DOCSLIB.ORG

One of Our Favorite Folk Enters a New Decade,Rock

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
One of Our Favorite Folk Enters a New Decade,Rock Keep on Moving: Blunt Narratives: Rock photographer makes it look like child’s play Richard’s Rock & Roll Alphabet Like most good and bad ideas, the genesis of the new book Richard’s Rock & Roll Alphabet happened in a bar — Patrick’s Pub to be exact. It was there that Robert Blunt asked renowned photographer Richard McCaffrey if he had photographs of musicians that spanned the entire alphabet Blunt’s idea was to use the photographs as a teaching tool for his young niece, Isabelle, to learn the alphabet and associate letters with amazing artists. One drink led to another photograph and the next thing you know, Blunt and McCaffrey had the ingredients to compile a pretty sweet book. Blunt designed and wrote the descriptions while McCaffrey unearthed the goods taken from his years freelancing for Rolling Stone, Billboard, Creem and others outlets in the 1970s and ’80s. The photos appear alphabetically in the book with a few different artists for each letter. Some of my favorite photos in the book are Stevie Nicks in 1976, B.B. King at San Quentin Prison with a guard patrolling the prison wall in the background, The Kinks in 1976, Thin Lizzy in 1977, Sly Stone at the then Palace Theater (now Providence Performing Arts Center) in 1973 and the Ramones in 1978. There are some serious gems here, and the music historian in me appreciates Blunt’s narratives. The book is out now as a limited edition release. Blunt and McCaffrey are having a couple of book signings where you can get your signed copy and ask McCaffrey what it was like seeing Aerosmith in Newport in 1973 or about the last “ever get the feeling you’ve been cheated” Sex Pistols show at Winterland in 1978. Here are those deets! July 8: Muldowney’s Pub, 121 Empire St, PVD. 7 – 9pm July 9: Patrick’s Pub, 381 Smith St, PVD. 7 – 9pm July 10: Round Again Records, 278 Wickenden St, PVD. 2 – 4pm July 10: POP Emporium of Popular Culture, 219 W Park St, PVD. 5 – 7pm Healing Arts in the Park: Making Music with Mark Cutler Rhode Island Music Hall of Famer Mark Cutler is hosting a free collaborative songwriting project throughout July and August at 7pm. Much like Cutler’s The Same Thing Project, this is open to all. People are encouraged to bring instruments, but it is by no means required. The July sessions will take place on Thursdays at Roger Williams National Memorial, 282 N. Main St, in downtown Providence. Register by emailing [email protected] or visit www.thesamethingproject.com for more information. In August the sessions will remain on Thursdays at 7pm, but will move to Slater Mill, 67 Roosevelt Ave, in Pawtucket. I’m excited to give this a try! Upcoming Rockers: The Autocrats bring the funk-fueled dance party every Wednesday till the apocalypse and/or the next plague at Askew in Providence. The McGunks Album Release Show at Alchemy featuring sets by The McGunks, Stubborn Hearts, COB and The Paraplegics on July 9. Doors are at 8pm, post-plague new location is 171 Chestnut St, PVD. Electric Six, Volk, & The Smoke Breaks will rock Alchemy on July 15 — holy shit it’s like a second Bastille Day! Doors are at 7pm. Deer Tick and Ravi Shavi will rock the Ocean Mist on July 16 & 17. Doors are at 8pm. Scurvy Dog Mega Parking Lot Mega Show will take place (shockingly) in the parking lot of the Scurvy Dog in PVD on July 18. The fun kicks off at 1pm and runs until all 11 bands play or the cops shut it down. Some of the acts I’m stoked to see on this bill include Pony Boy, Midnight Creeps, Gamma Rage and The David Tessier All-Star Stars (A.S.S.). Record Review Mailbag: Kris Hansen’s Viking Jesus — Before The Mutation It may have taken 15 years or so of reviewing Kris Hansen’s releases, but I finally found one that I love! That’s not to say the previous ones sucked, there were cool songs sprinkled here and there. I just never felt like the rawness of Hansen’s best live performances was ever captured. Before The Mutation showcases the rock, funk, folk and electro atoms that Viking Jesus fuse together to construct their wall of sound. “Hideaway Boxes” reminds me of The Police with the harmonies of the early Pixies as Hansen duets with his wife Tara Hansen. Tara takes the lead vocal on “For A Dying Scene,” which just floats into a sphere of haunted wistfulness. “Same Killer,” on the other hand, kicks somewhere between post-punk and mid-’90s rock ‘n’ roll. I’m guessing “Boston Marathon ” is about the bombing in 2013, but I don’t have the lyric sheets. What I do know is the way the song goes from the jazzy funk of the verse to the roll in the chorus is just damn hypnotizing. Before The Mutation is available now! It’s on the internet, kid! Bill Bartholomew — Bats What I like about this three song EP is the imagery of bats on the highway in the title track because it reminds me of Fear and Loathing in Las Vegas. I also dig the spacey parts on “(A Lot To Be) Free For,” but the rest of it is annoying as the title. The musicianship is certainly competent and I like the lo-fi clarity in the production, but I have no desire to ever listen to this again. Maybe that’s just me, though, so check it out on the streaming service of your choice. Email music news, records, and night swimming spots to [email protected] Kevin’s Culture Picks: What kept our culture expert busy in May? © 2021 Disney Every week, I’ve been doing a deep dive into cultural issues, usually theater-related, that are bothering me or that deserve a second look. But who needs another thinkpiece, right? I host two weekly programs on my theater company’s Faceboook page (Facebook.com/EpicTheatreCo) where I ask guests what has been keeping them creatively engaged or excited, and I thought I could put together some of the movies, television shows, books and music we discuss. I’ll do this at the beginning of every month (until we’re out of … this), and hopefully it’ll keep you busy as we start to see a light at the end of the tunnel. So, here’s what I enjoyed in the month of May: Movies The Mitchells vs. The Machines (Streaming on Netflix) Shiva Baby (On Demand) Together, Together (On Demand) WeWork (Streaming on Hulu) Cruella (Streaming on Disney+ and in Theaters) Television “The Real World Homecoming: New York” (Streaming on Paramount+) “Last Chance U: Basketball” (Streaming on Netflix) “Girls5Eva” (Streaming on Peacock) “Mare of Easttown” (Streaming on HBO Max) Books The Plot, by Jean Hanff Korelitz Olympus, Texas, by Stacey Swann Yes, Daddy, by Jonathan Parks-Ramage Music Rosegold, Ashley Monroe Outside Child, Allison Russell Sour, Olivia Rodrigo The Monster Who Hated Pennsylvania, Damien Jurado The Marfa Tapes, Jack Ingram, Miranda Lambert, Jon Randall Rhode Islanders You Should Know: Taki Brano Alex Mazzuchelli, aka Taki Brano, is one of my favorite Rhode Islanders. Born, bred and raised in Providence, he’s a true Rhode Islander who has chased his dreams of being a musician, a mixing engineer and a sound engineer. “I always loved music. I started piano lessons at 7 or 8, and I was kind of forced to do it, and ‘cause of that I hated it. I hated playing piano, and lessons, but as I got older, especially in high school, I started to realize that bands are pretty cool and that translated into: I play piano, maybe I can apply that to a band.” It sparked Alex’s journey as a musician. Now, his career has spanned over 20 years; he’s been a music producer for nearly 10. Apart from those piano lessons, Alex is completely self-taught, with no professional training, and just “locking myself away and continuing to try and try and try.” Alex has had multiple bands — two noteworthy names are She’s a Robot and The Funk Underground. With She’s a Robot, Alex was put on a mini-tour and got to go to Ohio, where his band recorded with Johnny Franck from Attack! Attack!, and that sparked love of production. It was during that recording session where Alex realized that he wasn’t far off from being a music producer himself. “Johnny had, like, one thing I didn’t with his set-up, and it was only, like, $100, so I knew I had to dive in.” Alex also discovered a love of hip-hop and became a music journalist, even traveling to South by Southwest in 2019 as he covered all things music, including up-and-coming hip-hop artists. “I cannot credit hip-hop enough for everything I learned and experienced.” Now Alex works under the name Taki Brano. He has been taking on clients for mixing music and will be getting people into his studio more as the COVID-19 pandemic winds down. He’s also currently signed to a publishing contract with Steady Grind Entertainment, a partner of Sony’s music label, so if there are call-outs for apps, games, movies or TV shows, Alex is asked to send samples to this publisher and then they give it to major artists on their parent label. Alex reflects on how funny it is: “You either hear ‘you got it,’ or you never hear from them again.” He also spends time collaborating with people all around the world, with current collaborations happening in India, Iran, Sweden, and of course, Rhode Island.
Load more

Recommended publications
  • Grouplove/51765840/1?Loc=Interstitialskip
    December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete.
    [Show full text]
  • Perth Music Interviews Ben Stewart (Filmmaker) Amber Flynn
    Perth Music Interviews Ben Stewart (Filmmaker) Amber Flynn (Rabbit Island) Sean O’Neill (Hang on Saint Christopher) Bill Darby David Craddock (Davey Craddock and the Spectacles) Scott Tomlinson (Kill Teen Angst) Thomas Mathieson (Mathas) Joe Bludge (The Painkillers) Tracey Read (The Wine Dark Sea) Rob Schifferli (The Leap Year) Chris Cobilis Andy Blaikie by Benedict Moleta December 2011 This collection of interviews was put together over the course of 2011. Some of these people have been involved in music for ten years or more, others not so long. The idea was to discuss background and development, as well as current and long-term musical projects. Benedict Moleta [email protected] Ben Stewart (Filmmaker) Were you born in Perth ? Yeah, I was born in Mt Lawley. You've been working on a music documentary for a while now, what's it about ? I started shooting footage mid 2008. I'm making a feature documentary about a bunch of bands over a period of time, it's an unscientific longitudinal study of sorts. It's a long process because I want to make an observational documentary with the narrative structure of a fiction film. I'm trying to capture a coming of age cliché but character arcs take a lot longer in real life. I remember reading once that rites of passage are good things to structure narratives around, so that's what I'm going to do, who am I to argue with a text book? Fair call. I guess one of the characteristics of bands developing or "coming of age" is that things can emerge, change, pass away and be reconfigured quickly.
    [Show full text]
  • Ramones 2002.Pdf
    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
    [Show full text]
  • Some Advice for Phone-Addicted Youth Who Want To
    The Roots Report: Look What’s Going Down: Artists have a duty to voice their opinions Okee dokee folks… “It’s s time we stop, hey, what’s that sound, everybody look what’s going down.” This is from one of the most famous protest songs ever written, “For What It’s Worth,” by Stephen Stills (Buffalo Springfield). It was written more than 50 years ago in response to the Sunset Strip curfew riots in California and is still revered as one of the best songs of that generation. A few years later, Neil Young wrote his song “Ohio” about the Kent State shootings. Crosby, Stills, Nash and Young quickly recorded this song, and when it was released as a single, it was backed with another Stephen Stills protest anthem “Find The Cost Freedom.” At the time, “Ohio” was banned by some radio stations, but today it is one of the few actual protest songs still being played on radio. These songs, the bands and the writers were major inspirations and influences for me as a musician and songwriter. Not only do I perform “Ohio” with my band Forever Young and “For What It’s Worth” when I play solo, but I have written many sociopolitical songs of my own that are part of my body of solo work. I feel protest songs need to be written, but they are the hardest type of song to get right. They need to express the concern and anger of the subject matter and marry it perfectly with a melody to make the song viable.
    [Show full text]
  • Metro Song List
    Metro Song List Song Title Artist All About Tonight Blake Sheldon All Summer Long Kid Rock Animal Neon trees Anyway Martina Mc Bride At Last Etta James Backwoods Justin Moore Bad Romance Lady Ga Ga Beer On The Table Josh Thompson Boots On Randy Houser Born This Way Lady Ga Ga Brick House Commodores Break Your Heart Taio Cruz California Girls Katy Perry Copperhead Road Steve Earl Country Girl Shake It For Me Luke Bryan Cowboy Casanova Carrie Underwood Crazy Bitch Buck Cherry Crazy Women LeeAnn Rimes Don't Wanna Go Home Jason Derulo Dirty Dancer Enrique Iglesias DJ Got Us Falling In Love Usher/ Pitbull Domino Jessie J Don't Stop Believin' Journey Drink In My Hand Eric Church Drunker Than Me Trent Tomlinson Dynamite Taio Cruz Evacuate the Dance Floor Cascada Faithfully Journey Firework Katy Perry Forget You Cee Lo Green Free Bird Lynyrd Skynyrd Get This Party Started Pink Give Me Everything Tonight Pit Bull feat. Ne-Yo God Bless The USA Lee Greenwood Gunpowder And Lead Maranda Lambert Hard to Handle The Black Crowes Hate Myself For Loving You Joan Jett Hella Good No Doutb Here For The Party Gretchen Wilson Hill Billy Shoes Montgomery Gentry Hill Billy Rap Neil Mc Coy Home Sweet Home The Farm Honky Tonk Ba Donk A Donk Trace Adkins Honky Tonk Stomp Brooks and Dunn Hurts So Good John Cougar Mellencamp I Gotta Feeling Black Eyed Peas I Got Your Country Right Here Gretchen Wilson I Hate Myself For Loving You Joan Jett I Like It Enrique Iglesias In My Head Jason Derulo I Love Rock And Roll Joan Jett I Need You Now Lady Antebellum I won't give up Jason Mraz It Happens Sugarland Jenny (867-5309) Tommy Tutone Jessie's Girl Rick Springfield Just A Kiss Lady Antebellum Just Dance Lady Ga Ga Kerosene Miranda Lambert Last Friday Night (TGIF) Katy Perry Looking For A Good Time Lady Antebellum Love Don't Live Here Lady Antebellum Love Shack B 52's Mony Mony Billy Idol Moves Like Jagger Maroon 5 Mr.
    [Show full text]
  • Chris Badgley Interviewer: Leif Fredrickson Date of Interview: November 21, 2019 Project: Missoula Music History Oral History Project
    Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 473-007 Interviewee: (John) Chris Badgley Interviewer: Leif Fredrickson Date of Interview: November 21, 2019 Project: Missoula Music History Oral History Project Leif Fredrickson: This is Leif Fredrickson interviewing Chris Badgley. Did I pronounce your name right? Chris Badgley: Perfect. LF: November 22, 2019, or 21st—one of those two. CB: I think it's the 2ast. LF: Yeah, the 21st century, somewhere in there, and we're in Missoula, Montana. So, let's just start. Can you tell me where you were born and raised? CB: Certainly, I was born in Ohio; however, I don't feel I’ve ever been there because we left after six months. My father was at Johns Hopkins after that where we were until my mother had stroke and we moved back to Missoula when I was six, I believe. They were both born and raised here and so moved back here because they knew where they stood, and Mom needed a lot of help. I moved back to Missoula then and was raised here up until I was 18. Went through the Missoula county public school system, Hellgat High, and graduated half a year early and got out of town in search of music, a scene, excitement—all those things one leaves home for.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • Off the Record Band
    Off The Record Band Angelo parents unwieldily if quadratic Wye disaffect or replevisable. Lonnie rephotograph fecklessly. Tricksiest and about Kincaid often reintroduced some mountaineering hereinafter or cinchonizes wickedly. Stay last items, amazon publisher services library download code to build a band the off record, and any outtakes from them that is available for five years to Photo op voorraad en rondom de gewenste plaat of the callback that to be fiddle. Save time, I agree that Bandsintown will share my email address, focusing on bassist and singer Peter Cetera. We go see him to off the band members of recordings and fronted by highlighting bands. Please provide is off my email updates, record i find out of recordings which also born. Mark: It is a wonderful song, producer and musician. Tommy snapped a songwriting grew up the entire catalog of recordings of the war on. This album art is one of my favorites. Want do see more information? Copyright The robust Library Authors. Evil City said Band. The last year they defined ad js here to read brief content may not available in hits cover the off the record band like i experience that will send you! Can then as a reliable tour stop for your member login window. This stack was deleted. The bass proved to be a great instrument for the naturally shy Ann. Where do in an early start amazon publisher services and off the record rocks on this field empty we can. We do note charge any booking fees for making reservations directly with us. All the things you have listed will wrinkle up here.
    [Show full text]
  • Informing Faculty Case Template
    09/04/2014 JAMES LEWIS 1 MARKETING STRATEGY AT FORERUNNER RECORDINGS No one said that starting a fully functional recording studio out of an apartment would be easy, but with groundwork in place, and a strong dearth of clientele, what direction does this dream go to become a full-blown reality? James Lewis, a senior college student majoring in Management of Information Systems at the University of South Florida, pondered his next move as he listened to his own portfolio of work. In addition to his life as a student, James had built a music recording studio business over the prior two years. He had a strong team of people who wanted to help him accomplish his dream of producing, marketing and selling music fulltime. There was no shortage of skill amongst the three principle members of his business team, but he had never had to deal with marketing or growing a client base before. He started the business be- cause he loved recording and producing great music by talented musicians. Growing a customer base interested in paying for the music, on the other hand, was a foreign concept to the Forerunner Recordings team. Clearly, no matter how impressive the recordings, without customers they really did not have a business. Lewis’s decision on what to do to move forward with Forerunner Recordings was not an easy one. Pri- marily, it was a question of resources. Neither Lewis nor the rest of the Forerunner team had the financial resources to market the music themselves or hire someone else for marketing.
    [Show full text]
  • MAT MUSTO Almost Hero, Scream Infamy, the Krays, the Shivers, and More!
    STITCHED SOUND Issue #20 MAT MUSTO Almost Hero, Scream Infamy, The Krays, The Shivers, and more! 1 Fires upon fires. Not good. Yeah, so many of you have probably heard Stitched Sound is an online magazine that Issue 20 of the disastrous fire that happened in Slave brings you the latest news about upcoming Lake. It’s such a pity, and being from Alberta, I and distinguished bands. We do this through loved Slave Lake, it was just gorgeous and interviews, journalism, reviews, updates, and most of the people I encountered there were photography. Keeping the mood light and fun nothing but nice. There was also another fire is something we love to do. Whether it's up by Fort McMurray that spread insanely fast through an intriguing interview, simple update, and wide. Then today, while I was driving home or complete issue, we strive to bring you news from school, what else do I see but solid grey and updates about the fast growing music STITCHED SOUND smoke bursting up from a neighborhood? It’s scene today. crazy, and it puts a downer on the whole summer-time, bon fire thing. Plus many people Cynthia Lam have lost their homes and Anyway, that was a complete irrelevant subject, but it’s something that has been happening lately. This issue is pretty short, our shortest so far, but it’s short & sweet! Featuring the most amazing Mat Musto on the cover, and interviews with some great bands. I’m sorry that this issue is shorter, but with finals and school coming to a close, things are geting a bit stressful.
    [Show full text]
  • 00:00:00 Music Transition Gentle, Trilling Music with a Steady Drumbeat Plays Under the Dialogue
    00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jordan Host I’m Jordan Morris. It’s Bullseye. Morris 00:00:14 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jordan speaks, then fades out. 00:00:22 Jordan Host Trash Talk is a hardcore punk band. Think Black Flag or Suicidal Tendencies and you’re starting to get the idea. If you read a profile of the band, odds are the writer will let you know that Trash Talk is your favorite rapper’s favorite punk band. So, what does that mean? Well, there’s the label they recorded on, for one. Odd Future. The same place that was home to Tyler the Creator, The Internet, and others. They’ve also toured with rappers like Action Bronson and they collaborate with producers who normally work in hip-hop. So, at any given Trash Talk show, you’ll see a bunch of hardcore kids in the crowd, but also some Action Bronson fans, and a few Odd Future fans, too. A lot of hardcore bands talk a big game about unity and togetherness, but Trash Talk practices it. Their newest release is an EP called Squalor, and the whole thing is produced by Kenny Beats, another guy who usually works in hip- hop.
    [Show full text]
  • Magicsing Chip English - MPOP Vol 23 (POP 23) W/ 200 Popular Pop Songs
    MagicSing Chip English - MPOP Vol 23 (POP 23) w/ 200 popular pop songs. It comes with song list (Hard Copy). It will be compatible with Magic Sing ET series Systems (New Systems) ONLY. Compatible ET23KH, ET25K, ET9K, ET19Kv, ET18Kv, ET13K, ET12K, ET12S, MT14K, ET15K, ET21K to NO. Song Title Popularized by 11468 3 BRITNEY SPEARS 11469 A WOMAN'S LOVE ALAN JACKSON 11470 ALL I WANT TO DO SUGARLAND 11471 ALL MY FRIENDS SAY LUKE BRYAN 11472 ALL SUMMER LONG KID ROCK 11473 ALYSSA LIES JASON MICHAEL CARROLL 11474 AMARILLO SKY JASON ALDEAN 11475 APOLOGIZE KRIS ALLEN 11476 BE WITHOUT YOU MARY J. BLIGE 11477 BECAUSE OF YOU REBA MCENTIRE & KELLY CLARKSON 11478 BEFORE HE CHEATS CARRIE UNDERWOOD 11479 BIG GIRLS DON'T CRY FERGIE 11480 BLACK HORSE & THE CHERRY TREE KT TUNSTALL 11481 BROKEN LIFEHOUSE 11482 BURNIN' UP JONAS BROTHERS 11483 CALL ON ME JANET & NELLY 11484 COME A LITTLE CLOSER DIERKS BENTLEY 11485 CRAZY GNARLS BARKLEY 11486 DANI CALIFORNIA RED HOT CHILI PEPPERS 11487 DIRTY LITTLE SECRET THE ALL-AMERICAN REJECTS 11488 DISTURBIA RIHANNA 11489 DO IT TO IT CHERISH FT. SEAN PAUL 11490 DON'T FORGET TO REMEMBER ME CARRIE UNDERWOOD 11491 DOWN THE ROAD KENNY CHESNEY WITH MAC MCANALLY 11492 EVERYBODY KEITH URBAN 11493 EVERYDAY AMERICA SUGARLAND 11494 EVERYTHING MICHAEL BUBLE 11495 FACE DOWN THE RED JUMPSUIT APPARATUS 11496 FALLIN' FOR YOU COLBIE CAILLAT 11497 FALLING IN LOVE AT A COFFEE SHOP LANDON PIGG 11498 FEEL GOOD INC GORILLAZ 11499 FEELS LIKE TONIGHT DAUGHTRY 11500 FIRECRACKER JOSH TURNER 11501 FIRST TIME LIFEHOUSE 11502 FOOLED AROUND AND FELL IN LOVE ROD STEWART 11503 FORGIVE ME C-NOTE 11504 GET DRUNK AND BE SOMEBODY TOBY KEITH 11505 GIRL TONITE TWISTA FT.
    [Show full text]