The Booklover's London by the Same Author
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Delegated Decisions of the Chief Planning Officer and Development Director
Committee: Date: Planning and Transportation 29 April 2014 Subject: Delegated decisions of the Chief Planning Officer and Development Director Public 1. Pursuant to the instructions of your Committee, I attach for your information a list detailing development and advertisement applications determined by the Chief Planning Officer or the Development Division Assistant Directors under their delegated powers since my report to the last meeting. 2. Any questions of detail arising from these reports can be sent to [email protected]. DETAILS OF DECISIONS Registered Plan Address Proposal Date of Number & Ward Decision 13/01229/FULL Bankside House 107 - Change of use from office (B1) 04.04.2014 112 Leadenhall Street to a drinking establishment Aldgate London (A4) at part ground floor level EC3A 4AF and part basement. Associated external works to ground floor rear entrance. (887sq.m). 13/01212/LBC 603 Mountjoy House Internal alterations comprising 03.04.2014 Barbican removal of internal partition Aldersgate London walls, formation of new EC2Y 8BP partition walls, relocation of main staircase and installation of additional staircase. 13/01205/FULL Flat 49, Milton House The erection of an extension at 27.03.2014 75 Little Britain roof level for residential (Class Aldersgate London C3) use. (28sq.m) EC1A 7BT 14/00074/FULL 53 New Broad Street Replacement of windows to 03.04.2014 London front facade; provision of new Broad Street EC2M 1JJ stepped access within lightwell to basement level; alterations at 5th floor level to provide additional mechanical plant and new louvred plant screens. 14/00122/MDC 1 Angel Court & 33 Details of a scheme for 03.04.2014 Throgmorton Street protecting nearby residents Broad Street London and commercial occupiers EC2R 7HJ from noise, dust and other environmental effects pursuant to condition 3 of planning permission 10/00889/FULMAJ dated 15/03/2013. -
Pubs O 1 Oak Apple 1855 Shop, Crown Street, Thomas Hudson 35
Pubs O http://www.pomeroyofportsmouth.uk/portsmouth-local-history.html 1 Oak Apple 1855 Shop, Crown Street, Thomas Hudson 35 1859 Beer Retailer, 9 Crown Street 59 1863 Coal & Corn Merchant, 8-9 Crown Street, Thomas Hudson 63 1865 Beer Retailer, 8 Crown Street 75 1867 Beer Retailer, Crown Street 1 1874 Beer Retailer, 8 Crown Street 96 1875 Beer Retailer, 8 Crown Street 35 1879 Beer Retailer, 8 Crown Street 165 1886 Beer Retailer, 9 Crown Street 1 1887-1888 Oak Apple, 8 Crown Street 165,166 1891-1894 Beer Retailer, 9 Crown Street 1 Thomas Hudson 1859 David Smith 1865 Eliza Straw 1867 William Straw 1874-1875 Mrs Eliza Straw 1879 George Odger 1886-1891 Miss Ada Smith 1892-1894 2 Oak Apple Marlborough Row, see Royal Oak 2 Oak Brewery Tavern 1863 Beer Retailer, 53 Marylebone Street 63 1865 Beer Retailer, 53 Marylebone Street 75 1867 Brewer, 53 Marylebone Street 1 1875 Oak Brewery, 53 Marylebone Street 35 1879 Oak, 53 Marylebone Street 165 1879 Oak Brewery, 53 Marylebone Street 165 1881 Oak Brewery, 53 Marylebone Street 165 1881 Oak Brewery, 53 Marylebone Street 171 1886 Baker, 53 Marylebone Street/ Beer Retailer, 50-52 Belgrave Street 1 1887 Oak Brewery, 53 Marylebone Street/50-52 Belgrave Street 166 1888 Wine Merchant, 53 Marylebone Street/Bagatelle Salon, 50 Belgrave Street 165 1891-1892 Oak Brewery Tavern, 53 Marylebone Street/50 Belgrave Street 1 1894-1899 Oak Inn, 53 Marylebone Street/50 Belgrave Street 1 1900-1910 Oak Inn, 50-52 Belgrave Street 1,95 1910 Oak Inn, Belgrave Street? licence given up 5(58) 1910 [18207] Oak Inn, Belgrave Street, -
30 Crown Place, Earl Street, London EC2A
London 30 Crown Place Pinsent Masons 30 Crown Place Earl Street London EC2A 4ES United Kingdom T: +44 (0)20 7418 7000 F: +44 (0)20 7418 7050 Liverpool Street station By Underground Liverpool Street station is the nearest underground station – approximate commute time 5 mins (Central, Metropolitan, Circle and Hammersmith & City lines). Exit the underground station onto the main National Rail concourse. Just to the left of platform 1 on the main concourse, exit the station via the Broadgate Link Shops arcade, towards Exchange Square. Continue right, along Sun Street Passage and then up the stairs onto Exchange Square. At the top of the stairs, take the first left towards Appold Street. Walk down the stairs, and at the bottom, cross over Appold Street onto Earl Street. Continue left along Earl Street and we are situated on the right hand side. Moorgate station Approx journey time 8-10 minutes. (Northern, Metropolitan, Circle and Hammersmith & City lines). Exit the station via Moorgate East side onto Moorgate. Turn right and walk north (towards Alternatively, take the 8-15 minutes. Approx. total Location Finsbury Pavement). Continue Heathrow Express to journey time is 35 minutes. Pinsent Masons HQ office is along Finsbury Pavement until Paddington and change for the located on the right hand side you reach Finsbury Square. Circle or Hammersmith & City From Stansted Airport of Crown Place when coming The Stansted Express runs line to Liverpool Street. Approx. from Moorgate or Liverpool between the airport and Street. Turn right into Finsbury Square journey time is 40 minutes. and continue straight ahead Liverpool Street every 15 into Sun Street. -
Death, Time and Commerce: Innovation and Conservatism in Styles of Funerary Material Culture in 18Th-19Th Century London
Death, Time and Commerce: innovation and conservatism in styles of funerary material culture in 18th-19th century London Sarah Ann Essex Hoile UCL Thesis submitted for the degree of PhD Declaration I, Sarah Ann Essex Hoile confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signature: Date: 2 Abstract This thesis explores the development of coffin furniture, the inscribed plates and other metal objects used to decorate coffins, in eighteenth- and early nineteenth-century London. It analyses this material within funerary and non-funerary contexts, and contrasts and compares its styles, production, use and contemporary significance with those of monuments and mourning jewellery. Over 1200 coffin plates were recorded for this study, dated 1740 to 1853, consisting of assemblages from the vaults of St Marylebone Church and St Bride’s Church and the lead coffin plates from Islington Green burial ground, all sites in central London. The production, trade and consumption of coffin furniture are discussed in Chapter 3. Chapter 4 investigates coffin furniture as a central component of the furnished coffin and examines its role within the performance of the funeral. Multiple aspects of the inscriptions and designs of coffin plates are analysed in Chapter 5 to establish aspects of change and continuity with this material. In Chapter 6 contemporary trends in monuments are assessed, drawing on a sample recorded in churches and a burial ground, and the production and use of this above-ground funerary material culture are considered. -
Smithfield Market but Are Now Largely Vacant
The Planning Inspectorate Report to the Temple Quay House 2 The Square Temple Quay Secretary of State Bristol BS1 6PN for Communities and GTN 1371 8000 Local Government by K D Barton BA(Hons) DipArch DipArb RIBA FCIArb an Inspector appointed by the Secretary of State Date 20 May 2008 for Communities and Local Government TOWN AND COUNTRY PLANNING ACT 1990 PLANNING (LISTED BUILDINGS AND CONSERVATION AREAS) ACT 1990 APPLICATIONS BY THORNFIELD PROPERTIES (LONDON) LIMITED TO THE CITY OF LONDON COUNCIL DEVELOPMENT AT 43 FARRINGDON STREET, 25 SNOW HILL AND 29 SMITHFIELD STREET, LONDON EC1A Inquiry opened on 6 November 2007 File Refs: APP/K5030/V/07/1201433-36 Report APP/K5030/V/07/1201433-36 CONTENTS SECTION TITLE PAGE 1.0 Procedural Matters 3 2.0 The Site and Its Surroundings 3 3.0 Planning History 5 4.0 Planning Policy 6 5.0 The Case for the Thornfield Properties (London) 7 Limited 5.1 Introduction 7 5.2 Character and Appearance of the Surrounding Area 8 including the Settings of Nearby Listed Buildings and Conservation Areas 5.3 Viability 19 5.4 Repair, maintenance and retention of the existing buildings 23 5.5 Sustainability and Accessibility 31 5.6 Retail 31 5.7 Transportation 32 5.8 Other Matters 33 5.9 Section 106 Agreement and Conditions 35 5.10 Conclusion 36 6.0 The Case for the City of London Corporation 36 6.1 Introduction 36 6.2 Character and Appearance of the Surrounding Area 36 including the Settings of Nearby Listed Buildings and Conservation Areas 6.3 Viability 42 6.4 Repair, maintenance and retention of the existing buildings -
Great Expectations on Screen
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Violeta Martínez-Alcañiz Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Tesis presentada por Violeta Martínez-Alcañiz Licenciada en Periodismo y en Comunicación Audiovisual para la obtención del grado de Doctor Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair” (Charles Dickens, A Tale of Two Cities) “Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?” (Sergei Eisenstein, “A dialectic approach to film form”) “An honest adaptation is a betrayal” (Carlo Rim) Table of contents ACKNOWLEDGMENTS 13 CHAPTER 1. INTRODUCTION 15 CHAPTER 2. LITERATURE REVIEW 21 Early expressions: between hostility and passion 22 Towards a theory on film adaptation 24 Story and discourse: semiotics and structuralism 25 New perspectives 30 CHAPTER 3. -
London Borough of Islington Archaeological Priority Areas Appraisal
London Borough of Islington Archaeological Priority Areas Appraisal July 2018 DOCUMENT CONTROL Author(s): Alison Bennett, Teresa O’Connor, Katie Lee-Smith Derivation: Origination Date: 2/8/18 Reviser(s): Alison Bennett Date of last revision: 31/8/18 Date Printed: Version: 2 Status: Summary of Changes: Circulation: Required Action: File Name/Location: Approval: (Signature) 2 Contents 1 Introduction .................................................................................................................... 5 2 Explanation of Archaeological Priority Areas .................................................................. 5 3 Archaeological Priority Area Tiers .................................................................................. 7 4 The London Borough of Islington: Historical and Archaeological Interest ....................... 9 4.1 Introduction ............................................................................................................. 9 4.2 Prehistoric (500,000 BC to 42 AD) .......................................................................... 9 4.3 Roman (43 AD to 409 AD) .................................................................................... 10 4.4 Anglo-Saxon (410 AD to 1065 AD) ....................................................................... 10 4.5 Medieval (1066 AD to 1549 AD) ............................................................................ 11 4.6 Post medieval (1540 AD to 1900 AD).................................................................... 12 4.7 Modern -
Magwitch's Revenge on Society in Great Expectations
Magwitch’s Revenge on Society in Great Expectations Kyoko Yamamoto Introduction By the light of torches, we saw the black Hulk lying out a little way from the mud of the shore, like a wicked Noah’s ark. Cribbed and barred and moored by massive rusty chains, the prison-ship seemed in my young eyes to be ironed like the prisoners (Chapter 5, p.34). The sight of the Hulk is one of the most impressive scenes in Great Expectations. Magwitch, a convict, who was destined to meet Pip at the churchyard, was dragged back by a surgeon and solders to the hulk floating on the Thames. Pip and Joe kept a close watch on it. Magwitch spent some days in his hulk and then was sent to New South Wales as a convict sentenced to life transportation. He decided to work hard and make Pip a gentleman in return for the kindness offered to him by this little boy. He devoted himself to hard work at New South Wales, and eventually made a fortune. Magwitch’s life is full of enigma. We do not know much about how he went through the hardships in the hulk and at NSW. What were his difficulties to make money? And again, could it be possible that a convict transported for life to Australia might succeed in life and come back to his homeland? To make the matter more complicated, he, with his money, wants to make Pip a gentleman, a mere apprentice to a blacksmith, partly as a kind of revenge on society which has continuously looked down upon a wretched convict. -
A Tale of Two Cities
MACMILLAN READERS BEGINNER lEVEL CHARLES DIC KENS A Tale of Two Cities Retold by Stephen Colbourn Contents A Note About the Author 4 A Note About This Story 5 The People in This Story 7 1 To Dover 8 2 A Wine Shop in Paris 13 3 The Old Bailey 18 4 New Friends 24 5 The Aristocrat 26 6 A Wedding 31 7 Revolution 35 8 To Paris 39 9 An Enemy of the Repuhlic 43 10 Citizen Barsad 47 11 Doctor Manette's Letter 50 12 Sydney Carton's PlaIt 53 13 The Escape 55 14 The Guillotille 60 1 To Dover It was the year 1775. A coach was gOil1g from London to Dover. The road was wet and Inuddy. The horses pulled the heavy coach slowly. A man on a horse came along tIle road behind the coach. He was riding quickly. 'Stop!' shouted the rider. 'What do you want?' asked the coach driver. 'I have a message!' shouted the rider. He stopped l1is horse in front of the coach. The coach also stopped. 'The message is for Mr Jarvis Lorry,' said the rider. 8 A man looked out of the wi11dow of the coach. He was about sixty years old and l1e wore old ... fashioned clothes. He saw the rider and asked, 'What news do you bring, Jerry?' 'Do you know this man, sir?' asked the coach driver. 'There are robbers on this road.' 'I know him,' replied the old man. 'His name is Jerry Cruncher. He has come from my bank. Jerry Cruncher is a messenger, not a robber.' 'Here is a letter for you, Mr Lorry,' the messenger said. -
Kreston-Reeves-London-Map.Pdf
Old t C Stree u Street ld r O t S a G i h A5201 n o o A1209 s r R w e G d d e r d e i a l l et a t o tre t c R S B100 A501 R ld Ea h en o O s re Clerkenwell a te H G d r i al n g Bethn Third Floor, 24 Chiswell Street S h d B t t a S u e A5201 o London EC1Y 4YX t n e R h r t Shoreditch i d n l S a C i o St.Lukes l R a R i n t t well r en y A1 o Tel: 033012 41399 Fax: 020 7382 1821 Clerk o u s w l R i C A1202 DX 42614 CHEAPSIDE S o N W t a A10 A F d J Barbican [email protected] a l o d r e r h B i n n r www.krestonreeves.com r s g i c g P d S k a t P r o t a r B100 CCh l n his Old L e cu A406 e ne well r Farringdon a St a i e L ree R t C g n t n Spitalfields h o o M1 rt L Barbican P e o J3 a Finsbury N S Market d Centre t Square Liverpool r A201 A406 e A1 A12 e Street t e E t l t J1 Moorgate do e field S a n t Brush S a A10 g t C r g A406 Smithfield See Inset o o s o p m Market t o A12 S M h m A5 F ld is H a St.Bartholomews e L e ol i iv B M A13 bo r f e r A40 rn r S rp c A501 - A1211 t o i m re ol d i H London Wallll lo et a V d l ia L B l du P ond Station e ct on t s S LONDON W e Entrance e t i al x A11 n l e r A406 e g t S Aldgate A40 t t d S a o East A4 G g d H n r r a t M4 A2 N es t o S J1 A205 ew ha o ro u h S m S nd ig ga St o B H t te ree s Aldgate l A13 r t h e A202 St M d d t e l c p r it a e e c h e Bank of O u h c tr A3 t St.Pauls h S A205 England c W m A316 A2 C St e a St.Pauls he edle h L r aps dne c ra e uth Circula L ide ea a B A3 So A205 udga Cathedral Thr r m A20 te G Hill Poul a Str try M Fleet eet N Royal Exchange n e i n S w City By Underground Cornhill Leadenhall t Stree o t M B ri Liverpool Street Thameslink DLR a r t Mansion Bank e e e s n Liverpool Street is on the Central, Metropolitan, Circle and S tr House A10 s t h S Whitechapel Hammersmith & City Lines. -
April 2011 No.201, Free to Members, Quarterly
THE BRIXTON SOCIETY NEWSLETTER Spring issue, April 2011 No.201, free to members, quarterly. Registered with the London Forum of Amenity Societies, Registered Charity No.1058103, Website: www.brixtonsociety.org.uk Our next open meeting Thursday 9th June: Annual General Meeting 7 pm at the Vida Walsh Centre, Windmill re-opening 2b Saltoun Road, SW2 A year ago, our newsletter reported that the Time again to report on what we have been Heritage Lottery Fund had agreed to support doing over the past year, collect ideas for the the restoration of the mill. Since then it’s made year ahead, and elect committee members to the front cover of Local History magazine, as carry them out. Agenda details from the above. Now the Friends of Windmill Gardens Secretary, Alan Piper on (020) 7207 0347 or present a series of events, with guided tours by e-mail to [email protected] inside the mill offered on each date. Open Garden Squares May Day Launch Parade, 2nd May: A theatrical parade starts from Windrush Weekend - 11 & 12 June Square at 2 pm and proceeds to the mill This year we plan to host two events on for its official re-opening. Ends 4-30 pm. Windrush Square: On Saturday our theme is Growing in Brixton with stalls Open Day, Sunday 12 June: selling plants and promoting green ideas. Windmill open 2 pm to 4 pm. On Sunday we switch to Art in Brixton, showing the work of local artists and Windmill Festival, Sunday 10 July: encouraging you to have a go yourself. -
Stratford Waterfront Stage One Consultation Review
Stratford Waterfront Stage One Consultation Review May 2016 APRIL 2016 CONFIDENTIAL 1 2 Stratford Waterfront Stage One Consultation Review 1 Summary CONTENTS 1 SUMMARY ....................................................3 4 FINDINGS ................................................45 1.1 Introduction 4 4.1 Introduction 46 1.2 Summary of events and involvement 6 4.2 Understanding place 48 1.3 Synopsis of findings 8 4.3 Aspirations 52 1.4 Recommendations 12 4.4 Priorities and masterplan principles 56 4.5 Group sessions 64 2 BACKGROUND..........................................15 2.1 Olympicopolis 16 5 TRACKING CHANGES.........................67 2.2 About Stratford Waterfront 17 5.1 Introduction 69 2.3 Who is involved 18 2.4 About the design team 20 6 NEXT STEPS ...........................................71 2.5 Context 22 6.1 Overview 72 6.2 Consultation timeline 72 3 CONSULTATION PROCESS ..................27 6.3 Contact us 73 3.1 Overview 28 3.2 Consultation diary 30 APPENDICES........................................................75 3.3 Stakeholder mapping 32 A. Publicity and communication 76 3.4 Communication and promotion 34 B. Stakeholder workshop worksheet 79 3.5 Activities and events 35 C. Legacy Youth Voice worksheet 80 3.6 Community and involvement 42 D. Pop-up events materials 81 1 Stratford Waterfront Stage One Consultation review 1 SUMMARY 1.1 Introduction 1.2 Summary of events and involvement 1.3 Synopsis of findings 1.4 Recommendations 1 SUMMARY 1.1 INTRODUCTION Stratford Waterfront and Olympicopolis Community consultation The London Legacy Development Corporation Allies and Morrison Urban Practitioners (AMUP) (LLDC) is working in partnership with Sadler’s has been appointed by LLDC and the partners Wells, UAL’s London College of Fashion and the to undertake community consultation to inform Victoria and Albert Museum (V&A) to establish the development of the Stratford Waterfront a world-class cultural and education district at Masterplan and the individual buildings for Queen Elizabeth Olympic Park.