Swr2 Programm Kw 11

Total Page:16

File Type:pdf, Size:1020Kb

Swr2 Programm Kw 11 SWR2 PROGRAMM - Seite 1 - KW 11 / 11. - 17.03.2019 Georg Philipp Telemann: Und wie können wir erkennen, ob wir Montag, 11. März Trompetenkonzert D-Dur uns im Netz gerade mit einem echten Ole Edvard Antonsen (Trompete) Menschen unterhalten oder doch nur 0.05 ARD-Nachtkonzert English Chamber Orchestra mit einem Computerprogramm? Gottfried Heinrich Stölzel: Leitung: Jeffrey Tate „Seid willkommen, schöne Stunden“, 8.58 SWR2 Programmtipps Schäferspiel 5.00 Nachrichten, Wetter Dorothee Mields (Sopran) 9.00 Nachrichten, Wetter Elisabeth Graf (Alt) 5.03 ARD-Nachtkonzert Knut Schoch (Tenor) Johann Christian Bach: 9.05 SWR2 Musikstunde Ekkehard Abele (Bass) Sinfonie C-Dur Komponistinnen: Caroline Telemannisches Collegium The Hanover Band Boissier-Butini und Maria Michaelstein Leitung: Anthony Halstead Szymanowska Leitung: Ludger Rémy Johann Daniel Mylius: „Ich spiele nicht nur Klavier ...“ Felix Mendelssohn Bartholdy: 3 Tänze Mit Ulla Zierau Streichquartett Nr. 2 a-Moll op. 13 Lutz Kirchhof (Laute) Leipziger Streichquartett Nino Rota: Komponistinnen entdecken: Wie haben Robert Schumann: „The godfather“, Filmmusiksuite sie gelebt, sich behauptet, wo und bei Romanzen op. 69 Orchestra Filarmonica della Scala wem haben sie studiert, wie wurden sie MDR Rundfunkchor Leitung: Riccardo Muti von ihren Zeitgenossen Klavier und Leitung: Howard Arman Johann Friedrich Fasch: wahrgenommen und warum sind viele Carl Philipp Emanuel Bach: Konzert D-Dur FWV L:D15 von ihnen in Vergessenheit geraten. Konzert a-Moll Wq 26 Tempesta di Mare Die SWR2 Musikstunde sucht nach Michael Rische (Klavier) Emmanuel Chabrier: Antworten und stellt einzelne Kammersymphonie Leipzig Suite de valse Komponistinnen vor: Die wohlhabende Leitung: Katharina Sprenger Alexandre Tharaud (Klavier) Schweizerin Caroline Boissier-Butini Richard Wagner: William Boyce: erregte als Interpretin eigener Werke „Die Feen“, Ouvertüre Sinfonie D-Dur op. 2 Nr. 5 europaweit Aufsehen. Weniger Glück MDR Sinfonieorchester Academy of Ancient Music hatte die polnische Komponistin Maria Leitung: Jun Märkl Leitung: Christopher Hogwood Szymanowska, ihr Mann hatte kein Verständnis für ihr künstlerisches 2.00 Nachrichten, Wetter 6.00 SWR2 am Morgen Bestreben. Sie musste ein Leben als darin bis 8.30 Uhr: allein erziehende Mutter und 2.03 ARD-Nachtkonzert u. a. Pressestimmen, Konzertpianistin vereinbaren, ein Dmitrij Schostakowitsch: Kulturmedienschau und schwieriges Unterfangen. Immerhin in Sinfonie Nr. 2 H-Dur op. 14 „An den Kulturgespräch Weimar traf sie Goethe, der sie als Oktober“ „bezaubernde Göttin der Musik“ WDR Rundfunkchor Köln 6.00 SWR2 Aktuell bezeichnete. (Produktion 2016) WDR Sinfonieorchester Köln Leitung: Rudolf Barschai 6.20 SWR2 Zeitwort 10.00 Nachrichten, Wetter Wolfgang Amadeus Mozart: 11.03.1931: Friedrich Murnau Divertimento Es-Dur KV 563 stirbt bei einem Autounfall 10.05 SWR2 Treffpunkt Klassik Trio Zimmermann Von Julia Haungs Musik. Meinung. Perspektiven. Ernesto Cavallini: Mit Julia Neupert Klarinettenkonzert Nr. 1 Es-Dur Giuseppe Porgo (Klarinette) 6.30 Nachrichten Norddeutsche Philharmonie Rostock 11.57 SWR2 Kulturservice Leitung: Johannes Moesus 7.00 SWR2 Aktuell Johann Sebastian Bach: 12.00 SWR2 Aktuell mit Nachrichten Sonate c-Moll BWV 1017 7.07 SWR2 Tagesgespräch anschließend: Frank Peter Zimmermann (Violine) SWR2 Programmtipps Enrico Pace (Klavier) 7.30 Nachrichten Paul Hindemith: 12.30 Kurznachrichten Konzert für Flöte, Oboe, Klarinette, 7.57 Wort zum Tag Fagott, Harfe und Orchester 12.33 SWR2 Journal am Mittag Walter Büchsel (Flöte) 8.00 SWR2 Aktuell Das Magazin für Kultur und Liviu Varcol (Oboe) Gesellschaft Ulrich Mehlhart (Klarinette) 8.30 SWR2 Wissen Carsten Wilkening (Fagott) Chatbots – Reden mit Maschinen 13.00 Nachrichten, Wetter Charlotte Cassedanne (Harfe) Von Aeneas Rooch hr-Sinfonieorchester 13.05 SWR2 Mittagskonzert Leitung: Werner Andreas Albert Chatbots machen es möglich, sich mit Robert Schumann: einem Computer in natürlicher Sprache „Hermann und Dorothea“, 4.00 Nachrichten, Wetter zu unterhalten – und sie funktionieren Orchesterouvertüre inzwischen erstaunlich gut. Immer Radio-Sinfonieorchester Stuttgart des 4.03 ARD-Nachtkonzert häufiger werden sie auf Internetseiten SWR Joseph Haydn: für Kundenservice eingesetzt, ebenso Leitung: Stéphane Denève Sinfonie Nr. 44 e-Moll „Trauersinfonie“ in Messenger-Programmen und als Gustav Mahler: Royal Philharmonic Orchestra London Sprachassistenzen. Aber sie begegnen Fragment aus dem Klavierquartett Leitung: Stefan Sanderling uns auch in Kommentaren auf sozialen a-Moll Felix Mendelssohn Bartholdy: Plattformen, zum Teil ohne dass wir es Notos Quartett Streichquartett D-Dur op. 44 Nr. 1 bemerken. Wie gut sind Chatbots Camille Saint-Saëns: Talich Quartett heute tatsächlich? Sind sie intelligent? Konzertstück f-Moll op. 94 Peter Damm (Horn) Staatskapelle Dresden Leitung: Siegfried Kurz SWR2 PROGRAMM - Seite 2 - KW 11 / 11. - 17.03.2019 Michael Nyman: Ella Fitzgerald, Al Feldman: Gustav Mahler: Musik zum Film „Das Piano“ A-tisket A-tasket Ich ging mit Lust durch einen grünen Valentina Lisitsa (Klavier) Tommy Dorsey & His Clambake Seven Wald Peter Tschaikowsky: Tommy Dorsey, Posaune Aus! Aus! Streicherserenade C-Dur op. 48 Pee Wee Erwin, Trompete Wenn mein Schatz Hochzeit macht Orpheus Chamber Orchestra Johnny Mince, Klarinette Scheiden und Meiden Carl Maria von Weber: Skeets Herfurt, Tenorsaxofon (Konzert vom 8. April 2017 in der „Euryanthe“, Arie des Lysiart (2. Akt) Howard Smith, Piano Stadthalle Heidelberg) Christian Gerhaher (Bariton) Carmen Mastren, Gitarre Symphonieorchester des BR Gene Traxler, Bass Immer wieder treten das Fauré Leitung: Daniel Harding Graham Stevenson, Schlagzeug Quartett und die Sopranistin Annette Paul Juon: Edythe Wright ,Gesang Dasch gemeinsam mit Programmen Litaniae op. 70 auf, in denen sie Gesang und Boulanger Trio Otto Abels Harbach, Jerome Kern: Klavierquartett dramaturgisch reizvoll Julius Röntgen: Smoke gets in your eyes miteinander „verweben“. Zum Auftakt Oud-Nederland, Suite Tommy Dorsey & His Orchestra des Internationalen Musikfestivals Staatsphilharmonie Rheinland-Pfalz Pee Wee Erwin, Trompete Heidelberger Frühling 2019 sendet Leitung: David Porcelijn Joe Bauer, Trompete SWR2 ein Konzert in dieser Besetzung Andy Ferretti,Trompete aus dem Jahr 2017, der mit Lieder von 14.58 SWR2 Programmtipps Tommy Dorsey, Posaune Gustav Mahler und den Les Jenkins, Posaune Wesendonck-Lieder von Richard 15.00 Nachrichten, Wetter Walter Mercurio, Posaune Wagner ganz im Zeichen der Johnny Mince, Altsaxofon, Klarinette unerfüllten Liebe stand. 15.05 SWR2 Leben Bud Freeman,Tenorsaxofon Seit dem Anschlag von Pittsburgh Fred Stulce, Altsaxofon 22.00 Nachrichten, Wetter ist alles anders Skeets Herfurt, Altsaxofon Jüdisches Leben in einer Kirche in Howard Smith, Piano 22.03 SWR2 Essay Manhattan Carmen Mastren, Gitarre Organisierte Ägyptenrundreise 1969 Von Andreas Boueke Gene Traxler, Bass Von Hubert Fichte Dave Tough, Schlagzeug Vor zehn Jahren gründete Rabbi David Der Dichter, Ethnograf und Verfasser Ingber die jüdische 18.00 SWR2 Aktuell mit Nachrichten der monumentalen „Geschichte der Glaubensgemeinschaft Romemu in Empfindlichkeit“ Hubert Fichte bereiste Manhattan. Schnell wuchs sie auf über 18.30 SWR2 Aktuell – Wirtschaft gemeinsam mit seiner Frau Leonore tausend Mitglieder. Doch sie hatte Mau Ägypten. Als Pauschaltourist. Er keine eigene Synagoge. Mit einer 18.40 SWR2 Kultur aktuell besucht Kairo, die Pyramiden. Sieht christlichen Gemeinde ergab sich eine Armut, die Staatssicherheit, die außergewöhnliche Zusammenarbeit. 19.00 Nachrichten, Wetter Verachtung gegenüber den Touristen. Der Sabbat wird im Kirchenraum Er reist mit einem Rommel-Verehrer gefeiert. Der Rabbi und der Pastor 19.05 SWR2 Tandem auf einem Boot, und für eine arbeiten eng zusammen. Nachdem Was Menschen bewegt Streichholzlänge rollen die alten Götter Donald Trump Präsident geworden Gespräch und Musik mit den Augen. „Ich liebe den war, änderte sich die Stimmung im Tourismus. Er ersetzt die Land. Die Predigten des Rabbi wurden anschließend ca.: Völkerwanderung.“ Aus der Reihe „Aus den Archiven“ eine zunehmend politisch. Seit dem 19.45 Die Verschiebung (6/10) Wiederholung von 1970. Anschlag auf eine Synagoge in Staffel 1 Pittsburgh protestieren in Manhattan Mystery-Thrillerhörspiel von Serotonin Christen und Juden gemeinsam gegen Folge 6: Rückfahrt 23.00 Nachrichten, Wetter Antisemitismus und die Spaltung der Mit: Bettina Kurth, Bernhard Schütz, Gesellschaft. Maximilian Brauer, Barbara Philipp, 23.03 SWR2 JetztMusik Simone Kabst, Oliver Siebeck u. a. „Eher schwer, oft dumpf, nie heiter“ 15.30 SWR2 Fortsetzung folgt Regie: Marie-Luise Goerke – Brahms-Hommagen in Werken von Halt auf Verlangen (3/14) Soundwork und Musik: Matthias Pusch Wolfgang Rihm Ein Fahrtenbuch (Produktion: SWR 2019) Von Philipp Kehrer Roman von Urs Faes Gelesen von Sebastian Mirow Eine andere Welt und ein schöner Im beinahe unüberblickbaren Schaffen Unbekannter. Wie schade, dass er des Komponisten Wolfgang Rihm hat 15.55 SWR2 Lesenswert Kritik geschlechtslos ist. die produktive Auseinandersetzung mit der Musikgeschichte schon früh eine 16.00 Nachrichten, Wetter 20.00 Nachrichten, Wetter Rolle gespielt. Anfang der 80er-Jahren schreibt er zum Beispiel einen „Brahmsliebewalzer“. Konstruiert Rihm 16.05 SWR2 Impuls 20.03 SWR2 Abendkonzert sich damit nicht einen eigenen, Wissen aktuell Internationales Musikfestival idealisierten Brahms? Finden sich Heidelberger Frühling vielleicht Parallelen, Gemeinsamkeiten, 16.58 SWR2 Programmtipps Annette Dasch (Sopran) Anschlussmöglichkeiten
Recommended publications
  • Printcatalog Realdeal 3 DO
    DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive.
    [Show full text]
  • Cecil Taylor 3 Phasis Mp3, Flac, Wma
    Cecil Taylor 3 Phasis mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: 3 Phasis Country: US Released: 1979 Style: Free Jazz, Avantgarde, Free Improvisation MP3 version RAR size: 1205 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1218 mb Rating: 4.9 Votes: 556 Other Formats: AHX MMF AC3 DXD MP4 XM MP2 Tracklist A Side One 28:22 B Side Two 28:50 Companies, etc. Phonographic Copyright (p) – Recorded Anthology Of American Music, Inc. Copyright (c) – Recorded Anthology Of American Music, Inc. Recorded At – Columbia Recording Studios Mastered At – Sterling Sound Credits Alto Saxophone – Jimmy Lyons Artwork [Cover Art] – Paul Jenkins Bass – Sirone Design [Cover] – Michael Sonino Drums – Ronald Shannon Jackson Engineer [Assistant Recording] – Ken Robertson Engineer [Recording, Editing, And Mixing] – Don Puluse Mastered By – Ted Jensen Photography By – Marc Brasz Piano – Cecil Taylor Producer – Sam Parkins Trumpet – Raphé Malik* Violin – Ramsey Ameen Notes Recorded in April 1978 at Columbia Recording Studios, 30th Street, New York, NY. Other versions Category Artist Title (Format) Label Category Country Year New World 80303-2, NW Cecil 3 Phasis (CD, 80303-2, NW Records, New US 1996 303-2 Taylor Album, RE) 303-2 World Records Cecil 3 Phasis (CD, New World NW 303-2 NW 303-2 US Unknown Taylor Album, RE) Records Related Music albums to 3 Phasis by Cecil Taylor Jazz Cecil Taylor - Innovations Jazz Cecil Taylor - Great Paris Concert «2» Rock dt's - Widow Of An All-American Jazz Cecil Taylor Unit - Akisakila - Cecil Taylor Unit In Japan Jazz Cecil Taylor / Buell Neidlinger - New York City R&B Jazz Cecil Taylor - Conquistador! Jazz Cecil Taylor - The World Of Cecil Taylor Jazz Cecil Taylor - Buell Neidlinger - New York City R&B Jazz Cecil Taylor Trio And Quintet - Love For Sale Jazz Cecil Taylor / Charles Tolliver / Grachan Moncur / Archie Shepp - The New Breed.
    [Show full text]
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8259/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] IMPROVISING PIANISTS: ASPECTS OF KEYBOARD TECHNIQUE AND MUSICAL STRUCTURE IN FREE JAll - 1955-1980. Submitted by Mark Peter Wyatt Lockett as a thesis for the degree of Doctor of Philosophy The City University Department of Music May 1988 TABLE OF CONTENTS Page No I List of Figures 3 IIListofRecordings............,........ S III Acknowledgements .. ..... .. .. 9 IV Abstract .. .......... 10 V Text. Chapter 1 .........e.e......... 12 Chapter 2 tee.. see..... S S S 55 Chapter 3 107 Chapter 4 ..................... 161 Chapter 5 ••SS•SSSS....SS•...SS 212 Chapter 6 SS• SSSs•• S•• SS SS S S 249 Chapter 7 eS.S....SS....S...e.
    [Show full text]
  • The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
    THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format.
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • The Big Question: List Prices on Catalog Product Montgomery
    Jan. 4, 1975 $1.50 ART ANL bEdORDINGS DEPARTMlI YES/THE ULTIMATE CHART AgFIRMATIVE The Big Question: Here's Our Answer (Ed) Col Canada Drops List Prices On Catalog Product Racks, Retailers, Distribs Separate Meets At NARM Montgomery Named RCA Promo Chief www.americanradiohistory.com 1974 CBS Inc On his first date, Alvin "In Flight" is filled with the Lee went all the way. He superb musicianship that embarked on his new has brought Alvin to the solo career with a simull- forefront of rock 'n' roll- taneous appearance and live recording original tunes and personalized versions at London's prestigious Rainbow Theatre. of classics like "Don't Be Cruel," "Money And the results, captured on his double Honey"and"Keep A KnockinY And a surprise album, "In Flight," are phenomenal. treat: "Freedom for the Stallion." "In Flight"delighted the normally Alvin Lee & Co. are coming right conservative English critics:"the sound behind their new album with an throughout from all angles is exceptional"; extensive international tour, too. "Lee and his band are very tight, almost faultless";"Lee has never played better." Alvin Lee & Co."In Flight." PG 33187` The auspicious beginning of a great new career. On Columbia Records and Tapes THE WINTER TOUR January 16 Pittsburgh, Pa. (Syria Mosque) February 4 Miami, Fla. (Auditorium) 17 Hershey, Pa. (The Arena) 1 St. Louis, Mo. (Ambassador Theatre) 5 Charleston, S.C. (Civic Center) 18 New York, N.Y. (Academy of Music) 6 San Diego, Calif. (Civic Center) 6 Atlanta, Ga. (Municipal Auditorium) 19 Baltimore, Md. (Civic Center) 7 Long Beach, Calif.
    [Show full text]
  • The Avant-Garde 15
    CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995.
    [Show full text]
  • Friday, Oct. 25 at the Graduate Center, Elebash Hall
    1 Friday, Oct. 25 at The Graduate Center, Elebash Hall Session 1: the 1950s & 60s in context 9:00-9:30 am, Eric Charry, “The Development of Cecil Taylor’s Musical Language in the 1950s and 1960s” Cecil Taylor’s new musical language is audible from his very first album, Jazz Advance, recorded in fall 1956 when he was 27 years old. By exploring the interplay of pianistic textures (interactions between the two hands) and directional gestures and contours (ascending or descending lines, moving or static clusters), Taylor created new stories to be told and laid the foundation for developments that have resounded to the present day. Taylor’s approach precluded the necessity for a steady pulse and meter, and with the arrival of drummer Sunny Murray in 1960 and bassist Henry Grimes in 1961 his unit began to join him in breaking through the musical forms of the day and forging new ones. Taylor’s innovations yielded an extraordinary burst of extended solo piano recordings, from Carmen with Rings (1967) and Praxis (1968) through Indent (1973) and Silent Tongues (1974). Few in Taylor’s generation systematized and wrote down the codes to their language for others to decipher, with exceptions like George Russell (1923-2009). Anthony Braxton (1945-) would do just that for his own music in his 5-volume Composition Notes (1988), which codified a system of 99 “sound classifications,” including gestures such as accelerating, gliss, long, low, parallel, and trills. The intellectual underpinnings of Braxton’s music from the late 1960s onward can be linked directly to Taylor’s breakthroughs.
    [Show full text]
  • Discographie
    CHRISTIAN SCHOLZ UNTERSUCHUNGEN ZUR GESCHICHTE UND TYPOLOGIE DER LAUTPOESIE Teil III Discographie GERTRAUD SCHOLZ VERLAG OBERMICHELBACH (C) Copyright Gertraud Scholz Verlag, Obermichelbach 1989 ISBN 3-925599-04-5 (Gesamtwerk) 3-925599-01-0 (Teil I) 3-925599-02-9 (Teil II) 3-925599-03-7 (Teil III) [849] INHALTSVERZEICHNIS I. PRIMÄRLITERATUR 389 [850] 1. ANTHOLOGIEN 389 [850] 2. VORFORMEN 395 [865] 3. AUTOREN 395 [866] II. SEKUNDÄRLITERATUR 439 [972] III. HÖRSPIELE 452 [1010] ANHANG 460 [1028] IV. VOKALKOMPOSITIONEN 460 [1029] V. NACHWORT 471 [1060] [850] I. PRIMÄRLITERATUR 1. ANTHOLOGIEN Absolut CD # 1. New Music Canada. A salute to Canadian composers and performers from coast to coast. Ed. by David LL Laskin. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Hildegard Westerkamp u. a. CD Absolut CD # 2. The Japanese Perspective. Ed. by David LL Laskin. Special Guest Editor: Toshie Kakinuma. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Yamatsuka Eye & John Zorn, Ushio Torikai u. a. CD Absolut CD # 3. Improvisation/Composition. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von David Moss, Joan La Barbara u. a. CD The Aerial. A Journal in Sound. Santa Fe, NM, USA: Nonsequitur Foundation 1990, Nr. 1, Winter 1990. AER 1990/1. Mit Beiträgen von David Moss, Malcolm Goldstein, Floating Concrete Octopus, Richard Kostelanetz u. a. CD The Aerial. Santa Fe, NM, USA: Nonsequitur 1990, Nr. 2, Spring 1990. AER 1990/2. Mit Beiträgen von Jin Hi Kim, Annea Lockwood, Hildegard Westerkamp u. a. CD The Aerial.
    [Show full text]
  • Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene
    Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene by Matthew Somoroff Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Co-Supervisor ___________________________ Paul Berliner, Co-Supervisor ___________________________ Philip Rupprecht ___________________________ Mark Anthony Neal Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 ABSTRACT Listening at the Edges: Aural Experience and Affect in a New York Jazz Scene by Matthew Somoroff Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Co-Supervisor ___________________________ Paul Berliner, Co-Supervisor ___________________________ Philip Rupprecht ___________________________ Mark Anthony Neal An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Matthew Somoroff ©2014 Abstract In jazz circles, someone with “big ears” is an expert listener, one who hears the complexity and nuance of jazz music. Listening, then, figures prominently in the imaginations of jazz musicians and aficionados. While jazz scholarship has acknowledged the discourse on listening within various jazz cultures, to date the actual listening practices of jazz musicians and listeners remain under-theorized. This dissertation investigates listening and aural experience in a New York City community devoted to avant-garde jazz. I situate this community within the local history of Manhattan’s Lower East Side, discuss the effects of changing neighborhood politics on music performance venues, and analyze social interactions in this scene, to give an exposition of “listening to music” as a practice deeply tied into other aspects of my interlocutors’ lives.
    [Show full text]
  • Cadence the Independent Journal of Creative Improvised Music
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC VOLUME 38 NUMBER 2 APRIL MAY JUNE 2012 Cadence The Independent Journal of Creative Improvised Music April - May - June 2012 ABBREVIATIONS USED Vol. 38 No. 2 (400) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editor: Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC. tpt: trumpet All rights reserved. tba: tuba v tbn: valve trombone Reproduction or use of contents prohibited without written vib: vibraphone permission from publisher (except use of short quotes, please credit vla: viola Cadence Magazine).
    [Show full text]
  • Cecil Taylor: Life As
    Cecil Taylor: Life As... Structure within a free improvisation Kaja Draksler Trboje, Slovenia, june 2013 Cecil Taylor: Life As... Structure within a free improvisation Acknowledgements! 2 Introduction! 3 Biography and influences! 4 Biography! 4 Influences! 5 Cecil Taylor: Life As... (Momentum Space, Verve 1999)! 8 Language! 8 Four main behaviors! 8 Intervals! 16 Register! 18 Rhythm! 18 Expression Tools! 21 Dynamics! 21 Pedaling! 22 Personal technique! 24 Structure! 28 Introduction! 29 Development! 30 Recapitulation! 35 Implications of tonalities! 37 Notation and its relation to music! 40 Cecil Taylor’s relationship with the European classical music! 42 Conclusion! 45 Sources! 47 Appendix! 50 2 Acknowledgements The majority of the material in this research, was written for my master’s degree thesis, during the study of classical composition at the Conservatorium van Amsterdam. The research coordinator was Michiel Schuijer and the external advisor was Vijay Iyer. The original work has been revised and enriched, resulting in the version you are about to read. I wish to express my deepest gratitude to my mentor Vijay Iyer for his enthusiasm, support, guidance and advising. His precious insights were essential for this research. I would like to extend my sincere thanks to Trevor Grahl for the language revision and refinements made to the text. Finally, my heartfelt thanks to George Dumitriu for his care, encouragement and understanding. 3 Introduction “To play with Cecil Taylor, you need the stamina of an athlete and the imagination of a God!” (Tony Oxley in an interview with Panken, 2001) Cecil Taylor’s free improvisations are beautifully structured compositions. The material Taylor is using is pre-considered and fairly restricted; therefore, cohesive and at the same time, colorful and varied.
    [Show full text]