MIKE ELEY, BSC Director of Photography

Total Page:16

File Type:pdf, Size:1020Kb

MIKE ELEY, BSC Director of Photography (8/18/21) MIKE ELEY, BSC Director of Photography www.mikeeleydop.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “HOME GAME” Thea Sharrock Netflix Graham Broadbent Blueprint Pictures Peter Czernin Anita Overland “STATE OF THE UNION” Stephen Frears Sundance TV Iain Canning (Seasons 1 & 2) See-Saw Films Nick Hornby Emile Sherman “BEAT THE DEVIL” David Hare Annapurna David Sabel Sabel Productions “THE DUKE” Roger Michell Neon Films Nicky Bentham Pathe UK Michael S. Constable “THE DIG” Simon Stone Netflix Gabrielle Tana BBC Murray Ferguson “MADE IN ITALY” James D’Arcy CrossDay Productions Pippa Cross HanWay Films Sam Tipper-Hale “OFF THE RAILS” Jules Williamson Bill Kenwright Films Arabella Page Croft Black Camel Pictures Bill Kenwright “BLACKBIRD” Roger Michell Millennium Films David Bernardi Sherryl Clark “THE WHITE CROW” Ralph Fiennes BBC Films François Ivernel Magnolia Rae Films Andrew Levitas Gabrielle Tana “WOMAN WALKS AHEAD” Susanna White Black Bicycle Ent. Edward Zwick Bedford Falls Co. Marshall Herzkovitz “MY COUSIN RACHEL” Roger Michell Fox Searchlight Kevin Loader “THIS BEAUTIFUL FANTASTIC” Simon Aboud Constance Media Monika Bacardi “SHOOTER” Simon Cellan Jones Universal Cable Prods. Lorenzo Di Bonaventura (Pilot) Paramount Television Antoine Fuqua “THE OUTCAST” Iain Softley BBC Films Peter Czernin (Mini-Series) Blueprint Pictures Graham Broadbent “THE LOST HONOUR OF Roger Michell Carnival Film & TV Roger Michell CHRISTOPHER JEFFERIES” Peter Morgan (Mini-Series) Gareth Neame Winner: BAFTA TV Craft Award for Best Cinematography Winner: RTS Award for Best Cinematography (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (8/18/21) MIKE ELEY, BSC Director of Photography - 2 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “KLONDIKE” Simon Cellan Jones Discovery Channel Ridley Scott (Mini-Series) Scott Free David Zucker “THE SELFISH GIANT” Clio Barnard Film4 Tracy O’Reardon Winner: Dinard Film Festival Award for Best Cinematography Moonspun Films “PARADE’S END” Susanna White BBC Tom Stoppard (Mini-Series) HBO Damien Timmer Nomination: Emmy Award for Best Cinematography “NANNY MCPHEE RETURNS” Susanna White Universal Pictures Tim Bevan Working Title Films Eric Fellner “BLOOD AND OIL” David Attwood Tiger Aspect Susie Liggett (TV Movie) “1234” Giles Borg Carson Films Simon Kearney “GREY GARDENS” Michael Sucsy HBO Films David Coatsworth (TV Movie) Michael Sucsy Nomination: Emmy Award for Best Cinematography “GENERATION KILL” Susanna White Boom Ed Burns (Mini-Series / 2nd Unit) HBO Films David Simon Company Pictures Anne Themopoulos “DIARY OF A NOBODY” Susanna White BBC Murray Fergerson (TV Movie) Clerkenwell Films “JANE EYRE” Susanna White BBC Phillippa Giles (Mini-Series) WGBH Winner: RTS Award for Best Cinematography Nomination: Emmy Award for Best Cinematography “ELIZABETH DAVID: A LIFE IN James Kent Wall to Wall Collette Flight RECIPES” (TV Movie) “UNITED 93” Paul Greengrass Universal Pictures Tim Bevan (2nd Unit) Working Title Films Eric Fellner “WALLIS AND EDWARD” David Moore Company Pictures Mark Pybus (TV Movie) “HE KNEW HE WAS RIGHT” Tom Vaughan BBC Wales Bill Boyes (Mini-Series) Deep Indigo Productions Sally Haynes WGBH Laura Mackie (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (8/18/21) MIKE ELEY, BSC Director of Photography - 3 - FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “LOVE AGAIN” Susanna White BBC Simon Heath (TV Movie) World Productions “TOUCHING THE VOID” Kevin Macdonald IFC Films John Smithson Winner: BIFA Award for Best Technical Achievement Film 4 “THE MANY LIVES OF ALBERT Harry Hook Alliance Atlantis Anne Marie La Traverse WALKER” BBC James Mitchell (TV Movie) “MIKE BASSETT: ENGLAND Steve Barron Hallmark Steve Barron MANAGER” Film Council Neil Peplow “THE NAVIGATORS” Ken Loach Parallax Pictures Rebecca O’Brien DOCUMENTARIES: “FIRE IN THE NIGHT” Anthony Wonke STV “MARLEY” Kevin Macdonald Cowboy Films “VIRGIN GALACTIC” Anthony Wonke Darlow Smithson Prods. “IN THE WILD: JULIA ROBERTS Nigel Cole Tigress/Channel 5 IN MONGOLIA” “THE TRUTH ABOUT LOVE: Susanna White BBC WH AUDEN” “BORN TO BE WILD: JOHN Justine Kershaw Tigress/BBC CLEESE” “IN THE WILD: JULIA ROBERTS” Nigel Cole Tigress/ITV “TRUE STORIES: LONE STAR Paul Yule Channel 4 HATE” “IN THE WILD: HOLLY Justine Kershaw Tigress/ITV HUNTER” “SBS: ANNIE LIEBOVITZ” Rebecca Frayn Middlemarch/ITV Membership: IATSE Local #600 (International Cinematographers Guild) Locations: Australia, Austria, Belarus, Bosnia, Brazil, Canada, Chile, Croatia, Cuba, Czech Republic, Denmark, Egypt, Ethiopia, Finland, France, Germany, Ghana, Greece, Greenland, Holland, Hong Kong, India, Iraq, Italy, Kenya, Kuwait, Latvia, Lebanon, Lithuania, Mali, Mexico, Namibia, New Zealand, Norway, Peru, Poland, Portugal, Saudi Arabia, Serbia, South Africa, Spain, Switzerland, Russia, Thailand, Turkey, UK, USA (Alaska, Arizona, Colorado, California, Connecticut, Florida, Illinois, Kentucky, Maryland, Nevada, New Jersey, New Mexico, New York, Ohio, Oklahoma, Oregon, Tennessee, Texas, Virginia, Washington) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com .
Recommended publications
  • The Perfect Mix Getting Engaged in College
    05 07 10 | reportermag.com GETTING ENGAGED IN COLLEGE The other kind of RIT Rings. THE PERFECT MIX Remember: intro, rising action, climax, denouement and conclusion. ROADTRIP TO THE FUTURE Four men. Four cities. One mission. EDITOR’S NOTE TABLE OF CONTENTS 05 07 10 | VOLUME 59 | ISSUE 29 EDITOR IN CHIEF Madeleine Villavicencio | [email protected] My Innovative Mixtape MANAGING EDITOR Emily Mohlmann Every few weeks or so, I abandon the “shuffle play all” function on my MP3 player, turn off Genius on | [email protected] iTunes, and make a playlist. I spend hours listening to track after track, trimming down the set list and COPY EDITOR Laura Mandanas attempting to get the transitions just right. Sometimes, it just comes together; other times, I just can’t | [email protected] quite get it right. But one thing’s for certain: each mix is a reflection of who I am at the time of its creation. NEWS EDITOR Emily Bogle And if it’s good enough and means something, I’ll share it with someone special. | [email protected] LEISURE EDITOR Alex Rogala It crossed my mind to share a complete and perfected mix, but I decided that would take away from its | [email protected] original value. Instead, I’ve decided to share something unfinished and challenge you to help me find the FEATURES EDITOR John Howard perfect mix. Add or cut tracks as you please, and jumble them up as you see fit. And when you think you’ve | [email protected] got it, send that final track list my way.
    [Show full text]
  • A Comparison of Nick Hornby's High Fidelity and Juliet, Naked
    Hugvísindasvið Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Maí 2011 Háskóli Íslands Hugvísindasvið Enska Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Kt.: 230476-4389 Leiðbeinandi: Ingibjörg Ágústsdóttir Maí 2011 Abstract In 1995 Nick Hornby published his first novel, High Fidelity, a story about obsession, love and the complications of modern life. Hornby published Juliet, Naked in 2009, where he tackles similar topics to those in High Fidelity. A key difference between these novels is the presence of the Internet in Juliet, Naked, which is not featured in High Fidelity. A comparison of Juliet, Naked and High Fidelity offers an interesting insight into Hornby‟s vision of life before and after the spread of the Internet, and how it has affected the characters‟ obsessions, communication and their lives in general. This essay is, however, not limited to the changes the Internet has brought, as other topics are discussed in the essay‟s several chapters. The first chapter is a general introduction and is followed by a chapter containing background information on both Hornby and the novels, as well as illustrating how these novels were received by critics. The third chapter tackles a dominant theme in both books, obsession, especially male obsession with popular culture. The ensuing chapter deals with love and its complications, and how it is presented in both novels. The fifth chapter focuses on the Internet and the benefits and limitations it brings to modern life.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • SETDECOR Magazine – Online 2015 Nominations
    SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman
    [Show full text]
  • High Fidelity
    Háskóli Íslands Hugvísindadeild Enskuskor True Fidelity? The Adaptation of High Fidelity Ritgerð til B.A.-prófs Eiríkur Stefán Ásgeirsson Kt.: 160777-3709 Leiðbeinandi: Úlfhildur Dagsdóttir Janúar 2009 Eiríkur Stefán Ásgeirsson 2 Summary High Fidelity is a novel written by Nick Hornby and was published in 1995. Five years later, a film with the same title was released world-wide. The film is an adaptation of the novel. I have decided to inspect what changes were made to the original story when it was adapted for the film. There were many changes made that are obvious to those who have both read the story and seen the film, such as the relocation of the setting from London to Chicago. But I found changes such as this one to be merely superficial changes. The changes I wanted to inspect were the ones made to the characters, theme and atmosphere. I found the theory of novel-to-film adaptation is relatively young in many respects. The adaptation process itself is perhaps as old as the cinema itself but the theoretical discussion of the process is by no means as extensive as it perhaps should be, considering how many novels and other literary works have been adapted for films. Critics have many times criticized film adaptations for not being as good as the original work. I found that his criticism can be unfair, as many adapted films are not trying to reproduce the original work but to reinvent it for a new format. This is the approach I wanted to make when inspecting the film adaptation of High Fidelity .
    [Show full text]
  • NICK HORNBY Born 1980. Lives and Works in London, England
    NICK HORNBY Born 1980. Lives and works in London, England. EDUCATION 2007 MA, Chelsea College of Art 2003 BA, Fine Art, Slade School of Art The Art Institute of Chicago SOLO EXHIBITIONS 2017 Nick Hornby: Sculpture (1504 - 2017), Glyndebourne, UK 2015 Nick Hornby & Sinta Tantra - Collaborative Works II, Choi Lager Gallery, Cologne 2013 Nick Hornby: Sculpture (1504-2013), Churner and Churner, New York Nick Hornby & Sinta Tantra, One Canada Square, London 2010 Atom vs Super Subject, Alexia Goethe Gallery, London 2008 Tell Tale Heart, Camley Street Natural Park, London Clifford Chance Sculpture Award 2008, Clifford Chance, London SELECTED GROUP EXHIBITIONS AND EVENTS 2019 Sculpture, Selma Feriani Gallery, Tunisia Abstract vs Figure 1952 – 2019, Pinsent Masons, London 2018 Sculpture: Modern and Contemporary, Beaux Art, London Small is Beautiful, Flowers Gallery, London Ornament and Crime, Pinsent Masons LLP, London Cure3, Bonhams, London Painting Now 2, Riccardo Crespi Gallery, Milan Year One, Frestonian Gallery, London Hornby Tantra - Collaborative Works III: Proposals, Multiple sites, British Land, UK Une seconde vie, Garden Musuem, London Magic & Method, Frestonian Gallery, London Judgement Critique Value, Pinsent Masons, London 2017 The Curators’ Eggs, Paul Kasmin, New York, NY Nick Hornby & Sinta Tantra - Collaborative Works II, Pinsent Masons LLP, London. Contemporary Sculpture Fulmer, Fulmer Contemporary, UK I Lost My Heart to a Starship Trooper, Griffin Gallery, London 2016 Think Pieces, Cass Sculpture Foundation, UK Reverse Engineering,
    [Show full text]
  • Rebecca Frayn Writer-Director
    Rebecca Frayn Writer-Director Rebecca Frayn was trained by the BBC as a film editor, before going on to develop a successful career as a freelance director for signature documentaries, a screenwriter and commercials director. She is represented for commercials by Arden Sutherland Dodd. Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Drama Production Company Notes THE LADY Left Bank Screenplay. Luc Besson directing. Starring 2010 Films/Europacorp Michelle Yeoh and David Thewlis. WHOSE BABY? Granada/ ITV 90′ single film, starring Sophie Okenodo and 2004 Andrew Lincoln. Tx November 2004 SINGLE Tiger Aspect/ ITV 3 episodes of 3 x 60′. Starring Michelle Collins. 2002 Producer: Amanda Davis. Writer: Peter Bowker. Exec Producer: Jane Fallon. TX: from 25th October 03, 9.30pm. ROCKING THE LWT 1 hour pilot for 6 part series. CRADLE Producer: Sally Head 1997 KAVANAGH QC IV: Carlton 90′ script. Producer: Chris Kelly 'ONLY THE LONELY' 1997 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SCREEN ONE ONE - Middlemarch Films / Based on the true story of Sara Thornton. KILLING ME SOFTLY BBC 2 Broadcast 7/7/96. 1995 Produced by Belinda Allen & Elinor Day. Directed by Stephen Whittaker. Starring Maggie O’Neill & Peter Howitt. BEGGAR MAN, THIEF Middlemarch Films / Original screenplay developed for Film on Four. 1994 Channel 4 Producer: Belinda Allen HE PLAY/SHE PLAY - Middlemarch Films / Contemporary version of OTHELLO. Broadcast THE LAST LAUGH Channel 4 28/4/93.
    [Show full text]
  • The Lady DP Complet VA Sept 20
    EuropaCorp presents MICHELLE YEOH DAVID THEWLIS THE LADY DIRECTED BY LUC BESSON Runtime: 127 minutes Release date France: 30 november 2011 DISTRIBUTION PRESS (International) EuropaCorp Distribution Michèle Abitbol-Lasry 137, rue du Fbg Saint Honoré - 75008 Paris Séverine Lajarrige Tel.: +33 (0)1 53 83 03 03 184, Bd. Haussmann – 75008 Paris www.europacorp.com Tel.: +33 (0)1 45 62 45 62 [email protected] [email protected] © EuropaCorp - Left Bank Pictures - France 2 Cinéma “Suu Kyi's struggle is one of the most extraordinary examples of civil courage in Asia in recent decades.” The Norwegian Nobel Committee (1991) “In physical stature she is petite and elegant, but in moral stature she is a giant. Big men are scared of her. Armed to the teeth and they still run scared.” - Desmond Tutu “She is a hero of mine and a source of inspiration.” Barack Obama “Aung San Suu Kyi is an inspiration for all of us who believe in freedom of speech, democracy and human rights.”- David Cameron “Your determination and courage continue to inspire friends of freedom around the world” - Bill Clinton “She’s my hero” - Bono Synopsis THE LADY is the extraordinary story of Aung San Suu Kyi and her husband, Michael Aris. It is also the epic story of the peaceful quest of the woman who is at the core of Burma’s democracy movement. Despite distance, long separations, and a dangerously hostile regime, their love endures until the very end. A story of devotion and human understanding set against a backdrop of political turmoil that continues today.
    [Show full text]
  • Andrew Lincoln
    VAT No. 993 055 789 ANDREW LINCOLN TRAINING: ROYAL ACADEMY OF DRAMATIC ART FILM: Made in Dagenham Mr Clarke Number 9 Films Nigel Cole Heartbreaker Jonathan Focus Features Pascal Chaumeil Scenes of a Sexual Jamie Tin Pan Films Edward Blum Nature Comme t'y es Belle! Paul Future Films Lisa Azuelos These Foolish Things Christopher Lovell 111 Pictures Julia Taylor-Stanley Enduring Love TV Producer Pathe Roger Michell Love Actually Mark Working Title Richard Curtis Offending Angels Sam Pants Productions Andrew Rajan Gangster NO. 1 Maxie King Film Four Paul McGuigan Human Traffic Felix Fruit Salad Films Justin Kerrigan Boston Kick Out Ted Boston Films Justin Kerrigan TELEVISION: The Walking Dead Rick Valhala Motion Pictures Fran Darabont Strike Back Hugh Collinson Left Bank Pictures Various Wuthering Heights Edgar Linton Mammoth Screen Coky Geidrroyc Moonshot Michael Collins Dangerous Films Richard Dale Lukas Reiter Project Joe NBC Productions Barry Sonnenfield This Life - 10 Years Egg World Productions Joe Ahern After Life Robert Bridge Clerkenwell Films Various Whose Baby? Barry Flint ITV Rebecca Frayn Lie With Me DI Will Tomlinson Granada Susanna White Teachers Simon Casey Channel 4 Various Canterbury Tales: Alan King BBC Julian Jarrold The Man Of Law's Tale State of Mind Julian Latimer Monogram Productions Christopher Menaul A Likeness to Stone Richard Kirschman Bbc Charles Beeson Bomber Capt. Willy Byrne Zenith David Drury Woman in White Walter Hartwright Bbc Tim Fywell This Life Egg World Productions Various Bramwell Martin Fredericks
    [Show full text]
  • High Fidelity: Adapting Narcissism to Film
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 High fidelity: Adapting narcissism to film Kristina Lyn Smolenski Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Film and Media Studies Commons Recommended Citation Smolenski, Kristina Lyn, "High fidelity: Adapting narcissism to film" (2002). Theses Digitization Project. 2101. https://scholarworks.lib.csusb.edu/etd-project/2101 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. HIGH FIDELITY: ADAPTING NARCISSISM TO FILM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition: English Literature by Kristina Lyn Smolenski June 2002 HIGH FIDELITY: ADAPTING NARCISSISM TO FILM A Thesis Presented to the Faculty of California State University, San Bernardino by Kristina Lyn Smolenski June 2002 Approved by: /V&t? Zlt bn Dr. Bruce Golden, Chair, Date English Literature Dr. Holly Henr ABSTRACT High Fidelity successfully adapted from a novel to a film because of the narcissistic portrayal of Rob Gordon in the film. In order to examine how Rob Gordon's character is adapted to the screen in the film High Fidelity, one must first examine his I narcissism. Chapter one will introduce and demonstrate examples of how Rob became stuck in his narcissistic pattern and how the1 film successfully demonstrates this narcissism through the use of both I Christopher Lasch's theories and the use of other psychologists who have expanded on Lasch's theories.
    [Show full text]
  • About Endgame
    MONGREL MEDIA, BBC FILMS, TELEFILM CANADA, BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD, SODEC and BFI Present A WILDGAZE FILMS/ FINOLA DWYER PRODUCTIONS / PARALLEL FILMS / ITEM 7 co-production Produced in association with INGENIOUS, BAI, RTE And HANWAY FILMS BROOKLYN Directed by JOHN CROWLEY Produced by FINOLA DWYER and AMANDA POSEY Screenplay by NICK HORNBY Adapted from the novel by COLM TÓIBÍN Starring SAOIRSE RONAN DOMHNALL GLEESON EMORY COHEN With JIM BROADBENT And JULIE WALTERS Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com 1 INTRODUCTION BROOKLYN is the story of Eilis, a young woman who moves from small-town Ireland to Brooklyn, NY where she strives to forge a new life for herself, finding work and first love in the process. When a family tragedy brings her back to Ireland, she finds herself confronting a terrible dilemma - a heart-breaking choice between two men and two countries. Adapted from Colm Tóibín’s New York Times Bestseller by Nick Hornby (Oscar® nominee for An Education) and directed by John Crowley (Intermission, Boy A), BROOKLYN is produced by Finola Dwyer and Amanda Posey (Quartet, Oscar® nominees for An Education). BROOKLYN stars Saoirse Ronan (The Grand Budapest Hotel and Oscar® nominee for Atonement), Domhnall Gleeson (About Time, Anna Karenina), Emory Cohen (The Place Beyond The Pines), Jim Broadbent (Oscar® winner for Iris) and Julie Walters (Oscar® nominee for Billy Elliot and Educating Rita).
    [Show full text]
  • 8 Marzo Festa Della Do
    ISTITUTO SUPERIORE LICEALE "MATILDE DI CANOSSA" Liceo linguistico – Liceo delle Scienze umane – Liceo Coreutico Via Makallè, 18 - 42124 Reggio Emilia Tel. 0522/271223 - 271353 Fax 0522/271627 e-mail: [email protected]; www.liceocanossa.edu.it ISTITUTO LICEALE “MATILDE DI CANOSSA” – REGGIO EMILIA BIBLIOTECA D’ISTITUTO BIBLIOGRAFIA TEMATICA SU: 8 MARZO 2016 – FESTA DELLA DONNA - CONDIZIONE FEMMINILE N.B.: la bibliografia sotto riportata costituisce una selezione dei testi e materiali audiovisivi disponibili presso la Biblioteca d’Istituto e non deve essere considerata esaustiva OPERE GENERALI LIBRI Gisela Bock, Le donne nella storia europea. Dal Medioevo ai nostri giorni, Editori Laterza 2006 G. Duby-M. Perrot, Storia delle donne in Occidente, Economica Laterza, 1995, voll. 5 Eva Cantarella, L’ambiguo malanno. La donna nell’antichità greca e romana, Einaudi scuola 1995 La questione femminile nel Novecento. Documenti, testi, riflessioni, a cura di A. Di Martino, Einaudi scuola 2003 Concita De Gregorio, Cosa pensano le ragazze, Einaudi. Stile Libero Big, Torino 2016 DONNE E GUERRA FILM Il segreto di Esma 1 ISTITUTO SUPERIORE LICEALE "MATILDE DI CANOSSA" Liceo linguistico – Liceo delle Scienze umane – Liceo Coreutico Via Makallè, 18 - 42124 Reggio Emilia Tel. 0522/271223 - 271353 Fax 0522/271627 e-mail: [email protected]; www.liceocanossa.edu.it Venuto al mondo E ora dove andiamo? LIBRI Michela Ponzani, Guerra alle donne. Partigiane, vittime di stupro, «amanti del nemico» 1940-45, Einaudi 2012 Miriam Mafai, Pane nero. Donne e vita quotidiana nella seconda guerra mondiale, Ediesse 2008 Ulderico Munzi, Donne di Salò, Sperling & Kupfer 2004 DONNE E POTERE FILM Cleopatra The Iron Lady Marie Antoinette Royal Affair The Lady Elizabeth – The Golden Age The Post LIBRI Dario Fo, La figlia del papa, Chiarelettere 2014 M.
    [Show full text]