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Since July Last Year, Film-Maker Rajat Kapoor Has Been Exhorting His Two-Lakh-Plus Followers on Twitter to Crowdfund His Next Project: RK/R Kay
FILM AgonyThe Kapoor Since July last year, film-maker Rajat Kapoor has been exhorting his two-lakh-plus followers on Twitter to crowdfund his next project: RK/R Kay. The budget of the film is `2.5 crore, and he needs 50,000 people to give `500 each. Which begs the question: why is one of India’s finest independent film-makers perennially short of cash? BY EKTA MOHTA omeone needs to gift Rajat Kapoor a book on how wire the money. And, most recently, for another of his scripts, Kadakh, to win friends and influential people. He’s already a the producer “ran away before the shooting started. But, somehow we gifted screenwriter, film-maker, theatre director and managed to finish the shoot anyway.” actor. But, given recent events, no one can deny he Kapoor is now ready with a script called RK/R Kay, which has a needs help as a salesman. “slightly mad” plot. It’s a film-within-a-film in which the fictional lead Kapoor has written and directed six films: Private character becomes a person in real life. He needs `2.5 crore to make it, SDetective, Raghu Romeo, Mixed Doubles, Mithya, Fatso! and Ankhon but given his history, he isn’t knocking on the doors of film producers Dekhi. His signature is to make entertaining films in an artistic way, for the dough. “They (producers) read the script, and they reject it,” which is why film critics are usually pleasant towards him, such as he says, without any trace of heartburn. “They say, ‘It’s very nice, but Shubhra Gupta, who wrote in The Indian Express, “He is one of the not for us.’” What of the producers who have already worked with few Indian directors who understand whimsy.” But, in a classic case of him? “Sunil Doshi produced Mixed Doubles and Bheja Fry, and then self-sabotage, Kapoor has a knack for attracting creatives and repelling he stopped the business. -
Arindam Chaudhuri - Wikipedia, the Free Encyclopedia Arindam Chaudhuri from Wikipedia, the Free Encyclopedia
8/20/2014 Arindam Chaudhuri - Wikipedia, the free encyclopedia Arindam Chaudhuri From Wikipedia, the free encyclopedia Arindam Chaudhuri is an Indian economist, author and the director of IIPM Think Tank at Indian Institute of Arindam Chaudhuri Planning and Management.[1] He has collected three Nationality Indian National Film Awards as the producer of three award- Education Post Graduate Diploma in Planning [2] winning movies. He is also a former member of the and Entrepreneurship consultative committee to the Planning Commission, Alma mater Indian Institute of Planning and Government of India. He is often referred to as a Management "management guru".[3][4][5] Occupation Economist, management author Spouse(s) Rajita Chaudhuri Contents Parents Malay Chaudhuri Website 1 Biography arindamchaudhuri.com 2 Business interests (http://www.arindamchaudhuri.com/) 3 Awards 4 Publications 5 References 6 External links Biography Arindam is the son of Malayendra Kisor Chaudhuri,[6] who founded the Indian Institute of Planning and Management (IIPM) in 1973.[7] He received his post graduate diploma in Planning and Entrepreneurship from IIPM in 1992[8] He later became the Honorary Dean for the IIPM Centre for Economic Research and Advanced Studies.[9] Also in 2004, Arindam Chaudhuri was appointed as a member (social and agricultural sector) of the Consultative Committee for the Planning Commission, Government of India.[10] He is the founder of Planman Consulting and Great Indian Dream Foundation, a social sector organisation.[11][12] He is also the owner -
ISLAND CITY a Film by Ruchika Oberoi
ISLAND CITY A film by Ruchika Oberoi India | Hindi (English subtitles) | Comedy-Drama | 111minutes | Cinemascope 1:2.35 | 5.1 | Colour | 2015 Premiere Status – World Premiere at Venice Film Festival, 2015 in the Venice Days Section SYNOPSIS (SHORT) The film follows three comic-dramatic stories set in Mumbai. The first one is about a middle-aged man who wins the office ‘Fun Committee Award’, which entitles him to a whole day full of fun. He is most reluctant to leave the safety of his cubicle but he has to. Prescribed fun modules have to be completed and non-compliance is not an option… The second story begins with a domineering pater familias, Anil, who is on life support. Seeking some relief, his family decides to buy a TV, which Anil had banned; now every night the family plugs into a popular soap whose hero is a man ideal in every way… The third one centres on Aarti whose repetitive existence is slowly making her more and more mechanical and numb. Deep inside ferments a disconnect and unease that she is unable to articulate to anyone. Then one day there arrives a most intimate letter and everything changes. SYNOPSIS (LONG) The film follows three comic-dramatic stories set in Mumbai. Fun Committee – A middle-aged man stuck in a boring, number-crunching job wins the office ‘Fun Committee Award’, which entitles him to a whole day full of fun. He is most reluctant to leave the safety of his cubicle to go to claim this award… but fun is now compulsory policy since the analysts’ reports say company profits are going down because the employees are too listless and dispirited. -
Download the Mithya Movie
Download The Mithya Movie 1 / 4 Download The Mithya Movie 2 / 4 3 / 4 Watch and download Mithya In Movie has genre Comedy,Romance,Suspense and Movie star cast is Ranvir Shorey, Saurabh Shukla, Naseeruddin Shah, Iravati .... Download Mithya (2008) – Movie HD Posters 1, Images, Stills, Trailers, Review, Songs, News, Synopsis, Plot, Cast & Crew, Video Clips , User Review, User .... Click Here To Download Full Movie Download Mithya (2008) Hindi Full Movie Download.. Mithya - A great start but poor finish. IndiaGlitz [Friday, February 08, 2008]. Here comes the release of a film that has been in the festival circuit .... Mithya 2008 Movie Informations : Release Date : February 8, 2008. Language : Hindi Genre : Thriller Producer : Arindam Chaudhuri Director : Rajat Kapoor. Mithya (2008). Starring: Neha Dhupia … Sonam Vinay Pathak Naseeruddin Shah … Gawde Ranvir Shorey … VK / Raje Saurabh Shukla. Phas Gaye Re Obama | Bollywood Comedy Hindi Movie | Neha Dhupia, Rajat Kapoor, Sanjay Mishra. Rajshri. Rajshri. •. 789K views 6 years .... Oye Lucky Lucky Oye Tamil Mp3 Song Download, Chalo America Full Movie Watch Online 720p, Mithya Movie Download 720p Kickass Torrent, Dreamz Full .... Mithya Part 3 Full Movie In Hindi Download > http://bltlly.com/15kqpi aa94214199 5 Jun 2018 ... [Iron Man 3] HD 720p-1080p Dual mkv .. Mithya Hindi Movie Download Kickass >>> http://imgfil.com/19ksgk Archive Legend of the Guardians 2: Snow and Rain is a 2014 film a sequel .... MITHYA MOVIES MOVIE ONLINE WATCH ON FREE DOWNLOAD. Your Ad Here · MITHYA MOVIES MOVIE ONLINE WATCH ON FREE .... BOTTOM LINE: A very different kinda movie, which don't get released much. Recommended! Violence/Gore: Critical | Sex/Mouth-Kiss: No | Vulgarity: Mild | Alcohol ... -
In the Interval, but Ready for the Next
Intheinterval,butreadyfor thenextact FICCI-KPMGMedia&EntertainmentIndustryReport © 2009 KPMG, an Indian Partnership and a member firm of the KPMG network of independent member firms affiliated with KPMG International, a Swiss cooperative. All rights reserved. © 2009 KPMG, an Indian Partnership and a member firm of the KPMG network of independent member firms affiliated with KPMG International, a Swiss cooperative. All rights reserved. Foreword Welcome to the 2009 edition of the Indian M&E Industry, prepared jointly by FICCI and KPMG. In many ways, the year 2008 was a testing time for the industry. With the global economic slowdown affecting the advertising spends, sectors like TV, Print, Radio and Outdoor which depend on advertising revenues were affected. Further the liquidity crunch and the consequent lack of access to funds also affected the capacity expansion plans of players across various M&E segments. However, behind every adversity lies an opportunity. Media companies are under pressure to change, innovate and re-examine their existing business models. Players need to draw upon new capabilities to survive in this environment. In immediate future, media corporates are likely to focus more operating margins, and assessing opportunities for consolidation, while building on core strengths. The year was also full of interesting developments. While the GEC space witnessed the entry of new players, entry of new DTH players expanded the penetration of digital TV households. Print media space also saw multiple new launches and expansion activities in the first half of the year. Last year, was also the year where Indian players made their foray in the global arena, through big ticket acquisitions and joint ventures. -
HINDI CINEMA: a COMPARATIVE STUDY of COMMERCIAL and PARALLEL CINEMA, POST 1980S
REPRESENTATION OF WOMEN IN HINDI CINEMA: A COMPARATIVE STUDY OF COMMERCIAL AND PARALLEL CINEMA, POST 1980s THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of Philosophy In Women’s Studies BY SAMIEN KIDWAI UNDER THE SUPERVISION OF DR. SHAHEENA TARANNUM ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2016 ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my supervisor Dr. Shaheena Tarannum for her continuous support during my PhD study and related research, for her patience, motivation, and immense knowledge. Her guidance helped me throughout my research and while writing this thesis. I could not have imagined having a better supervisor and mentor for my study. Besides my supervisor, I am thankful to the Director of the Advanced Centre for Women’s Studies, Prof. Nighat Ahmad, for helping me in my research work. I am immensely thankful to all the teachers of the centre for making me understand the subject which was new for me. Thanks to all the non-teaching staff of the centre as well. I am also grateful to my teachers from the Department of Mass Communication especially Prof. M. Shafey Kidwai, Dr. Pitabhas Pradhan, and Dr. G.K. Sahu who lend me a helping hand whenever I was in need. On the personal front I would firstly and most importantly like to thank my soulmate, Meraj Ahmad, who not only encouraged me to pursue this course but also helped me a lot personally and professionally to complete it as well. This research study could not have been possible if we both would not have been feminist enough. -
The Stereotypical Portrayal of Women in Commercial
THE STEREOTYPICAL PORTRAYAL OF WOMEN IN COMMERCIAL INDIAN CINEMA ---------------------------------- A Thesis Presented to The Faculty of the Department of Communications University of Houston ___________________________________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________________________________ By Sowmya Nandakumar May, 2011 TABLE OF CONTENTS Chapter 1 _________________________________________________________________1 Introduction Chapter 2 _________________________________________________________________8 Pilot Study – Quantitative Methodology Chapter 3 ________________________________________________________________19 Methods and Research Questions Chapter 4 ________________________________________________________________22 Women in Indian Cinema: History, Socio-Cultural Factors and Women’s Roles in Films Chapter 5 ________________________________________________________________44 The Great Indian Epics and Indian Pop culture - Character Prototypes in Epics and Their Influence on Story Telling in Indian Cinema Chapter 6 ________________________________________________________________54 Elements that Encompass the Film Viewing Audience - The Film, Audience and Film, Film and Other Media Chapter 7 ________________________________________________________________64 The Controversy over Films with an Alternate Storyline - Films Fire 1996 and Water 2005, Directed by Deepa Mehta Chapter 8 ________________________________________________________________72 Answering Research Questions Chapter 9 -
Midnight's Children B-W Press Kit for Canada
Mongrel Media Presents MIDNIGHT’SMIDNIGHT’S CHILDRENCHILDREN A Film by Deepa Mehta (148 min., Canada, 2012) www.midnightschildren.com Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html TABLE OF CONTENTS A Map of India, Pakistan, Bangladesh A Family Tree Short Synopsis .............................................................................................................................. 1 Long Synopsis ............................................................................................................................... 1 Midnight's Children – The Main Characters ................................................................................ 4 Interview With Director Deepa Mehta ........................................................................................... 5 “On the Making of Midnight's Children”, Salman Rushdie ...................................................... 9 Production Notes, David Hamilton .............................................................................................. 10 Green Chutney: In the Movie and in the Novel. The Recipe, Vimla Mehta ................................... 13 "The Impact of the Novel", Hari Kunzru ........................................................................................ 15 "Historical -
Dreaming India/India Dreaming
Dreaming India/India Dreaming - Proceedings of the SARI 2019 Conference Geetha Ganapathy-Doré, Cécile Oumhani, Pascale Hassoun, Hannah Freundlich, Ludmila Volná, Ahmed Mulla, Maria-Sabina Draga Alexandru, Maëlle Jeanniard Du Dot, Jitka de Préval, Madhura Joshi, et al. To cite this version: Geetha Ganapathy-Doré, Cécile Oumhani, Pascale Hassoun, Hannah Freundlich, Ludmila Volná, et al.. Dreaming India/India Dreaming - Proceedings of the SARI 2019 Conference. May 2019, 2020. hal-02936618v1 HAL Id: hal-02936618 https://hal.archives-ouvertes.fr/hal-02936618v1 Submitted on 11 Sep 2020 (v1), last revised 18 Sep 2020 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Proceedings of the 2019 Conference compiled and edited by Geetha GANAPATHY-DORE Société d''Activités et de recherches sur le monde indien,, Saint-Ouen l''Aumône,, 2020 TABLE OF CONTENTS Acknowledgements………………………………………………………………………..i Introduction……………………………………………………………………………..iii Poems by Cécile OUMHANI…………………………………………………………..vii Featured Article by the guest speaker Pascale HASSOUN Dreaming as a Transferential Figure……………………………………………………xiii Part I - Dreams of the City, Dreams of the Jungle 1. Dreams, Fantasies and Memories in Manil Suri's The Death of Vishnu Hannah FREUNDLICH…………………………………………………………………...1 2. Salman Rushdie’s Midnight’s Children: The Sundarbans as a Dream Experience Ludmila VOLNÁ…………………………………………………………………………11 Part II – Dream India, Diasporic Homelands 3. -
Film Management
Film Management - Guided By Prof. Pratiksha Khedekar Presented by: Bhavini Pandya [24] Riddhi Rupani [33] Jyoti Sharma [38] Acknowledgement Apart from the efforts of me, the success of this project depends largely on the encouragement and guidelines of many others. I take this opportunity to express my gratitude to the people who have been instrumental in the successful completion of this project. I would like to show my greatest appreciation to Prof. Pratiksha Khedekar & BMS Dept of Vartak College. I can’t say thank you enough for his tremendous support and help. I feel motivated and encouraged every time I attend his meeting. Without his encouragement and guidance this project would not have materialized. The guidance and support received from Prof Pratiksha Khedekar who guided us to complete this project, was vital for the success of the project. I am grateful for their constant support and help. Contents: 1.Introduction to Film 2.Definitions 3.History Of films in India 4.Journey of Indian Cinemas since 1990’s 5.Change in the phase of Indian Cinema since 1990’s 6.Importance of Film marketing 7.Production Process a. Pre Production Phase 1. Screenplay/ script writing 2. Storyboard 3. Film budgeting 4. Film insurance b. Production Phase 1. Directing 2. Assembling Cast & Crew 3. Acting c. Post Production Phase 8.Film Promotion & Publicity 9.Film Certification 10. Box Office Coverage 11. Negative Factor of Film Industry Introduction What is film? A film, also called a movie or motion picture, is a story conveyed with moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. -
The 12Th Annual Indian Film Festival of Los Angeles: April 8-13, 2014
The 12th Annual Indian Film Festival of Los Angeles: April 8-13, 2014 blogs.indiewire.com/sydneylevine/the-12th-annual-indian-film-festival-of-los-angeles-april-8-13-2014- international-film-business Tue Apr 08 18:30:00 EDT 2014 The Indian Film Festival of Los Angeles (IFFLA) proudly announced its 2014 lineup of narrative and documentary features and short films for this year’s festival. The impressive program reflects the rich diversity of Indian cinema, as well as the future of Indian filmmaking, with cutting-edge filmmakers and emerging voices bringing their acclaimed films to Los Angeles. 0 IFFLA 2014 This year the 12th edition of the Indian Film Festival of Los Angeles (IFFLA) includes a lineup of narrative and documentary features and short films. The impressive program reflects the rich diversity of Indian cinema, as well as the future of Indian filmmaking, with cutting-edge filmmakers and emerging voices bringing their acclaimed films to Los Angeles. The festival is widely recognized as the premiere showcase of groundbreaking Indian cinema globally. IFFLA will run April 8-13 at ArcLight Hollywood in Los Angeles, the festival’s home since its inception. Jadoo, an exploration of family bonds amidst two feuding brothers’ restaurants in England, will screen as the festival’s Closing Night Gala. The film is written and directed by IFFLA alum Amit Gupta, and first premiered at the 2013 Berlinale. It features a wonderful ensemble cast that includes Kulvinder Ghir, Amara Karan, Harish Patel, Tom Mison, and Madhur Jaffrey. As previously announced, IFFLA will open with Jeffrey D. -
The Reimagining India 2017 Experiential Learning Program Syllabus
The Reimagining India 2017 Experiential Learning Program Syllabus Course Description Reimagining India is a two-week experiential learning program designed to directly engage participants with India’s past, present and future. The program will raise participant awareness of the relevance of India to their lives, studies and even careers. The course uses India’s cities and villages as its classroom – including the commercial capital, Mumbai and the political capital, Delhi. Participants will meet Indians from across the socioeconomic spectrum, visiting farms and village schools as well as higher education and political institutions, multinational corporations and startups. This broad engagement ensures participants gain direct experience of diverse perspectives on issues and opportunities. The course seeks to highlight India’s status as a re-emerging economy of immense global significance. It involves participants in activities meant to cultivate a variety of skills sought after in 21st century workplace including creativity, collaboration, communication, civic awareness, cultural intelligence, critical thinking and personal character development. Course Goals and Objectives1 The course provides participants with: a) On-the-ground experience helping them conceptualize how India fits into their studies and careers b) A network of Indian mentors and peers helping them develop relationships and deepen understanding of Indian dimensions of their work or study c) An immersive cultural experience familiarizing them on a basic level with various customs, norms, celebrations, foods, performing arts, etc. d) Introductory knowledge of India’s past, present and future from an interdisciplinary standpoint, with a focus on growth and opportunity e) Introductory knowledge of Hindi language f) Practice in cultivating 21st century skills such as creativity, collaboration, communication, civic awareness, cultural intelligence, critical thinking and personal character development g) Resources in the form of reading materials, online content, contacts, etc.