New Accessions July 2015

Total Page:16

File Type:pdf, Size:1020Kb

New Accessions July 2015 Paul Mellon Centre for Studies in British Art Library: New accessions July 2015 D12169 Court Barn Morris and Company tiles : decorative work by William Morris, Edward [Chipping Campden]: Court Barn, 2015 062 CHC-COU Burne-Jones and others D11937 Arts Council of Great Britain Sculpture in the home : fourth exhibition 1958 [London]: Arts Council of Great Britain, [1958] 062 LON-ART 1855143887 National Portrait Gallery Photographic Portrait Prize 2007 London: National Portrait Gallery, 2007 062 LON-NPG 1855143666 National Portrait Gallery Schweppes Photographic Portrait Prize 2005 London: National Portrait Gallery, 2005 062 LON-NPG 185514431X National Portrait Gallery Taylor Wessing Photographic Portrait Prize 10 London: National Portrait Gallery, c2010 062 LON-NPG 1855144530 National Portrait Gallery Taylor Wessing Photographic Portrait Prize 11 London: National Portrait Gallery, c2011 062 LON-NPG D12176 Dunnett, Alastair Art in flow Stomness, Orkney: Pier Arts Centre, 1984 062 STM-PIE D12177 Firth, Neil Private view : a visual investigation of the artist as subject : Ashburn, Bellany, Stromness, Orkney: Pier Arts Centre, c1994 062 STM-PIE Bevan, Brown, Cairns, Cameron, Campbell, Cumming, Dunbar, Firth, Harvey, Johnstone, Kirkpatrick, Macdonald, MacInnes, Muir, Parkinson, Peebles, Pelly, Rivers, Russell, Scott, Shaw, Taylor, Todd, Walker, Welsby, Wishart 1870530403 Manson, Ann 5000 years of Orkney art Stromness, Orkney: Pier Arts Centre, 1990 062 STM-PIE D11662 Spielmann, Isidore International fine arts exhibition, Rome 1911 : souvenir of the British section [London]: Issued under the auspices of the Board of 063 ITA-ROM Trade, [1913?] D11694 Museum of Modern Art, New The new decade : 22 European painters and sculptors New York: Museum of Modern Art in collaboration with 063 USA-NEW York The Minneapolis Institute of Arts, Los Angeles County Museum, San Francisco Museum of Art, c1955 1910350044 Royal Academy of Arts Posters : a century of summer exhibitions at the Royal Academy of Arts London: Royal Academy of Arts, c2015 068 LON-RAA 0730830756 Radford, Ron The story of the Elder Bequest Art Gallery of South Australia [Adelaide]: Art Gallery of South Australia, 2000 069 AUS-ADE 0869170090 Horton, Mervyn Queensland art gallery : retrospect and prospect Sydney: The Fine Arts Press, 1983 069 AUS-BRI 0728702606 Hayward Gallery Michael Andrews [London]: Arts Council of Great Britain, [1980] 7 ANDR(M).L D11637 Cammell, Charles Richard Memoirs of Annigoni London: Allan Wingate, 1956 7 ANNI(P).C 0491019483 Wraight, Robert Pietro Annigoni : an artist's life London: W H Allen, 1977 7 ANNI(P).W 0370104986 Ardizzone, Edward Diary of a war artist London: Bodley Head, 1974 7 ARDI(E).A 0289797721 Ardizzone, Edward The young Ardizzone : an autobiographical fragment London: Studio Vista, 1970 7 ARDI(E).A D11607 Armfield, Maxwell An artist in Italy London: Methuen, 1926 7 ARMF(M).A D11613 Snow, C P Michael Ayrton : drawings and sculpture London: Cory, Adams & Mackay, 1962 7 AYRT(M).A D11617 Snow, C P Michael Ayrton : drawings and sculpture London: Cory, Adams & Mackay, 1966 7 AYRT(M).A D11615 Laver, James Paintings by Michael Ayrton London: The Grey Walls Press, 1948 7 AYRT(M).L 0714822183 Leiris, Michel Francis Bacon : full face and in profile Oxford: Phaidon, c1983 7 BACO(F).L D11686 Hind, C Lewis The uncollected work of Aubrey Beardsley with an introduction London: John Lane The Bodley Head, 1925 7 BEAR(A).H D11620 Herbert, A P A school of purposes : a selection of Fougasse posters, 1939-1945 London: Methuen, 1946 7 BIRD (PAMPHLET) 0965533069 Aljira, a Center for Bending the grid : black identity and resistance in the art of Frank Bowling : Newark, N.J.: Aljira, a Center for Contemporary Art, 7 BOWL Contemporary Art September 18 - December 10, 2003 [2003] (PAMPHLET) 1906350043 Poussin Gallery 'Pondlife' and other paintings : new work by Frank Bowling London: Poussin Gallery, [2008] 7 BOWL (PAMPHLET) 0728704927 Serpentine Gallery Frank Bowling paintings 1983-86 [London]: Serpentine Gallery, c1986 7 BOWL (PAMPHLET) 1935617230 Spanierman Modern Frank Bowling OBE, RA : at eighty New York: Spanierman Modern, [2014] 7 BOWL (PAMPHLET) 1935617044 Spanierman Modern Frank Bowling OBE, RA : paintings 1974-2010 New York: Spanierman Modern, [2010] 7 BOWL (PAMPHLET) 0951329073 Chambers, Eddie Frank Bowling : Bowling on through the century : a major touring exhibition of Bristol: Eddie Chambers, 1996 7 BOWL(F).C recent paintings (LARGE) 0903822032 Surtees, Virginia The diaries of George Price Boyce Norwich: Real World, c1980 7 BOYC(G).S D11648 Hatano, Ryu L'essentiel de Martin Bradley Paris: Galerie Samy Kinge, [1998] 7 BRAD(M).H D11612 Clutton-Brock, Alan John Bratby A R A London: Studio Books, c1961 7 BRAT(J).C 1870530608 Pier Arts Centre Erlend Brown : pier & ocean : an exhibition of works 22 May - 12 June Stromness: Pier Arts Centre, c1993 7 BROW (PAMPHLET) D11684 Staatsgalerie, Stuttgart Der Perseus-Zyklus von Edward Burne-Jones : mit einem résumé in Stuttgart: Staatsgalerie, c1973 7 BURN Englischer sprache (PAMPHLET) D11696 Bell, Malcolm Sir Edward Burne Jones London: George Newnes Limited, [190-] 7 BURN(E).B 1870530853 Firth, Neil Steven Campbell : Chesterfield dreams : 20 April - 18 May 1996 Stomness, Orkney: The Pier Arts Centre, [1996] 7 CAMP (PAMPHLET) D11683 Städtische Galerie im Anthony Caro : 12 Skulpturen Braunschweig: Waisenhaus-Buchdruckerei und Verlag, 7 CARO(A).G Städelschen Kunstinstitut, [1981] Frankfurt am Main 0500272433 Carrington, Noel Carrington : paintings, drawings and decorations London: Thames & Hudson, 1980 7 CARR (PAMPHLET) D11622 Churchill, Winston S Painting as a pastime London: Odhams Press, 1948 7 CHUR(W).C D11644 H., D. George Clausen London: Ernest Benn Ltd, 1923 7 CLAU(G).H 187336279X Mellor, David Alan Bernard Cohen : paintings of the nineties London: Flowers East, 1998 7 COHE(B).M D11591 Chignell, Robert The life and paintings of Vicat Cole, R A London: Cassell & Co, 1898 7 COLE(G).C 9768097515 Johnson, Heather Roy de Maistre : the English years 1930-1968 Roseville East, NSW; United Kingdom: Craftsman 7 DEMA(R).J House in association with G & B Arts International, c1995 0950504734 Hazlitt, Gooden & Fox Gustave Doré, 1832 - 1883 : loan exhibition held on the occasion of the London: Hazlitt, Gooden & Fox, [1983] 7 DORE(G).C centenary of the artist's death : watercolours, drawings, prints and sculpture D11618 Leblanc, Henri Catalogue de l'oeuvre complet de Gustave Doré : illustrations, peintures, Paris: Ch. Bosse, 1931 7 DORE(G).L dessins, sculptures, eaux-fortes, lithographies D11624 Roosevelt, Blanche Life and reminiscences of Gustave Doré compiled from material supplied by London: Sampson Low, Marston, Searle & Rivington, 7 DORE(G).R Doré's relations and friends, and from personal recollection : with many 1885 2 original unpublished sketches, and selections from Doré's best published illustrations D11605 Dunlop, R O Struggling with paint London: Phoenix House, 1956 7 DUNL(R).D D10944 Finlay, Ian Hamilton Talismans and signifiers with sphere into cube Edinburgh: Graeme Murray Gallery, 1984 7 FINL (PAMPHLET) D10947 Parkin Gallery A memorial exhibition of oils, watercolours and linocuts by Claude Flight, London: Parkin Gallery, [1973] 7 FLIG 1881-1955, and Edith Lawrence, 1890-1973 : November 2nd - 24th (PAMPHLET) D10948 Royal Academy of Arts Works by Sir William Russell Flint RA London: Royal Academy of Arts, 1962 7 FLIN (PAMPHLET) D11573 Mayne, Jonathan Barnett Freedman New York: Pellegrini & Cudahy, [1948] 7 FREE(B).M (UNAVAILABLE) 0946311110 Hammer, Martin Gabo on Gabo : texts and interviews Forest Row, East Sussex: Artists . Bookworks, c2000 7 GABO(N).H D11587 Pauli, Gustav Gainsborough Bielefeld: Velhagen & Klasing, 1904 7 GAIN (PAMPHLET) D11574 Brodzky, Horace Henri Gaudier-Brzeska, 1891-1915 London: Faber & Faber, 1933 7 GAUD(H).B D11580 Pound, Ezra Gaudier Brzeska : a memoir London: The Marvell Press, 1960 7 GAUD(H).P D11582 Mercury Gallery Sixty drawings by Henri Gaudier-Brzeska : 1891-1915 : October 15 - November London: Mercury Gallery, [1975] 7 GAUD(H).S 15 1975 9070149036 Debbaut, Jan Gilbert & George 1968 to 1980 Eindhoven: Municipal van Abbemuseum, 1980 7 GILB.D D11092 Scottish Arts Council W G Gillies, CBE, RSA, PPRSW, ARA D Litt, FEIS : retrospective exhibition Edinburgh: Scottish Arts Council, 1970 7 GILL (PAMPHLET) 0902989669 Scottish Arts Council William Gillies & the Scottish landscape Edinburgh: Scottish Arts Council, c1980 7 GILL (PAMPHLET) D11093 Scottish Gallery W G Gillies, CBE, RSA, RA, PPRSW, 1898-1973 : paintings, watercolours and Edinburgh: Scottish Gallery, [1989] 7 GILL drawings (PAMPHLET) D11094 Arts Council of Great Britain Harold Gilman, 1876-1919 : his life and work London: Arts Council of Great Britain, [1981?] 7 GILM (PAMPHLET) D11095 Minories Harold Gilman, 1876-1919 : an English Post-Impressionist Colchester: The Minories, 1969 7 GILM (PAMPHLET) D11173 Fine Art Society Charles Isaac Ginner ARA, born Cannes 1878, died London 1952 : October 7th London: The Fine Art Society, 1985 7 GINN - 25th, 1985 (PAMPHLET) D11096 David Goodman : a retrospective Chichester: The Vicars Hall, 1993 7 GOOD (PAMPHLET) D11097 Chris Beetles Ltd Albert Goodwin RWS, 1845-1932 : 129 of his best works borrowed from [London]: [Chris Beetles Ltd], [1986] 7 GOOD 3 private collections (PAMPHLET) D11098 Paisley Museum Joie de vivre! : the art of Alexander Goudie : Paisley Museum, 19th September Paisley: Paisley Museum, c2008 7 GOUD(A).H - 13th December 2008 D11672 Comstock, Francis Adams A Gothic vision :
Recommended publications
  • Nelson H. White
    Nelson H. white 1 Nelson H. white Solo Show Exhibition July 24th to August 15th GreNNiNG Gallery Cover: P.O. Box 3049, 17 Washington Street, Sag Harbor, NY 11963 Waterford Beach Photography:Ted Hendrickson, Rabatti and Domonicie 16 x 24 inches Copyright, 2010 Grenning Gallery Tel. 631-725-8469, Fax 631-725-8467 Oil on Canvas, 2009 All reproduction rights reserved by the artist www.grenninggallery.com Nelson H. white Solo Show Exhibition July 24th to August 15th GreNNiNG Gallery P.O. Box 3049, 17 Washington Street, Sag Harbor, NY 11963 Tel. 631-725-8469, Fax 631-725-8467 www.grenninggallery.com 1 introduction While amazed, we are not surprised to see Nelson H. White’s work deepen in White holds court on a wide range of subjects including (most importantly) emotion and subtlety, as we exhibit his first solo show since 2005. Throughout the working practices of the artists. To the listener’s delight, however, he also his life, White has paired his fortuitous birth into a family of painters and shares funny and insightful stories about the artists’ personalities, life dramas, art historians, with indefatigable energy and drive. White has, quite simply, and quirky circumstances. applied himself with abandon to his craft since 1955. Following a rigorous weekly schedule of study, studio painting, and regular plein air painting trip, White’s fortitude is admirable, as few painters with his success and experience few painters (of any age) could keep up with him even today. It’s a rare day, would return to an atelier for additional training, which he did in 1999, when when White hasn’t been painting.
    [Show full text]
  • PRE-RAPHAELITES: DRAWINGS and WATERCOLOURS Opening Spring 2021, (Dates to Be Announced)
    PRESS RELEASE 5 February 2021 for immediate release: PRE-RAPHAELITES: DRAWINGS AND WATERCOLOURS Opening Spring 2021, (dates to be announced) Following the dramatic events of 2020 and significant re-scheduling of exhibition programmes, the Ashmolean is delighted to announce a new exhibition for spring 2021: Pre-Raphaelites: Drawings and Watercolours. With international loans prevented by safety and travel restrictions, the Ashmolean is hugely privileged to be able to draw on its superlative permanent collections. Few people have examined the large number of Pre-Raphaelite works on paper held in the Western Art Print Room. Even enthusiasts and scholars have rarely looked at more than a selection. This exhibition makes it possible to see a wide range of these fragile works together for the first time. They offer an intimate and rare glimpse into the world of the Pre-Raphaelite Brotherhood and the artists associated with the movement. The exhibition includes works of extraordinary beauty, from the portraits they made of each other, studies for paintings and commissions, to subjects taken from history, literature and landscape. Dante Gabriel Rossetti (1828–1882) In 1848 seven young artists, including John Everett Millais, William The Day Dream, 1872–8 Holman Hunt and Dante Gabriel Rossetti, resolved to rebel against the Pastel and black chalk on tinted paper, 104.8 academic teaching of the Royal Academy of Arts. They proposed a × 76.8 cm Ashmolean Museum. University of Oxford new mode of working, forward-looking despite the movement’s name, which would depart from the ‘mannered’ style of artists who came after Raphael. The Pre-Raphaelite Brotherhood (PRB) set out to paint with originality and authenticity by studying nature, celebrating their friends and heroes and taking inspiration from the art and poetry about which they were passionate.
    [Show full text]
  • Fanny Eaton: the 'Other' Pre-Raphaelite Model' Pre ~ R2.Phadite -Related Books , and Hope That These Will Be of Interest to You and Inspire You to Further Reading
    which will continue. I know that many members are avid readers of Fanny Eaton: The 'Other' Pre-Raphaelite Model' Pre ~ R2.phadite -related books , and hope that these will be of interest to you and inspire you to further reading. If you are interested in writing reviews Robeno C. Ferrad for us, please get in touch with me or Ka.tja. This issue has bee n delayed due to personal circumstances,so I must offer speciaJ thanks to Sophie Clarke for her help in editing and p roo f~read in g izzie Siddall. Jane Morris. Annie Mine r. Maria Zamhaco. to en'able me to catch up! Anyone who has studied the Pre-Raphaelite paintings of Dante. G abriel RosS(:tti, William Holman Hunt, and Edward Serena Trrrwhridge I) - Burne~Jonc.s kno\VS well the names of these women. They were the stunners who populated their paintings, exuding sensual imagery and Advertisement personalized symbolism that generated for them and their collectors an introspeClive idea l of Victorian fem ininity. But these stunners also appear in art history today thanks to fe mi nism and gender snldies. Sensational . Avoncroft Museu m of Historic Buildings and scholnrly explorations of the lives and representations of these Avoncroft .. near Bromsgrove is an award-winning ~' women-written mostly by women, from Lucinda H awksley to G riselda Museum muS(: um that spans 700 years of life in the Pollock- have become more common in Pre·Raphaelite studies.2 Indeed, West Midlands. It is England's first open ~ air one arguably now needs to know more about the.
    [Show full text]
  • The Legacy of NERINA SIMI (1890 - 1987)
    Forza e coraggio: “Strength and courage” THE LEGACY OF NERINA SIMI (1890 - 1987) Paper presentation Joke Frima at TRAC 2018 - The Representational Art Conference World Trade Center Leeuwarden May 1-4 2018 1/98 PART 1 - how I found studio Simi The river Arno with Ufizzi and Ponte Vecchio I am going to tell you about Nerina Simi and her studio in Florence, but first I want to tell you how I discovered Studio Simi when I went to Florence to see the museums in 1976. 2/98 Hugo van der Goes Caravaggio Uffizi Canestra di frutta 3/98 As I had previously been to Rome in summer, I knew that Italy was unbearably hot, so I chose to go to Florence in February. I was twenty-four and travelled down to Italy by myself on the train. I took the cheapest lodgings available in Florence: a dormitory in a sort of convent, Pio X, in Via dei Serragli. The room was big and very cold, with numerous beds. It was 1,000lire a night. I think the Pensionato Pio X is still there… 4/98 Two girls in the dormitory got up early every morning and ran out hastily, which made me wonder where they were off to, in such a hurry. When I asked, they told me they were going to Studio Simi. I explained that I was an art student too, and asked if I could come and have a look at this …Studio Simi. An appointment was made for 12 o’clock, at the end of the morning pose.
    [Show full text]
  • A Pivotal Point: James Mcneill Whistler's Harmony in Blue and Silver
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 2019 A Pivotal Point: James McNeill Whistler’s Harmony in Blue and Silver: Trouville and the Formation of his Aesthetic Eugenie B. Fortier CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/454 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A Pivotal Point: James McNeill Whistler’s Harmony in Blue and Silver: Trouville and the Formation of his Aesthetic by Eugenie Fortier Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2019 Thesis Sponsor: May 22, 2019 Tara Zanardi Date Signature May 22, 2019 Maria Antonella Pelizzari Date Signature of Second Reader i Table of Contents Acknowledgements……………………….……………………………………….………………ii List of Illustrations………………………………………………………………………………..iii Introduction…………… …………………………………………………………………...…….1 Chapter 1: Whistler’s Search for Artistic Identity………………….………….………………...15 Whistler Beginnings: Etching as Experimentation………………..….………………….17 “The Wind Blows from the East:” Eastern Influence on Whistler’s Early Paintings……26 From Icon to Index: Whistler’s Japonisme………………………………...…………….32 A Visible Search for Artistic Identity: Whistler’s Self-Portrait……………...…………..37 Chapter 2: Harmony
    [Show full text]
  • From Allegory to Domesticity and Informality, Elizabeth I and Elizabeth II
    The Image of the Queen; From Allegory to Domesticity and Informality, Elizabeth I and Elizabeth II. By Mihail Vlasiu [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme September 2000 © Mihail Vlasiu ProQuest Number: 13818866 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818866 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW 1 u n iv er sity .LIBRARY: \1S3lS Abstract This thesis focuses on issues of continuity and change in the evolution royal portraiture and examines the similarities and differences in portraying Elizabeth I in the 16th and 17th centuries and Elizabeth II in the 20th century. The thesis goes beyond the similarity of the shared name of the two monarchs; it shows the major changes not only in the way of portraying a queen but also in the way in which the public has changed its perception of the monarch and of the monarchy. Elizabeth I aimed to unite a nation by focusing the eye upon herself, while Elizabeth II triumphed through humanity and informality.
    [Show full text]
  • Dawncookson.Pdf
    David Hancock & Co Auctioneers Upon instructions from the Executors an Unreserved Sale by Auction The Artist’s Studio Sale of Dawn Cookson rbsa 1925 - 2005 Saturday November 18th 2006 at 12 noon sale to be held at The Lygon Arms Broadway, Worcestershire WR12 7DU Viewing: Friday 17th November 4pm - 8pm and Sale Day from 9am Catalogues £3.00 Dawn Cookson I hope that those fortunate enough to acquire any of these progress invited her to work as a pupil and assistant in fine examples from the studio at Quiet Place, Broadway, his studio in Florence. (see Painting with Annigoni by the home of this well-known Broadway painter for over 30 Dawn Cookson) years will enjoy these paintings just as we were privileged Her career flourished, dividing her time between numerous to enjoy the company of this talented lady. Professional commissions at home (notably attending Buckingham painter foremost but also an accomplished linguist and Palace in 1991 to paint a portrait of The Princess Royal), delightful raconteur with numerous stories of her artistic in Europe and in the U.S.A. and later in life as arthritis endeavours in Europe and America that were always slowed down her efforts in the studio, giving her time witty and charmingly self-deprecating. voluntarily teaching and speaking on painting. Born in Edgbaston on 11th June 1925, she was educated Throughout her time at Broadway, Dawn exhibited at Westonbirt before studying at the Birmingham College locally, including the sale venue at the Lygon Arms and of Art, after which she became a consultant designer at the Royal Birmingham Society of Artists, she enjoyed and part-time art teacher.
    [Show full text]
  • Press Release Pre-Raphaelites on Paper, Leighton House Museum
    PRESS RELEASE Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection An exhibition at Leighton House Museum organised by the National Gallery of Canada, Ottawa 12 Feb 2016 – 29 May 2016 Press Preview 11 Feb 2016 Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection will be the first exhibition opening at Leighton House Museum in 2016, presenting an exceptional, privately- assembled collection to the UK public for the first time. Featuring over 100 drawings and sketches by the Pre- Raphaelites and their contemporaries, the exhibition is organised by the National Gallery of Canada (NGC). It expresses the richness and flair of British draftsmanship during the Victorian era displayed in the unique setting of the opulent home and studio of artist and President of the Royal Academy (PRA) Frederic, Lord Leighton. From preparatory sketches to highly finished drawings intended as works of art in themselves, visitors will discover the diverse ways that Victorian artists used drawing to further their artistic practice, creating, as they did so, images of great beauty and accomplishment. Portraits, landscapes, allegories and scenes from religious and literary works are all represented in the exhibition including studies for some of the most well-known paintings of the era such as Edward Burne- Jones’ The Wheel of Fortune (1883), Holman Hunt’s Eve of St Agnes (1848) and Leighton’s Cymon and Iphigenia (1884). With the exception of Leighton’s painting studio, the permanent collection will be cleared from Leighton House and the drawings hung throughout the historic interiors. This outstanding collection, brought together over a 30-year period by Canadian Dr.
    [Show full text]
  • Italy Under the Golden Dome
    Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Susan Greendyke Lachevre Art Collections Manager, Commonwealth of Massachusetts Art Commission, with the assistance of Teresa F. Mazzulli, Doric Docents, Inc. for the Italian-American Heritage Month Committee All photographs courtesy Massachusetts Art Commission. Fifth ed., © 2008 Docents R IL CONSOLE GENERALE D’ITALIA BOSTON On the occasion of the latest edition of the booklet “Italy Under the Golden Dome,” I would like to congratulate the October Italian Heritage Month Committee for making it available, once again, to all those interested to learn about the wonderful contributions that Italian artists have made to the State House of Massachusetts. In this regard I would also like to avail myself of this opportunity, if I may, to commend the Secretary of the Commonwealth of Massachusetts, the Hon. William F. Galvin, for the cooperation that he has graciously extended to the Committee in this particular endeavor. Italians and Italian Americans are rightly proud of the many extraordinary works of art that decorate the State House, works that are either made by Italian artists or inspired by the Italian tradition in the field of art and architecture. It is therefore particularly fitting that the October Italian Heritage Month Committee has taken upon itself the task of celebrating this unique contribution that Italians have made to the history of Massachusetts. Consul General of Italy, Boston OCTOBER IS ITALIAN-AMERICAN HERITAGE MONTH On behalf of the Committee to Observe October as Italian-American Heritage Month, we are pleased and honored that Secretary William Galvin, in cooperation with the Massachusetts Art Commission and the Doric Docents of the Massachusetts State House, has agreed to publish this edition of the Guide.
    [Show full text]
  • Newcastle at Night from the Rabbit Banks, Gateshead Watercolour
    George Price BOYCE (London 1826 - London 1897) Newcastle at Night from the Rabbit Banks, Gateshead Watercolour. Signed and dated G. P. Boyce 64 at the lower right. Further inscribed Newcastle at night – from the Rabbit Banks, Gateshead / GPBoyce 1864 on the verso. Inscribed Newcastle looking towards / Gateshead / from the / Rabbit Banks. / by G. P. BOYCE / 1864 on an old label on the backing board. Further inscribed Mrs. Hueffer / The Lodge / Campden Hill Road on the backing board. 101 x 209 mm. (4 x 8 1/4 in.) ACQUIRED BY THE METROPOLITAN MUSEUM OF ART, NEW YORK. This watercolour dates to a trip made by Boyce to the north east of England in the late summer and autumn of 1864. The scene depicted is a distant view of Newcastle, seen from across the river Tyne at Gateshead, with the prominent tower of the cathedral of St. Nicholas barely visible at the left of centre. The steeply sloping Rabbit Banks from which Boyce made this watercolour has long since been built over, and may today be identified with Pipewellgate in the area of Bensham in Gateshead. It has been suggested that the artist may have been encouraged to visit the industrial landscapes around Newcastle-upon-Tyne, with a view towards finding potential subjects for his watercolours, by the ironmaster Isaac Lowthian Bell, who had purchased several works from the artist earlier in the year. As well as a number of smaller works, Boyce’s trip resulted in at least two large finished watercolours; a view of Newcastle from the Windmill Hills, Gateshead in the collection of the Laing Art Gallery in Newcastle, and another, larger version of the present composition of Newcastle from the Rabbit Banks, Gateshead - depicted in daylight and with the addition of a sleeping figure in the left foreground - which appeared at auction in 1995.
    [Show full text]
  • Rhiannon Bevan-John (London) +44 207 752 3120 [email protected] Kate Swan (New York) + 1 212 636 2680 [email protected]
    For Immediate Release Monday, 10 April 2006 Contact: Rhiannon Bevan-John (London) +44 207 752 3120 [email protected] Kate Swan (New York) + 1 212 636 2680 [email protected] JEWELLERY, FABERGÉ, SILVER, FURNITURE & WORKS OF ART FROM THE PRIVATE COLLECTION, FORMERLY AT KENSINGTON PALACE, OF HER ROYAL HIGHNESS THE PRINCESS MARGARET, COUNTESS OF SNOWDON, AT CHRISTIE’S IN JUNE 2006 © Cecil Beaton, CameraPress London Her Royal Highness The Princess Margaret photographed by Cecil Beaton for her 19th birthday, wearing an Art Deco pearl and diamond necklace and an Art Deco cultured pearl and diamond bracelet Tuesday 13 June & Wednesday 14 June 2006 Christie’s King Street London – Christie’s announces that jewellery and works of art from the Collection of Her Royal Highness The Princess Margaret, Countess of Snowdon, will be sold in London on 13 and 14 June 2006. This important and unparalleled historic sale will celebrate and pay tribute to The Princess Margaret’s renowned beauty, style and taste. Comprising over 800 items, with estimates ranging from under £100 to over £500,000, the auction will feature a superb selection of jewellery and Fabergé as well as a broad range of furniture, silver, works of art and decorative objects. Page 1 of 8 “Christie’s are honoured to have been instructed to sell jewellery and works of art from the private collection of H.R.H. The Princess Margaret, Countess of Snowdon. Christie’s have long enjoyed the trust of the Royal Family, having in the past offered properties from the Duke of York in 1827, the Duke of Sussex in 1843, Queen Victoria in 1901, the Duke of Cambridge in 1904 and most recently, the Duke of Gloucester in January 2006.
    [Show full text]
  • Ralph Rumney
    the consu I RALPH RUMNEY CONVERSATIONS WITH GERARD BERREBY WITH THE HELP OF GIULIO MINGHINI AND CHANTAL OSTERREICHER TRANSLATED FROM THE FRENCH BY MALCOLM IMRIE Contributions to the History of the Situationist International and Its Time, Vol. II CITY LIGHTS BOOKS SAN FRANCISCO © 2002 by Malcolm Imrie for this translation © 1999 by Editions Allia, Paris, forLe Consul by Ralph Rumney All rights reserved. 10 987654321 Cover and book design: StefanGutermuth/doubleu-gee Editor: James Brook This work, published as part of the program of aid for publication, received support from the French Ministry of Foreign Affairs and the Cultural Service of the French Embassy in the United States. Cet ouvrage publie dans le cadre du programme d'aide il la publication beneficie du soutien du Ministere des Affaires Etrangeres et du Service Culture! de l'Ambassade de France represente aux Etats-Unis. Library of Congress Cataloging-in-Publication Data Rumney, Ralph, 1934. [Consul. English] The consul I by Ralph Rumney ; translated from the French by Malcolm Imrie. p. cm. - (Contributions to the history of the Situationist International and its time ; 2) ISBN 0-87286-398-0 1. Rumney, Ralph, 1934--Interviews. 2. Artists--England-Interviews. 3. Internationale situationniste. 4. Avant-garde (Aesthetics)-Europe-History-20th century. I. Title. IL Series. N6797.R83 A35 2002 700'.92-dc21 2002019772 CITY LIGHTS BOOKS are edited by Lawrence Ferlinghetti and Nancy J. Peters and published at the City Lights Bookstore, 261 Columbus Avenue, San Francisco, CA 94133. Visit us on the Web at www.citylights.com. To Sindbad Flee the ruins and don't cry in them.
    [Show full text]