Off the Air (TV Series) 11

Total Page:16

File Type:pdf, Size:1020Kb

Off the Air (TV Series) 11 Off the Air (TV series) 11 Off the Air (TV series) Off the Air Promotional image for Off the Air Format Anthology series Alternative comedy Experimental Created by Dave Hughes Country of origin United States No. of seasons 22 No. of episodes 8 (and 1 special) (List of episodes) Production Executive producer(s) Dave Hughes Keith Crofford Mike Lazzo Editor(s) Dave Hughes Running time 11 minutes Production company(s) Williams Street Million Monkeys Inc. Broadcast Original channel Adult Swim Picture format 4:3 SDTV (early airings of episode 1 only) 16:9 HDTV Original run January 1, 2011 – – present External links [1][1] Website Off the Air is a free-form art television series on Adult Swim. Off the Air premiered in the United States, unannounced, on January 1, 2011, and features a 15-minute run time. The show is created by editor Dave Hughes, and produced by Hughes' company, Million Monkeys Inc. Synopsis The series is presented without explanation or narration as a showcase of surreal animations, viral internet videos, archival footage and morphing psychedelic imagery, arranged around a single loose theme (expressed in the episode title) and blended without pause into a single continuous presentation. Production Each episode is edited using Final Cut Pro, along with Adobe Photoshop and Adobe After Effects for manipulation. A third season has been ordered. Off the Air (TV series) 2 Broadcast history Off the Air premiered in the United States in Adult Swim's "DVR Theater", unannounced, on January 1, 2011. It has since continued airing as part of the 4 a.m. DVR Theater block, with the exception of November 5, 2011, when a marathon of 4 episodes aired during the daylight savings transition (2 a.m. – 2 a.m.), which coincided with the episode premiere of "Space". Although no episodes of the series are currently available on DVD, all episodes have been made available for online streaming on Adult Swim Video and Adult Swim Gold. Episodes Season 1 (2011 –2012) No. in No. in Title Originala ird ate Production series season code 1 1 "Animals" January1, 20 11 101 Surreal footage of animals. Featured music Featured videos • "Baltihorse" by Dan Deacon • The Big Bounce from Prelinger Archives • "Zodiac Shit" by Flying Lotus • El hombre y la Tierra excerpt • "Let the Blind Lead Those Who Can See but Cannot Feel" by Atlas Sound • Zodiac Animals by Lilfuchs • "The Music Scene" by Blockhead • Snow monkey footage from Getty Images • "Star Spangled Banner" by Black Lips • Cows and Zebras by Taras Hrabowsky • Meow Mix by Cyriak Harris • Triple Jump advertisement for Japan Airlines • Lizard stock footage from Corbis Motion • The Music Scene by Anthony F. Shepperd • 3D end credit animation by Adam Bruneau [2] • Cheese Roll footage from SoGlos.com 2 2 "Food" May25, 201 1 102 Surreal footage of food. Featured videos Featured music • The Big Bounce from Prelinger Archives • "Quick Canal (ft. Lætitia Sadier)" by Atlas Sound • Think Globally, Act Locally by William Lamson • "Bruschotti" by Longmont Potion Castle • FOOD by Dax Norman • "The Flying Nun" by 9 Lazy 9 • Digestive System by Flix Productions Medical Animation • "We Want Your Soul" by Freeland • The Huber Experiments Vol. 1 by Erik Huber and Matthew Huber • "Let's All Go to the Lobby" by Filmack Studios • Stock footage supplied by iStock • Image of Unabomber Speckles by R. Land • Western Spaghetti by PES • We Want Your Soul by Freeland • Something by Cyriak Harris • Ecological Apple by Andreas Soderberg • Oyster Vision by Morphologic Studios • Automato by Bill Feinup and Barry Kudrowitz 3 3 "Dance" September3, 20 11 103 Off the Air (TV series) 3 Surreal footage of dancing. Featured videos Featured music • The Big Bounce from Prelinger Archives • "Buchstabe" by Knorkator • Involuntaries 4 by Foofwa d’Imobilité, Vea Lucca, and Alan Sondheim • "5 AM (I Love My Haters)" by Clams • Opening credit animation by Mark Phillips Casino • Buchstabe by Knorkator • "Electrohead" by Combichrist • Modern Daydreams 1: Deere John by Mitchell Rose and BodyVox • "Tush It" by Liam Lynch • Stock footage supplied by iStock • "Vessel (Four Tet Remix)" by Jon Hopkins • Protective Cover (The Condom Song) by Nrityanjali Academy (from India HIV/AIDS • "Woof Woof" by Dan Deacon Alliance) • "She's Hot" by Clams Casino • Indian Dancing Prank by Christian von Nathusius • Angry Industrial Dancer in Little Saigon by Duy Huu Luu (also known as Tank Nine) • Tush It by Liam Lynch • Vessel (Four Tet Remix) by Jon Hopkins • Peacock Spider by Jurgen Otto • Robots Dancing by Jean-Charles Bazin and Young Cheol Lee 4 4 "Space" November5, 20 11 104 Surreal footage of space. Featured videos Featured music • Mercury Freedom 7 footage supplied by NASA and the Internet • "The Grey Ship" by EMA Archive • "Terra Incognita" by Atlas Sound • Porculpa – Your Fault by Lyn Hagan • "Carl Sagan – A Glorious Dawn" • Opening credit animation by Adam Fuchs • Remix from Symphony of Science by John Boswell (feat. Carl • Stock footage provided by Getty Images Segan and Steven Hawking) • Toy Robot in Space! by James Trosh • "Quantum Leap" by Slugabed and Planet Mu • Giant Leap by Kyle Botha • "Decollage" by Les Balayeurs du Desert • Zeroing by Andrey Nepomnyaschev • Space Ghost character design by Alex Toth • Featuring the voice of George Lowe • Hell / ????? by David O'Reilly • Excerpt from Outside In by Stephen Van Vuuren • Noisebox in Space by 12foot6 • Carl Sagan – A Glorious Dawn • Remix from Symphony of Science by John Boswell (feat. Carl Sagan and Steven Hawking) • Quantum Leap by Thomas De Rijk • Apollo 11 Launch NASA (telecine by Spacecraft Films) 5 5 "Body" June1,2 01 2 105 Surreal footage of bodies. Off the Air (TV series) 4 Featured videos Featured music • CORDS (hear us and have mercy) by Sara Lundberg • "Quitters Raga" by Gold Panda • A cappella performance by Linda Ohlin, Carina Aronsson, Gustav Nordlander, and Carl • "All Ways" by Corduroi Slettengren • "Little Ships" by Jean-Jacques Perrey • Stock footage supplied by iStock and the Internet Archive • "PLMS_IV_D" by Yaporigami • Visible Human Project supplied by the US National Library of Medicine (+MUS) • All Ways by Color Chart • "Baby's Arms" by Kurt Vile • Take This Pill by David Firth • "Pigsy in Space" by Monkey • going to the store by David Lewandowski • Hot Dog Hustle by Thomas Hunter • SyncBody by Daihei Shibata • Artwork by Hiroshi Sato • Sossidge Arms shorts by Chris "Chriddof" Lyons • Go Pro On a Hula Hoop by Nick Saik • Amalgamide Tide by Taras Hrabowsky • Stinks by Chris "Glogman" Johns • 15 Denier by Harry Handyside Season 2 (2012 –2013) No. in No. in Title Originala ird ate Production series season code 1 6 "Falling" August28 ,20 12 201 Surreal footage of falling. Featured videos Featured music • Experience Human Flight by Infinity Lift • "The Vision" by Ian Brody • Falling to Hell by Devin Flynn • "My Machine" by Battles (feat. Gary Numan) • My Machine by DANIELS • "Lo Lindora" by Kodak to Graph • Giant 6ft Water Balloon by Gavin Free • "New Direction" by Black Lips • Stock footage supplied by iStock and Corbis Motion • "Oceanview" by Atlas Sound • Hövding in Action footage supplied by Hövding Sverige • "Coming Down" by Dum Dum Girls • In the Fall by Steve Cutts • Valse statique et la théorie du combo by Maxime Bruneel • Fugue / Trampoline performance by Yoann Bourgeois (for ZAT Montpellier) • Derty Falling by Taras Hrabowsky 2 7 "Color" October30 ,20 12 202 Surreal footage of color. Off the Air (TV series) 5 Featured videos Featured music • LSD GIRL footage provided by T3Media • "Grindin'" by Nobody Beats the Drum • Head On by Lior Ben Horin • "The Doldrums" by Paul White • This Girl Can Handle a Shotgun by Brandon Gibson (Brandon401401) • "Dinosaurs" by 16bit • Grindin' by Rogier van der Zwaag • "La Gassa Ladra" performed by Czech • The Biggest Domino Circle - 11,000 Dominoes! YouTube Record! by Philharmonic Orchestra TheRealMcJoni and TheDominoator • Performance conducted by Senja Karel • Dahlia by Michael Langan • "Datamosh" by Yung Jake • The Doldrums by Plastic Horse • "Perpetuum Mobile" by Penguin Cafe Orchestra • Dinosaurs by Kristofer Ström • "Serve The People" by Handsome Furs • Paint by Sony Bravia and Fallon London • Datamosh by Yung Jake • Bars & Tones by Andre Chocron • Optimist by Brian Thomson • Stock footage supplied by iStock 3 8 "Nightmares" December22 ,20 12 203 Surreal footage of nightmares. Featured videos Featured music • Real Demons Caught on Tape by Justin Martinez • "Journeyman" by Amon Tobin • Plaster Casts of Everything by Patrick Daughters of Riff Raff Films • "Plaster Casts of Everything" • Superduper by Thomas de Rijk by Liars • Coaster Test by Steve Cutts • "Headcleaner" by Einstürzende • Headcleaner by Alessandro Bevari Neubauten • Her Lovely Fears by Ben Wheele • "Dust Flesh and Bones" by • Homelands by Jimmy Joe Roche Matt Elliott • Zombie Bands Suck by Liam Lynch • "Battery Point" by Beak> • Stock footage supplied by iStock • You Ruined It by Michael Langan • Crooked Rot by David Firth • Music by Marcus Fjellström • Nightmares Fear Factory Souvenir FEAR pictures provided by Nightmares Fear Factory • Image manipulation by Geoffrey Lillemon (Random Studios), Christy Karacas, Brandon Lively, Dax Norman, Trey Wadsworth, Terry White (Fly Bitches) Special No. in Title Originala ird ate Production series code 9 "DanD eacon:U .S.A." July6 ,2 013 204 – 205 Surreal footage of landscapes in the United States with music by Dan Deacon from the album America. Note: This is the first special episode of the series, and the first half-hour episode. Off the Air (TV series) 6 Featured videos Featured music • El hombre y la Tierra excerpt • Music by Dan Deacon from the album America • Radical Updates by Andrew Benson (personnel credits) • Cityscape Chicago by Eric Hines • "USA I: Is a Monster" • Space Station footage provided by Image Science and Analysis Laboratory at the • "USA II: The Great American Desert" NASA John Space Center • "USA III: Rail" • Groosland by Dutch National Ballet • "USA IV: Manifest" • Footage provided by Poorhouse International, Ltd.
Recommended publications
  • *P Ocket Sizes May Vary. W E Recommend Using Really, Really Big Ones
    *Pocket sizes may vary. We recommend using really, really big ones. Table of Contents Welcome to Dragon*Con! .............................................3 Live Performances—Concourse (CONC) .................38 Film Festival Schedule ...............................................56 Vital Information .........................................................4 Online Gaming (MMO) .........................................91 Walk of Fame ...........................................................58 Important Notes ....................................................4 Paranormal Track (PN) .........................................92 Dealers Tables ..........................................................60 Courtesy Buses .....................................................4 Podcasting (POD) ................................................93 Exhibitors Booths ......................................................62 MARTA Schedule ..................................................5 Puppetry (PT) <NEW> .......................................94 Comics Artists Alley ...................................................64 Hours of Operation ................................................5 Reading Sessions (READ) .....................................96 Art Show: Participating Artists ....................................66 Special Events ......................................................6 Robert Jordan’s Wheel of Time (RJWOT) ................96 Hyatt Atlanta Fan Tracks Information and Room Locations ...................6 Robotics and Maker Track
    [Show full text]
  • Film Culture in Transition
    FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book.
    [Show full text]
  • Science Fiction on American Television
    TV Sci-Fi 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ TV Sci-Fi CONTENTS Page IMPORTANT NOTE................................................................................................................. 1 ACCESSING RESEARCH MATERIALS.................................................................................. 2 APPROACHES TO RESEARCH, by Samantha Bakhurst ....................................................... 4 INTRODUCTION by Sean Delaney ......................................................................................... 6 AMERICAN TELEVISION........................................................................................................ 8 SCIENCE FICTION ON AMERICAN TELEVISION ................................................................. 9 AUDIENCES AND FANS......................................................................................................... 11 ANDROMEDA ......................................................................................................................... 12 BABYLON 5 ............................................................................................................................ 14 BATTLESTAR GALACTICA................................................................................................... 17 FARSCAPE ............................................................................................................................. 19 THE IRWIN ALLEN QUARTET • VOYAGE TO THE BOTTOM OF THE SEA.....................................................................
    [Show full text]
  • Wonderful! 100: a Centennial Celebration Published September 18Th, 2019 Listen on Themcelroy.Family
    Wonderful! 100: A Centennial Celebration Published September 18th, 2019 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: [laughs] Yeah. Okay, Mario. Yeah, I'll hit you up at the after party. Okay, man. Yeah, I'll see you there. Hey, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Sorry, it‘s just… [sighs] I know we gotta focus on the show. I know it‘s our big day, but… we‘re on the red carpet, and like… Rachel: Yeah. Griffin: It‘s hard—if Mario Lopez comes up and wants to hang out at the after party, babe, it‘s like, I‘ve made it! Rachel: I know, but let‘s not celebrate our hundredth episode before we‘ve actually recorded it. Griffin: Right, this is the red carpet before the event. We‘re about to go to the first screening of our hundredth episode. For all I know, it could be a disaster. Mario may not want to talk to me after the party, so I need to check that—cash that check. Shit, if this is the energy I bring to ep one hundred, Mario‘s definitely not gonna wanna talk to me. Rachel: [laughs] Griffin: I just wanna tell him what a good job he did playing Greg Louganis in that one Lifetime movie. Rachel: Aw, jeez. Griffin: In that one commercial I saw for it where he asked if there was a blood nipple. Rachel: Yeah. Yeah. Yeah. Griffin: You love that anecdote. Rachel: Yeah. Griffin: Who are you looking forward to seeing today on the big red way? Rachel: Well, Wallace Shawn.
    [Show full text]
  • Finding the Way: Films Found on a Scrap Heap1
    FINDING THE WAY: FILMS FOUND ON A SCRAP HEAP1 Tom Gunning Abstract: Some filmmakers restrict their manipulations of found footage to the minimal act of presenting a film they have discovered with almost no changes. But others have subjected found footage to extensive editing, chemical manipulation, rephotography, or new soundtracks (or all of these processes combined). In this brief essay I cannot hope to cover all the permutations of this rich genre of experimental film, nor to mention all of its numerous practitioners (and I will deal with the visual image more than sound). However, I do want to give a sense of the range of approaches that exist using found footage to mention a few of its masters. Keywords: found objects, found-footage, archival filmmaking 1 First published in BLOEMHEUVEL, Marente; FOSSATI, Giovanna; GULDEMOND, Jaap (org.). Found Footage: cinema exposed. Amsterdam: Amsterdam University Press/ Eye Film Institute, 2012, p. 49- 55. Uma publicação do LAICA-USP - Volume 3, Número 5, Junho de 2014 FINDING THE WAY – Tom Gunning Modern art made from found material often takes the form of a Dadaist joke – a work of “anti-art” that questions our assumptions about the value and nature of art generally. Marcel Duchamp’s 1917 “sculpture,” Fountain, a ready-made urinal placed on a pedestal for exhibition and signed “R. Mutt,” remains the most famous and powerful example of this nihilist attitude. Attacking idealizing traditions that see art as the expression of eternal beauty or individual genius, Duchamp’s work shocked viewers and raised a series of questions that became crucial to twentieth century art: the difference between industrial mass production and the traditional work of art; the very nature of authorship in the arts (“R.
    [Show full text]
  • Vol. 3 Issue 4 July 1998
    Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults.
    [Show full text]
  • A Concise Guide to Filmmaking (Print Version) (PDF, 2043Kb)
    Print version with QR codes C O N T E N T S #1 P L A N The concept . 5 Storyboards . 6 Preparation . 7 Filming equipment . 9 #2 F I L M Setting up your smartphone . 17 Recording audio and narration . 19 Setting up shots: lighting . 21 Setting up shots: framing . 22 Filming . 23 Stock footage . 24 #3 E D I T Editing software . 27 Getting started in Camtasia 9.0 . 29 Screen recording . 31 Basic editing tools . 32 Effects, behaviours and green screen filming . 33 Interactivity . 36 #4 S H A R E Saving and exporting projects . 39 Uploading to social media . 40 1 I N T R O D U C T I O N To keep track of your filmmaking progress, use our filmmaking checklist on page 41. ★ Generate film ideas with the use of mind maps. ★ Develop and structure stories using our storyboard template. ★ Plan the details, including film type, equipment, locations, props and actors. ★ Choose filming equipment with the use of our guide. ★ Check out our top picks for smartphone stabilisation devices, add-on lenses, filmmaking apps, external microphones, and lighting equipment. ★ Learn how to set up your phone for smartphone filming. ★ Optimise your audio recording without the use of expensive equipment. ★ Watch our lighting tips video and learn how to create beautifully lit shots. ★ Frame your shots like a professional with the use of our framing tips video. ★ Film a test video to check everything is perfect, then shoot your film. ★ Keep a log of your footage to make sorting and editing your media easier.
    [Show full text]
  • Probabilistic Models of Verbal and Body Gestures
    15 Probabilistic ~1odels of Verbal and Body Gestures C. Bregler, S.M. Omohundro, M. Covell, M. Slaney, S. Ahmad, D.A. Forsyth, J.A. Feldman Abstract This chapter describes several probabilistic techniques for representing, recognizing, and generating spatiotemporal configuration sequences. We first describe how such techniques can be used to visually track and recognize lip movements to augment a speech recognition system. We then demonstrate additional techniques that can be used to animate video footage of talking faces and synchronize it to different sentences of an audio track. Finally we outline alternative low-level representations that are needed to apply these techniques to articulated body gestures. 15.1 Introduction Gestures can be described as characteristic configurations over time. While uttering a sentence, we express very fine grained verbal gestures as complex lip configurations over time, and while performing bodily actions, we generate articulated configuration sequences of jointed arm and leg segments. Such configurations lie in constrained subspaces and different gesture~ are embodied as different characteristic trajectories in these constrained subspaces. We present a general technique called Manifold Learning, that is able to estimate such constrained subspaces from example data. This tech­ nique is applied to the domain of tracking, recognition, and interpola­ 289 290 Bregier et ai. tion. Characteristic trajectories through such spaces are estimated using Hidden Markov Models. We show the utility of these techniques on the domain of visual acoustic recognition of continuous spelled letters. We also show how visual acoustic lip and facial feature models can be used for the inverse task: facial animation. For this domain we developed a modified tracking technique and a different lip interpolation technique, as well as a more general decomposition of visual speech units based on Visemes.
    [Show full text]
  • Selected Press
    i donT know Brad Troemel in conversation with Haley mellin a lot of money, that’s a good way to go. The only way you can get them to come into the real world is to print them up. HM: At times I feel like we live in a constant dot-jump. BT: We figured if we were making sculptures for the sole purpose Supposedly, humans nowadays have 60,000 thoughts a day, most of them different in nature from the previous one. of making installation images, why not just cut out the middleman BT: In an attention economy, there is more value in being and get rid of the objects? This gave us the freedom to work even ubiquitous than in being scarce, especially when there is no THE more quickly. That’s when we started compositing Google Image- added cost in publicizing more works and no depletion of searched products, scenes, and textures together. This meant that the works’ aura, given that digital content exists permanently images made on a laptop using Photoshop would be called sculp- only as a copy. The waiting period between releases that once tures, installations, or paintings, just like the things we made phys- structured the market and assigned a price to each work does ically. Some of the images reveal themselves to be obviously Jogging not suit online content. There is now simply not enough time digitally edited, while others are passable as real. for a single assessor to explore an aesthlete’s full catalog, or for the market to price it all.
    [Show full text]
  • Hartford Public Library DVD Title List
    Hartford Public Library DVD Title List # 20 Wild Westerns: Marshals & Gunman 2 Days in the Valley (2 Discs) 2 Family Movies: Family Time: Adventures 24 Season 1 (7 Discs) of Gallant Bess & The Pied Piper of 24 Season 2 (7 Discs) Hamelin 24 Season 3 (7 Discs) 3:10 to Yuma 24 Season 4 (7 Discs) 30 Minutes or Less 24 Season 5 (7 Discs) 300 24 Season 6 (7 Discs) 3-Way 24 Season 7 (6 Discs) 4 Cult Horror Movies (2 Discs) 24 Season 8 (6 Discs) 4 Film Favorites: The Matrix Collection- 24: Redemption 2 Discs (4 Discs) 27 Dresses 4 Movies With Soul 40 Year Old Virgin, The 400 Years of the Telescope 50 Icons of Comedy 5 Action Movies 150 Cartoon Classics (4 Discs) 5 Great Movies Rated G 1917 5th Wave, The 1961 U.S. Figure Skating Championships 6 Family Movies (2 Discs) 8 Family Movies (2 Discs) A 8 Mile A.I. Artificial Intelligence (2 Discs) 10 Bible Stories for the Whole Family A.R.C.H.I.E. 10 Minute Solution: Pilates Abandon 10 Movie Adventure Pack (2 Discs) Abduction 10,000 BC About Schmidt 102 Minutes That Changed America Abraham Lincoln Vampire Hunter 10th Kingdom, The (3 Discs) Absolute Power 11:14 Accountant, The 12 Angry Men Act of Valor 12 Years a Slave Action Films (2 Discs) 13 Ghosts of Scooby-Doo, The: The Action Pack Volume 6 complete series (2 Discs) Addams Family, The 13 Hours Adventure of Sherlock Holmes’ Smarter 13 Towns of Huron County, The: A 150 Year Brother, The Heritage Adventures in Babysitting 16 Blocks Adventures in Zambezia 17th Annual Lane Automotive Car Show Adventures of Dally & Spanky 2005 Adventures of Elmo in Grouchland, The 20 Movie Star Films Adventures of Huck Finn, The Hartford Public Library DVD Title List Adventures of Ichabod and Mr.
    [Show full text]
  • Table of Contents
    Table of Contents Schedule-at-a-Glance . 2 FiO + LS Chairs’ Welcome Letters . 3 General Information . 5 Conference Materials Access to Technical Digest Papers . 7 FiO + LS Conference App . 7 Plenary Session/Visionary Speakers . 8 Science & Industry Showcase Theater Programming . 12 Networking Area Programming . 12 Participating Companies . 14 OSA Member Zone . 15 Special Events . 16 Awards, Honors and Special Recognitions FiO + LS Awards Ceremony & Reception . 19 OSA Awards and Honors . 19 2019 APS/Division of Laser Science Awards and Honors . 21 2019 OSA Foundation Fellowship, Scholarships and Special Recognitions . 21 2019 OSA Awards and Medals . 22 OSA Foundation FiO Grants, Prizes and Scholarships . 23 OSA Senior Members . 24 FiO + LS Committees . 27 Explanation of Session Codes . 28 FiO + LS Agenda of Sessions . 29 FiO + LS Abstracts . 34 Key to Authors and Presiders . 94 Program updates and changes may be found on the Conference Program Update Sheet distributed in the attendee registration bags, and check the Conference App for regular updates . OSA and APS/DLS thank the following sponsors for their generous support of this meeting: FiO + LS 2019 • 15–19 September 2019 1 Conference Schedule-at-a-Glance Note: Dates and times are subject to change. Check the conference app for regular updates. All times reflect EDT. Sunday Monday Tuesday Wednesday Thursday 15 September 16 September 17 September 18 September 19 September GENERAL Registration 07:00–17:00 07:00–17:00 07:30–18:00 07:30–17:30 07:30–11:00 Coffee Breaks 10:00–10:30 10:00–10:30 10:00–10:30 10:00–10:30 10:00–10:30 15:30–16:00 15:30–16:00 13:30–14:00 13:30–14:00 PROGRAMMING Technical Sessions 08:00–18:00 08:00–18:00 08:00–10:00 08:00–10:00 08:00–12:30 15:30–17:00 15:30–18:30 Visionary Speakers 09:15–10:00 09:15–10:00 09:15–10:00 09:15–10:00 LS Symposium on Undergraduate 12:00–18:00 Research Postdeadline Paper Sessions 17:15–18:15 SCIENCE & INDUSTRY SHOWCASE Science & Industry Showcase 10:00–15:30 10:00–15:30 See page 12 for complete schedule of programs .
    [Show full text]
  • Michael Bell-Smith and Lauren Cornell Same Space Over the Last Ten Years
    LC: This exhibition was a partial survey lation so that it would exaggerate a of work you’ve created since 2005. Can feeling of “thingness”? you describe the selection? Was the MBS: I wanted to show work that could intent to show a breadth of work or to touch upon that idea in different ways— Gray Areas narrow in on several themes or formal pieces with different relationships to strategies? duration, to other media (sculpture, paint- MBS: I’ve rarely gotten the opportunity ing, etc.), to scale, to display technologies to show different bodies of work in the (CRT monitors vs. video projection vs. An Interview between Michael Bell-Smith and Lauren Cornell same space over the last ten years. I flat screens). I wanted some videos to feel wanted to have a variety of pieces talking more like objects, others like pictures, to each other, creating new associations and still others like more traditional and meanings. In that respect, I saw the video screenings. show working as a typical survey might: a For instance, three videos—Glitter way to present a more multifaceted idea Grade, Return to Forever, and On The of what I do. Another aspect of the show Grid—were projected on the wall at a was thinking about the duality of video scale comparable to paintings or large as both digital files and as things. On photographs. These three works are quite one hand, video is portable and ephem- minimal; very little “happens” in them. eral, while on the other, your experience They work more with the language of pic- 33 as a viewer is entirely dependent on its tures than the ideas of montage we might physical manifestation.
    [Show full text]