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Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;. -
Mary and George Watts, Can Be Viewed As A
The following extract has kindly been provided by Dr Lucy Ella Rose, from her published work Suffragists Artists in Partnership. Edinburgh University Press (2018), Chapter 1 - Mary and George Watts. We are grateful to Lucy for allowing this to be used as part of ‘The March of the Women’ project resource. Practice and Partnership Much has been written about the famous Victorian artist George Watts, and yet the life and work of Mary Watts, and the couple’s progressive socio-political positions as conjugal creative partners and women’s rights supporters, are comparatively neglected. Long-eclipsed by the dominant critical focus on her husband, and known primarily as the worshipping wife of a world-famous artist, Mary was a pioneering professional woman designer and ceramicist as well as a painter, illustrator and writer. Despite her prominence in her own lifetime, she is little-known today. The lack of critical and biographical material on her is disproportionate to the originality, high quality and multi-faceted nature of her oeuvre, encompassing fine art, gesso relief, sculpture, ceramic and textile design, and architecture. Art historian Mark Bills’s chapter on the Wattses in An Artists’ Village: G. F. Watts and Mary Watts at Compton (Bills 2011: 9–23) incorporates the brief sections ‘Married Life’ and ‘A Partnership’, and yet they perpetuate rather than challenge traditional views of the couple. The former section presents Mary ‘in awe of [George], overwhelmed by his reputation […] as devoted and admiring as ever […] in her subservient role’ (2011: 14–15). Bills alludes to, without contesting, the popular public perception of Mary as George’s ‘nurse’ and ‘slave’ who ‘worshipped him blindly’ (2011: 15-16). -
The Kensington District
The Kensington District By G. E. Mitton The Kensington District When people speak of Kensington they generally mean a very small area lying north and south of the High Street; to this some might add South Kensington, the district bordering on the Cromwell and Brompton Roads, and possibly a few would remember to mention West Kensington as a far- away place, where there is an entrance to the Earl's Court Exhibition. But Kensington as a borough is both more and less than the above. It does not include all West Kensington, nor even the whole of Kensington Gardens, but it stretches up to Kensal Green on the north, taking in the cemetery, which is its extreme northerly limit. If we draw a somewhat wavering line from the west side of the cemetery, leaving outside the Roman Catholic cemetery, and continue from here to Uxbridge Road Station, thence to Addison Road Station, and thence again through West Brompton to Chelsea Station, we shall have traced roughly the western boundary of the borough. It covers an immense area, and it begins and ends in a cemetery, for at the south-western corner is the West London, locally known as the Brompton, Cemetery. In shape the borough is strikingly like a man's leg and foot in a top-boot. The western line already traced is the back of the leg, the Brompton Cemetery is the heel, the sole extends from here up Fulham Road and Walton Street, and ends at Hooper's Court, west of Sloane Street. This, it is true, makes a very much more pointed toe than is usual in a man's boot, for the line turns back immediately down the Brompton Road. -
Journal of the Short Story in English, 50 | Spring 2008 “In the Circle of the Lens”: Woolf’S “Telescope” Story, Scene-Making and Memory 2
Journal of the Short Story in English Les Cahiers de la nouvelle 50 | Spring 2008 Special issue: Virginia Woolf “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus Édition électronique URL : http://journals.openedition.org/jsse/702 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 juin 2008 ISSN : 0294-04442 Référence électronique Laura Marcus, « “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory », Journal of the Short Story in English [En ligne], 50 | Spring 2008, mis en ligne le 01 juin 2011, consulté le 10 décembre 2020. URL : http://journals.openedition.org/jsse/702 Ce document a été généré automatiquement le 10 décembre 2020. © All rights reserved “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory 1 “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus 1 Virginia Woolf noted in her diary for 31st January 1939: “I wrote the old Henry Taylor telescope story that has been humming in my head these 10 years” (Woolf 1984: 204). The short story to which she was referring was published as “The Searchlight”, in the posthumous A Haunted House and Other Stories.The “humming” had, however, already been transferred to the page ten years previously, when Woolf wrote a story which she entitled “What the Telescope Discovered”, followed a year later by the incomplete “Incongruous/Inaccurate Memories”. In all, Woolf produced some fourteen different drafts of “the telescope story”, with fragments of other drafts. -
For a Tolerant World Where Rational Thinking and Kindness Prevail Welcome
Northumbria Students Union 2 Sandyford Ford, Newcastle NE1 8SB 22-24 June 2018 Newcastle FOR A TOLERANT WORLD WHERE RATIONAL THINKING AND KINDNESS PREVAIL WELCOME Welcome to Humanists UK probed some of the bigger Convention 2018, in the questions about human nature stunning city of Newcastle. We and morality. hope, over this weekend, to be inspired and entertained as One of the most striking we bring together hundreds features of Northumbrian of like-minded people to think, humanism has been its laugh, eat, and discuss ideas outward-looking nature, under one roof. We’re all here exemplifying Harold because we are humanists: Blackham’s maxim that people who shape their own ‘Humanism is about the lives in the here and now. And world, not about humanism.’ as the national organisation The North East Humanists, a for humanists in the UK, it’s partner group of Humanists Humanists UK’s mission to UK originally founded in 1957, in. And you’ll have a chance champion ideas for the one is a great example of this. to ask questions of some of life we have. This weekend The group has been a great the foremost activists working we’ll dive deep into some of supporter of the Isaac Newton to build a fairer, more rational those ideas – and we hope High School in Uganda for society in the UK and around you’ll find the talks, debates, many years now, helping the the world. and entertainment we’ve Ugandan humanists ensure put on both stimulating and that a broad-based, liberal Whether this is your first ever rewarding. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details ‘At home’ in Standen: A study of the Beale family’s lived experience of their late-nineteenth century Arts and Crafts home, 1890-1914 Anne Stutchbury Submitted for the degree of Doctor of Philosophy University of Sussex 2016 1 Statement: I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature:……………………………………… 2 Contents Abstract 3 Acknowledgements 4 List of Figures 5 List of Abbreviations 19 Introduction 20 Part One: Dwelling on family history: 1840-1890 38 1.1 The early years: Birmingham and Leamington 1.2 The London years Part Two: A ‘house in the country’ 74 2.1 Locating Standen 2.2 Collaborating with Philip Webb Part Three: The ‘artists’ 98 3.1 Inspired by nature: Margaret Beale’s garden artistry 3.2 ‘A connoisseur of things beautiful’: Margaret S. Beale Part Four: Styling Standen 127 4.1 Questioning ‘Arts and Crafts’ 4.2 Aesthetic interiors: Beauty, harmony and visions of femininity Part Five: Travelling and collecting 171 5.1 Holiday hunting for furniture 5.2 European excursions and objets d'art 5.3 Exotic visions and ‘Oriental’ objects Part Six: ‘Identifying’ the Beales 197 6.1 Treasured family possessions 6.2 Renewing and refashioning old furniture Conclusion 215 Bibliography 222 Appendices A. -
2017 Programme
The will of the people? Science and innovation in a post-truth world 29 November 2017 2 3 Chapters Today, the Huxley Summit will bring together business leaders, scientists, senior Contents Agenda policy-makers and opinion-formers to discuss the challenges of creating innovations that are accepted and trusted by the public. We will look at how learnings from the Page 2 Agenda 11.00 Registration and GM crisis should inform companies, institutions, government, and public responses. networking The Summit will also look at how these learnings can be applied to the current Page 3 Chapters challenge of data ethics and explore the impact of artificial intelligence on society. There will be provocations and debates, plus time for networking and focussed 12.00 Chapter 1: Learning from discussions about how we navigate the future. Page 4 Welcome the past - what can society learn from GM? Page 7 The will of the people? Chapter 1: Science and innovation 13.20 Roundtable discussions Learning from the past - what can society learn from GM? in a post-truth world and lunch Despite a huge amount of scientific research into GM crops and their impact on Page 10 Advisory board human health and the environment, the public remain resistant to their widespread 14.50 Chapter 2: Current introduction to agriculture and industry. What learnings can be gleaned from this story? And what does this mean for the public, business leaders, scientists and policy- Page 11 Building a challenges - the data makers in relation to new technologies and scientific advances in the future? better world explosion and the commercial imperative Page 12 Speakers Chapter 2: 16.10 Coffee and networking Current challenges - the data explosion and the commercial Page 16 Sponsors and partners imperative 16.50 Chapter 3: Future Just over 10 years since the phrase ‘data is the new oil’ was coined, the new oil rush is Page 17 Attendees challenges - preparing for gaining momentum. -
After Dinner Speakers, Conference Hosts, Presenters & Entertainers
After Dinner Speakers, Conference Hosts, Presenters & Entertainers stablished in 1988 The Right Address is an experienced, professional and friendly speaker and entertainment consultancy. EUnderstanding the challenges that can arise when you are organising a conference, dinner, or any business event, has been the key to our success over the years. What can you expect from The Right Address? We offer you the best in after dinner and business speakers, If you would like to browse through more ideas before cabaret and musical entertainment. From well known names speaking to one of our consultants you can do so by visiting to those you may not have heard of, we pride ourselves our website www.therightaddress.co.uk in getting the perfect speaker for your event. The right speaker, or presenter, can turn a routine annual dinner The website enables you to search for a speaker by name, into a memorable occasion, or your awards evening into or category and provides more details on each speaker, a glamorous high profile event, which your guests will be performer or comedian listed. speaking about for weeks to come. Whilst browsing the site you can create your very own You can expect from The Right Address the top business wish list as you go. This can either be saved to refer to and keynote speakers, from captains of industry, at a later date or sent to us to request more information politicians, experts in the economy, technology, on your chosen selection. Alternatively there is an enquiry banking and the environment, to the most vibrant up form to complete and send to us if you have additional and coming entrepreneurs. -
E for Ecstasy by Nicholas Saunders
E for Ecstasy by Nicholas Saunders. Bibliography by Alexander Shulgin. Published by Nicholas Saunders, 14 Neal's Yard, London, WC2H 9DP, UK. ISBN: 0 9501628 8 4. Published May 1993. 320 pages. The book E for Ecstasy is now only available in German and Italian, having been superceded by Ecstasy and the Dance Culture and Ecstasy, Dance, Trance and Transformation. Details of availability are on ecstasy.org Copyright Nicholas Saunders and Alexander Shulgin 1994. This material may be freely distributed electronically, but may be printed for personal use only. Permission is required for any other use of any of the contents. This will normally be given freely, provided prior permission is obtained and the source credited in an agreed form. This file is also available in ascii form at hyperreal.com:/drugs/mdma/e.for.ecstasy with the appendix seperate from the main file. Contents 1. Introduction 2. Own Experience What I feel it has done for me; how I have experimented with it and researched 3. History of Ecstasy first invented and patented; tested by US army; re-discovered by Shulgin; used for psychotherapy; wildly popular available by credit card; alarm due to previous impure drug causing Parkinson's disease; banning in US against recommendation; media muddle; appeal overturned; rise of the rave in US, Europe and then back to US; permission to use in Switzerland; permission to use in US. 4. What it Does and How it works Emotional effects: allowing the chi to flow, dissolving fear, allowing memories to surface, being temporarily free of neurosis, feeling love, removing defensiveness, allowing indulgence. -
Broadcast Bulletin Issue Number 80
Ofcom broadcast bulletin 12 March 2007 O fcom broadcast bulletin Issue number 80 12 March 2007 1 Ofcom broadcast bulletin 12 March 2007 Contents Introduction 3 Standards cases In Breach 4 Resolved 10 Not In Breach 14 Fairness & Privacy cases Upheld in part 16 Other programmes not in breach/outside remit 54 2 Ofcom broadcast bulletin 12 March 2007 Introduction Ofcom’s Broadcasting Code took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content The Communications Act 2003 allowed for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. While Ofcom has now published its Broadcasting Code, the following legacy Codes apply to content broadcast before 25 July 2005. • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Programme Sponsorship Code (Independent Television Commission) • Rules on the Amount and Distribution of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
George Eliot and the Victorian Art World
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2005 George Eliot and the Victorian Art World Leonee Ormond Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Ormond, Leonee, "George Eliot and the Victorian Art World" (2005). The George Eliot Review. 492. https://digitalcommons.unl.edu/ger/492 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. GEORGE ELIOT AND THE VICTORIAN ART WORLD By Leonee Ormond Reading the letters and diaries of Victorian practitioners of the different arts reminds us that their social world differed markedly from that of artists today. In nineteenth-century London the number of people involved was sufficiently small for artists of all kinds to meet each other regularly. Among the public functions at which such meetings could take place were the various events at the Royal Academy, held in the National Gallery building in Trafalgar Square until 1868 and, after that, in the Academy's grand new residence at Burlington House in Piccadilly. The Private View of the summer exhibition in May was not only an important opportunity to sell paintings and sculptures, but also the traditional opening of the London 'season'. A fashionable soiree was held later in the exhibition, and, at the other end of the year, the opening of the winter Old Master exhibitions, inaugurated in the 1870s, again drew together a large group of powerful and talented people as artists, writers, painters, and composers mingled with politicians, aristocrats, and senior civil servants. -
Octavia Hill
Downloaded from the Humanities Digital Library http://www.humanities-digital-library.org Open Access books made available by the School of Advanced Study, University of London ***** Publication details: 'Nobler imaginings and mightier struggles': Octavia Hill, social activism and the remaking of British society Editors: Elizabeth Baigent, Ben Cowell http://humanities-digital-library.org.ac.uk/index.php/hdl/catalog/book/octaviahill DOI: 10.14296/917.9781909646582 ***** This edition published 2017 by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet St, Bloomsbury, London WC1E 7HU, United Kingdom ISBN 978 1 909646 58 2 (PDF edition) This work is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. More information regarding CC licenses is available at https://creativecommons.org/licenses UNIVERSITY OF LONDON, SCHOOL OF ADVANCED STUDY Senate House, Malet Street, London, WC1E 7HU Enquiries: [email protected] ‘Nobler imaginings and mightier struggles’ Octavia Hill, social activism and the remaking of British society For Hugh, Bertie, Charlie and Harry and Julie, Reuben and Toby with our thanks ‘Nobler imaginings and mightier struggles’ Octavia Hill, social activism and the remaking of British society Edited by Elizabeth Baigent and Ben Cowell LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in