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Baseball Eagles Now 16-2 TV LISTINGS Sponsored by Colby Eagle Varsity Baseball Gatz and Brett Wilson with One Hit Thursday at 4 P.N
FREE PRESS Page 10 Colby Free Press Wednesday, May 11, 2005 SSSPORTSPORTS Baseball Eagles now 16-2 TV LISTINGS sponsored by Colby Eagle varsity baseball Gatz and Brett Wilson with one hit Thursday at 4 p.n. added two more wins to its record each. Colby is ranked #1 in the region the COLBY FREE PRESS on Monday by taking two games Jeremy Dietz took the mound in and hopes for a first-round home from Healy-Leoti. Trenton Powell game #2. he gave up 1 run on 3 hits. game on Monday, May 16. pitched the first game, giving up 4 the game ended after four innings According to coach Kevin Cox, runs on 6 hits. Senior Matt August- by the run rule with the final score the regional seedings will be out WEEKDAYS MAY 10 - MAY 16 ine pitched the final inning and al- Colby 16, Healy-Leoti 1. today. It looks as though Colby may lowed 1 run on 1 hit. The offensive charge was led by get a home game against Goodland, Colby’s offense got started early, Brett Wilson, going 3 for 3. Matt Cox said that Colby’s regional tour- 6AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 KLBY/ABC Good Morning Good Morning America Mak- Mak- The View Million- News putting 4 runs on the board in the Augustine, going 2 for 3 and Joe nament may be as tough as any in Hh Kansas eover eover aire first inning. -
The Heroes of Olympus Series Guide
The Heroes of OlympusSERIES GUIDE 9.25 IN This guide is aligned with the College and Career Readiness Anchor Standards (CCR) for Reading in the areas of Literature, Writing, and Language. The broad CCR standards are the foundation for the grade level–specific Common Core State Standards. Each question and activity in this guide includes a reference for a specific grade-level strand, domain, and standard. Disney • HYPERION BOOKS C50% B The Lost Hero Discussion Questions The following questions may be utilized throughout the series study as reflective writing prompts. Alternatively, they can be used as targeted questions for class discussion and reflection. 1 As the novel opens, Riordan tells us that Jason “woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know.” Predict what role Jason’s lack of understanding about who he is will play in the novel. 2 Piper strives to make herself blend in, though Jason describes her as a “seriously pretty.” What are some of the reasons she prefers to remain unnoticed? What do these answers tell us about her personality? 3 The author uses some unusual first lines to introduce the chapters. Which one is your favorite? For what reason? 4 Explain the significance of being “claimed” for demigods. What is it about this tradition that provides campers at Camp Half-Blood a sense of belonging? 5 Leo harbors a great deal of guilt about the death of his mother. Is he justified in doing so? Have you ever felt a responsibility for events that were beyond your control? How did you work past feeling you were to blame? 6 Describe Jason, Piper, and Leo. -
Epigraphic Bulletin for Greek Religion 1996
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions. -
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms. Kivett: UA‟s Welcoming Face UA Music Tastes By Chadsity Durr By Jordan LeGrair At University Academy, there are many key staff mem- oughly enjoy,” she said. bers who contribute to the school‟s environment. Fun fact: Ms. Kivett The music industry is keeping a steady pace, with not Ms. Cynthia Kivett, Central Office Manager, is one of has more than 50 first much going on and only a few new releases by artists. these staff members. She has been dedicated to UA for 11 cousins. Also, two of A lot of people who use Spotify, a music streaming years. her grandchildren attend service, are reminiscing on their most played tracks “I started as a volunteer, and it turned into a permanent UA. throughout 2019. The service officially released this in- job,” she said. “I have two grand- formation to all listeners who use the platform. The top Ms. Kivett‟s job is of high importance, as she is the UA sons here, Anthony and streamed artist of 2019 were Ed Sheeran, with 62.91 mil- doorkeeper. Her job is not only to be responsible for who Keaton Reese, fifth and lion streams per month. Post Malone and Camila Cabello comes in and out of the building, but also to give a positive first grade. I love being followed just behind that. first impression of University Academy to all visitors. As here with my grandchil- Da‟Marion Young, a senior at University Academy, she maintains a positive environment, she also helps keep dren,” she said. -
A Dpics-Ii Analysis of Parent-Child Interactions
WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _______________________ Lori Jean Klinger Certificate of Approval: ________________________ ________________________ Steven K. Shapiro Elizabeth V. Brestan, Chair Associate Professor Associate Professor Psychology Psychology ________________________ ________________________ James F. McCoy Elaina M. Frieda Associate Professor Assistant Professor Psychology Experimental Psychology _________________________ Joe F. Pittman Interim Dean Graduate School WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 15, 2006 WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ________________________ Signature of Author ________________________ Date of Graduation iii VITA Lori Jean Klinger, daughter of Chester Klinger and JoAnn (Fetterolf) Bachrach, was born October 24, 1965, in Ashland, Pennsylvania. She graduated from Owen J. Roberts High School as Valedictorian in 1984. She graduated from the United States Military Academy in 1988 and served as a Military Police Officer in the United States Army until 1992. -
Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Underworld." In Oxford Classical Dictionary. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/123 For more information, please contact [email protected]. Underworld Radcliffe G. Edmonds III In Oxford Classical Dictionary, in Oxford Research Encyclopedia of Classics. (Oxford University Press. April 2019). http://dx.doi.org/10.1093/acrefore/9780199381135.013.8062 Summary Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. -
The Heroes of Olympus 4: the House of Hades -Rick
The Heroes of Olympus 4: The House of Hades -Rick Riordan- BAB SATU HAZEL SAAT SERANGAN KETIGA BERLANGSUNG, HAZEL nyaris menelan sebongkah batu besar. Dia sedang menatap ke dalam kabut, bertanya-tanya mengapa sulit sekali terbang melintasi sebuah jajaran gunung tolol, ketika bel peringatan kapal berbunyi. "Segera belok kiri!" Nico berseru dari tiang depan kapal layar terbang itu. Di bagian kemudi kapal, Leo menyentakkan roda kemudi. Argo 2 membelok ke kiri, bilah- bilah dayung terbangnya mem-belah awan bagaikan deretan bilah pisau. Hazel melakukan kesalahan dengan menatap ke seberang langkan. Sebentuk benda bundar berwarna gelap meluncur ke arahnya. Dia bertanya-tanya: Mengapa bulan mendatangi kami? Kemudian, dia memekik dan mengempas ke geladak. Sebongkah batu besar melintas begitu dekat di atas kepalanya sampai-sampai rambutnya tertiup ke belakang. KRAK! Tiang depan ambruk—layar, tiang kapal, dan Nico, semuanya jatuh menghantam geladak. Batu besar itu, yang kira-kira seukuran truk pikap, terguling jatuh ke dalam kabut seakan-akan terburu-buru karena urusan penting di tempat lain. "Nico!" Hazel bergegas menghampirinya, sementara Leo menyeimbangkan kapal. "Aku tidak apa- apa," gumam Nico, sambil menendang lipatan kain kanvas hingga lepas dari kakinya. Hazel membantu Nico berdiri, lalu mereka berjalan tertatih-tatih menuju haluan. Hazel memeriksa dengan lebih cermat kali ini. Awan-awan memisah cukup lama sehingga puncak gunung di bawah mereka sempat terlihat: ujung batu hitam mencuat dari lereng-lereng hijau berlumut. Sesosok dewa gunung berdiri di puncaknya—salah satu dari numina montanum, demikian Jason menyebut mereka. Atau, ourae dalam bahasa Yunani. Apa pun sebutannya, mereka sangat keji. Seperti dewa gunung lain yang pernah mereka hadapi, dewa yang ini mengenakan tunik putih sederhana di atas kulit yang sekasar dan segelap basal. -
“Some Things Aren't Meant to Be Controlled” the Seductive Power Of
“Some Things Aren’t Meant to Be Controlled” The Seductive Power of Water in Rick Riordan’s Heroes of Olympus As the son of Poseidon, Rick Riordan’s Percy Jackson character derives power from water. Water strengthens him, and he is able to control it and even, at times, summon it. Initially, Riordan presents this power in a positive light. Water is pure, clean, and life-giving. It is a sacred force that seems largely benevolent. As the Percy Jackson series progresses (and particularly in its sequel series, The Heroes of Olympus), this characterization begins to shift. Percy’s power grows more threatening. He becomes an unstoppable force in The Final Battle, because of protection gained from the River Styx. In The Mark of Athena, he summons hurricanes and extracts water from the lungs of a drowning friend. He can control the Rivers of the Dead – bodies of water with terrible powers that cause pain, misery, and guilt and can even destroy the human body or mind. His power reaches a zenith in The House of Hades when he learns that he can even control poison and bodily fluids, almost choking the goddess Akhyls to death with her own tears. Although Percy could easily lose control of his powers, he is able to restrain himself when Annabeth reminds him that “some things aren’t meant to be controlled.” As with his rejection of the gods’ offer of immortality at the end of the first series, Percy again resists the lure of unchecked power Through the evolution of Percy’s powers, Riordan demonstrates both the refreshing and the turbulent aspects of water – a force that is both life-giving and threatening. -
Lista De Libros Para La Feria Editorial Anaya
LISTA DE LIBROS PARA LA FERIA EDITORIAL ANAYA COLECCIÓN NOVELAS GRAFICAS ( NIÑAS Y NIÑOS ) PVP $ 31.500 DTO FERIA 20% PV FERIA $ 25.000 LA GUERRA DE LOS MUNDOS DR. JEKKYL 20.000 LEGUAS VIAJE SUBMARINO EL SABUESO BASKERVILLE LA MAQUINA DEL TIEMPO DRACULA FRANKESTEIN EL HOMBRE INVISIBLE JINETE SIN CABEZA MAGO DE OZ ALICIA EN EL PAIS MARAVILLAS PERSEO Y LA MEDUSA HERCULES PINOCHO EL JOROBADO DE NOTRE DAME ALADINO Y LA LAMPARA MAGICA ANA FRANK LA ILIADA LA ODISEA COLECCIÓN KYLIE JEAN ( NIÑAS ) PVP $ 31.500 DTO FERIA 20% PV FERIA $ 25.000 REINA DE LA FIESTA REINA DE LA MODA REINA DEL BAILE REINA DE LOS CUPCAKES COLECCIÓN CORAZON DE PRINCESA ( NIÑAS ) PVP $ 31.500 DTO FERIA 20% PV FERIA $ 25.000 PRINCESA TANIA ESTA TRISTE PRINCESA AMANDA ESTA ASUSTADA PRINCESA ESTEFANIA ESTA ENOJADA PRINCESA FLORA ESTA FELIZ COLECCIÓN YA SOY GRANDE ( NIÑAS Y NIÑOS ) PVP $ 31.500 DTO FERIA 20% PV FERIA $ 25.000 MARCELINO DUERME SOLO FEDERICO CEPILLA SUS DIENTE PIPO DEJA LA CHUPETA LITO APRENDE A COMPARTIR COLECCIÓN LAS AVENTURAS DE TINTIN 24 LIBROS DIFERENTES ( NIÑAS Y NIÑAS ) PVP $ 50.000 DTO FERIA 20% PV FERIA $ 40.000 COLECCIÓN CONEJOS RABIDS ,MILENIUN Y ASANS CREED ( NIÑAS Y NIÑOS ) PVP $ 40.000 DTO FERIA 20% PV FERIA $ 32.000 LISTA DE PRECIOS CANGREJO EDITORES LTDA. - EDICIONES Y DISTRIBUCIONES DIPON LTDA. FERIA DEL LIBRO - COLEGIO ABRAHAM LINCOLN V/R CON TITULOS CANGREJO V/R UNIT DCTO. CANTOS DE VIDA Y ESPERANZA 14.500 12.000 CARTA AL PADRE 14.500 12.000 CUENTO DE NAVIDAD 19.500 16.000 DON SEGUNDO SOMBRA 26.500 22.000 EDIPO -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
Nickelodeon Singapore : Program Schedule 1 - 4 January 2009 (R1)
NICKELODEON SINGAPORE : PROGRAM SCHEDULE 1 - 4 JANUARY 2009 (R1) Thu Friday Sat Sun SIN SIN 1-Jan 2-Jan 3-Jan 4-Jan 6:00 Go Diego, Go 6:00 6:15 Hey Arnold 6:15 6:30 The Fairly OddParents 6:30 7:00 Nick JR: The Backyardigans Nick JR: Blue's Clues 7:00 7:30 Nick JR: Hi-5 Nick JR: Hi-5 7:30 8:00 Nick JR: Yo Gabba Gabba! Nick JR: Go, Diego, Go 8:00 8:30 Nick JR: Go, Diego Go! Nick JR: Dora, the Explorer 8:30 9:00 Nick JR: WonderPets Tak & the Power of Juju 9:00 9:15 New Year Special: Dora Dances to the Rescue (9-10am) Nick JR: The Magic Roundabout 9:30 Nick JR: Dora, the Explorer The Fairly OddParents 9:30 10:00 Frankenstein's Cat 10:00 Upsized: The Fairly OddParents 10:30 Drake & Josh 10:30 11:00 Edgar & Ellen The Naked Brothers Band 11:00 11:30 New Year Special: Holidaze El Tigre 11:30 11:45 The Mighty B! Upsized: SpongeBob SquarePants 12:00 Ricky Sprocket 12:00 12:30 New Year Special: Team Galaxy : Predators from Outer Lola & Viginia Chalkzone 12:30 12:45 Space Frankenstein's Cat 13:00 SpongeBob SquarePants 13:00 Upsized: Danny Phantom 13:30 The Fairly OddParents 13:30 14:00 Edgar & Ellen 14:00 Upsized: The Fairly OddParents 14:30 The Adventures of Jimmy Neutron 14:30 15:00 The Fairly OddParents The Naked Brothers Band 15:00 15:30 El Tigre Zoey 101 15:30 15:45 The Mighty B! 16:00 Avatar, the Legend of Aang 16:00 Upsized: SpongeBob SquarePants 16:30 TEENIck: iCarly 16:30 17:00 TEENick: Drake & Josh El Tigre 17:00 17:30 Danny Phantom 17:30 Upsized: The Fairly OddParents 18:00 SpongeBob SquarePants 18:00 18:30 Grossology 18:30 Nicktoons: SpongeBob -
Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film
“Everything’s Back to Norman”: Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film July 17, 2018 Rugrats Movie and Brand-New, Original 26-Episode TV Series Will Feature Everyone’s Favorite Talking Babies in All-New Adventures NEW YORK & BURBANK, Calif. & HOLLYWOOD--(BUSINESS WIRE)--Jul. 17, 2018-- Viacom (NASDAQ: VIAB, VIA) flagship properties Nickelodeon and Paramount Pictures announced today a relaunch of the iconic kids’ TV series Rugrats, with a 26-episode greenlight from Nickelodeon, and a live-action film featuring CGI characters from Paramount Players. Both the TV series and the movie will include new adventures with beloved charactersTommy, Chuckie, Phil, Lil, Susie and Angelica, and will also introduce a new world of characters. Original creators Arlene Klasky, Gábor Csupó and Paul Germain will return to the TV series as executive producers. Nickelodeon’s Rugrats will be produced in Burbank, Calif., with production already underway. Additional news of the TVseries, airdate and casting--and Reptar sightings--will be announced in the coming months. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20180717005654/en/ The Rugrats movie will be written by David Goodman and is set to be released on November 13th, 2020 by Paramount Players, the division of Paramount Pictures that develops and produces co-branded feature films with Viacom’s leading media networks. Rugrats is the seventh film title announced in connection with this cross-company initiative. “Rugrats is hands-down one of the most celebrated cartoons in TV history, and we are thrilled for a whole new audience to meet these iconic characters in brand-new adventures,” said Sarah Levy, COO, Viacom Media Networks; and Interim President, Nickelodeon.