1976 a Thesis Submitted in Partial
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Brothers'talk Hits National Eye It All Began As a Conversation Between Two Brothers- Printed in the Uconn Newspaper
GhmttPrttatt Sailu (Hamjmfi Serving Storrs Since 1896 VOL. LXXX NO. 22 STORRS, CONNECTICUT WEDNESDAY, OCTOBER 6, 1976 Brothers'talk hits national eye It all began as a conversation between two brothers- printed in the UConn newspaper. Before his story went read. one a student reporter, the other a Playboy magazine into print, Daily Campus Copy Editor Geoffrey Golson Both Golsons stressed that the situation of Carter editor involved in the frank and now-famous Playboy called back his brother. Playboy Assistant Managing seeking retractions was only hypothetical. Hypothetical interview with Jimmy Carter. In less than a day, the Editor G. Barry Golson, to read over the story and check or not, the situation went from the middle of the Daily conversation drew national attention to the Playboy for errors. All seemed right. Campus story to the top of the UPI dispatch. editor and his student brother's newspaper—The The problem began when the story appeared in "STORRS. Conn. UPI— Jimmy Carter had the chance Connecticut Daily Campus. Monday's San Francisco Examiner, picked up from the to retract any part of the now famous Playboy magazine The conversation and story spawned by it also spurred Daily Campus by United Press International and "adultery in my heart' interview, according to the editor Daily Campus editors to prepare for a near-battle-pitting greeting Carter's staff, arriving in San Francisco for who conducted the interview with the Democratic the student daily from Storrs against the nation's today's presidential debate. presidential nominee," the UPI story read. pioneer girlie magazine, with United Press International "Carter's 'moment of humanity,' as Golson put it, may After the San Francisco surprise, the Playboy editor kicked somewhere in between. -
Historical Review Spring 2011 an Undergraduate Publication Lebkc[??Iik[*
The Yale Historical Review Spring 2011 An Undergraduate Publication Lebkc[??iik[* The Mutual Constitution of Slave Music by Masters and Slaves in Antebellum South The Atlanta Constitution and the Lincoln Centennial, February 1909 Jimmy Carter, Campaign Advertising, and the Failure of 1980 The Amistad, Camelot, Jerusalem, and Dred Scott The American Issue The Yale Historical Review An Undergraduate Publication Editorial Board For information regarding submissions, advertise- ments, subscriptions, and contributions, or to provide feedback, please contact us at Editor-in-Chief [email protected] or write to us at Layne Johnson, SM ‘12 Managing Editor Yale Historical Review Caroline Tan, BK ‘14 Yale University PO 204204 Senior Essay Editor New Haven, CT 06520 Joe Geylin, SM ‘11 or visit our website at www.yalehistoricalreview.org Junior Seminar Editors Jessica Moldovan, SY ‘11 COVER: Dred Scott, 1857. Yale University Library Josh Tannen, SY ‘11 Visual Resources Collection. At-Large Editor PAGE 6: www.valanduseconstructionlaw.com Jack Bisceglia, PC ‘12 PAGE 7: William Harlan Hale and Selden Rodman, Directed Studies Editor editors of the “Harkness Hoot” 1930/1931. Thomas Meyerson, BK ‘11 History of the class of 1931. Manuscripts & Archives, Outside of Yale Editors Yale University Elinor Monahan, JE ‘13 Brendan Ross, BK ‘13 The Yale Historical Review is published by Yale College students. Yale University is not responsible for Advisory Editor its contents. Christopher Magoon, BK ‘11 Design Editor Chantal Fernandez, TD ‘12 Development Chair Eric Spies, BK ‘13 Communications Chair Emily Dominski, SM ‘12 Advisory Board Copy Editors David Blight Norma Thompson Katherine Fein, PC ‘14 Class of 1954 Professor of Director of Noah Gray, MC ‘13 American History Undergraduate Studies, Charles Gyer, SM ‘13 Humanities John Gaddis Robert A. -
Assessing the Role of Local Television News in Elections: Stimulating Involvement Or Indifference
Assessing the Role of Local Television News in Elections: Stimulating Involvement or Indifference Phyllis Kanisst In examining the news media's role in the American political system, Robert Entman argued that while the media "can wield the power to alter public policy and cripple presidencies," they have not been able to "harness that power to serve democratic citizenship and promote government account- ability as free press ideals demand. "'The problem, as Entman and others have noted, lies in the conflict between the need to maintain the profitability of news organizations and their ability to inform citizens adequately about policy problems and solutions.2 This conflict is particularly strong in the coverage of politics and elections. While criticisms of campaign coverage have persisted over the past two decades, a recent change in the very structure of the American mass media has transformed the way news is disseminated. No longer are the three television network newscasts and the Washington press corps the predominant source of news for most Americans. Increasingly, citizens are turning elsewhere for news and information about their worlds, and political candidates may be found everywhere from morning talk shows to midnight appearances on MTV. While many of these so-called "new media" received attention by scholars studying the 1992 presidential campaign, commentators have largely over- looked one important new vehicle for political debate and news dissemination. Increasingly, local television news is becoming a major source of information about politics and government for American citizens, while at the same time serving as a growing target by campaigns seeking to transmit messages to key segments of the electorate. -
Sexual Scandal and the Rise of Public Confession
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 The art of the public grovel: Sexual scandal and the rise of public confession Susan Wise Bauer College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Religion Commons, and the United States History Commons Recommended Citation Bauer, Susan Wise, "The art of the public grovel: Sexual scandal and the rise of public confession" (2007). Dissertations, Theses, and Masters Projects. Paper 1539623323. https://dx.doi.org/doi:10.21220/s2-nc99-ny34 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Art of the Public Grovel: Sexual Scandal and the Rise of Public Confession Susan Wise Bauer Charles City, Virginia Master of Arts, The College of William and Mary, 1994 Master of Divinity, Westminster Theological Seminary, 1991 Bachelor of Arts, Liberty University, 1988 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary May, 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3268797 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. -
Yoko Ono and John Lennon's 1969 Year Of
ABSTRACT Title of Document: MASS MEDIA IS THE MESSAGE: YOKO ONO AND JOHN LENNON’S 1969 YEAR OF PEACE Martha Ann Bari, PhD., 2007 Directed By: Assistant Professor Renée Ater, Department of Art History and Archaeology In 1969, against the backdrop of the Vietnam War, multimedia artist Yoko Ono and rock star John Lennon instigated a series of idiosyncratic artistic events designed to spread a universal message of peace. What all these events had in common was the couple’s keen desire to act as catalysts for change and their willingness to exploit their own celebrity to do so. They had just survived a scandalous year in London in a fishbowl of publicity where the popular press savaged Ono and Lennon’s love affair and resulting separate divorces. Dealing with the insatiable media had become part of their everyday lives. Why not use this pervasive attention to publicize their own cause and carry their message of peace throughout the world? This simple premise launched a private peace campaign whose artistic message has achieved cult status in our popular culture. This dissertation examines how Yoko Ono and John Lennon’s 1969 Year of Peace unfolded, how the media covered it at the time, and how people remember it today. By considering the couple's art events within the context of the 1960s and then following the path of certain images as they wend their way to the present, Ono and Lennon’s art acts as a core sample of sixties culture and its legacy. My study situates this artwork against the backdrop of Lennon’s megawatt rock star celebrity, within the spirit of Fluxus (of which Ono was a founding member), and in the context of the anti-war movement of the time.