October – December 2012

Total Page:16

File Type:pdf, Size:1020Kb

October – December 2012 February 1, 2013 Joyce Swartzendruber, State Conservationist Tim Griffiths, Sage-Grouse Initiative National Coordinator USDA Natural Resources Conservation Service 10 East BabcocK Street Federal Building, Room 443 Bozeman, MT 59715 Joyce & Tim: On behalf of the Intermountain West Joint Venture (IWJV) Management Board and staff, I extend our sincere appreciation to the Natural Resources Conservation Service (NRCS) for partnering with the IWJV on the Sage-Grouse Initiative (SGI) Strategic Watershed Action Team (SWAT). Please find attached the SGI SWAT NRCS Quarterly Report for October – December 2012. The report also contains an appendix: Objectives and Evolution of the SGI SWAT. Please give me a call at (406) 329-3120 if you have any questions. We looK forward to reporting on future SGI SWAT successes! Sincerely, Dave Smith IWJV Coordinator Sage Grouse Initiative Strategic Watershed Action Team Quarterly Report: October 1 – December 31, 2012 Intermountain West Joint Venture February 1, 2013 The Sage Grouse Initiative (SGI) Strategic Watershed Action Team (SWAT) shows no sign of slowing down and, in fact, made significant gains this past quarter in each of its three focus areas: field delivery, science, and communications. The following reports on these accomplishments from October 1 – December 31, 2012. FIELD DELIVERY CAPACITY The SWAT field team continued to expand and accelerate SGI conservation delivery this quarter with support from local and state USDA Natural Resources Conservation Service (NRCS) staff, funding partners, and the Intermountain West Joint Venture (IWJV). The team’s 24 dedicated and enthusiastic range conservationists, wildlife biologists, and natural resource specialists not only help get conservation on the ground but also spread the shared vision of achieving wildlife conservation through sustainable ranching throughout the West. Below are some of the incredible highlights from the SWAT field team and the IWJV’s efforts to support SGI delivery this reporting period. x Conservation Implementation: The IWJV maintains a detailed tracking system to document SWAT team progress on a quarterly basis. This tracking system captures the key conservation activities identified in the NRCS-U.S. Fish and Wildlife Service (FWS) Interagency Agreement for SGI-SWAT. These contributions are rolled-up with other NRCS actions and reported to the FWS, during the annual sage grouse status review process, to ensure landowner and partner efforts are considered in Endangered Species Act listing decision reviews. To date, the increased SWAT field capacity has yielded: ¾ 733,872 acres of rangeland improvement to increase sage grouse hiding cover during nesting season. Additional grass cover is expected to increase sage grouse populations by eight to ten percent. ¾ 116,954 acres of conifer removal in key nesting, brood-rearing, and wintering habitats. Removing encroaching conifers from sagebrush rangelands eliminates tall structures in otherwise suitable habitat. As birds re-colonize former habitats, increased bird abundance is Photo by Jeremy Roberts, Conservation Media anticipated. ¾ 73 miles of “high risk” fence near leks marked or moved. Marking fences is expected to reduce sage grouse fence collisions by 83%. x SWAT Field Team Spotlight: Passionate individuals with a propensity for action are key drivers of SGI success. Here are a few examples of how the SWAT field team is working every day to build broad support for sage grouse conservation and get more done on the ground. Page 1 of 11 o Taylor Payne (Randolph, Utah) – Utah Department of Agriculture and Food: Taylor helped organize a symposium at the Grazing Lands Conservation Initiative conference in Orlando, Florida. The session highlighted rancher and partners efforts to implement the Three Creeks Project that Taylor is working on – a ground-breaking grazing management plan across private and public lands to improve rangeland health and sage grouse habitat in Rich County, Utah. This SWAT position is made possible with the support of the Utah Department of Agriculture and Food, Bureau of Land Management, Intermountain West Joint Venture, NRCS, and the U.S. Forest Service. o Kelli Bartholomew (Ephrata, Washington) – Pheasants Forever: Sage grouse recovery in eastern Washington took a giant stride forward in 2012 with the help of Kelli and her NRCS colleagues, partners, and ranchers. Thanks to their efforts, over 14,400 acres of priority grouse habitat were enrolled in improved grazing management systems; conservation was also focused in one area within Douglas County, Washington, to achieve landscape-scale impacts required by sage grouse. “We’ve developed a program to work for producers and sage grouse,” says Bartholomew. “That’s the key. We listened to what they wanted first." This SWAT position is made possible with the support of Pheasants Forever, ConocoPhillips Company, Intermountain West Joint Venture, NRCS, and the U.S. Fish and Wildlife Service. o Natasha Gruber (Roosevelt, Utah) – Mule Deer Foundation: Natasha gave a presentation to over three dozen ranchers, conservationists and agency personnel, regarding opportunities for assistance with sage grouse conservation, at a Utah State University ranching forum in the Uintah Basin. Natasha conveyed the shared vision of SGI with participants saying, “What we want to do with SGI is to help landowners improve habitat for sage grouse and wildlife and also help keep the rangeland healthy for their ranching.” This SWAT position is made possible with the support of the Mule Deer Foundation, ConocoPhillips Company, Intermountain West Joint Venture, National Wild Turkey Federation, NRCS, Rocky Mountain Elk Foundation, U.S. Fish and Wildlife Service, Utah Chukar & Wildlife Foundation, and Utah Division of Wildlife Resources. x SWAT Position Updates: SWAT field team talent does not go unrecognized by other employers. As position vacancies arise, the IWJV collaborates with hiring entities and funding partners to re-assess position locations, in order to ensure technical assistance is focused where it’s needed most. They then work to quickly refill positions and minimize disruption to conservation delivery. Here are changes that occurred this quarter: o Joe Parsons (Rocky Mountain Bird Observatory – Saratoga Springs, Wyoming) accepted a position as the District Manager for the Saratoga-Encampment-Rawlins Conservation District in Saratoga Springs, Wyoming; this vacancy has been advertised and will be filled shortly. o Jeff Reese (Pheasants Forever (PF) – Burley, Idaho) accepted a position as a Rangeland Management Specialist with the Bureau of Land Management in Cedar City, Utah; Scott Scroggie (PF – Ely, Nevada) moved from Ely to Burley; Tyrel Brown has been selected for the Ely, Nevada, position and will begin on February 4, 2013. Page 2 of 11 o Laura Schnapp (Oregon Department of Fish and Wildlife – Ontario, Oregon) was hired for the Ontario position; this position was relocated from Baker City, Oregon, to take advantage of growing SGI opportunities in Malheur County. x Monthly Coordination Conference Calls: The IWJV continues to host monthly conference calls in which SWAT team members receive SGI updates, share accomplishments and experiences, ask questions, and receive continuous technology transfer and training. x SWAT Field Team Support: To help ensure SWAT team success, IWJV provides two support staff that work one-on-one with team members. Jeremy Maestas, NRCS-IWJV SGI Technical Lead, specializes in conservation delivery assistance by providing direct technical support to team members and NRCS staff. He also fosters regular team coordination and helps maintain funding partner relations. Tina Dennison, IWJV Project Coordinator, provides assistance to the team with accomplishment tracking and reporting, as well as administrative support for team meetings. SCIENCE CAPACITY The SGI Science Capacity effort continues to run smoothly, track progress, and yield important scientific results. What’s more, it is growing – adding significantly to current achievements and progress. SGI also initiated two interagency agreements – one with the U.S. Forest Service (USFS) Rocky Mountain Research Station (RMRS) and the other with the U.S. Geological Survey (USGS) Fort Collins Science Center – which cumulatively will invest nearly $800,000 toward expanding on our knowledge and understanding of sage grouse genetic connectivity. Targeting our conservation to core areas to maximize benefits to birds is a solid approach, but understanding how core areas are linked to one another is also critical to SGI success. Implementation of these landscape connectivity projects will inventory the current state of sage grouse genetic connectivity; provide data that will assist in decision support for sage grouse conservation; and, generate new and integrated maps showing connectivity among core areas for sage grouse for use by states, federal management agencies, and other partners. Collectively, the IWJV science agreements are moving us closer to reaching SGI’s goals of building potent, science-based targeting tools and thoroughly evaluating the biological outcomes of SGI implementation. Including agreements under development, IWJV science efforts extend across the 11-state sage grouse range and cover millions of acres of private sagebrush grasslands and wetlands. Results play a pivotal role in effectively targeting SGI as needed to realize sage grouse conservation objectives and help ranchers conserve sustainable rangelands. Assessment partners in this
Recommended publications
  • Camille Paglia's Androgyny Aesthetics
    Camille Paglia’s Androgyny Aesthetics - Why Italian Americans Love the Sopranos Published on iItaly.org (http://www.iitaly.org) Camille Paglia’s Androgyny Aesthetics - Why Italian Americans Love the Sopranos Tom Verso (June 15, 2009) “Bourgeois English department feminist promoting cancellation of male concentration and projection cut no ice at the corner garage…on the streets…” - or with Soprano fans. In 1991 Camille Paglia published “Sexual Personae”, which is essentially her Yale dissertation done Page 1 of 7 Camille Paglia’s Androgyny Aesthetics - Why Italian Americans Love the Sopranos Published on iItaly.org (http://www.iitaly.org) under the aegis of the eminent scholar Harold Bloom. The book, in her words: “…surveys literature and art from antiquity to the end of the nineteenth century.” “Sexual Personae”, while not written in the typical academic style, is a scholarly work combining a thesis substantiated with factually documented research. Specifically, her thesis is “to demonstrate the unity and continuity of western culture”, for which she provides voluminous supporting data and interpretations. For example, ‘androgyny’ is one of many features appearing throughout the history of Western art and literature, thereby giving “unity and continuity” to Western culture. Art, Culture & Social Science Paglia is not simply an art historian and commentator. She is a philosopher and social scientist. In the manner of science: based on observable detailed descriptions of art, she makes logical inferences about the culture (social values) of the art producing society. Art forms are not seen solely as aesthetic values. Art is also seen as a manifestation of social values. From observable aesthetic characteristics, inferences are made about the subliminal (non- observable) social values.
    [Show full text]
  • National Journalism Awards
    George Pennacchio Carol Burnett Michael Connelly The Luminary The Legend Award The Distinguished Award Storyteller Award 2018 ELEVENTH ANNUAL Jonathan Gold The Impact Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB CBS IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY CAROL BURNETT. YOUR GROUNDBREAKING CAREER, AND YOUR INIMITABLE HUMOR, TALENT AND VERSATILITY, HAVE ENTERTAINED GENERATIONS. YOU ARE AN AMERICAN ICON. ©2018 CBS Corporation Burnett2.indd 1 11/27/18 2:08 PM 11TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2017 and 2018, Honorary Awards for 2018 6464 Sunset Boulevard, Suite 870 Los Angeles, California 90028 Phone: (323) 669-8081 Fax: (310) 464-3577 E-mail: [email protected] Carper Du;mage Website: www.lapressclub.org Marie Astrid Gonzalez Beowulf Sheehan Photography Beowulf PRESS CLUB OFFICERS PRESIDENT: Chris Palmeri, Bureau Chief, Bloomberg News VICE PRESIDENT: Cher Calvin, Anchor/ Reporter, KTLA, Los Angeles TREASURER: Doug Kriegel, The Impact Award The Luminary The TV Reporter For Journalism that Award Distinguished SECRETARY: Adam J. Rose, Senior Editorial Makes a Difference For Career Storyteller Producer, CBS Interactive JONATHAN Achievement Award EXECUTIVE DIRECTOR: Diana Ljungaeus GOLD International Journalist GEORGE For Excellence in Introduced by PENNACCHIO Storytelling Outside of BOARD MEMBERS Peter Meehan Introduced by Journalism Joe Bell Bruno, Freelance Journalist Jeff Ross MICHAEL Gerri Shaftel Constant, CBS CONNELLY CBS Deepa Fernandes, Public Radio International Introduced by Mariel Garza, Los Angeles Times Titus Welliver Peggy Holter, Independent TV Producer Antonio Martin, EFE The Legend Award Claudia Oberst, International Journalist Lisa Richwine, Reuters For Lifetime Achievement and IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY Ina von Ber, US Press Agency Contributions to Society CAROL BURNETT.
    [Show full text]
  • 112508NU-Ep512-Goldenrod Script
    “Jacked” #512/Ep. 91 Written by Don McGill Directed by Stephen Gyllenhaal Production Draft – 10/30/08 Rev. FULL Blue – 11/6/08 Rev. FULL Pink – 11/11/08 Rev. Yellow – 11/13/08 Rev. Green – 11/17/08 Rev. Goldenrod – 11/25/08 (Pages: 48.) SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. © Copyright 2008 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. “Jacked” Ep. #512 – Production Draft: Rev. Goldenrod – 11/25/08 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 10/30/08 (1-58) REV. FULL BLUE 11/6/08 (1-58) REV. FULL PINK 11/11/08 (1-59) REV. YELLOW 11/13/08 (1,3,4,6,10,11,17,18,19, 21,25,27,29,30,30A,40,42, 47,49,49A,50,51,53,55, 55A,56,56A,57,59,60.) REV. GREEN 11/17/08 (3,6,19,21,35.) REV. GOLDENROD 11/25/08 (48.) “Jacked” Ep. #512 – Production Draft: Rev. FULL Pink – 11/11/08 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES DAVID SINCLAIR LARRY FLEINHARDT AMITA RAMANUJAN COLBY GRANGER LIZ WARNER TIM KING BUCKLEY LEN WALSH JACK SHULER/HAWAIIAN SHIRT GUY CAITLIN TODD BUS DRIVER MOTHER BUS TECH N.D.
    [Show full text]
  • 110508NU-Ep511-Yellow Script
    “Arrow of Time” #511/Ep. 90 Written by Ken Sanzel Directed by Ken Sanzel Production Draft – 10/17/08 Rev. FULL Blue – 10/30/08 Rev. Pink – 11/4/08 Rev. Yellow – 11/5/08 (Pages: 41,46,50,55.) SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. © Copyright 2008 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. “Arrow of Time” Ep. #511 – Production Draft: Rev. Yellow – 11/5/08 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 10/17/08 (1-57) REV. FULL BLUE 10/30/08 (1-57) REV. PINK 11/4/08 (2,3,4,6,7,18,19,20,27,33, 34,39,41,42,49,50,51,55.) REV. YELLOW 11/5/08 (41,46,50,55.) “Arrow of Time” Ep. #511 – Production Draft: Rev. FULL Blue – 10/30/08 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES DAVID SINCLAIR LARRY FLEINHARDT AMITA RAMANUJAN COLBY GRANGER NIKKI BETANCOURT LIZ WARNER ROBIN BROOKS BUCK WINTERS RAFE LANSKY GRAY McCLAUGHLIN JOE THIBODEAUX * DEANNE DRAKE TOBY TIM PYNCHON SECOND MARSHAL “Arrow of Time” Ep.
    [Show full text]
  • Numb3rs Episode Guide Episodes 001–118
    Numb3rs Episode Guide Episodes 001–118 Last episode aired Friday March 12, 2010 www.cbs.com c c 2010 www.tv.com c 2010 www.cbs.com c 2010 www.redhawke.org c 2010 vitemo.com The summaries and recaps of all the Numb3rs episodes were downloaded from http://www.tv.com and http://www. cbs.com and http://www.redhawke.org and http://vitemo.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on June 28, 2017 by footstep11 with create_eps_guide v0.59 Contents Season 1 1 1 Pilot ...............................................3 2 Uncertainty Principle . .5 3 Vector ..............................................7 4 Structural Corruption . .9 5 Prime Suspect . 11 6 Sabotage . 13 7 Counterfeit Reality . 15 8 Identity Crisis . 17 9 Sniper Zero . 19 10 Dirty Bomb . 21 11 Sacrifice . 23 12 Noisy Edge . 25 13 Man Hunt . 27 Season 2 29 1 Judgment Call . 31 2 Bettor or Worse . 33 3 Obsession . 37 4 Calculated Risk . 39 5 Assassin . 41 6 Soft Target . 43 7 Convergence . 45 8 In Plain Sight . 47 9 Toxin............................................... 49 10 Bones of Contention . 51 11 Scorched . 53 12 TheOG ............................................. 55 13 Double Down . 57 14 Harvest . 59 15 The Running Man . 61 16 Protest . 63 17 Mind Games . 65 18 All’s Fair . 67 19 Dark Matter . 69 20 Guns and Roses . 71 21 Rampage . 73 22 Backscatter . 75 23 Undercurrents . 77 24 Hot Shot . 81 Numb3rs Episode Guide Season 3 83 1 Spree .............................................
    [Show full text]
  • 307Buffrev10.2 Script
    BUFF Rev: 10/2/06 GOLDENROD Rev: 9/21/06 GREEN Rev: 9/20/06 YELLOW Rev: 9/18/06 PINK Rev: 9/14/06 BLUE Rev: 9/08/06 “Blackout” #307/Ep.44 Written by Andrew Dettmann Directed by Scott Lautanen SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. Copyright 2006 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. BUFF Rev October 2nd, 2006 #307/Ep.44 “Blackout” BUFF Rev 10/2/2006 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 9/5/06 (1-60) BLUE 9/8/06 (2,13,21,23,24, 25,27,29,32,35, 36,38,39,39A,44, 45,47,50,53) PINK 9/14/06 (1,2,3,4,5,11,14,25, 25A,27,28,31,32,39, 39A,47,48,49,50,51, 52,53,54,54A,55,56, 57) YELLOW 9/18/06 (5,8,9,10,13,16,23,24, 25,26,32,34,35,36, 39/39A,40,41,44,46, 49,50,51,52,53,54/54A) GREEN 9/20/06 (1,2,3,5,6,13,20,20A, 22,24,28,30,31,32,34, 36,37,39/39A,40,43, 44,50,51,54/54A,55, 56,57) GOLDENROD 9/21/06 (6,11,12,20,21,24,25,35 42,42A,43,50,53,54/54A 55) BUFF 10/2/06 (6,23,24) “Blackout” TEASER BLACK BOX OPENING: 436............Power Substations 93,000.........Miles of Cable 22,000,000.....Megawatts 1..............Target 1 EXT.
    [Show full text]
  • 306Goldenrodrev9.12 Script
    GOLDENROD REV: 9/12/06 GREEN REV: 9/11/06 YELLOW REV: 9/08/06 PINK FULL: 9/07/06 BLUE FULL: 9/06/06 “Longshot” #306/Ep.43 Written by J. David Harden Directed by John Behring SCOTT FREE in association with CBS PARAMOUNT NETWORK TELEVISION, a division of CBS Studios. Copyright 2006 CBS Paramount Network Television. All Rights Reserved. This script is the property of CBS Paramount Network Television and may not be copied or distributed without the express written permission of CBS Paramount Network Television. This copy of the script remains the property of CBS Paramount Network Television. It may not be sold or transferred and must be returned to: CBS Paramount Network Television Legal Affairs 4024 Radford Avenue Administration Bldg., Suite 390, Studio City, CA 91604 THE WRITING CREDITS MAY OR MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH TELEVISION LEGAL DEPARTMENT. GOLDENROD Rev September 12th, 2006 #306/Ep.43 “Longshot” GOLDENROD Rev 9/12/2006 SCRIPT REVISION HISTORY COLOR DATE PAGES WHITE 9/1/06 (1-61) BLUE 9/6/06 (1-61) PINK 9/7/06 (1-60) YELLOW 9/8/06 (1,2,3,4,5,6,7,14, 15,21,28,29,35,37, 40,47,48-49,49A,51, 53,54,56,57,57A,58) GREEN 9/11/06 (2,2A,6,7,13,14,14A,15, 16,21,23,23A,24,26,27, 35,36,36A,38,39,43,45, 48-49,49A,50,51,52,53, 54,55,55A,56,56A,57, 57A,58,59-60) GOLDENROD 9/12/06 (6,6A,7,10,13,27,27A, 36A,57,57A,57B) #306/Ep.43 “Longshot” GOLDENROD Rev 9/12/2006 CAST LIST DON EPPES CHARLIE EPPES ALAN EPPES LARRY FLEINHARDT MEGAN REEVES COLBY GRANGER TELLER IVAN TABAKIAN Pronounced (Tah-BOK-ee-un) DANNY ROBERTS SPECIAL AGENT LIZ WARNER LANDLADY MAURICE CONNORS SHARRLYN SMITH REBECCA JAMES SIDNEY BOYD “LONGSHOT” TEASER BLACK BOX: 6 - Furlongs 6 - Winners 6 - Bodies Pick - 6 PRELAP: HOOVES POUNDING THROUGH THE DIRT..
    [Show full text]
  • Download Full Episodes of Numb3rs Online Free Numb3rs (TV Series) on May 18, 2010, CBS Announced That Numbers Had Been Cancelled After Six Seasons
    download full episodes of numb3rs online free Numb3rs (TV series) On May 18, 2010, CBS announced that Numbers had been cancelled after six seasons. Contents. Summary [ edit | edit source ] The show focuses equally on the relationships among Don Eppes, his brother Charlie Eppes, and their father, Alan Eppes (Judd Hirsch), and on the brothers' efforts to fight crime, usually in Los Angeles. A typical episode begins with a crime, which is subsequently investigated by a team of FBI agents led by Don and mathematically modeled by Charlie, with the help of Larry Fleinhardt (Peter MacNicol) and Amita Ramanujan (Navi Rawat). The insights provided by Charlie's mathematics were always in some way crucial to solving the crime. Cast and characters [ edit | edit source ] as Don Eppes as Charlie Eppes as Alan Eppes as David Sinclair as Terry Lake (Season 1) as Colby Granger as Megan Reeves (Season 2–4) as Amita Ramanujan (Season 2–6, recurring Season 1) as Nikki Betancourt (Season 5–6) as Liz Warner (Season 5–6, recurring Season 3–4) as Larry Fleinhardt. Episodes [ edit | edit source ] Main article: Episode Guide Season Episodes Originally aired Season premiere Season finale 1 13 January 23, 2005 May 13, 2005 2 24 September 23, 2005 May 19, 2006 3 24 September 22, 2006 May 18, 2007 4 18 September 28, 2007 May 16, 2008 5 23 October 3, 2008 May 15, 2009 6 16 September 25, 2009 March 12, 2010. Production [ edit | edit source ] The idea for Numbers was generated in the late 1990s when Nick Falacci and Cheryl Heuton, the show's creators, attended a lecture given by Bill Nye, a popular science educator.
    [Show full text]
  • Pdf Projdoc.Pdf
    It is December again, in a couple of weeks we are celebrating the coming of the New Year 2020. We want to wish you all a wonderful and safe celebration and a blessed coming year. We hope your holidays will be filled with joy and laughter throughout the new year. Happy new year from all of us in Heya Masr! We are here to look back, count the blessings, measure the impact and assess our 2019 effort. Once again, this year has proven that we are on the right track. Our effort to make a real change and lasting behavior improvement in the lives of our young Egyptian generation is undeniable. Let me explain one thing first. Many of you don't know why we named our organizations "Heya Masr". Actually, our organization's full name is " Our Hope Heya Masr for the Society Development" Heya Masr translates to "She is Egypt". When I started this effort over 6 years ago. I and my team had a core belief that for a society to be fruitful and progressive is for the women to be the focal and the focus of the investment today at a young age. The young women we work with are the next generations of moms, coworkers and the make of the future. Studies after studies show that such investment in young women plays an important key in the improvements of any society. Therefore, She is Egypt " Heya Masr" is a slogan we carry over our heads. Saying, Women. we understand your value in our Egypt. You make the difference, you make things happen, you leave a lasting impact and you make Egypt a better place.
    [Show full text]
  • N E Ve R Standing Still
    Comic still Relief standing Never Annual Report and Accounts 2016/17 Contents “IT’S GREAT TO 1. Who we are and why we’re here 2 Highlights 4 SEE HOW COMIC Chief Executive’s Review 6 Chair’s Report 8 2. Our strategic report 10 RELIEF GRANTS How Comic Relief works 10 Our priorities and objectives 11 Our achievements and performance: ARE HELPING Red Nose Day 2017 12 Sport Relief 2018 14 Grant making 18 PEOPLE COPE Looking for opportunities internationally 37 Transforming the organisation 38 WITH INCREDIBLE 3. Principal risks and uncertainties 40 4. Looking ahead 48 HARDSHIP AND 5. Financial review 50 TURN THEIR LIVES 6. Structure, governance and management 56 7. Statement of Trustees’ responsibilities 58 AROUN D .” 8. Reference and administrative details 59 9. Independent auditor’s report 60 Liz Warner Chief Executive Comic Relief 10. Financial statements 62 1 Charity Projects (better known as Comic Relief) Who we are and why we’re here Annual Report & Accounts 2017 Who we are and why we’re here The serious business Always innovating. behind the fun Never standing still Over the years, together with our partners Successful as Comic Relief has been, and supporters, we’ve walked, run, sung, we can never stand still. We must never danced, swum, made jokes, films and be part of the establishment. Never stop videos, played sports and rock‘n’roll, run innovating. Nor can we rest while some rapids, worn silly hats and red socks, and of the world’s biggest problems continue any number of red noses. to damage and destroy people’s lives.
    [Show full text]
  • IN FOCUS: Youth Culture Introduction
    IN FOCUS: Youth Culture Introduction by TIMOTHY SHARY and LOUISA STEIN, editors e set out on this In Focus section with the general intent of bringing together scholars working in contemporary youth media studies. This is our own background, as Louisa has written extensively on teen television shows and the youth fan cultures that surround them, and Tim has examined youth in Ameri- Wcan movies going back to early Hollywood.1 As we began considering established scholars in the fi eld to solicit for contributions, we soon found evidence of the increasing attention to youth concerns beyond traditional fi lm and television texts, as much recent scholarship has focused on children and young adults using and creating social media. This increased attention to youth digital cultures should not have been a surprise given the state of the academy and, more so, the preoccupations of young people today. The youth population is indeed spending less time watching TV and going to movies and more time doing something—anything—on the Internet. When they are watching fi lms and TV programs, they’re often consuming that media online and then transforming their media engagement into authorship in digital venues, creating fan art and fan fi ction, or off ering reviews and critiques through social media networks. Increasingly, youth media engagement is also becoming more mobile because, for a variety of 1 Sharon Ross and Louisa Stein, eds., Teen Television: Essays on Programming and Fandom (Jefferson, NC: McFarland, 2008); Stein, Millennial Fandom: Television Audiences in the Transmedia Age (Iowa City: University of Iowa Press, 2015); Timothy Shary, Teen Films: American Youth on Screen (New York: Wallfl ower, Columbia University Press, 2005); Shary, Generation Multiplex: The Image of Youth in American Cinema since 1980, 2nd ed.
    [Show full text]
  • April 7, 1980 University of Michigan Law School
    University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1980 April 7, 1980 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "April 7, 1980" (1980). Res Gestae. Paper 485. http://repository.law.umich.edu/res_gestae/485 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. April 7, 1980 BES~ GESTAEy THE UNIVERSITY OF MICHIGAN LAW SCHOOL STUDENT WEEKL ''Doc'' Jaeger­ Campbell Mr. Contracts­ Comp draws Here Friday Walter H. E . (Doc) Jaeger, best OVerflc!tlfiBRARY. known for his work in completely revising Williston on Contracts, APR 0 81980 will be at the law school on April crowd .· . · 11. ANN ARBOR-- It was mbiDJfVbaDf.~.CH. Dr. Jaeger spent nearly 25 years at last week's final round of the working on the Williston text which Campbell Competition - the crowd of burgeoned into 18 volumes. When law students anxious to catch a asked to recount particularly mem­ glimpse of a real live Supreme Court orable moments during his work, he Justice overflowed into the hall out­ mentioned the three days of sheer side of Room 100 H.H. drudgery he once spent on a single Justice Byron R.
    [Show full text]