Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Boston Symphony Orchestra Concert Programs, Season 88
BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M. -
07 – Spinning the Record
VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo. -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Boston Symphony Orchestra Concert Programs, Season
[Harvard University] Thursday Evening, November 3 at 8 o'clock Boston Symphony Orchestra [Fifty-eighth Season, 1938-1939] SERGE KOUSSEVITZKY, Conductor Personnel Violins BURGIN, R. ELCUS, G. LAUGA, N. SAUVLET, H. RESNIKOFF, V. Concert-master GUNDERSEN, R KASSMAN, N. CHERKASSKY, P. EISLER, D. THEODOROWICZ, J. HANSEN, E. MARIOTTI, V. FEDOROVSKY, P. TAPLEY, R. LEIBOVICI, J. PINFIELD, C. LEVEEN, P. KRIPS, A. KNUDSON, C. ZUNG, M. BEALE, M. CORODETZKY, L. MAYER, P. DIAMOND, S. DEL SORDO, R. FIEDLER, B. BRYANT, M. STONESTREET, L. MESSINA, S. DICKSON, H. MURRAY, J. ERKELENS, H. seiniger, s. Violas LEFRANC, J. FOUREL, G. BERNARD, A. GROVER, H. II. ARTIERES, L. CAUHAPE, J. VAN WYNBERGEN, C. WERNER, AVIERINO, N. JACOB, R. GERHARDT, S. HUMPHREY, G. Violoncellos BEDETTI, FABRIZIO, E. J. LANGENDOEN, J. CHARDON, Y. STOCKBRIDGE, C. l. ZIGHERA, A. TORTELIER, P. DROEGHMANS, H. WARNKE, J. MARJOLLET, ZIMBLER, J. Basses KUNZE, M. LEMAIRE, J. FRANKEL, I. GIRARD, H. DELESCLUSE, P. VONDRAK, A. MOLEUX, G. JUHT, L. DUFRESNE, G. BARWICKI, J. Flutes Oboes Clarinets Bassoons LAURENT, G. CILLET, F. POLATSCHEK, V. ALLARD, R. RATEAU, R. DEVERGIE, J. VALERIO, M. PANENKA, E. PAPPOUTSAKIS, J- LUKATSKY, J. MAZZEO, R. LAUS, A. Eb Clarinet Piccolo English Horn Bass Clarinet Contra-Bassoon MADSEN, G. SI'EYER, L. MIMART, P. FILLER, B. Horns Horns Trumpets Trombones VALKENIER, W. SINGER, J. mager, g. RAICHMAN,J. MACDONALD, W LANNOYE, M. lafosse, m. HANSOTTE, L. SINGER, J. SHAPIRO, H. VOISIN, R. L. LILLEBACK, W. GEBHARDT, W. KEANEY, P. VOISIN, R. SMITH, V. Tuba Harps Timpani Percussion ADAM, E. ZIGHERA, B. SZULC, R. STERNBURG, S. CAUGHEY, E. POLSTER, M. -
Boston Symphony Orchestra Concert Programs, Season 84, 1964-1965, Trip
;:tr~-^ ((€.4ik4* vi- 7^ *m -2. I "— ^^offlC'W'i&^i^, >, J BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY /A HENRY LEE HIGGINSON TUESDAY EVENING SERIES /I K %nf^P^ uUiftult iWRS* e p 7/ EIGHTY-FOURTH SEASON 1964-1965 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfullyJ J invite Jyour inquiry / . , " / Associated with CHARLES H. WATKINS CO. & /qbrioN, RUSSELL & CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description] 542-1250 EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. -
Toscanini IX – New York, Milan and Lucerne, 1945-47
Toscanini IX – New York, Milan and Lucerne, 1945-47 Since Stokowski failed, through his own doing, to establish himself as the face and music director of the NBC Symphony, the door was open for Toscanini’s full-time return, which happened in the 1944-45 season. Stokie’s failure to do so, of course, flies in the face of the Toscanini-bashers since he had nothing to do with what happened. It should also be pointed out that, as a naturalized U.S. citizen, Stokowski “wrapped himself in the flag” nearly as much as Toscanini did—but again, this holds no water with the Toscanini-bashers. As for the Italian’s becoming a cult figure, that had as much to do with his longevity, surprisingly good health and continued ability to conduct performances that were powerful and musically interesting. Although he was surely one of that small group of conductors whose name could sell out a concert hall quickly, he was not the only one. Cults had also sprung up around not only Stokowski but also Beecham, Furtwängler, Mengelberg and Krauss, encouraged by those personalities. Toscanini was, for better or worse, simply a manic workaholic who produced almost (but not quite) consistently dazzling and valid performances and thus rose to their level by the time he was co-leading the New York Philharmonic in the late 1920s, when he was already in his early 60s, and although he personally did nothing to create an aura of mysticism about him, as the other four names above clearly did, his refusal to grant interviews and legendary temper explosions at rehearsals made him a cult figure. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961
E I G H T I E T H S EASON i960 - 1961 BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry N. Penrose Hallowell Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [643] mm . Boston's Pops are known throughout the world as a yardstick for excellence . -
Week 13 Debussy Poulenc Saint-Saëns
week 13 debussy poulenc saint-saëns Lead Sponsor Supporting Sponsor season sponsors Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to life-long support and our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the future of healthcare. Takeda Pharmaceutical Company Limited www.takeda.com Table of Contents | Week 13 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 2 2 this week’s program Notes on the Program 24 The Program in Brief… 25 Claude Debussy 33 Francis Poulenc 41 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 57 Alain Altinoglu 59 Thierry Escaich 64 sponsors and donors 80 future programs 82 symphony hall exit plan 8 3 symphony hall information the friday preview on january 10 is given by composer/pianist jeremy gill. program copyright ©2020 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Winslow Townson cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org Abstraction on a Massive Scale Through February 23, 2020 Left: Jackson Pollock, Mural, 1943. -
What's Become of the Great Recordings of 1951-61? \Lost of Them Fortunate)Are Still with Us in One Form Or Another
What's Become of the Great Recordings of 1951-61? \lost of them fortunate)are still with us in one form or another. From our 1961 list of thirty-nine recordings, twenty-three still remain in the catalogue as they were originally issued, five have been reissued on budget labels, and eleven have been deleted. BACH: Aria with 30 Variations,in G Choir;LondonSymphonyOrchestra, SCHUMANN: Waldszenen, Op. 82; Fan- ("Goldberg Variations"), S. 988. Glenn Hermann Scherchen,cond.Westmin- tasiestUcke,Op.12;March Op.76, Gould, piano. Columbia MS 7096 (re - ster WAL 308 (deleted). No. 2. Sviatoslav Richter, piano. Decca channeled stereo). DL 9921 (deleted). HANDEL: Semele. Vyvyan, Pollack, BACH: St. Matthew Passion,S.244. Herbert,etal.;St. Anthony Singers; SIBELIUS: Concerto for Violin and Or- Laszlo, Rossl-Majdan, Munteanu, Cue - New Symphony Orchestra of London, chestra,in D minor, Op. 47. Jascha nod, Waechter, Standen, Rehfuss; Anthony Lewis, cond. Oiseau-Lyre Heifetz, violin; Chicago Symphony Or- Chorus and Orchestra, Hermann Scher- 50098/100. chestra, Walter Hendl, cond. RCA Red chen, cond. Westminster 4402. Seal LSC 2435. HAYDN: "Salomon" Symphonies, Nos. BACH: Organ Works. Helmut Walcha, 93-104. Royal Philharmonic Orchestra, STRAUSS, R.: Ariadne aufNaxos. organ. Archive ARC 3013/30 (deleted). Sir Thomas Beecham, cond. Angel S Schwarzkopf, Seefried, Streich, Schock, 36242/4, S 36254/6 (deleteo). et al ; Philharmonia Orchestra, Herbert BACH: The Well -Tempered Clavier,S. von Karajan, cond. Angel 3532. 846/93 (complete). Wanda Landowska, IVES: Symphony No. 2. New York Phil- harpsichord. RCA Red Seal LM 6801. harmonic, Leonard Bernstein, cond. Co- STRAUSS, R.: Der Rosenkavalier. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966, Tanglewood
f SIXTH WEEK August 6, 7, 8, 1965 Bartok/ Concerto for Orchestra The Boston Symphony Boston Symphony Orchestra Erich Leinsdorf under Leinsdorf For his recording debut as conductor of the Boston Symphony, Leinsdorf chose Bartok's "Concerto for Orchestra" The resulting album was an enormous success, fie later turned to Prokofieff, and Dynagroove recordings such as that of the Fifth Symphony have since shown why the N. Y. Herald Tribune's critic wrote: "Leinsdorf is now in the midst of performing all the Prokofieff orchestral liter- ature... he is quite clearly just the man for the job'.' Listen to Erich Leinsdorf and the Boston Symphony exclusively on RCA Red Seal. PROKOFIEFF: SYMPHONY No. 5 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF RCA Victor (@)The most trusted name in sound "TBI Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS SIXTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abkam Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L. Thomason Lenges Bull George E. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
ancjlewoo BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF *p Music Director 1 7 L^ ( ( Berkshire \ Festival 1963 "THE ARISTOCRAT Of ORCHESTRAS" THRILL TO THE is captured to perfection! These exciting "DYNAGROOVE" records are BOSTON SYMPHONY the product of RCA Victor's newly developed system of recording which ON DYNAGROOVE provides a spectacular improvement in sound quality. You'll enjoy their brilliance and clarity , realistic presence, RECORDS BY virtual elimination of inner-groove distortion , full-bodied tone —even RCA VICTOR when you listen at low level! 8Y»HC«0p¥t •t&'H BVHAEBOBVE ^^ Mahler/SymphonjrKo. 1 D-ello Joio/Fantasy and Variations Orch. Boston Symphony Ravel/Concerto in Erich Leinsdorf Boston Symphony Qrcfa, /Leinsdorf /h 'AMifwrdwvjffflfJ/Mi The Aristoc^af of Orchestral Lorin Hollander LEINSDORF/Mahler "Sym- LEINSDORF/ HOLLANDER phony No. 1." A stunning /Ravel "Concerto in G'7 performance! Hear every Dello Joio "Fantasy." Bril- subtle shading on this liant performances by "DYNAGROOVE" album. young Lorin Hollander. Teh&ikovsky tSC*"'^ "PATHETiaUE" SYMPHONY Svn™. BOSTON SYMPHONY/MUNCH S^»I MUNCH /Ravel "Bolero." MUNCH/Tchaikovsky You've never heard Ravel's "Pathetique" Symphony. tour de force build with The superb sound is rich such power as on this and colorful, always in per- "DYNAGROOVE" recording. fect balance. Magnificent! 2 DELIGHTFUL DYNAGROOVE ALBUMS BY THE BOSTON POPS FIEDLER/ "Stardust." The FIEDLER/ "Jalousie." The Boston Pops plays some of Pops plays favorites in the the most romantic melodies Latin flavor with a very ever written. Truly a great special flash and fire on this "DYNAGROOVE" album! "DYNAGROOVE" record. ALL ALBUMS AVAILABLE IN LIVING STEREO, MONO HI-FI, AND ON TAPE RCA SEAL RECORDS RCA VICTOR iThe most trusted name in sound Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard BURGIN, Associate Conductor Berkshire Festival, Season ig6^ TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS FIFTH WEEK Concert Bulletin, with historical and descriptive notes by John N.