DOCSLIB.ORG

990-PF and Its Instructions Is At

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93491131008455 Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947(a)(1) Trust Treated as Private Foundation 0- Do not enter Social Security numbers on this form as it may be made public . By law, the 2013 IRS cannot redact the information on the form. Department of the Treasury 0- Information about Form 990-PF and its instructions is at www.irs.gov/form990pf . Internal Revenue Service For calendar year 2013 , or tax year beginning 07 -01-2013 , and ending 06-30-2014 Name of foundation A Employer identification number The I Paul Getty Trust 95-1790021 O/o WILLIAM G HUMPHRIES Number and street (or P 0 box number if mail is not delivered to street address) Room/suite U ieiepnone number (see instructions) 1200 Getty Center Drive Suite 401 Suite (310) 440-6040 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here F Los Angeles, CA 90049 G Check all that apply r'Initial return r'Initial return of a former public charity D 1. Foreign organizations, check here F r-Final return r'Amended return 2. Foreign organizations meeting the 85% test, r Address change r'Name change check here and attach computation E If private foundation status was terminated H Check type of organization FSection 501(c)(3) exempt private foundation und er section 507 ( b )( 1 )( A ), c hec k here F_ Section 4947(a)(1) nonexempt charitable trust r'Other taxable private foundation I Fair market value of all assets at end J Accounting method F Cash F Accrual F If the foundation is in a 60-month termination of year (from Part II, col. (c), r Other (specify) under section 507(b)(1)(B), check here 0- F line 11,982,862,131 (Part I, column (d) must be on cash basis.) (d) Disbursements Analysis of Revenue and Expenses (The (a) Revenue and (b) Net investment (c) Adjusted net for charitable total of amounts in columns (b), (c), and (d) may not expenses per income income purposes necessanly equal the amounts in column (a) (see books instructions) ) (cash basis only) 1 Contributions, gifts, grants, etc , received (attach 12,797,089 schedule) 2 Check ► F- if the foundation is not required to attach Sch B 3 Interest on savings and temporary cash investments 4 Dividends and interest from securities. 9,673,522 9,213,210 9,673,522 5a Gross rents . 331,658 331,658 331,658 b Net rental income or (loss) 208,378 C, 6a Net gain or (loss) from sale of assets not on line 10 581,327,747 b Gross sales price for all assets on line 6a 7575 1, 719, 213, 097 7 Capital gain net income (from Part IV, line 2) . 382,569,189 8 Net short-term capital gain . 45,007,575 9 Income modifications . 985,145 10a Gross sales less returns and allowances 18,213,087 b Less Cost of goods sold . 8,992,280 c Gross profit or (loss) (attach schedule) . 9,220,807 9,220,807 11 Other income (attach schedule) . 85,301,826 104,478,169 133,451,140 12 Total . Add lines 1 through 11 . 698,652,649 496,592,226 198,669,847 13 Compensation of officers, directors, trustees, etc 6,243,203 1,131,667 1,305,750 4,937,453 14 Other employee salaries and wages 78,612,008 512,031 3,416,192 75,195,816 15 Pension plans, employee benefits . 36,545,984 774,746 2,118,932 34,427,052 16a Legal fees (attach schedule) . ^ 727,554 350,152 350,152 377,402 b Accounting fees (attach schedule) . 709,712 243,475 466,237 243,475 W c Other professional fees (attach schedule) . 10,390,024 10,005,768 10,005,768 384,256 17 Interest . 21,426,281 21,426,281 4Z 18 Taxes (attach schedule) (see instructions) 921,774 342 665,953 255,821 19 Depreciation (attach schedule) and depletion . 47,154,045 44,626 132,203 20 Occupancy . 13,245,521 23,162 758,996 12,486,525 21 Travel, conferences, and meetings . 6,291,931 190,764 805,999 5,485,931 r_ 22 Printing and publications . 1,191,349 1,536 47,674 1,143,675 23 Other expenses (attach schedule) . 45,423,040 61,413,000 86,697,104 25,849,600 5= 24 Total operating and administrative expenses. Add lines 13 through 23 . 268,882,426 74,691,269 128,197,241 160,787,006 25 Contributions, gifts, grants paid . 14,387,586 13,317,130 26 Total expenses and disbursements . Add lines 24 and 283,270,012 74,691,269 128,197,241 174,104,136 25 27 Subtract line 26 from line 12 a Excess of revenue over expenses and disbursements 415,382,637 b Net investment income (if negative, enter -0-) 421,900,957 c Adjusted net income (if negative, enter -0-) 70,472,606 For Paperwork Reduction Act Notice, see instructions . Cat No 11289X Form 990-PF (2013) Form 990-PF (2013) Panes 2 Attached schedules and amounts in the description column Beginning of year End of year Balance Sheets should be for end-of- y ear amounts onl y (See instructions ( a) Boo k Va l ue ( b ) Boo k Va l ue ( c) F air M arket Va l ue 1 Cash-non-interest-bearing . 274,667 5,552,300 5,552,300 2 Savings and temporary cash investments . 227,267,856 301,349,213 301,349,213 3 Accounts receivable ► Less allowance for doubtful accounts 4 Pledges receivable ► Less allowance for doubtful accounts 5 Grants receivable . 6 Receivables due from officers , directors , trustees , and other disqualified persons ( attach schedule ) ( see instructions) . 7 Other notes and loans receivable ( attach schedule) Oil Less allowance for doubtful accounts ► cn 8 Inventories for sale or use . 4,437,841 3,169,350 4,282,078 9 Prepaid expenses and deferred charges . 8,693,770 6,446,272 6,446,272 uti 4 10a Investments - U S and state government obligations (attach schedule ) 95,470,351 77,232,765 77,232,765 b Investments -corporate stock ( attach schedule ) . 228,241,59 7 345,674,265 345,674,265 c Investments - corporate bonds ( attach schedule ). 45,046,201 80,687,439 80,687,439 11 Investments - land, buildings, and equipment basis ► Less accumulated depreciation ( attach schedule) Oil 12 Investments - mortgage loans . 72,588,984 34,838,435 34,838,435 13 Investments -other ( attach schedule ) . 5,231,404,120 5,844,553 ,801 5,844,553,801 14 Land, buildings , and equipment basis Ilk, 1,782,516,255 Less accumulated depreciation ( attach schedule ) Oil 678,010,580 1,140,894,245 1,104,505 ,675 1,118,031,625 15 Other assets (describe llk^ ) 2,285,243,646 2,331,655,475 4,164,213,938 16 Total assets ( to be completed by all filers-see the instructions Also, see page 1, item I) 9,339,563,278 10,135,664,990 11,982,862,131 17 Accounts payable and accrued expenses . 521,253,367 500,281,326 18 Grants payable . 5,285,576 8,414,790 19 Deferred revenue . +' 20 Loans from officers, directors , trustees, and other disqualified persons 21 Mortgages and other notes payable ( attach schedule ) . 612,775,000 607,885,000 J 22 Other liabilities ( describe ) 95 10,642,182 Qg 8,933,184 23 Total liabilities ( add lines 17 through 22) . 1,149,956,125 1,125,514,300 Foundations that follow SFAS 117, check here F and complete lines 24 through 26 and lines 30 and 31. Q} 24 U nrestricted . 8,184,517,187 9,003,843,804 25 Temporarily restricted . 3,638,725 4,801,099 26 Permanently restricted . 1,451,241 1,505,787 Foundations that do not follow SFAS 117, check here Ilk, fl and complete lines 27 through 31. u_ 27 Capital stock, trust principal, or current funds . 28 Paid-in or capital surplus , or land, bldg , and equipment fund 29 Retained earnings , accumulated income, endowment , or other funds w1 30 Total net assets or fund balances ( see page 17 of the instructions) . 8,189,607,153 9,010,150,690 Z 31 Total liabilities and net assets/ fund balances ( see page 17 of the instructions ) . 9,339,563,278 10,135,664,990 UMM Analysis of Changes in Net Assets or Fund Balances 1 Total net assets or fund balances at beginning of year-Part II, column (a), line 30 (must agree with end-of-year figure reported on prior year's return) . 1 8,189,607,153 2 Enter amount from Part I, line 27a . 2 415,382,637 3 423,687,245 3 Other increases not included in line 2 (itemize) ► S 4 Add lines 1, 2, and 3 . 4 9,028,677,035 5 18,526,345 5 Decreases not included in line 2 (itemize) ► S 6 Total net assets or fund balances at end of year (line 4 minus line 5)- Part II, column (b), line 30 6 9,010,150,690 Form 990-PF (2013) Form 990-PF (2013) Page 3 Ca ital Gains and Losses for Tax on Investment Income (b) How acquired (a) List and describe the kind (s) of property sold (e g , real estate, ( c) Date acquired (d) Date sold P-Purchase 2-story brick warehouse, or common stock, 200 shs MLC Co (mo , day, yr (mo , day, yr D-Donation la PUBLICLY TRADED EQUITY INVESTMENTS - LT P b PUBLICLY TRADED EQUITY INVESTMENTS - ST P c PUBLICLY TRADED FIXED INCOME INVESTMENTS - LT P d PUBLICLY TRADED FIXED INCOME INVESTMENTS - ST e ( f) Depreciation allowed ( g) Cost or other basis (h) Gain or (loss) (e) Gross sales price (or allowable ) plus expense of sale ( e) plus ( f) minus (g) a 152,018,061 82,673,445 69,344,616 b 432,587,721 425,425,436 7,162,285 c 176,474,774 131,917,961 44,556,813 d 701,950,259 693,838,460 8,111,799 e Complete only for assets showing gain in column ( h) and owned by the foundation on 12/31/69 ( I) Gains ( Col (h) gain minus (j) Adjusted basis (k) Excess of col (i) col (k), but not less than -0-) or (i) F M V as of 12/31/69 as of 12/31/69 over col (j), if any Losses (from col (h)) a 69,344,616 b 7,162,285 c 44,556,813 d 8,111,799 e If gain, also enter in Part I, line 7 2 Capital gain net income or (net capital loss) If ( loss), enter -0- in Part I, line 7 2 382,569,189 3 Net short - term capital gain or ( loss) as defined in sections 1222( 5) and (6) If gain, also enter in Part I, line 8 , column ( c) (see instructions
Recommended publications
  • Press Release

    Press Release

    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: June 5, 2019 MEDIA CONTACTS: FOR IMMEDIATE RELEASE Julie Jaskol Getty Communications (310) 440-7607 [email protected] J. PAUL GETTY TRUST BOARD OF TRUSTEES ELECTS DR. DAVID L. LEE AS CHAIR Dr. David L. Lee has served on the Board since 2009; he begins his four-year term as chair on July 1 LOS ANGELES—The Board of Trustees of the J. Paul Getty Trust today announced it has elected Dr. David L. Lee as its next chair of the Board. “We are delighted that Dr. Lee will lead the Getty Board of Trustees as we embark on many exciting initiatives,” said Getty President James Cuno. “Dr. Lee’s involvement with the international community, his experience in higher education and philanthropy, and his strong financial acumen has served the Getty well. We look forward to his leadership.” Dr. Lee was appointed to the Getty Board of Trustees in 2009. Dr. Lee will serve a four-year term as chair of the 15-member group that includes leaders in art, education, and business who volunteer their time and expertise on behalf of the Getty. “Through its extensive research, conservation, exhibition and education programs, the Getty’s work has made a powerful impact not only on the Los Angeles region, but around the world,” Dr. Lee said. “I am honored to be part of such a generous, inspiring organization that makes a lasting difference and is a source of great pride for our community.” The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax: 310 440 7722 Dr.
  • Abridged Overview of the Getty Vocabularies

    Abridged Overview of the Getty Vocabularies

    Getty Vocabularies: Patricia Harpring Managing Editor The Basics Getty Vocabulary Program OVERVIEW: ABRIDGED VERSION revised May 2020 P. Harpring Abridged Overview of Getty Vocabularies revised 5 May 2020 1 Table of Contents Preface 3 What Are Getty Vocabularies 6 AAT 14 ULAN 19 TGN 21 IA 23 CONA 25 What Do We Do? 34 Abridged Overview of Getty Vocabularies P. Harpring Abridged Overview of Getty Vocabularies revised 5 May 2020 2 www.getty.edu/research/tools/vocabularies/index.html PREFACE • Publications and online resources: • This presentation is a condensed introduction of the Getty vocabularies, AAT, TGN, ULAN, CONA, and IA • Editorial guidelines • Training materials • How to translate • Other materials Abridged Overview of Getty Vocabularies P. Harpring Abridged Overview of Getty Vocabularies revised 5 May 2020 3 www.getty.edu/research/publications/electronic_publications/intro_controlled_vocab/ PREFACE For basic information on vocabularies, see Introduction to Controlled Vocabularies (Harpring, Baca editor, revised 2013) and its bibliography Defines the characteristics, scope, and uses of controlled vocabularies for art and cultural materials, and explains how vocabularies should be integrated in cataloging systems and utilized for indexing and retrieval Available in hardcopy and online Translated in Portuguese in 2016 Abridged Overview of Getty Vocabularies P. Harpring Abridged Overview of Getty Vocabularies revised 5 May 2020 4 www.getty.edu/research/publications/electronic_publications/cdwa/index.html PREFACE For basic
  • Descriptive Metadata Guidelines for RLG Cultural Materials I Many Thanks Also to These Individuals Who Reviewed the Final Draft of the Document

    Descriptive Metadata Guidelines for RLG Cultural Materials I Many Thanks Also to These Individuals Who Reviewed the Final Draft of the Document

    ������������������������������� �������������������������� �������� ����������������������������������� ��������������������������������� ��������������������������������������� ���������������������������������������������������� ������������������������������������������������� � ���������������������������������������������� ������������������������������������������������ ����������������������������������������������������������� ������������������������������������������������������� ���������������������������������������������������� �� ���������������������������������������������� ������������������������������������������� �������������������� ������������������� ���������������������������� ��� ���������������������������������������� ����������� ACKNOWLEDGMENTS Many thanks to the members of the RLG Cultural Materials Alliance—Description Advisory Group for their participation in developing these guidelines: Ardie Bausenbach Library of Congress Karim Boughida Getty Research Institute Terry Catapano Columbia University Mary W. Elings Bancroft Library University of California, Berkeley Michael Fox Minnesota Historical Society Richard Rinehart Berkeley Art Museum & Pacific Film Archive University of California, Berkeley Elizabeth Shaw Aziza Technology Associates, LLC Neil Thomson Natural History Museum (UK) Layna White San Francisco Museum of Modern Art Günter Waibel RLG staff liaison Thanks also to RLG staff: Joan Aliprand Arnold Arcolio Ricky Erway Fae Hamilton Descriptive Metadata Guidelines for RLG Cultural Materials i Many
  • NAVA's Submission (343.4

    NAVA's Submission (343.4

    PO Box 60 Potts Point NAVA gratefully acknowledges the assistance provided by the Australian 1335 NSW Australia Government through the Australia Council, its arts funding and advisory body, and by T +61 2 9368 1900 the Visual Arts and Craft Strategy, an F +61 2 9358 6909 initiative of the Australian, State and E [email protected] Territory Governments. Patrons: Pat Corrigan AM www.visualarts.net.au Professor David Throsby ACN 003 229 285 ABN 16 003 229 28 5 National Consultation on Human Rights Submission by The National Association for the Visual Arts (NAVA) June 2009 “Regulation and legal interference in free speech is controversial, especially in a self-stated democratic society. When art and law does collide, the result is often unsatisfactory. The nature of the adversarial system pits conflicting interests against each other: the language of boundless creativity and strict regulation could be seen as comparing apples with oranges”. Quote from Freedom of Expression research paper by Jenny Lovric commissioned by the Visual Arts Industry Guidelines Research Project in 2001 and published on NAVA’s website http://www.visualarts.net.au/readingroom The National Association for the Visual Arts (NAVA) welcomes the opportunity to make a submission to the National Human Rights Consultation Committee. NAVA is the peak body representing and advancing the professional interests of the Australian visual arts, craft and design sector, comprising 25,000 practitioners and about 1000 galleries and other art support organisations. Since its establishment in 1983, NAVA has worked to bring about appropriate policy and legislative change to encourage the growth and development of the visual arts sector.
  • Press Image Sheet

    Press Image Sheet

    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: September 17, 2019 MEDIA CONTACT FOR IMMEDIATE RELEASE Julie Jaskol Getty Communications (310) 440-7607 [email protected] GETTY TO DEVOTE $100 MILLION TO ADDRESS THREATS TO THE WORLD’S ANCIENT CULTURAL HERITAGE Global initiative will enlist partners to raise awareness of threats and create effective conservation and education strategies Participants in the 2014 Mosaikon course Conservation and Management of Archaeo- logical Sites with Mosaics conduct a condition survey exercise of the Achilles Mosaic at the Paphos Archeological Park, Paphos, Cyprus. Continued work at Paphos will be undertaken as part of Ancient Worlds Now. Los Angeles – The J. Paul Getty Trust will embark on an unprecedented and ambitious $100- million, decade-long global initiative to promote a greater understanding of the world’s cultural heritage and its universal value to society, including far-reaching education, research, and conservation efforts. The innovative initiative, Ancient Worlds Now: A Future for the Past, will explore the interwoven histories of the ancient worlds through a diverse program of ground-breaking The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel: 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax: 310 440 7722 scholarship, exhibitions, conservation, and pre- and post- graduate education, and draw on partnerships across a broad geographic spectrum including Asia, Africa, the Americas, the Middle East, and Europe. “In an age of resurgent populism, sectarian violence, and climate change, the future of the world’s common heritage is at risk,” said James Cuno, president and CEO of the J.
  • Getty and Royal Institute for Cultural Heritage Announce Major Enhancements to Ghent Altarpiece Website

    Getty and Royal Institute for Cultural Heritage Announce Major Enhancements to Ghent Altarpiece Website

    DATE: August 20, 2020 FOR IMMEDIATE RELEASE IMAGES OF THE RESTORED ADORATION OF THE LAMB AND MORE: GETTY AND ROYAL INSTITUTE FOR CULTURAL HERITAGE ANNOUNCE MAJOR ENHANCEMENTS TO GHENT ALTARPIECE WEBSITE Closer to Van Eyck offers a 100 billion-pixel view of the world-famous altarpiece, to be enjoyed from home http://closertovaneyck.kikirpa.be/ The Lamb of God on the central panel, from left to right: before restoration (with the 16th-century overpaint still present), during restoration (showing the van Eycks’ original Lamb from 1432 before retouching), after retouching (the final result of the restoration) LOS ANGELES AND BRUSSELS – Since 2012, the website Closer to Van Eyck has made it possible for millions around the globe to zoom in on the intricate, breathtaking details of the Ghent Altarpiece, one of the most celebrated works of art in the world. More than a quarter million people have taken advantage of the opportunity so far in 2020, and website visitorship has increased by 800% since the onset of the COVID-19 pandemic, underscoring the potential for modern digital technology to increase access to masterpieces from all eras and learn more about them. The Getty and the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels, Belgium), in collaboration with the Gieskes Strijbis Fund in Amsterdam, are giving visitors even more ways to explore this monumental work of art from afar, with the launch today of a new version of the site that includes images of recently restored sections of the paintings as well as new videos and education materials. Located at St.
  • User's Guide to the TGN Data Releases

    User's Guide to the TGN Data Releases

    Getty Thesaurus of Geographic Names™ User’s Guide to the TGN Data Releases Release Version 2.0 © The J. Paul Getty Trust, 2000 . User’s Guide to the TGN Data Releases Release Version 2.0 Compiled and Edited by Patricia Harpring, Managing Editor Getty Vocabulary Program Getty Thesaurus of Geographic Names™ The Getty Vocabulary Program 1200 Getty Center Drive, Suite 1100 Los Angeles, California 90049-1680 http://www.getty.edu/research/tools/vocabulary/ 02/12/2001 © The J. Paul Getty Trust, 2001 TGN Release Formats User’s Guide © the J. Paul Getty Trust, 2000. All rights reserved. © The J. Paul Getty Trust, 2001 TGN Release Formats User’s Guide CONTENTS PREFACE . v ACKNOWLEDGMENTS . vii CHAPTER 1: INTRODUCTION . 1 OVERVIEW . 1 ABOUT THE TGN . 1 CHAPTER 2: RELATIONAL FILES FORMAT . 5 OVERVIEW . 5 DATA DICTIONARY. 7 CHAPTER 3: REC FORMAT. 17 OVERVIEW . 17 DATA DICTIONARY . 20 CHAPTER 4: USMARC FORMAT . 33 OVERVIEW . 33 DATA DICTIONARY . 35 CHAPTER 5: CONTENTS OF THE TGN . 43 OVERVIEW . 43 Relationships . 44 SCOPE . 46 What Is a Geographic Place? . 47 THE RECORD FOR EACH PLACE . 49 Names . 50 Preferred Name . 51 Variant Names . 51 Alphabet . 53 Sequence of Names . 53 Contributors . 55 Bibliography . 55 Latitude and Longitude . 57 Descriptive Note . 57 Place Types . 58 Preferred Place Type . 58 Sort Order and Dates for Place Types . 59 THE HIERARCHY . 61 View of the Hierarchy . 61 English View of the Hierarchy . 63 Islands in the Hierarchy . 64 Physical and Political Geography . 64 Administrative Subdivisions . 65 © The J. Paul Getty Trust, 2000 TGN Release Formats User’s Guide Urban Expansion .
  • CONSERVATION PERSPECTIVES the Gci Newsletter

    CONSERVATION PERSPECTIVES the Gci Newsletter

    CONSERVATION PERSPECTIVES THE GCI NEWSLETTER SPRING 2020 CONSERVATION SCIENCE A Note from As this issue of Conservation Perspectives was being prepared, the world confronted the spread of coronavirus COVID-19, threatening the health and well-being of people across the globe. In mid-March, offices at the Getty the Director closed, as did businesses and institutions throughout California a few days later. Getty Conservation Institute staff began working from home, continuing—to the degree possible—to connect and engage with our conservation colleagues, without whose efforts we could not accomplish our own work. As we endeavor to carry on, all of us at the GCI hope that you, your family, and your friends, are healthy and well. What is abundantly clear as humanity navigates its way through this extraordinary and universal challenge is our critical reliance on science to guide us. Science seeks to provide the evidence upon which we can, collectively, make decisions on how best to protect ourselves. Science is essential. This, of course, is true in efforts to conserve and protect cultural heritage. For us at the GCI, the integration of art and science is embedded in our institutional DNA. From our earliest days, scientific research in the service of conservation has been a substantial component of our work, which has included improving under- standing of how heritage was created and how it has altered over time, as well as developing effective conservation strategies to preserve it for the future. For over three decades, GCI scientists have sought to harness advances in science and technology Photo: Anna Flavin, GCI Anna Flavin, Photo: to further our ability to preserve cultural heritage.
  • Attach to Your Tax Return. Department of the Treasury  Attachment Sequence No

    Attach to Your Tax Return. Department of the Treasury  Attachment Sequence No

    Public Inspection Copy Return of Private Foundation OMB No. 1545-0052 Form 990-PF or Section 4947(a)(1) Trust Treated as Private Foundation Do not enter social security numbers on this form as it may be made public. Department of the Treasury Internal Revenue Service Information about Form 990-PF and its separate instructions is at www.irs.gov/form990pf. Open to Public Inspection For calendar year 2015 or tax year beginning 07/01 , 2015, and ending 06/30, 20 16 Name of foundation A Employer identification number THE J. PAUL GETTY TRUST 95-1790021 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number (see instructions) 1200 GETTY CENTER DR., # 401 (310) 440-6040 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here LOS ANGELES, CA 90049 G Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here Final return Amended return 2. Foreign organizations meeting the Address change Name change 85% test, check here and attach computation H Check type of organization:X Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here I Fair market value of all assets at J Accounting method: CashX Accrual F If the foundation is in a 60-month termination end of year (from Part II, col.
  • Research Institute Grants

    Research Institute Grants

    Getty Research Institute Grants Artistic Practice 2011/2012 Theme Year aT The GeTTY research insTiTuTe Artists mobilize a variety of intellectual, organizational, technological, and physical resources to create their work. This scholar year will delve into the ways in which artists receive, work with, and transmit ideas and images in various cultural traditions. At the Getty Research Institute, scholars will pay particular attention to the material manifestations of memory and imagination in the form of sketchbooks, notebooks, pattern books, and model books. How do notes, remarks, written and drawn observations reveal the creative process? In times and places where such media were not in use, what practices were developed to give ideas material form? In the ancient world, artists left traces of their creative process in a variety of media, but many questions remain for scholars in residence at the Getty Villa: What was the role of prototypes such as casts and models; what was their relationship to finished works? How were artists trained and workshops structured? How did techniques and styles travel? An interdisciplinary investigation among art historians and other specialists in the humanities will lead to a richer understanding of artistic practice. HoW To Apply Detailed instructions, application forms, complete theme statement and additional information are available online at www.getty.edu/foundation/apply Address inquiries to: Attn: (Type of Grant) The Getty Foundation 1200 Getty Center Drive, Suite 800 DeaDline los Angeles, CA 90049-1685 USA phone: 310 440.7374 nov 1 2010 E-mail: [email protected] Academy of fine arts, 1578. Research Library, The Getty Research Institute, Los Angeles, California.
  • J. Paul Getty Trust Press Clippings, 1954-2019 (Bulk 1983-2019), Undated

    J. Paul Getty Trust Press Clippings, 1954-2019 (Bulk 1983-2019), Undated

    http://oac.cdlib.org/findaid/ark:/13030/c8r215vp Online items available Finding aid for the J. Paul Getty Trust Press Clippings, 1954-2019 (bulk 1983-2019), undated Nancy Enneking, Rebecca Fenning, Kyle Morgan, and Jennifer Thompson Finding aid for the J. Paul Getty IA30017 1 Trust Press Clippings, 1954-2019 (bulk 1983-2019), undated Descriptive Summary Title: J. Paul Getty Trust press clippings Date (inclusive): 1954-2019, undated (bulk 1983-2019) Number: IA30017 Physical Description: 43.35 Linear Feet(55 boxes) Physical Description: 2.68 GB(1,954 files) Repository: The Getty Research Institute Institutional Records and Archives 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: The records comprise press clippings about the J. Paul Getty Trust, J. Paul Getty Museum, other Trust programs, and Getty family and associates, 1954-2019 (bulk 1983-2019) and undated. The records contain analog and digital files and document the extent to which the Getty was covered by various news and media outlets. Request Materials: To access physical materials at the Getty, go to the library catalog record for this collection and click "Request an Item." Click here for general library access policy . See the Administrative Information section of this finding aid for access restrictions specific to the records described below. Please note, some of the records may be stored off site; advanced notice is required for access to these materials. Language: Collection material is in English Administrative History The J. Paul Getty Trust's origins date to 1953, when J.
  • The Getty Vocabularies and Linked Open Data: Introduction and Editorial Perspective

    The Getty Vocabularies and Linked Open Data: Introduction and Editorial Perspective

    THE GETTY VOCABULARIES AND LINKED OPEN DATA: INTRODUCTION AND EDITORIAL PERSPECTIVE revised September 2014 Patricia Harpring Managing Editor, Getty Vocabulary Program Patricia Harpring © 2014 J. Paul Getty Trust. For educational purposes only. Do not distribute. Images may be under additional copyright Table of Contents What are the Getty vocabularies? Scope and content of the Getty vocabularies Getty vocabularies to LOD: Editorial perspective What is LOD? In brief. www.getty.edu/research/tools/vocabularies/index.html What Are the Getty Vocabularies? AAT TGN ULAN CONA Patricia Harpring © 2014 J. Paul Getty Trust. For educational purposes only. Do not distribute. Images may be under additional copyright What are the Getty vocabularies? . Catherine wheel or rose window? Mona Lisa or La Gioconda? . The AAT, TGN, ULAN and CONA contain multilingual terminology and other related data to describe o visual art, architecture, other cultural heritage works, conservation, archaeology, archival materials, visual surrogates, and related bibliographic materials Patricia Harpring © 2014 J. Paul Getty Trust. For educational purposes only. Do not distribute. Images may be under additional copyright Getty vocabularies are valued as authoritative o Grow through contributions from experts o Contributors and sources are cited Compiled, merged, edited, and published by the Getty Vocabulary Program and our talented, tireless technical team Data is made available in various ways: via online searching; relational tables, XML format, Web services APIs o Now as Linked Open Data: structured and published to make it openly accessible and shareable on the Semantic Web . Open Data Commons Attribution License (ODC-By) v1.0 . Allows sharing, creation, adaptation of data with attribution Patricia Harpring © 2014 J.