Ep 132 Thrillerfest Part 3 Formatted
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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Literary High-Flier by K.J
David Morrell: Literary High-Flier BY K.J. HOWE “Nobodyisbornawarrior, inexactlythesamewaythat nobodyisbornanaverage man.Wemakeourselves intooneortheother.” —Carlos Castaneda Ifthereisoneauthorwhohastransformed himselfintoaliterarywarrior,it’sDavid Morrell.DavidpublishedFirst Bloodin1972, andhehasnowwrittenover30books.With 18millioncopiesinprint,thisITWThriller © Jennifer Esperanza Masterhasbeentranslatedinto26languages. Perhaps the best word to describe David is untiring. them. He is a pioneer who made the thriller accept- Relentless in his pursuit of excellence, he has been able at a higher level.” a high-flier in the publishing world for four decades. TheMasterCraftsman As Jon Land (Strong Justice) says, “David is a true warrior who sets trends rather than follows them. “The more you sweat in training, the less you will He doesn’t please anyone other than himself. He bleed in battle.” Navy SEALs Motto creates standards and then exceeds them.” One I’ve had the pleasure of hearing David, a former lit- only has to look at the variety and volume of David’s erature professor, speak numerous times, and one books to see that he has always been ahead of the of the many gems he shared was his strategic ap- curve. proach to writing novels. When he invests a year David’s novels are timeless—you can pick up any of of his life in a book, he wants to learn and grow as his books and be guaranteed a great read, regard- a result. Perhaps this is why David has straddled less of when the novel was written. Jon explains genres and has written mostly stand-alone novels that “David’s books don’t limit themselves to a spe- in a time when publishing encourages authors to cific time and culture. -
Bcsfazine #412 © September 2007, Volume 35, #9, Is the Monthly Club Newsletter Published by the British Columbia Science Fiction Association, a Social Organization
The newsletter of the B.C. Science Fiction Association #412 $3.00 September 2007 Contents Condominiums with Aluminum Siding...........................................1 We Will LoC You............................................................................2 Advertisements................................................................................ 4 Calendar........................................................................................... 6 Around the World ........................................................................... 7 Masthead/Colophon/and other Wallpaper BCSFAzine #412 © September 2007, Volume 35, #9, is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. ISSN: 1490-6406. Please send comments, subscriptions, suggestions, and/or submissions to Garth Spencer (the Editor), at [email protected] or Box 15335, VMPO, Vancouver, BC, CANADA V6B 5B1. BCSFAzine solicits electronic submissions, and black and white line illustrations in JPG or GIF format, and offers contributor's copies. BCSFAzine is printed most excellently by the good people at Copies Plus, at 1950 West Broadway, Vancouver, BC, tel. 604-731-7868. BCSFAzine is distributed monthly at WHITE DWARF BOOKS, 3715 West 10th Avenue, Vancouver, BC, V6R 2G5, tel. 604-228-8223; email [email protected]. Single copies C$3.00/US$2.00 each. (Subscription/membership rates are given towards the end of this zine. This Month in BCSFA Friday, Sept. 14: BCSFAzine deadline – see Garth at FRED (from 8 pm on at Boston Pizza, Broadway near Granville) if you want to submit to issue #412 Thursday, Sept. 20: September book discussion at "Our Town" café, 245 East Broadway, Vancouver, starting at 7 pm. Book to be discussed will be a surprise! Saturday, Sept. 22: BCSFA party/meeting at 7 pm at Kathleen Moore-Freeman's, 7064 No. 1 Road, Richmond, BC V7C 1T6. See Mapquest or call Kathleen at 604-277-0845 for directions. -
Download a Copy of the 10Th Anniversary Book for the New
NEW MEXICO-ARIZONA BOOK AWARDS 10TH ANNIVERSARY BOOK NEW MEXICO BOOK CO-OP 925 SALAMANCA NW • LOS RANCHOS, NM 87107 Front Cover: Covers of books that have won the Best of Show Award, New Mexico-Arizona Book Awards, 2010-2016 The New Mexico & Arizona Book Awards The First 10 Years In the past ten years, the New Mexico-Arizona Book Awards has given out 1,968 awards, recognizing 1,210 titles/authors. Quite an accomplisment for an entirely volunteer collaborative organization. In ad- dition, the New Mexico-Arizona Book Awards has donated almost 10,000 books to libraries and literacy programs. Introduction It was one of those things that had to be done industry in New Mexico to the forefront and to because everyone around us had a book awards acknowledge the largest book publisher in New programs. We do celebrate books in New Mexico. Mexico. Pat Hodapp won for her support of the The Enchanted Book Awards by the New Mexico Santa Fe Libraries, other libraries in New Mexi- Library Association honors books from anywhere. co, and New Mexico books. She also is a staunch The New Mexico Press Women’s Association has advocate of reading. The awards have been called: books (a few categories) in their Communications Friends of New Mexican Books, Friends of New Contest. But there was no book awards in all cat- Mexican Authors, and the New Mexican Literary egories for New Mexico Books. The New Mexico Award. Radio shows, websites, and book reviewers Book Association Design Awards came about years have also been honored. -
Drama Recommended Monologues
Bachelor of Creative Arts (Drama) Recommended Monologues 1 AUDITION PIECES – FEMALE THREE SISTERS by Anton Chekhov IRINA: Tell me, why is it I’m so happy today? Just as if I were sailing along in a boat with big white sails, and above me the wide, blue sky and in the sky great white birds floating around? You know, when I woke up this morning, and after I’d got up and washed, I suddenly felt as if everything in the world had become clear to me, and I knew the way I ought to live. I know it all now, my dear Ivan Romanych. Man must work by the sweat of his brow whatever his class, and that should make up the whole meaning and purpose of his life and happiness and contentment. Oh, how good it must be to be a workman, getting up with the sun and breaking stones by the roadside – or a shepherd – or a school-master teaching the children – or an engine-driver on the railway. Good Heavens! It’s better to be a mere ox or horse, and work, than the sort of young woman who wakes up at twelve, and drinks her coffee in bed, and then takes two hours dressing…How dreadful! You know how you long for a cool drink in hot weather? Well, that’s the way I long for work. And if I don’t get up early from now on and really work, you can refuse to be friends with me any more, Ivan Romanych. 2 HONOUR BY JOANNA MURRAY-SMITH SOPHIE: I wish—I wish I was more… Like you. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
Bcsfazine #414
#414 $3.00 November 2007 Contents Editorial.......................................................1 Locs.............................................................1 Ads ..............................................................2 Selected Conventions ..................................3 My Idea of News.........................................5 Masthead/Colophon/and other Wallpaper BCSFAzine #413 © October 2007, Volume 35, #10, is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. ISSN: 1490-6406. Please send comments, subscriptions, suggestions, and/or submissions to Garth Spencer at P.O. Box 15335, VMPO, Vancouver, BC CANADA V6B 5B1. Or submissions in both electronic text and B & W line drawing in JPG form to: < garthspencer @ shaw.ca > and, if a non-member, receive a complimentary copy in return. BCSFAzine is distributed monthly at WHITE DWARF BOOKS, 3715 West 10th Avenue, Vancouver, BC, V6R 2G5, tel. 604-228-8223; email [email protected]. Single copies C$3.00/US$2.00 each. (Subscription/membership rates are given towards the end of this zine. This Month in BCSFA November 10 @ 7 pm BCSFA meeting/party at Kathleen Moore- Freeman’s place at 7064 No. 1 Road, Richmond, BC. Phone 604-277-0845 for directions. November 16 BCSFAzine deadline. See Garth at FRED. November 17 @ 8 pm Royal Swiss Navy Disorganizational Meeting at Garth’s place at 82 East 40th Avenue, Vancouver, BC. Phone (604) 325-7314 for directions. November 22 @ 7pm Book discussion at "Our Town" Coffee House 245 East Broadway, Vancouver This time the book is Kafka on the Shore by Haruki Murakami. November 30 BCSFAzine production. See Garth at FRED. Art Credits Sheryl Birkhead .......................................................... masthead Richard Bartrop: “Nersallan” (Okal Rel universe) ........... cover Joe Devoy (Royal Swiss Navy mascot).............................. -
Magisterarbeit / Master's Thesis
MAGISTERARBEIT / MASTER’S THESIS Titel der Magisterarbeit / Title of the Master‘s Thesis „Sexy Concepts in K-POP – Eine Studie zur Wahrnehmung von Geschlechterrollen in k-pop am Beispiel von Boy Group und Girl Group Performances“ verfasst von / submitted by Jasmin Kolar, Bakk phil. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066/841 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Magisterstudium Publizistik- und degree programme as it appears on Kommunikationswissenschaft the student record sheet: Betreut von / Supervisor: Assoc.-Prof. Mag. Dr. Gerit Götzenbrucker Sexy Concepts in K-POP Page 2 Sexy Concepts in K-POP EIDESSTATTLICHE ERKLÄRUNG Ich erkläre hiermit an Eides statt, dass ich die vorliegende Arbeit selbstständig verfasst, andere als die angegebenen Quellen/Hilfsmittel nicht benutzt, und die den benutzten Quellen wörtlich und inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, 6. November 2018 Jasmin Kolar STATUTORY DECLARATION I declare that I have authored this thesis independently, that I have not used other than the declared sources / resources, and that I have explicitly marked all material which has been quoted either literally or by content from the used sources. The work has not been submitted in the same or similar form to any other examination authority and has not yet been published. Vienna, November 6, 2018 Jasmin Kolar Page 3 Sexy Concepts in K-POP Page 4 Sexy Concepts in K-POP Table of contents 1. -
WSIRN Episode 204: Nonfiction That Reads Like a Thrilling Novel Hosted by Anne Bogel, with Guest David Krohse
WSIRN Episode 204: Nonfiction that reads like a thrilling novel Hosted by Anne Bogel, with guest David Krohse [00:00:00] DAVID: If I had to describe Erik Larson's writing style, I would say it's like he plops words on the page. I mean, it just... [BOTH LAUGH] [CHEERFUL INTRO MUSIC] ANNE: Hey readers. I’m Anne Bogel, and this is What Should I Read Next? Episode 204. Welcome to the show that’s dedicated to answering the question that plagues every reader: What should I read next? We don’t get bossy on this show: What we WILL do here is give you the information you need to choose your next read. Every week we’ll talk all things books and reading, and do a little literary matchmaking with one guest. Readers, first off, I’d like to thank you all for helping us celebrate our 200th episode a couple of weeks ago. I know many of you shared the show with your friends and family and we’ve seen lots of new listeners, so thank you. And as a reminder for all you long-time listeners, if you’re a completist who just can’t start something without completing the whole series we have something just for you. We created a 200-club badge to share on instagram for when you’ve listened to the first 200 episodes. You can find that on our instagram feed @ whatshouldireadnext. Feel free to grab that image and share it! For all you new listeners, welcome aboard. The show can be listened to in any order backwards or forwards—although our producer Brenna assures readers that backwards really is best— but if you find the idea of bingeing 200 episodes daunting we’ve made a Spotify playlist of my 30 favorite episodes so that you have an easy place to start. -
Borne the Battle Episode # 246 Navy Veteran Jonathan Kingham
Borne the Battle Episode # 246 Navy Veteran Jonathan Kingham, Nashville and Operation Song Songwriter https://blogs.va.gov/VAntage/90094/borne-battle-246-navy-Veteran-jonathan-kingham- nashville-operation-song-songwriter/ (Text Transcript Follows) [00:00:00] Music [00:00:02] Opening Monologue: (TI): Oh, let's get it. Monday, June 14th, 2021 Borne the Battle—oh, I was a little early there—Borne the Battle, brought to you by the US Department of Veterans Affairs, the podcast that focuses on inspiring Veteran stories and puts a highlight on important resources, offices, and benefits for our Veterans. I’m your host, Marine Corps Veteran Tanner Iskra. Wherever and however you listen to Borne the Battle, be it Apple Podcasts, Spotify, iTunes, iHeartRadio, the player inside the blog, hope you're having a good week outside of Podcast Land. Personally, I am excited. After all this time, the pandemic, everything, I'm going home to Washington State to see my family. Again, I'm excited. My grandma is excited. Most of my family is excited. Going out to the family farm where there's no internet, no cell phone service. It's going to be a good time. That will go on the 4th of July weekend and the week after that. We'll spin up some Borne the Battle rewinds for you. If you heard an episode in the archives and think some of our newer audience members should hear it, email me at [email protected]. Couple ratings, also got one new review. This one is from a FireFox of War. -
Switching and Borrowing in K-Pop
“Shawty, Imma party till the sun down”: A Comparative Study on Korean-English Code- Switching and Borrowing in K-pop Bachelor’s thesis Sanna Niskakangas University of Jyväskylä Department of Language and Communication Studies English May 2019 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistis-yhteiskuntatieteellinen tiedekunta Kieli- ja viestintätieteiden laitos Tekijä – Author Sanna Niskakangas Työn nimi – Title ”Shawty, Imma party till the sun down”: A Comparative Study on Korean-English Code-Switching and Borrowing in K-pop Oppiaine – Subject Työn laji – Level Englannin kieli Kandidaatintutkielma Aika – Month and year Sivumäärä – Number of pages Toukokuu 2019 25 Tiivistelmä – Abstract Eteläkorealaisen popmusiikin eli K-popin kansainvälinen suosio on jatkuvassa kasvussa, ja korealaisten artistien kuulijakunta on laajentunut koskemaan myös muuta kuin koreankielistä yleisöä. Korealaisten popkappaleiden merkittävänä piirteenä voidaan pitää englanninkielisiä osuuksia, joita esiintyy kappaleissa lähes poikkeuksetta. Tästä syystä K-popin suosion kasvaessa myös englannin kielen globaali merkitys korostuu. Tämän tutkimuksen tarkoituksena on tuottaa tietoa siitä, kuinka englannin kieltä käytetään korealaisen popmusiikin sanoituksissa ja millaisia merkityksiä englanninkielisillä sanoituksilla on. Vertailin tutkimuksessani kahta K-pop-yhtyettä, joista toisessa on mukana englannin kielen natiivipuhuja. Näin pyrin selvittämään, onko natiivipuhujan läsnäololla vaikutusta englannin kielen käyttöön sanoituksissa. Aineistoni koostui