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The Tom Thomson Trail, Named for the Artist Who Died Mysteriously In
On The Trail of Tom Thomson Written & photographed by Ken Haigh except where noted. The Tom Thomson Trail, named for the artist who died mysteriously in 1917, goes for 43 km between Owen Sound and Meaford, through countryside that was home to the artist for much of his life. “Fishing,” says Leanne, laughing and waving her hand around the room. “In almost every photo, he’s fishing.” ▲ Tom Thomson tying a fishing lure at Canoe Lake, Algonquin Park, circa 1915. PHOTO BY MAUD VARLEY, COURTESY TOM THOMSON ART GALLERY. 20 Spring 2013 would form the core of The Group Thanking Leanne, I get in two existing rail trails: the of Seven, Canada’s best-known art my car and drive east, to the Georgian Bluffs Trail, which movement. Yet, for my money, Bayshore Community Centre. starts at Owen Sound Harbour, Thomson was the best of the lot. From the kiosk behind the and the Georgian Trail, which Who knows what he might have arena, the Tom Thomson Trail runs between Meaford and accomplished had he lived longer? wends its way east over the Collingwood. eanne Wright is the manager of marketing and development for the Tom Thomson Gallery in Owen LSound, and she has agreed to show me around the collection. I am planning to cycle a portion of the Tom Thomson Trail, a three-season, non-motorized trail for hikers, bikers and equestrians, which runs between Owen Sound and Meaford, and which passes the Thomson farm, where the artist grew up, and the churchyard where Thomson is buried. Before I leave, I am looking for some background on the painter. -
Archives News
TRENT UNIVERSITY ARCHIVES NEWS Number 58, July 2016 Tom Thomson in the Archives In this issue: Canadian artist Tom Thomson is the f one were to embark on telling the story of Canada, one would ultimately arrive focus of this issue of Archives News. I at the Group of Seven and the mysterious 1917 Algonquin Park drowning of We explore holdings in the Archives member artist Tom Thomson. The story of Thomson, born in 1877, his iconic Jack which pertain to the well-known painter. Pine, and his death are entrenched in Canadian lore and for 100 years he and his art have been the subject of exhibits, books, articles, and documentaries. Trent Uni- versity Archives has three collections in particular which contribute to the Thomson story and advance our understanding of his place in the annals of Canadian art. At the approach of the centenary of the artist’s death, the Archives is seeing increased activity around the Thomson holdings. Roy MacGregor, whose papers we acquired in 2015, conducted extensive research on Thomson. A widely read author, MacGregor’s many publications include his 2010 Northern Light: The Enduring Mystery of Tom Thomson and the Woman Who Loved Him. Through a generous donation by the author, the Archives received Mac- “Tom Thomson’s home at Leith near Owen Gregor’s correspondence, research materials, and manuscript drafts pertaining to Sound, Ontario. Here he lived until he was twen- Thomson and to many of his other books, as well. MacGregor received an honorary ty-four”. (photograph: Blodwen Davies fonds) Doctor of Letters at Trent University in 2016. -
Visual Art Discourses As Rhetoric: Exploring the Colonial Creation of the Canadian Northwest Passage
Visual Art Discourses As Rhetoric: Exploring the colonial creation of the Canadian Northwest Passage by Daryl Anderson A thesis submitted in partial fulfilment of the requirements for the degree of Ph.D. in Human Studies The Faculty of Graduate Studies Laurentian University Sudbury, Ontario, Canada © Daryl Anderson, 2015 THESIS DEFENCE COMMITTEE/COMITÉ DE SOUTENANCE DE THÈSE Laurentian Université/Université Laurentienne Faculty of Graduate Studies/Faculté des études supérieures Title of Thesis Titre de la thèse Visual Art Discourses as Rhetoric: Exploring the colonial creation of the Canadian Northwest Passage Name of Candidate Nom du candidat Anderson, Daryl Degree Diplôme Doctor of Philosophy Department/Program Date of Defence Département/Programme Human Studies Date de la soutenance June 17, 2015 APPROVED/APPROUVÉ Thesis Examiners/Examinateurs de thèse: Dr. Hoi Cheu (Supervisor/Directeur de thèse) Dr. Philippa Spoel (Committee member/Membre du comité) Dr. Carolle Gagnon (Committee member/Membre du comité) Approved for the Faculty of Graduate Studies Dr. Jonathan Paquette Approuvé pour la Faculté des études supérieures (Committee member/Membre du comité) Dr. David Lesbarrères M. David Lesbarrères Dr. Jonathan Bordo Acting Dean, Faculty of Graduate Studies (External Examiner/Examinateur externe) Doyen intérimaire, Faculté des études supérieures Dr. Lee Maracle (External Examiner/Examinateur externe) ACCESSIBILITY CLAUSE AND PERMISSION TO USE I, Daryl Anderson, hereby grant to Laurentian University and/or its agents the non-exclusive license to archive and make accessible my thesis, dissertation, or project report in whole or in part in all forms of media, now or for the duration of my copyright ownership. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. -
Mdtt Guide.Pdf
1 2 THE MYSTERIOUS DEATH OF TOM THOMSOn STUDY GUIDE 1 Consider the cover design of TheMysterious Death of Tom Thomson.Ataglance the image may appear to be rough-hewn, but consider that wood engraving is a predominantly 19th-century printmaking technique that requires the artist to create images with a burin manipulated on the end-grain of polished blocks of hardwood, in this case, maple. This is not, particularly,easy to accomplish. Tomissmoking a pipe, and holding a co}ee in his hand. He is wearing a toque, and suspenders, maybe. He appears to be smiling, and he is outdoors, close to a lake. Would any of your students be able to identifythe tree on the left as a Jack-pine? Have any of your students ever been to Algonquin Park? or, speci~cally,toCanoe Lake? Can we assume that Tom is often happy to be outdoors, in the bush? Is there some other detail in the image that I have missed? The focus of this Study Guide is Visual Literacy. Let ’s start by considering the ~rst couple of images as they appear on pages three to six in The Mysterious Death of Tom Thomson,and then the two that followthe copyright page. ... 2 Compare this engraved portrait with the archival photograph reproduced on page 14. What ’s di}erent? 3 Tommay have enrolled in evening classes at the Central Ontario School of Art and Design in Toronto. What is there in this image that suggests an evening setting? 4 THe MYsTeRious DeaTH oF ToM THoMson A WORDLESS nARRATIVE TOLD In OnE HUnDRED AnD nInE WOODBLOCK EnGRAVInGS GEORGE A. -
NEWSLETTER the Town of York Historical Society ______
NEWSLETTER The Town of York Historical Society ____________________________________________________________________________________________________________ December 2013 Vol. XXIX No. 4 NEW LIFE PROPOSED FOR Seven freight cars could unload at once from the railway siding along the east side, while the loading LOBLAWS WAREHOUSE docks on the west side had space for 23 trucks. It had a garage, carpentry and paint shops, giant ovens for baking cakes, huge drums for blending tea, and massive refrigerators cooled by 22,000 feet of pipe. Such were its mechanical wonders that, during the depression, customers would line up for tours. Under the same roof were recreational facilities for Loblaw’s 800 local employees. These included bowling alleys, a billiards room and lounges for playing euchre. There was also an auditorium for When it was completed in 1928 the Toronto Star concerts and staff-produced plays. At the opening described the Loblaw Groceteria Co. Ltd. building at ceremonies for the recreational rooms, hundreds Fleet and Bathurst Streets as “the most modern danced to live music performed by the corporate warehouse building of its type in the dominion.” A symphony. The “merchant prince” responsible for it all triumph of Art Deco design by the architectural firm was not there, however. T.P. Loblaw had been thrown of Sparling, Martin and Forbes, its four storeys housed by a horse months earlier and was still recovering administrative offices in addition to manufacturing, from his injuries. packaging and storage facilities. Continued on page 2 ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ St. Anne’s Anglican – the “Group of Seven Church” A remarkable cycle of paintings grace the interior surfaces of St. -
Plays About Passionate Painters
Central European Journal of Canadian Studies Revue d’Etudes Canadiennes en Europe Centrale volume 15 (2020) | (35–52) Plays about Passionate Painters Les pièces ayant trait aux peintres passionnés Katalin Kürtösi articles Abstract — The “(auto)biographical turn” of twentieth-century art has been the subject of scholarly research in articles various fields. This paper concentrates on stage representations of two iconic Canadian painters: the eccentric Emily Carr, who inspired plays with widely different dramaturgical approaches by Herman Voaden, Jovette Marchessault (in French) and Joy Coghill; and Tom Thomson, who is the main charac- ter in Jim Betts’ Colours in the Storm. The plays themselves were written over many decades, ranging from the interwar period to the second decade of the twenty-first century. I propose that these works, together with the biographies, contributed to the mythicization of Carr and Thompson. Keywords: Emily Carr, Tom Thomson, Herman Voaden, Jovette Marchessault, Jim Betts, biographical plays Résumé Le « tournant (auto) biographique » de l’art du XXe siècle a fait l’objet de recherches dans divers domaines. Cet article se concentre sur les représentations scéniques de deux peintres canadiens em- blématiques : l’excentrique Emily Carr, qui a inspiré les pièces avec des approches dramaturgiques très différentes d’Herman Voaden, Jovette Marchessault (en français) et Joy Coghill; sans oublier Tom Thomson, le personnage principal de Colours in the Storm de Jim Betts. Les pièces ont été écrites sur plusieurs décennies, entre les deux guerres et pendant la deuxième décennie du XXIe siècle. La thèse proposée par l’article est que ces œuvres, avec les biographies, ont contribué à la mythisation de Carr et Thompson. -
Making and Marketing a Canadian Art Icon: Tom Thomson
Making and Making and Marketing a Canadian Art Marketing a Canadian Art Icon: Tom Icon: Tom Thomson Thomson Leighann C. Neilson 132 Sprott School of Business, Carleton University, Ottawa, Canada Abstract Purpose - The paper traces the making and marketing of Thomson, his myth and his art, up to the 1950s. It argues that family members, fellow artists, Canadian art institutions and patron Dr. J.M. MacCallum, acting as ‘citizen marketers’ collaborated to establish and maintain the reputation of Tom Thomson. In order to do so, they shaped his story to conform to the classic tragic hero myth. Design/methodology/approach – traditional historical narrative approach based on archival research. Research limitation/implications – digital copies of archival records were used. Keywords - arts marketing history, Tom Thomson, Canadian art. Paper Type – research paper. On July 8th, 1917, Canadian artist Tom Thomson paddled his grey-green canoe away from Mowat Lodge, in Ontario’s Algonquin Park, and out onto Canoe Lake. It was the last time he would be seen alive. A few hours later, an overturned grey-green canoe was spotted off Big Wapameo Island by a family of summer visitors on a fishing trip. When this sighting was reported the next morning to Shannon Fraser, owner of Mowat Lodge, he recognized the distinctively colored canoe as Thomson’s. By Tuesday morning, July 10th, an alarmed Fraser initiated the search for Thomson by informing Park Ranger Mark Robinson’s office that Thomson was missing. That same day, Fraser sent telegrams to Thomson’s family in Owen Sound and to his patron, Dr. James MacCallum, in Toronto.