Was Composed by ___A) Edmund Spenser B) William Blake C

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M.A.Sem-II English: Paper -202 (Literature in English Language (1760-1830) Short Questions & Answers: 1. ‘The Chimney Sweeper’ was composed by _______a) Edmund Spenser b) William Blake c) John Keats d) P.B.Shelley 2. Charles Lamb is famous for his _____ essays. (a) autobiographical b) biographical c) epistolary d) impersonal 3. ‘Tintern Abbey’was composed by _______a) William Wordsworthb) William Blake c) John Keats d) P.B.Shelley 4. The character of a wedding guest appears in _____. a) Dejection Ode b) Ode to the West Wind c) Ode to Autumn d) The Rime of Ancient Mariner 5. _____ is an incomplete poem of John Keats. a) Hyperion b) Ode to the West Wind c) Ode to Autumn d) Ode to a Skylark 6. ‘Ode to a Skylark’ is one of the popular poems of _____. a) Edmund Spenser b) William Blake c) John Keats d) P.B.Shelley 7. ______ is a scientist in the novel ‘Frankenstein’. a) William b) Henry c) Victor d) Justine 8. ‘Ivanhoe’ is a/an ______ novel by Sir Walter Scott. a) epistolaryb) historical c) psychological d) social 9. Ode to the West Wind was composed by ______ .Ans. P.B. Shelley 10. Adonais: An Elegy on the Death of John Keatsis a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821. 11. The poem“Adonais” is in 495 lines in 55 Spenserian stanzas. 12. "To a Skylark" is a poem completed by Percy Bysshe Shelley in late June 1820. 13. “Ode to a Skylark” by P.B.Shelleyconsists of twenty-one stanzas made up of five lines each. 14. 'Ode on a Grecian Urn' is one of John Keats' most famous poems written in1819. 15. The line “Heard melodies are sweet, but those unheard are sweeter” appears in the poem____. Ans. 'Ode on a Grecian Urn' 16. The line “Beauty is truth, truth beauty” appears in the poem____. Ans. 'Ode on a Grecian Urn' 17. Ode on a Grecian Urn, Ode on Melancholy, Ode on Indolence, Ode to a Nightingale are the “Great Odes of 1819” written by John Keats. 18. Keats' phrase 'still unravish'd bride of quietness' in the poem “Ode on a Grecian Urn”refers to ___. Ans. The Urn. 19. The image of ‘two lovers beneath a tree’ appears in the poem_____. Ans. Ode on a Grecian Urn 20. "Dejection: An Ode" is a poem written by Samuel Taylor Coleridge in 1802. 21. The poem, "Dejection: An Ode" in its original form was written to SaraHutchinson, a woman who was not Coleridge’s wife, and discusses his feelings of love for her. 22. One of the three Wedding Guests in “The Rime of Ancient Mariner” is stopped by _____. Ans. The old Mariner 23. Coleridge’s The Rime of Ancient Mariner” was written in 1797–98 and published in 1798 in the first edition of “Lyrical Ballads”. 24. The line “With my cross-bow I shot the Albatross” appears in “The Rime of Ancient Mariner”. 25. Albatross in “The Rime of Ancient Mariner” is a kind of huge bird which is considered as a symbol of good luck for sailors. 26. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". @@@@@@@@@@@@@@@@@@@@@@ .

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The Streak of Sadness in Keats' Poetry: Understanding Meaning

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Durham E-Theses

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The Poetry of John Keats: Lamia, Endymion, Poems 1817, and Poems 1820

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June 2021 Newsletter

Registered Charity: 1147589 THE KEATSIAN The Newsletter of the Keats Foundation, Spring 2021 Donations Keats Foundation wishes to acknowledge with very many thanks the following generous donations and bequests: Justin Barnard, Keatsian, a legacy of £1000. Kiyoshi Nishiyama, Professor Emeritus of Waseda University, Tokyo, Japan, a donation of £100. Peter Phillips, a donation of £150. Brenda Walton in memory of her friend, Janet Cheshire, a donation of £100. Time to renew your subscription to the Keats Foundation As we gear up to bring the Keats Foundation out of the period of Covid restrictions, we are busy planning future events. Later this year, in November, we hope to stage The John Keats Anniversary Lecture (in London’s Guildhall), followed the same evening by the premiere of Emily Hall’s choral settings of lines from some of Keats’s poems. And for next year we are planning our seventh Keats Conference at Keats House, Hampstead, on 20-22 May 2022 - as well as an Eve of St Agnes event at Keats House in January 2022, the Annual John Keats Lecture and the Birthday wreath laying ceremony at Westminster Abbey. We hope to be able to produce more videos of readings of Keats’s poetry and to stage a performance featuring readings of letters between Keats, Fanny Brawne and Fanny Keats. We have plenty of activities planned, and your subscription makes it possible for us to prepare and stage them. A year’s Steadfast Supporter membership costs £28 (if you use PayPal) or £25 (if you pay by cheque). Please go to our website page: https://keatsfoundation.com/support/ Our Policy on privacy and holding information is set out on the Keats Foundation website here: https://keatsfoundation.com/privacy-policy/ Keats Foundation Anniversary Lecture Provisional plans are in place for The John Keats Anniversary Lecture to be held at Guildhall, London, in November 2021.
Romanticism in English Poetry

ROMANTICISM IN ENGLISH POETRY A MLiCT AHfMOTATeO BiaUOQRAPHV SUBMITTtp m PARTIAL FULFH-MENT FOR TNf AWARD OF THE OCQflEE OF of librarp aiili itifarmation i^tteme 19t344 Roll Mo. t3 LSM-17 EnroliMM No. V-1432 Undsr th* SuparvMon of STBD MUSTIIFIIUIDI (READER) DEPARTMENT OF LIBRARY A INFORMATION SCIENCE ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1994~ AIAB ^ **' r •^, '-fcv DS2708 DEDICATED TO MY LATE MOTHER CONTENTS page Acknowl edg&a&it ^ Scope and Methodology iii PART - I introduction 1 PART - II Annotated Bibliography ^^ List of Periodicals 113 PART - III Author index ^-^^ Title index 124 (i) ACKNOWLEDGEMENT I wish to express my sincere and earnest thanks to my teacher and Supervisor . kr» S. Mustafa Zaidi, who inspite of his many pre-occupations spared his precious time to guide and inspire me at each and every step/ during the course of this investigation. His deep critical understanding of the problem helped me in conpiling this bibliography. I am highly indebted to eminent teacher professor Mohd. sabir Husain, Chairman/ Department of Liberary & Information Science/ Aligarh Muslim University Allgarh for the encourage ment that I have always received from him during the period I have been associated with the department of Library Science. I am also highly grateful to the respected teachers of my Department Mr. Al-Muzaffar Khan, Reader, Mr. shabahat Husain, Reader/ Mr. Ifasan zamarrud. Reader. They extended their full cooperation in all aspects, whatever I needed. I am also thankful to the Library staff of Maulana Azad Library, A.M.U., Aligarh, Seminar Library Department of English, AMU Aligarh, for providing all facilities that I needed for my work.
Keats, Vendler, Adorno, and the Theory of the Avant-Garde Author(S): Robert Kaufman Source: Critical Inquiry, Vol

Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde Author(s): Robert Kaufman Source: Critical Inquiry, Vol. 27, No. 2 (Winter, 2001), pp. 354-384 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1344254 . Accessed: 28/03/2011 22:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde Robert Kaufman Frankfurt school aesthetics has never quite fallen off the literary-cultural map; yet as with other areas of what currently goes by the name theory, interest in this body of work has known its surges and dormancies.
THE RELATION BETWEEN HUMAN and NATURE in JOHN Keats' Odes

The relation between human and nature in John KeatS’ oDeS: an expReSSive StuDy Agung Nalendra Janiswara Christinawati ABSTRACT This study attempts to discuss the relation between human and nature in John Keats’ Odes as the representation of Keats’ awareness in nature and the changing of nature in the era of industrialization, especially in England. This study will discuss three odes, “Ode to a Nightingale”, “Ode to Psyche”, and “To Autumn” released during the English Romantic Period. The main concern of this study is to analyze Keats’ awareness of nature and the relation between human and nature which presented in these three odes written by John Keats. To analyze the topic of discussion, this study applies Expressive theory suggested by Abrams. This study finds out that Keats expresses nature as the source and the core of this world. He emphasizes that the nature must be protected and conserved to sustain human’s life and also the world. This relation between human and nature affects Keats in writing his odes as the portrayal of his feeling toward nature and social condition in his period. Keywords: Awareness; Industrialization; Nature; Ode; Environment; World 1. Introduction The beauty of nature is a very special theme in English Romantic period, when nature was neglected by people because of industrialization. John Keats brought different perspective about beauty in his odes. It is assumed that this study portrays the condition of human and nature that is affected by industrialization and disappearance of the nature as the important part of life in this world. John Keats brings his odes to the reader and society to remind that the environment is very important for human being.
HFT XIII Round 13 [FINISHED].Pdf

Harvard Fall Tournament XIII Edited by Jon Suh with assistance from Raynor Kuang, Jakob Myers, and Michael Yue Questions by Jon Suh, Michael Yue, Ricky Li, Kelvin Li, Robert Chu, Alex Cohen, Kevin Huang, Justin Duffy, Raynor Kuang, Chloe Levine, Jakob Myers, Thomas Gioia, Erik Owen, Michael Horton, Luke Minton, Olivia Murton, Conrad Oberhaus, Jiho Park, Alice Sayphraraj, Patrick Magee, and Eric Mukherjee Special thanks to Will Alston, Jordan Brownstein, Robert Chu, Stephen Eltinge, and Olivia Murton Round 13 Tossups 1. In a poem, this author imagines “cloudy symbols of a high romance” that the speaker “may never live to trace” with the “magic hand of chance.” This author of “When I Have Fears That I May Cease to Be” stated “a thing of beauty is a joy forever” in a poem that imagines the love of Cynthia for the title Greek shepherd. This author of (*) “Endymion” wrote a ballad which asks “what can ail thee” to a knight-at-arms. In a different poem, this writer of “La Belle Dame Sans Merci” addresses a “still unravish’d bride of quietness” and declares “beauty is truth, truth beauty.” For 10 points, name this poet of “Ode on a Grecian Urn.” Answer: John Keats <Gioia> 2. Description acceptable. Shamash daily visits a tree in this place that gives precious gems as fruit. One character is described as losing a drum and ball in this place in an extra tablet, and rules of this place ban things like shouting and wearing clean garments. This place is variously named Kur and Ereshkigal, after its queen.
Thought in the Poetry of Keats

KU ScholarWorks | The University of Kansas Pre-1923 Dissertations and Theses Collection http://kuscholarworks.ku.edu Thought in the Poetry of Keats by Ida E. McKnight 1904 Submitted to the Department of English of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts This work was digitized by the Scholarly Communications program staff in the KU Libraries’ Center for Digital Scholarship. Msster Thesis ¥eKni*ht, Tor 1904 * Thought in the poetry of Rests,•• THOUGHT IN THE POETRY OF KEATS BY Ida McKnight Thesis for the Degree of fyaster of Arts. ..-•-in The University of Kansas. 1904. INTRODUCTION. General character of Keats' poetry; scope and plan or treatment of poems in this thesis - POEMS CONSIDERED AS REGARDS THOUGHT. I Stood Tip-Toe. Poet's early attitude toward nature; origin of poetry ----- - 3 Sleep and ->oetry; stages in mental development of the poet; reason and imagination; theory of powtry; summary of thought ------ 5 Endymion, Its interest as a poem; the narrative; the allegory; importance of thought in the poem - 8 Lamia. Source; narrative; antagonism of philosophy and imagination; Keats* general attitude toward rea• son - - - - - - --15 Hyperion. Influence of Milton; teaching of peem; "beauty the motive force in all things 18 Hyperion, A Vision. Importance of the introduction; its interpretation; the poet's work and mission- 20 The Odes. Their place in Keats' poetry; their nature; theory of truth and beauty expressed in the Ode on a Grecian Urn 23 Minor Poems. Importance of thought found in them; Keats' ideas upon immortality and religion - 26 CONCLUSION.
Shelley's "Adonais", Keats, and Poetic Influence Author(S): Andrew Epstein Source: Keats-Shelley Journal, Vol

Keats-Shelley Association of America, Inc. "Flowers That Mock the Corse beneath": Shelley's "Adonais", Keats, and Poetic Influence Author(s): Andrew Epstein Source: Keats-Shelley Journal, Vol. 48 (1999), pp. 90-128 Published by: Keats-Shelley Association of America, Inc. Stable URL: http://www.jstor.org/stable/30213023 . Accessed: 01/06/2011 12:11 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ksaa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Keats-Shelley Association of America, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Keats-Shelley Journal. http://www.jstor.org "Flowers that Mock the Corse Beneath": Shelley's Adonais, Keats, and Poetic Influence ANDREW EPSTEIN I T the center of Adonais, Shelley's tormented elegy for Keats, lies a paradoxical self-portrait that suggests the elegist's attitude towards his subject is much more conflicted and contradic- tory than many readers have recognized.