Otway Life Summer14-15
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Birre Walk DL(Fixed)
two storeyed signal box were constructed later. The Birregurra - Forrest line ran from 1891 to 1957. 'The Tiger' motor rail (adorned in yellow and brown stripes) carried Birregurra and its story... passengers, cream cans, mail and parcels to and from Birregurra to Forrest from 1937 to 1952. Birregurra’s 19 Birregurra Butter Factory Bowden’s Point, as Birregurra was first named, developed as a Birregurra butter was a household name back in the 1940's and 1950's. At one stage white settlement in the 1860’s. It soon became known as the factory employed up to five trucks and drivers, producing butter until 1955 when it HERITAGE WALK was bought by Colac Dairying Company and used as a produce store. Birregurra-on-the-Barwon, after the earliest European 20 Birregurra Timber Mill settlement had to move from the Birregurra Creek site because Established by W H Bennett & Sons in 1970 / 71, this was the first automated hardwood sawmill in Western Victoria, employing mill workers, drivers and timber fellers. For 30 of a lack of water. years it was the town's largest employer. The mill closed by 2001, but now creates other timber products. In the early 1900's the nearby Otway Ranges had many on-site timber mills. Logs would be railed through from Forrest to Birregurra Railway Station. Earlier in 1839, the first Victorian Aboriginal mission was set up The Township of Birregurra below Bowden’s Point known as Buntingdale Mission Station. BOW DEN ST 10 Birregurra became a thriving town with its railway being the 11 Barwon River 9 Golf lifeblood of the vast Otways timber industry in the early Course M UR 1900’s. -
Writing Cultures 11/11
.. Aboriginal and Torres Strait Islander Arts Board, Australia Council PO Box 788 Strawberry Hills NSW 2012 Tel: (02) 9215 9065 Toll Free: 1800 226 912 Fax: (02) 9215 9061 Email: [email protected] www.ozco.gov.au cultures . WRITING ..... Protocols for Producing Indigenous Australian Literature An initiative of the Aboriginal and Torres Strait ISBN: 0 642 47240 8 Islander Arts Board of the Australia Council Writing Cultures: Protocols for Producing Indigenous Australian Literature Recognition and protection 18 contents Resources 18 Introduction 1 Copyright 20 Using the Writing Cultures guide 2 What is copyright? 20 What are protocols? 3 How does copyright protect literature? 20 What is Indigenous literature? 3 Who owns copyright? 20 Special nature of Indigenous literature 4 What rights do copyright owners have? 21 Collaborative works 21 Indigenous heritage 5 Communal ownership vs. joint ownership 21 Current protection of heritage 6 How long does copyright last? 22 Principles and protocols 8 What is the public domain? 22 Respect 8 What are moral rights? 22 Acknowledgement of country 8 Licensing for publication 22 Representation 8 Assigning copyright 23 Accepting diversity 8 Publishing contracts 23 Living cultures 9 Managing copyright to protect your interests 23 Indigenous control 9 Copyright notice 23 Commissioning Indigenous writers 9 Moral rights notice 24 Communication, consultation and consent 10 When is copyright infringed? 24 Creation stories 11 Fair dealings provisions 24 © Commonwealth of Australia 2002 Recording oral stories 11 -
Survey of Post-War Built Heritage in Victoria: Stage One
Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application -
Australia Council Nationhood, National Identity and Democracy
AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION NATIONHOOD, NATIONAL IDENTITY AND DEMOCRACY INQUIRY October 2019 1 CONTENTS Contents 2 About the Australia Council 3 Executive summary 4 Submission 6 Our arts shape and communicate our cultural identity 6 First Nations arts are central to understanding who we are as Australians 7 Our diverse artistic expression is reshaping our contemporary national identity 9 Our creative expressions are an antidote to declining public trust and social divisions 13 Conclusion 14 Policy options 15 2 ABOUT THE AUSTRALIA COUNCIL The Australia Council is the Australian Government’s principal arts funding and advisory body. We champion and invest in Australian arts and creativity. We support all facets of the creative process and are committed to ensuring all Australians can experience the benefits of the arts and feel part of the cultural life of this nation. The Australia Council’s investment in arts and creativity presents a vital opportunity to develop Australia’s identity and reputation as a sophisticated and creative nation with a confident, connected community. Australia’s arts and creativity are among our nation’s most powerful assets, delivering substantial public value across portfolios: investing in the arts is investing in the social, economic and cultural success of our nation. For half a century the Australia Council has invested in activity that directly and powerfully contributes to Australia’s cultural identity and social cohesion. Our vision Creativity Connects Us1 is underpinned by five strategic objectives: • More Australians are transformed by arts experiences • Our arts reflect us • First Nations arts and culture are cherished • Arts and creativity are thriving • Arts and creativity are valued. -
COONAWARRA \ Little Black Book Cover Image: Ben Macmahon @Macmahonimages COONAWARRA \
COONAWARRA \ Little Black Book Cover image: Ben Macmahon @macmahonimages COONAWARRA \ A small strip of land in the heart of the Limestone Coast in South Australia. Together our landscape, our people and our passion, work in harmony to create a signature wine region that delivers on a myriad of levels - producing wines that unmistakably speak of their place and reflect the character of their makers. It’s a place that gets under your skin, leaving an indelible mark, for those who choose it as home and for those who keep coming back. We invite you to Take the Time... Visit. Savour. Indulge. You’ll smell it, taste it and experience it for yourself. COONAWARRA \ Our Story Think Coonawarra, and thoughts of There are the ruddy cheeks of those who tend the vines; sumptuous reds spring to mind – from the the crimson sunsets that sweep across a vast horizon; and of course, there’s the fiery passion in the veins of our rich rust-coloured Terra Rossa soil for which vignerons and winemakers. Almost a million years ago, it’s internationally recognised, to the prized an ocean teeming with sea-life lapped at the feet of the red wines that have made it famous. ancient Kanawinka Escarpment. Then came an ice age, and the great melt that followed led to the creation of the chalky white bedrock which is the foundation of this unique region. But nature had not finished, for with her winds, rain and sand she blanketed the plain with a soil rich in iron, silica and nutrients, to become one of the most renowned terroir soils in the world. -
Governance of the Great Ocean Road Region Issues Paper
Governance of the Great Ocean Road Region Issues Paper Governance of the GREAT OCEAN ROAD REGION Issues Paper i Dormant Tower Hill Volcano Over Moyjil - Point Ritchie 14 public entities Aboriginal site possibly up to 2/3 80,000 journeys are years old day trips Nearly 170,000 hectares of Crown land Up to 11,000 visitors Over a day to the 12 Apostles 200 shipwrecks 5.4m visitors spent $1.3b 2cm/yr generating the rate at which the cliffs are being eroded Traditional 2 Owner groups From 1846, the 12 Apostles were once known as limestone Traditional lands of “The Sow and Piglets” 7 stacks (out of Eastern Maar (western and the original 9), middle stretches) and the known as the Wadawurrung (eastern end) 12 Apostles B100 The Great Ocean Road 8.1m is the world’s visitors projected largest war Infographic In in the next memorial 2011 decade Added to the National Heritage List Rip Curl Pro at Bells Beach is the world’s longest running 2 surfing competition National Parks 24,000 Number of people in Lorne during the Pier to Pub (up from normal population of 1,000) 9,200 jobs 2 in the year 1983 Ash Wednesday bushfires destroyed Marine National ending June 2017 Parks 42,000 and 729 hectares houses 3 2015 Wye River bushfire destroyed Marine National Sanctuaries and Rare polar dinosaur 2,260 115 fossil sites hectares houses The Great Ocean Road Taskforce proudly acknowledges the Eastern Maar and Wadawurrung people as the traditional custodians of the Great Ocean Road Region1. -
Teachers' Notes the Little Red, Yellow, Black Book
Educational Resources: Teachers’ notes The Little Red Yellow Black website, http://lryb.aiatsis.gov.au Teachers’ Notes The Little Red, Yellow, Black Book: An introduction to Indigenous Australia An important note to teachers The following points are important considerations to remember when teaching Aboriginal and Torres Strait Islander studies. These cautions should be consulted throughout the course and shared with students. Aboriginal studies and Torres Strait Islander studies are not only about historical events and contemporary happenings. More importantly, they are about people and their lives. Consequently, consideration of, and sensitivity towards, Aboriginal and Torres Strait Islander people are essential, as is collaboration with relevant communities. • Where possible, consult Indigenous people and Indigenous sources for information, many links to which are contained in these notes. Try to work with your local Indigenous community people and elders and respect the intellectual and cultural property rights of Indigenous people. • Consult reliable sources. Be discerning and look for credible information. Indigenous Australians are careful to speak only about the country or culture they’re entitled to speak about. Generally Indigenous people won’t tell others about sacred images or stories, however, over time, and with the effects of colonisation, some things that are sacred, or secret, to Indigenous groups have been disseminated. Be sensitive to requests not to talk about or include some material. Ensure that what you’re reading derives from a community or elders’ knowledge, or from reputable research. Remember too that less-than-polished publications can still be valuable. • Use only the information and images you know have been cleared for reproduction or use in the public domain. -
Biodiversity Assessment: Cape Otway Road, Australia
Final Report Biodiversity Assessment: Cape Otway Road, Australia Prepared for COESR Pty Ltd January 2018 Ecology and Heritage Partners Pty Ltd MELBOURNE: 292 Mt Alexander Road, Ascot Vale VIC 3032 GEELONG: 230 Latrobe Terrace, Geelong West Vic 3218 BRISBANE: Level 22, 127 Creek Street, Brisbane QLD 4000 ADELAIDE: 22 Greenhill Road, Wayville SA 5034 CANBERRA: PO Box 6067, O’Connor ACT 2602 SYDNEY: Level 5, 616 Harris Street, Ultimo, NSW, 2007 www.ehpartners.com.au | (03) 9377 0100 DOCUMENT CONTROL Assessment Biodiversity Assessment Address Cape Otway Road, Australia Project number 7689 Project Manager Shannon LeBel (Senior Botanist) Report Reviewer Andrew Hill (Director/Principal Ecologist) Other EHP staff Andrew Taylor (Consultant Zoologist) Mapping Monique Elsley (GIS Coordinator) File name 7689_EHP_BA_CORA_Finalv3_31012018 Client COESR Pty Ltd Bioregion Victorian Volcanic Plain and Otway Plain CMA Corangamite Council Surf Coast Shire Report versions Comments Comments updated by Date submitted Draft v1 - 22/09/2017 Incorporation of results from additional field Final investigations; Addressed comments provided by AT/SLB 27/11/2017 Tract and Surf Coast Shire Council. Updated Masterplan; Addressed preliminary Finalv2 SLB 28/01/2018 comments provided by DELWP Minor amendment to FFG Act text and Finalv2 SLB 31/01/2018 Minimisation Statement. Acknowledgements We thank the following people for their contribution to the project: Simon Loader (Tract Consultants) for project information; Daryl Pelchen (Daryl Pelchen Architects) for providing project and site information; The landowners who provided access to the study area; The Victorian Department of Environment, Land, Water and Planning for access to ecological databases. Copyright © Ecology and Heritage Partners Pty Ltd This document is subject to copyright and may only be used for the purposes for which it was commissioned. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
He Wants to Save the Present with the Indigenous Past
_ _______________________________________________________________________________________________________________________________________________________________________________ He Wants to Save the Present With the Indigenous Past Bruce Pascoe’s book “Dark Emu” sparked a reconsideration of Australian history. Now he hopes to use his writing to revive Aboriginal community. Bruce Pascoe in a field of mandadyan nalluk, also known as “dancing grass.”Credit...AnnaMaria Antoinette D'Addario for The New York Times By Damien Cave Aug. 20, 2020 WALLAGARAUGH, Australia — Bruce Pascoe stood near the ancient crops he has written about for years and discussed the day’s plans with a handful of workers. Someone needed to check on the yam daisy seedlings. A few others would fix up a barn or visitor housing. Most of them were Yuin men, from the Indigenous group that called the area home for thousands of years, and Pascoe, who describes himself as “solidly Cornish” and “solidly Aboriginal,” said inclusion was the point. The farm he owns on a remote hillside a day’s drive from Sydney and Melbourne aims to correct for colonization — to ensure that a boom in native foods, caused in part by his book, “Dark Emu,” does not become yet another example of dispossession. “I became concerned that while the ideas were being accepted, the inclusion of Aboriginal people in the industry was not,” he said. “Because that’s what Australia has found hard, including Aboriginal people in anything.” The lessons Pascoe, 72, seeks to impart by bringing his own essays to life — and to dinner tables — go beyond appropriation. He has argued that the Indigenous past 2 should be a guidebook for the future, and the popularity of his work in recent years points to a hunger for the alternative he describes: a civilization where the land and sea are kept healthy through cooperation, where resources are shared with neighbors, where kindness even extends to those who seek to conquer. -
Fire Operations Plan
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The Croaker 2014 08 August
THE croaker Correspondence to: the Editors via email: [email protected] Volume 7 No. 4 August 2014 Editors Deb Campbell & Jane Gorman Telstra is coming to the Marsh: Meeting Wednesday August 20th at 5.00pm—7.00pm ADSL & 4G For Deans Marsh: Deans Marsh and district is embarking on a quest to work with Telstra to help us upgrade all our communica- tions systems so that they do actually communicate. We have already collected a list of 50 interested com- munity members to show we are serious. Now we need to assemble and ask questions and put our case. When I first moved to the Marsh from Lorne, I was told by Customer Service in rather triumphal tones ‘Deans Marsh doesn’t have ADSL and it never will’. But it appears this is not necessarily the case. Our neighbours in Lorne and Birregurra campaigned for ADSL and succeeded: now it is our turn. Deans Marsh is right in the middle of one of Victoria’s most fire-prone areas. We have increasing numbers of visitors travelling through whose phones and sat navs do not work here. We also have residents whose mo- biles do not work in their own homes, let alone anywhere outside. We also have expensive and inadequate internet. We are hoping to work with Telstra to make real changes; the first step is a demonstration of support from us all. Anyone who is around 5kms from the Deans Marsh exchange should be able to get ADSL, and a 4G tower would help everyone, including visitors and travellers.