23260 M.w. 99

DAN. P ^^ U_^-^ I P^ so and so! So and so and so and so! POP. &=.^=^M^ M=H-HL-Fg so and so! So and so and so and so!

ST.B. %-> -' ^ P j jiju_;L^=fi4'^^^t~i^ I ^ p rM p p so and so! An _ o . ther likes you when youblus.ter- So and so and so and so!

CAS. fe^ ^ ^^P P p p ;r-MH^ so and so! So and so and so and so! And

NIS. ^m ^=^T- ^ M-p P I P P ^ so and so! So and so and so and so!

KHAD, ^^Ui^ I MHH? P n so and so! So and so and so and so!

NOV. jp^ f M MP M so and so! So and so and so and so! *=£: a gtt^tf ^^ ^ ^"/ .f ^r=^=& J'JJiJJIJJ DAN. ilT^p p~nL_^_^^ So and so and so and so! One POP. M-iL-ug=M So and so and so and so!

ST.B. H- m ^=^ (i— ^ and so so and ^so! So and CAS. i= ^ 3?^^^^ ^m ^mm f- while you beat her you can trust ^ her- So and so and so and so! E NIS. S PP ife* Pf^ So and so and so and so!

KHAD. ^NiE P^ ^^ J' 7 So and so and so and so! NOV. W^ i^ PP J^^= So and so and so and so! ^ 23260JO M.W. U"-*^ 10

^' DAN. rd-\ p-ffe^ J' j^ ;^ Jrzi P p p-^ P I J^^ I

asks for ten. der . ness un. flag, ging- So and so and so and so!

POP. i' ^1 N 1^ J' I ^ P So and so and so and so! An j^ J^ N J^ i'- I ^^^ So and so and so and so!

CAS. J' J^ N j-^ i) I ^^ So and so and so and so!

NIS. ]) j) -! h j) J^ I J) h So and so and so and so!

KHAIl. i' j^ j^ i> J) I ^m So and so and so and so!

NOV. J' j^ ;> Jv+^^^h-^r^ So and so and so and so!

So and so and so and so!

^'^ - "^ • J^- ' P [L^ I p [MM^ I Jni^ M^^ o - ther's al . ways rag . gmg, nag _ ging— So and so and so and so!

ST. B. J^ j^ ;> ^ i' I ^m So and so and so and so!

CAS.

NIS.

KHAD.

NOV.

23260 M.w. .

101

Auimato. rit. rail. DAN. s^p mm jnTJ'"T^=i So and so and so and so! And o.ther things they f7\ POP. ^--^^^ ^E^^=r^^=^^=^=f4-^ I j) J ^ and so and so and so! o.ther So And things they

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J^ CAS. *ii J'i 4i ^' -^' I p- N'' p fi M fl ^^ p p p p JrH^^^g o . ther likes in. ces . sant laugh.ter— So and so and so and so! And o.ther things they

J' J' h J' J' J' :s NIS. , I So and so and so and so!

^' KHAD. ^^ J-' ^' M I J^ ;: I So and so and so and so! 0\

i ^' J^ i' -^^ j^ K # I «==* So and so and so and so! Auimato. .n /T\ ¥^f n I n ^ T rit. « ? m J /:> i? ra//.

DAN. I J' j, J', .^-Tj' ^p^ ^^ ask for af . ter- So and so and so and You may

POP. ^' ^) J^ > T JU' ^ J.L ^^ sk for af . ter- So and so and so and You may

ST. B ff J^ J^ i' I ^ i ;> J^ ^ ask for af _ ter— So and so and so and so!_

CAS. ^h ;, j^ w^^_LM.: j^ ji ask for af . ter- So and so and so and so!_

NIS. i J^ J) jN JL So and so and so and (^

J' i' Ji Ji P So and so and so and

NOV. :- jr ;> js So and so and so and so~n -rrfr -i—TM^ « tempo PR rtt. f J? ^h W ^ r-2 r^ m ^^ '&S. f: 23860 u.w. 102 TRIO. Tempo I. DAN. ^ g ^ m^ ^^ stu - dy her ways as you can;. But a wo _ man's too POP. ^ ^ ^ ^ ^ stu _ dy her ways as you can;. But a wo . man's too

Oh, the women! Bless the women!

CAS.

Oh, the women! Bless the women!

NIS.

Oh, the women! Bless the women!

KHAD.

Oh, the women! Bless the women!

NOV. Oh, the women! Bless the women! Tempo I. ^=^

^ LJ -U ¥ "Stj. ^ DAN. mt i^-t-tjbb' m ^ much for a man!- It deep . er than div . ing for

POP. E ^ r-jnr s^ fe ^ much for a man!_ It is deep _ er than div . ing for

ST.B.