Love Is a Many-Splendored Thing / the Seven Year Itch

Total Page:16

File Type:pdf, Size:1020Kb

Love Is a Many-Splendored Thing / the Seven Year Itch Love is a Many-Splendored Thing / The Seven Year Itch A MANY-SPLENDORED THING Holden, an amiable drinker, was in his element, Love Is a Many-Splendored Thing had cost but Miss Jones had difficulties, and Holden $1.8 million to make, and returned $4 million at The Orient was enormously fashionable in the wasn’t affectionate. It was odd for him, because the domestic box office. The reviews were pos - mid-1950s - its allure irresistible to filmgoers he had affairs with many of his leading ladies. itive and the film garnered several Academy and filmmakers alike. Also very much in the air Bob Thomas, Holden’s biographer, wrote that Award nominations, including best picture at the time was a dreamy west/east romance; “Miss Jones complained about her makeup, her (Adler), best actress (Jones), cinematography the promise of forbidden love. Stories and plays costumes, the dialogue; and when Holden (Leon Shamroy), and art direction. It won Os - on the subject proliferated, and Fox, always failed to sympathize, she complained about cars for costume design and music – both the slightly ahead of the curve, had anticipated the him.” She prevailed upon David O. Selznick to song by Fain and Webster, and the score by the cultural shift and purchased the rights to a novel intercede, who sent reams of memos to Fox. incomparable Alfred Newman. by Han Suyin (a pseudonym for Dr. Elisabeth The strain between the film’s leads actually Comber), which detailed an interracial love af - works in its favor; the tension is palpable and it — Nick Redman fair between a Eurasian doctor and a British really conveys the anguish of Han Suyin’s de - journalist. Dr. Comber, herself Eurasian (half cision to have an open relationship with a mar - THE SEVEN YEAR ITCH Flemish, half Chinese), was in actuality living ried man. At one point, Holden declared a truce, in Hong Kong, working in a large hospital and and tried to warm the icy atmosphere. He pre - Just a few months previously, before audiences trying to get over the death of her husband. sented her with a bouquet of white roses – would swoon to Love Is a Many-Splendored Whilst there, she began an affair with an Eng - which she promptly threw in his face. Love Is a Thing , Billy Wilder’s film version of George Ax - lish correspondent. When her book was pub - Many-Splendored Thing wrapped in April 1955 elrod’s hilarious play, The Seven Year Itch , had lished it became a monster bestseller, after interiors were completed back at Fox’s audiences rolling in the aisles. With original star prompting many film companies to court it. Ti - home base. Tom Ewell repeating his Broadway role and the tled A Many-Splendored Thing , it was ahead of incandescent and stunning Marilyn Monroe as its time, both with the illicit nature of the affair For the music, Alfred Newman, Fox’s depart - “The Girl,” The Seven Year Itch was a huge hit, as well as the emotionally charged aspect of its ment head, decided to handle the chores him - due in part to the iconic image of Monroe stand - Eurasian theme. To wit, the displacement of a self. Sammy Fain and Paul Francis Webster ing on a subway grating with her dress (de - person born to two cultures – not being sure were engaged to write the title theme, and New - signed by Travilla) blowing up – it was not which is the one to belong to – and not quite fit - man realized it could be woven into the film’s possible to escape that image that year, and it’s ting in anywhere. Buddy Adler, the new head of sonic tapestry with ease. The song was pushed been hard to escape it ever since. As the tagline production at Fox, hired John Patrick, who had out to radio in advance of the movie to familiar - to the poster read: It TICKLES and it TANTA - won a Pulitzer Prize for adapting The Teahouse ize the audience, and Newman went to work. LIZES, and boy did it ever. Almost sixty years of the August Moon for Broadway, to work his As film score enthusiasts know, Newman was later, the film still tickles and tantalizes – Marilyn magic again. one of the great interpreters of music. An ex - Monroe is so dazzling, the camera loves her so, quisite composer in his own right, for movies and she is so charming and funny, that there is In casting the film, Adler lit on Jennifer Jones such as Wuthering Heights, How Green Was no way to not be captivated by her luminous to play Han Suyin. The wife of David O. My Valley, Song Of Bernadette, Captain From presence, and Tom Ewell, shuffling around fan - Selznick, Miss Jones had a reputation for Castile and The Robe , he was also the arrang - tasizing all manner of scenarios with Miss Mon - fragility, but had a good working history with ing genius behind many musicals including roe, gives a brilliant comic performance. And Fox. Indeed she had won an Oscar for the stu - State Fair, There’s No Business Like Show equally as tantalizing is the score by Alfred dio’s Song Of Bernadette (1943) and was also Business, Oklahoma! , with Carousel and The Newman. very adept at playing slightly off-kilter highly- King and I already in the pipeline. strung women. Love Letters (1945) and Duel In The score is monothematic, with many varia - The Sun (1946) had brought her further nomi - When recording commenced in July 1955, tions on the same theme – “The Girl Upstairs.” nations. To play opposite her, Fox sought the Newman brought his customary perfection to It also has a classic Newman main title that services of William Holden. According to the bear on his beloved studio orchestra. The “Main gets things off to a rousing start, and, of course, blurb at the time, Holden coveted the role of Title” is a beautiful and stirring statement of Fain Rachmaninov’s Second Piano Concerto plays Mark Elliott, having read the book. Allegedly and Webster’s composition. Accompanying aer - a co-starring role. he cabled Para-mount, to whom he was under ial shots of Hong Kong, the music announces contract, imploring them to purchase the prop - in no uncertain terms the bold romance to Love Is a Many Splendored Thing was released erty on his behalf. Fox already had it thought, come. Newman’s stunning variations on the Fain previously by Varese Sarabande and was a but were able to engage the star in a loan-out and Webster song, along with his own gor - quick sellout. For this release, we’ve remas - deal. The truth, however, was that Holden had geous secondary themes creates a unique at - tered it and moved two early source cues, one little interest in the story but was keen on re - mosphere with a swirling tenderness that’s of which is by Leigh Harline, to after the film turning to Hong Kong, where he particularly en - almost indescribable. The music for L ove Is a score proper, giving the actual early score cues joyed the ladies and the nightlife. Henry King Many-Splendored Thing aches and roils with a bit more prominence. The Seven Year Itch is was signed to direct and received Holden’s ap - love, loneliness, lost feelings, and confused making its world premiere on this CD. We’ve in - proval. The star was at his apex in 1955, having hearts. The music is like a Chinese proverb: cluded the main title, and several variations on won an Oscar the previous year for Stalag 17. deep and unfathomable, shallow and transpar - “The Girl Upstairs,” which represents most of His string of hits was impressive: Sunset Boule - ent. It’s like a river – constantly flowing, but ever what was usable from the somewhat problem - vard, Executive Suite, Sabrina, The Country Girl changing. At the end, after Mark has died, atic original materials. The entire program is and The Bridges at Toko-Ri – all establishing Suyin returns to the high hill where their love presented in that unparalleled Fox stereo the “Golden Boy” at the top of the heap. blossomed. There, high on that windy hill, New - sound. man’s music crescendos and the Fain and Hong Kong wasn’t the safest place on Earth in Webster song takes center stage, while a cho - — Bruce Kimmel 1955, but everyone assembled there in Febru - rus introduces the lyrics, ensuring there’s not a ary for the start of shooting. Mostly the location dry eye in the house. was Aberdeen Bay, a densely populated island..
Recommended publications
  • The Apartment Complex: Urban Living and Global Screen Cultures, Edited
    Review How to Cite: Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi. org/10.16995/os.22 Published: 09 December 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Screens, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Screens is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi.org/10.16995/os.22 REVIEW The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9 Ana Maria Sapountzi University of St Andrews, GB [email protected] This is a book review of Pamela Robertson Wojcik’s The Apartment Complex: Urban Living and Global Screen Cultures (2018), which is comprised of essays by scholars responding to and utilising her concept of the apartment plot film which she established in her previous book The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 (2010).
    [Show full text]
  • Marilyn Monroe, Lived in the Rear Unit at 5258 Hermitage Avenue from April 1944 to the Summer of 1945
    Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2015-2179-HCM ENV-2015-2180-CE HEARING DATE: June 18, 2015 Location: 5258 N. Hermitage Avenue TIME: 10:30 AM Council District: 2 PLACE: City Hall, Room 1010 Community Plan Area: North Hollywood – Valley Village 200 N. Spring Street Area Planning Commission: South Valley Los Angeles, CA Neighborhood Council: Valley Village 90012 Legal Description: TR 9237, Block None, Lot 39 PROJECT: Historic-Cultural Monument Application for the DOUGHERTY HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER(S): Hermitage Enterprises LLC c/o Joe Salem 20555 Superior Street Chatsworth, CA 91311 APPLICANT: Friends of Norma Jean 12234 Chandler Blvd. #7 Valley Village, CA 91607 Charles J. Fisher 140 S. Avenue 57 Highland Park, CA 90042 RECOMMENDATION That the Cultural Heritage Commission: 1. NOT take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation do not suggest the submittal warrants further investigation. 2. Adopt the report findings. MICHAEL J. LOGRANDE Director of Planning [SIGN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2015-2179-HCM 5258 N. Hermitage, Dougherty House Page 2 of 3 SUMMARY The corner property at 5258 Hermitage is comprised of two one-story buildings.
    [Show full text]
  • Billy Wilder: Film Noir Inventor and Genius -- #1
    Billy Wilder: Film Noir Inventor and Genius -- #1 #3 — Websites: Use these websites as to research Double Indemnity, Billy Wilder and the history of Noir Films. Billy Wilder Movies and Reviews http://www.csmonitor.com/durable/1998/01/30/feat/tv.1.html The Christian Science monitor reviews the American Masters PBS series, "Billy Wilder: The Human Comedy." Classic Turner Films review Billy Wilder’s work http://www.filmsite.org/suns.html Review of the film Sunset Boulevard http://www.filmsite.org/apar.html Review of the film The Apartment http://www.prairienet.org/ejahiel/arisemyl.htm Review of the film Arise, My Love http://www.prairienet.org/ejahiel/ballfire.htm Review of the film A Ball of Fire http://www.prairienet.org/ejahiel/foraffai.htm Review of the film The Major and The Minor http://www.boxoff.com/cgi/getreview.pl?filename=All&where=Name&terms=SABRINA+\(1954\) Review of the film Sabrina http://www.filmsite.org/seve.html Review of the film, The Seven Year Itch http://www.filmsite.org/some.html Review of the film, Some Like It Hot Movie Tributes, Posters and Databases http://www.eonline.com/Facts/People/0,12,37822,00.html E-Online -- A list of Billy Wilder's films with links to information about each of them http://kennedy-center.org/honors/years/wilder.html Kennedy Center Tribute to Billy Wilder http://www.reelclassics.com/Directors/Wilder/wilder.htm Movie posters and links to Billy Wilder’s movies http://www.german-way.com/cinema/bwilder.html General information about Billy Wilder and different film genres http://us.imdb.com/M/person-exact?Wilder%2C+Billy An Internet movie Database Double Indemnity Resources http://www.filmunlimited.co.uk/Century_Of_Films/Story/0,4135,91758,00html Information about Double Indemnity http://www.filmsite.org/doub.html General descritption and analysis of the film, Double Indemnity http://www.filmunlimited.co.uk/Century_Of_Films/Story/0,4135,91758,00.html#top Description of Billy Wilder’s work, Double Indemnity and other good links to essays about the author, actors and writers.
    [Show full text]
  • Last Tango in Paris (1972) Dramas Bernardo Bertolucci
    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
    University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • BILLY WILDER DU 10 AU 30 JUIN 2020 - N°N°28 41
    Certains l’aiment chaud, 1959 RÉTROSPECTIVE BILLY WILDER DU 10 AU 30 JUIN 2020 - n°n°28 41 Réalisateur de génie, scénariste brillant et directeur Sunset Boulevard (1950) dresse un terrible portrait d’acteur et d’actrice hors pair, Billy Wilder a marqué d’Hollywood et de sa cruauté envers ses stars. Dans l’histoire du cinéma par son humour caustique, sa la comédie sarcastique The Seven Year Itch (1955), le pudeur raffinée et sa lucidité sur la société américaine, réalisateur nous dévoile les jambes de Marylin Monroe son industrie cinématographique, ses médias, son sur une bouche de métro. The Apartment (1962), film capitalisme carnassier. Juif né en 1906 dans l’Empire inclassable, commence comme un vaudeville et finit austro-hongrois, il quitte l’Europe pour fuir le nazisme comme un mélodrame cruel sur la solitude des grandes en 1935 et perce rapidement à Hollywood, au sein villes. Et bien évidemment, Some like it hot (1959), de la Paramount, où il réalise en 1945 l’un de ses classique incontournable. Ses dialogues ciselés, son chefs-d’oeuvre, The Lost Weekend, qui remporte trio d’acteurs magistral (Marilyn Monroe, Tony Curtis trois Oscars dont celui du meilleur film. Sa longue et Jack Lemmon), et son jeu subtil avec les codes du carrière, qui fait la jonction entre le cinéma muet et travestissement provoquent encore des éclats de rire le Nouvel Hollywood des années 1980, est parcourue soixante ans après! Ces films et tant d’autres sont à par de nombreux films importants et récompensés. voir et revoir dès le 10 juin 2020 ! Titre original Double Indemnity ASSURANCE SUR LA MORT Réalisation Billy Wilder Billy Wilder - Etats-Unis - 1944 - vost - 103’ - Noir et Blanc - Numérique Scénario Billy Wilder Raymond Chandler Walter Neff, un employé d’une compagnie d’assurances, tombe amoureux de sa D’après le roman de cliente Phyllis Dietrichson, qui réussit à le convaincre d’échafauder avec elle un James M.
    [Show full text]
  • March 10—April 27, 2006 in THIS ISSUE WELCOME to Contents the SILVER! in Less Than Three Years, AFI Silver Theatre 2
    AMERICAN FILM INSITUTE GUIDE TO THEATRE AND MEMBER EVENTS March 10—April 27, 2006 IN THIS ISSUE WELCOME TO Contents THE SILVER! In less than three years, AFI Silver Theatre 2. LETTER FROM THE DIRECTOR has established itself as one of Washington’s premier cultural destinations, with BILLY WILDER AT 100 3. exceptional movies, premieres 3. SPECIAL EVENT: SOME LIKE IT HOT, WITH and star-studded events. To AFI FOUNDING DIRECTOR GEORGE STEVENS, JR. spread the word, we’re delight- ed to offer our AFI PREVIEW film 6. JAPANESE MASTER MIKIO NARUSE: “A CALM SURFACE programming guide to AFI Silver AND A RAGING CURRENT” Members and more than 100,000 households in the area through The 9. CINEMA TROPICAL: 25 WATTS, DIAS DE SANTIAGO Gazette. To those of you new to AFI Silver, welcome. And to our more AND EL CARRO than 5,000 loyal members, thank you for your continued support. With digital video projection and Lucasfilm THX certification in all 10. THE WORLD OF TERRENCE MALICK three of its gorgeous theaters, AFI Silver also offers the most advanced and most comfortable movie-going experience available anywhere. If SAVE THE DATE! SILVERDOCS: “THE PRE-EMINENT 11. you haven’t visited yet, there’s a treat waiting for you. From the earliest US DOCUMENTARY FEST” silent movies to 70mm epics to the latest digital technologies, AFI Silver 12. MEMBERSHIP NEWS connects you to the best the art form has to offer. Just leaf through these pages and see what is in store for you. This 13. SPECIAL ENGAGEMENTS: LIMITED RUNS! past year, in addition to such first-run sensations as CRASH, HOTEL BLACK ORPHEUS, THE RIVER AND MOUCHETTE RWANDA, MARCH OF THE PENGUINS and GOOD NIGHT, AND 14.
    [Show full text]
  • Discussion Questions for Women in Film Gathering, June 19, 2012
    1 Discussion Questions for Women in Film Gathering, June 19, 2012: Focal Film: The Apartment (1960; U.S.; Co‐written and Directed by Billy Wilder) Billy Wilder (1906‐2002) was one of the 20th century’s most respected writer/directors working in film. Born in Austria‐Hungary, he first wrote films for the German “national” studio, UFA. He was strongly influenced by a director who had earlier emigrated from Germany to the U.S.—Ernst Lubitsch. Both of these men were noted for their sophisticated comedies and elegantly constructed dramas, and in The Apartment, we may get both. Both men produced films of great distinction, handily earning the title of “auteur” of their works. And both frequently visited notions of gender roles, and relationships between the sexes. Some of Lubitsch’s films you might recognize are Ninotchka (with Greta Garbo and Melvin Douglas), Shop Around the Corner (with Jimmy Stewart and Margaret Sullavan; remade twice, lastly as You’ve Got Mail), and To Be or Not To Be (with Jack Benny and Carole Lombard). Important Billy Wilder films include Ninotchka (which he co‐wrote for Lubitsch), and the many films he both wrote or co‐wrote and directed, such as Double Indemnity (with Barbara Stanwyck and Fred MacMurray), The Lost Weekend (with Ray Milland), Sunset Boulevard (with Gloria Swanson and William Holden), Stalag 17 (with William Holden), Sabrina (with Audrey Hepburn, Humphrey Bogart, and William Holden), The Seven Year Itch (with Marilyn Monroe), Some Like It Hot (with Marilyn Monroe, Tony Curtis, and Jack Lemmon), Irma la Douce (with Shirley MacLaine and Jack Lemmon), and The Fortune Cookie (the first pairing of Jack Lemmon and Walter Matthau; set and partially shot in Cleveland, BTW).
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Musikalische Diversifikation im Film “Some Like It Hot”. Die Relation zwischen Backgroundkenntnissen und der Applikation von Filmmusik Verfasserin Nicole Walther angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2008 Studienkennzahl lt. Studienblatt: A 316 317 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: ao.Univ.Prof. Dr. Margareta Saary Diese Arbeit widme ich meinen Eltern, Desi und Benny, die immer für mich da sind Inhaltsverzeichnis 1 Vorwort ........................................................................................................... 9 2 Einleitung ...................................................................................................... 11 3 Rahmendaten zum Film “Some Like It Hot“ ................................................ 13 3.1 Darlegung der Mitwirkenden ................................................................. 13 3.2 Backgroundinformationen zum Film “Some Like It Hot“ ..................... 20 3.2.1 Filmdaten und diverse Aspekte des Drehprozesses ........................ 20 3.2.2 Literarische, musikalische und filmische Vorlagen ........................ 26 3.3 Der Konspekt von “Some Like It Hot“ und die Veranschaulichung der Charaktere ......................................................................................................... 30 3.4 Biographien ...........................................................................................
    [Show full text]
  • This Is the American Film Institute's List of 500 Movies Nominated for the Top 100 Funniest American Movies
    This is the American Film Institute's list of 500 movies nominated for the top 100 Funniest American Movies. 1. 10 (1979) 2. 1941 (1979) 3. 48HRS. (1982) 4. 9 TO 5 (1980) 5. A CHRISTMAS STORY (1983) 6. A CONNECTICUT YANKEE (1931) 7. A DAY AT THE RACES (1937) 8. A FISH CALLED WANDA (1988) 9. A FLORIDA ENCHANTMENT (1914) 10. A FOREIGN AFFAIR (1948) 11. A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1966) 12. A GIRL IN EVERY PORT (1928) 13. A GIRL'S FOLLY (1917) 14. A NIGHT AT THE OPERA (1935) 15. A SHOT IN THE DARK (1964) 16. A THOUSAND CLOWNS (1965) 17. A WEDDING (1978) 18. ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) 19. ABOUT LAST NIGHT... (1986) 20. ACE VENTURA, PET DETECTIVE (1994) 21. ADAM'S RIB (1949) 22. ADDAMS FAMILY VALUES (1993) 23. AFTER HOURS (1985) 24. AIRPLANE! (1980) 25. ALADDIN (1992) 26. ALL OF ME (1984) 27. AMERICAN GRAFFITI (1973) 28. AN AMERICAN WEREWOLF IN LONDON (1981) 29. ANIMAL CRACKERS (1930) 30. ANNIE HALL (1977) 31. ARSENIC AND OLD LACE (1944) 32. ARTHUR (1981) 33. AS GOOD AS IT GETS (1997) 34. AUNTIE MAME (1958) 35. AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997) 36. AVANTI! (1972) 37. BABE (1995) 38. BACHELOR MOTHER (1939) 39. BACK TO SCHOOL (1986) 40. BACK TO THE FUTURE (1985) 41. BALL OF FIRE (1941) 42. BANANAS (1971) 43. BAREFOOT IN THE PARK (1967) 44. BEACH BLANKET BINGO (1965) 45. BEAT THE DEVIL (1954) 46. BEDTIME FOR BONZO (1951) 47. BEETLEJUICE (1988) 48. BEING THERE (1979) AFI is a trademark of the American Film Institute.
    [Show full text]
  • The Impossible Years
    ~ · trhens FEATURING OUR SATURDAY NITE SPECIAL Prime Rib of Beef Au Jus Baked Potato with Sour Cream & Chives Vegetable - Salad " Coffee $3.50 ALSO MANY OTHER DELICIOUS ITEMS Stop in for dinner before the show or after the show for a late .evening snack SERVING 7 DAYS & NITES FROM 11 A.M. till 2 A.M. 1501 UNIVERSITY AVE'. EXTENSION PLENTY OF FREE PARKING For Reservations Call: 271-9635 or 271-9494 PARTY AND BANQUET ACCOMMODATIONS Consu l t U s For Your Banquets And Part i es . we w i ll be glad to have you. PRODUCING MANAGERS' COMPANY ]Jresen ts JOM JWrLL in JifiMPoSSIBIYiARSby BOB FISHER and ARTHUR MARX with MICHAELE MYERS ERIC JAMES WILLIAM TYNAN JAN RHODES MAXTON LATHAM SCHORLING SCHNEIDER TOM YOURK CARL BENSEN JEANNE BOLAN KEVIN DOBSON MICHAEL PATTON NANCI ADDISON and LYNN BILEK Dirntt•d hY CHARLES FORSYTHE Ori;.:inal New Yor/.: Prmluuion f) irecft•d hy ARTHUR STORCH Sn•llt'n 111111 L ightill.~ h,.LEO B. MEYER s tage Mtlllllgl'l' HEINZ HOHENWALD Ori11inally Produced h,· DAVID BLACK and WALTER A. HYMAN Tour Drrectron : AMERICAN THEATRE PRODUCTIONS. INC .. Thomas W Mal low. Presr den t FIRE NOTICE : The exit indicated by a red light Thoughtless persons annoy patrons and endan· and sign nearest to the seat you occupy is the ger the safety of others by lighting matches or shortest route to the street. In the event of fire smoking in t~rohibi t ed areas during the perform· or other emergency please do not run - WALK ances and intermissoons. This violates a City TO THAT EXIT.
    [Show full text]