DOCSLIB.ORG

Digital Recorders Minidisc /Recordable CD/DAT

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Digital Recorders Minidisc /Recordable CD/DAT 24-BIT ANALOG-TO-DIGITAL CONVERTER. DIGITAL INPUTS AND OUTPUTS. Enable digital-to- PLAYBACK PITCH CONTROL. If you play a musical Establishes high precision in the record mode, with far digital connection from a Compact Disc player and to instrument, listen up. This control enables you to “tune” wider dynamic range than conventional 16-bit circuitry. a DSP receiver or preamplifier. Connections are made MiniDisc playback sharper or flatter, to match your Forms the input for Sony’s Wide Bit Stream technology. without repeated A/D and D/A conversions. There’s also instrument! no noise pick-up. No RF interference. No effects of cable 1 TIME MACHINE RECORDING. Suppose you’re THE SOUND OF ATRAC DSP TYPE “R.” At the LIFE AT THE TOP: DIGITAL AUDIO TAPE. Which Sony digital recorder is right for you? It all 24-BIT VARIABLE COEFFICIENT DIGITAL FILTER. capacitance. PLAY MODES. Sony gives you many ways to play your listening to the radio and a hot new song comes on. heart of MiniDisc audio technology is Adaptive Go to any recording studio. Whether they do A system that actually lets you choose the basic discs, including Continuous Play of a Disc, Shuffle Play operating principles of the filter, to suit the music. DIGITAL PEAK METERS. Display recording levels and Program Play of favorite songs in your own selected country or rock, motion picture sound tracks depends on who you are. If you love Compact With Time Machine recording, you can hit the Transform Acoustic Coding, or ATRAC. It’s the Operates at 24-bit word length, for superlative precision. with ultra precision. sequence. SONY MAKES DIGITAL Record button up to six seconds late – and still process that enables Sony to put 80 minutes of or TV commercial production, chances are they 4X HIGH-SPEED DUBBING. With a CD player and EDITING FEATURES. MiniDisc enables you to PROGRAM PLAY. Like CD, MiniDisc gives you capture every note! The secret? The recorder stores digital stereo sound on a minuscule 2-1/2-inch have Digital Audio Tape (DAT) recorders. DAT is recorder in one chassis, Sony dubbing recorders can edit your music even after you’ve recorded it. Modes split-second access to any song. So MD is perfect for transfer music at faster than real time.2 You can dub include Erase One, Erase All, Combine, Divide, Un-do, track programming, the feature that lets you listen to Discs as much as we do, choose the RCD-W1 the last six seconds of music in buffer memory. disc! Sony’s ATRAC DSP Type “R” uses an added the two-track machine of choice in so many GLOSSARY a 60-minute CD in just 15 minutes! Record from end, Record Over, and Move tracks. By your music in your sequence. RECORDING FLEXIBLE, the way, a MiniDisc can be recorded and re-recorded stage that checks the accuracy of bit allocation. recording studios. And you can enjoy DAT A-B ERASE FUNCTION. MiniDisc enables you to over one million times. R-CORE POWER TRANSFORMER. All hi-fi THAT MIRACULOUS MINIDISC. It’s easy to see continue shaping your music, even after it’s recorded. components use power transformers that can potentially Bits are then re-allocated to refine the coding. at home with the Sony DTC-ZE700. CD-R/RW high-speed dubbing recorder. If you’re why MiniDisc is so popular. It’s so small, yet it A-B erase is ideal for deleting interruptions like radio HEADPHONE OUTPUT. For private listening, supplied radiate audible hum into the signal. The R-core design FAST AND FUN Together with superb processing accuracy, the commercials. with convenient volume control. is an expensive, refined approach that vastly reduces carries up to 80 minutes of music (Standard Play) radiated hum. bit-reallocation yields music that’s even more ALUMINUM FRONT PANEL. A precaution to stop HIGH-SPEED CD-TO-MD DUBBING. Sony’s into studio-quality recording of live music, you’re and over 5 hours of music (Long Play). Shock the propagation of mechanical resonance and air-borne integrated CD player/MD recorders can operate at REMOTE COMMANDER REMOTE CONTROL. faithful to the original. You’ll hear smoother, 2 Resistant Memory means you can play MD vibration. 4X real time speed so you can record an hour of A handy unit with Direct Access™ track selection, title better-articulated, more clearly delineated sound. music in just 15 minutes! input and power on/off. anywhere. Magneto optical recording means you ATRAC DSP TYPE “R.” Sony’s improved version of the a candidate for Sony’s DTC-ZE700 Digital Audio Adaptive Transform Acoustic Coding (ATRAC) process at HYBRID PULSE D/A CONVERTER. Hybrid design REPEAT MODES. Repeat a single track or an entire can record, erase and re-record until you drop. CUSTOMIZING THE COMPACT DISC: the heart of MiniDisc audio technology. Error evaluation, places the digital filter and D/A converter on a single disc, for the continuous music of your choice. a second stage of bit re-allocation and superb processing integrated circuit for shorter signal paths, reduced With one million re-record cycles, your MDs can CD-R/CD-RW RECORDING. Burn your own Tape recorder. And if you want your music ultra-portable, affordable and accuracy yield smoother, more clearly delineated sound. interference. Pulse converter minimizes zero-cross SAMPLING RATE CONVERTER. MiniDisc records at take it longer than you can! CDs with the Sony RCD-W1 CD-Recordable/CD- distortion, considered by researchers to be the most 44.1 kHz. But these decks also accept digital-to-digital AUTO CUT. Places deck in Record/Pause mode after audible distortion in digital playback. The result is inputs at the DAT sampling rates of 32 and 48 kHz. 1 ReWritable high speed Dubbing Recorder. This recording 30 seconds of silence. remarkably smooth, open sound — even during EDITING PERSONALIZES YOUR MUSIC. With SCALE FACTOR EDIT. Enables you to adjust the repeatedly re-recordable, Sony MiniDisc is the ideal choice. It’s perfect for delicate quiet passages. dual-drive recorder has a CD player in the left- CD-R RECORDING. CD-Recordable media is volume of each track after you’ve recorded it, without MiniDisc, you can Move, Divide and Combine affordable, easy-to-use and playback compatible with a INSULATOR FEET. These protect the recorder from disturbing the music itself. Great for compilation MDs, hand drive and a CD-R/RW recorder/player in 1 tracks – shaping your music even after you’ve wide range of home, car and portable CD players. This shelf-borne vibration. Insulator feet reduce the harmful discs recorded at different times and discs recorded recording music from the Internet. And now you can record MiniDiscs at 4X the right. So you can record custom compilation write-once media can be played back again and again. from different sources. recorded it. Thanks to non-linear recording and effects of resonance on analog circuitry and the laser servo. Off-center screw holes help to diffuse modes CDs for playback in the home, on the road or on CD-RW RECORDING. CD-ReWriteable media can SHOCK RESISTANT MEMORY (SRM). Buffer holds of vibration. 2 playback, you’re free to combine Track 1 with be recorded, erased and re-recorded hundreds of times.1 up to six seconds of music for uninterrupted playback, the go! Imagine a custom dance CD for parties. Basic Control Function speed — to capture an hour of music in only 15 minutes! Track 5, for example, for seamless, uninterrupted Playback requires “Multi-Read” drives specifically JOG DIAL™ CONTROL. Turn this convenient control even when accidentally bumped. A hard-driving CD for your road trip. A CD of configured to read CD-RW. for split-second track access and also for text entry. play. You can also perform true editing functions SMART SPACE. Provides a uniform three-second uptempo tunes for your workout. Features CD TEXT AND CUSTOM FILE TEXT TRANSFER. If spacing between all songs. like A-B Erase. There’s even an Un-Do Edit that MD LONG PLAY (MDLP) MODES. Two recording 2 you have a Sony CD Player with Custom File memory and speeds for extended music. LP2 captures up to 2 hours, like 4X high-speed dubbing and One-Touch S-TACT CIRCUITRY. Short for Synchronous Time the Control A-1 II interface, you’re in luck. The disc names 40 minutes of stereo music on a single 80-minute disc. lets you change your last decision! Accuracy Controller. This Sony circuit isolates the clock 4X HIGH SPEED CD-TO-MD RECORDING. If you MDLP (LONG PLAY): OVER 5 HOURS ON ONE SCALE FACTOR EDIT. Suppose you have a mix Synchro Start/Record makes recording fast and track names you’ve entered for your CDs don’t need LP4 captures up to 5 hours, 20 minutes. Requires generator from the digital filter’s noise shaper, reducing to be re-entered when you edit to MiniDisc! compatible player. like simplicity, you’ll appreciate recording music MINIDISC! First, Sony upgraded the recordable of tracks recorded from CD and FM and you NAME THAT TUNE: DISC AND TRACK TITLES. and easy. digital jitter — a potential source of distortion. CD SYNCHRO RECORD. Simplifies making MDs MONAURAL RECORDING. Enables extended time — from CD to MD. And if you like speed, you’ll love MiniDiscs from 74 minutes to 80. Now we’ve recorded the FM tracks too loud. Scale Factor MiniDiscs can save disc name, track names and TEXT DISPLAY. Shows the disc names, track names from compatible Sony CD players by releasing from recording up to 160 minutes (mono), on an MDW-80.
Load more

Recommended publications
  • DVD/CD Rewritable Drive
    IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste.
    [Show full text]
  • How to Tape-Record Primate Vocalisations Version June 2001
    How To Tape-Record Primate Vocalisations Version June 2001 Thomas Geissmann Institute of Zoology, Tierärztliche Hochschule Hannover, D-30559 Hannover, Germany E-mail: [email protected] Key Words: Sound, vocalisation, song, call, tape-recorder, microphone Clarence R. Carpenter at Doi Dao (north of Chiengmai, Thailand) in 1937, with the parabolic reflector which was used for making the first sound- recordings of wild gibbons (from Carpenter, 1940, p. 26). Introduction Ornithologists have been exploring the possibilities and the methodology of tape- recording and archiving animal sounds for many decades. Primatologists, however, have only recently become aware that tape-recordings of primate sound may be just as valuable as traditional scientific specimens such as skins or skeletons, and should be preserved for posterity. Audio recordings should be fully documented, archived and curated to ensure proper care and accessibility. As natural populations disappear, sound archives will become increasingly important. This is an introductory text on how to tape-record primate vocalisations. It provides some information on the advantages and disadvantages of various types of equipment, and gives some tips for better recordings of primate vocalizations, both in the field and in the zoo. Ornithologists studying bird sound have to deal with very similar problems, and their introductory texts are recommended for further study (e.g. Budney & Grotke 1997; © Thomas Geissmann Geissmann: How to Tape-Record Primate Vocalisations 2 Kroodsman et al. 1996). For further information see also the websites listed at the end of this article. As a rule, prices for sound equipment go up over the years. Prices for equipment discussed below are in US$ and should only be used as very rough estimates.
    [Show full text]
  • The Emergence of the Compact Disc Hans B
    IEEE A Communications Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page BEF MaGS HISTORY OF COMMUNICATIONS EDITED BY MISCHA SCHWARTZ INTRODUCTION BY EDITOR The article following on the history of the development of the development process, but of the pitfalls and difficulties encoun- CD, written especially for this column by one of the engineers tered and eventually overcome before the system could be who participated in the development effort, should be of interest deemed successful. As another reviewer noted, “ I also appreciat- to all readers of this magazine. As one of the reviewers of the ed the depiction of the human elements that are invariably part article noted, “CDs and successor optical discs are so much a of these projects,” in this case the initial naming of the project or part of our lives, it is fascinating to read about their genesis.” As the reasons for the choice of the final dimensions of the CD. The he goes on to note, “As an engineer, it is equally fascinating and ability of two major companies, Philips and Sony, from two dif- insightful to see how technologies which now seem so obvious ferent parts of the world, to collaborate and come up with such a and inevitable were once open to debate.” I venture to guess that successful product is another fascinating lesson taught by this this is true of almost all technologies, whether large systems or particular history. I suggest you read on to see all of this for your- devices within systems. This is what makes reading about the his- self.
    [Show full text]
  • Instruction Manual
    N A G R A 4.2 PORTABLE ANALOGUE AUDIO TAPE RECORDER INSTRUCTION MANUAL (KSA code No. 20 04 004 151) Kudelski S.A. NAGRA Tape Recorder Manufacturer CH-1033 Cheseaux / SWITZERLAND phone (021) 732 01 01 Copyright reserved for all countries telex 459 302 nagr ch February 1991 Edition Printed in Switzerland telefax (021) 732 01 00 http://www.nagraaudio.com NAGRA, KUDELSKI, NEOPILOT, NEOPILOTTON NAGRASTATIC, NAGRAFAX are registered trade - marks, property of KUDELSKI S.A. NAGRA Tape Recorders Manufacture NAGRA / KUDELSKI certifies that this instrument was thoroughly inspected and tested prior to leaving our factory and is in accordance with the data given in the accompanying test sheet. We guarantee the products of our own manufacture against any defect arising from faulty manufacture for a period of one year from the date of delivery. This guarantee covers the repair of confirmed defects or, if necessary, the replacement of the faulty parts, excluding all other indemnities. All freight costs, as well as customs duty and other possible charges, are at the customer's expense. Our guarantee remains valid in the event of emergency repairs or modifications being made by the user. However we reserve the right to invoice the customer for any damage caused by an unqualified person or a false maneuver by the operator. We decline any responsibility for any and all damages resulting, directly or indirectly, from the use of our products. Other products sold by KUDELSKI S.A. are covered by the guarantee clauses of their respective manufacturers. We decline any responsibility for damages resulting from the use of these products.
    [Show full text]
  • VRX-SL Sales Brochure
    Radio Systems VRX-SL Single Channel VHF Receiver Specifications Frequency To be specified within 136-174MHz Modulation Narrowband FM 12.5kHz or 25kHz channel spacing to be specified at time of order Sensitivity 107dBm (luV) signal modulated by 1kHz tone with a peak deviation of 2.5kHz produces an output s+n/n ratio greater than 26dB Squelch Threshold 120dB (0,2uV) nominal. Adjustable through control under battery cover Adjacent Channel Rejection Ratio Better than 75dB Spurious Response Better than 60dB Intermodulation Rejection Ratio Better than 60dB, measured as per MPT 1301 Desensitisation (Blocking) Level Better than -23dBm Spurious Outputs Excellent RF performance Less than -47dBm (20nW) Outputs Recorder-50mV rms (typical) into 20KO, Small size suitable both for discreet body-worn independent of volume setting communication and general portable applications Headphones-60mW typical into 8Q. Squelch-open collector/-ve ground. 'On' when receiver is muted Supply Voltage Outputs for headphones, recorder and squelch state 6-10VDC. Power Source Internal PP3 Alkaline battery. Simple interfacing for control of other equipment Rear panels with power input socket available. Battery Life Available with factory fitted scrambler With squelch lifted and standard headphones connected approximately 12 hours Supply Current The VRX-SL receiver, due to its small size, is generally intended for body- Less than 25mA with squelch lifted and no worn use. However, the receiver's excellent performance and facilities headphones. make it suitable for other portable applications. Temperature Range Above specifications measured between + 10°C to +35°C. Permissible operating Outputs temperature range-10°C to +60°C A single socket provides outputs for ear/headphones (including Front Panel Control inductive earpieces), tape recorder and squelch state.
    [Show full text]
  • AZ1025 CD Sound Machine • Bass Reflex Speaker System Acoustic System That Enhances the Upper Bass Tones to Provide a Warmer, Punchier Bass Sound
    CD sound machine AZ1025 CD sound machine • Bass reflex speaker system Acoustic system that enhances the upper bass tones to provide a warmer, punchier bass sound. • Dynamic bass boost Enhances bass tone frequencies to give deep, rich sounds. • Digital tuner with 29 presets Provides fast, accurate tuning to your favourite stations.You can store up to 29 FM and MW stations in memory for fast, easy access. • CD synchro start recording Synchronises the start of a recording on audio cassette with the start of a CD at the touch of a button. • Compact disc digital audio player • Stereo cassette deck • 20-Track programmable • 14-key remote control CD sound machine Standard product information Amplifier AZ1025 • Output power : 2 x 1.6 W RMS • Dynamic bass boost • Up/down digital volume control Sound system Product highlights • 2 x 4" full range speakers • Bass reflex speaker system • Compact disc digital audio player • Metal speaker grilles Compact Disc technology that combines superb digital sound quality with the convenience of random track access and CD functions like CD programme, CD player Shuffle Play and Repeat. • Top loader • 20-Track programmable • 20 track CD programme Stores up to 20 of your favourite CD tracks for playing back in your order of • CD programme, shuffle and repeat function preference. • CD synchro start recording • Shuffle play • Search/Skip/review Plays disc selection randomly, giving you a new sequence of tracks each time. • Repeat one/all Cassette deck Repeats the current track, the total CD, or your pre-selected programme. • Single stereo cassette deck • CD next/previous track search • Normal tape type Plays the next or previous track at the touch of a button.
    [Show full text]
  • Use External Storage Devices Like Pen Drives, Cds, and Dvds
    External Intel® Learn Easy Steps Activity Card Storage Devices Using external storage devices like Pen Drives, CDs, and DVDs loading Videos Since the advent of computers, there has been a need to transfer data between devices and/or store them permanently. You may want to look at a file that you have created or an image that you have taken today one year later. For this it has to be stored somewhere securely. Similarly, you may want to give a document you have created or a digital picture you have taken to someone you know. There are many ways of doing this – online and offline. While online data transfer or storage requires the use of Internet, offline storage can be managed with minimum resources. The only requirement in this case would be a storage device. Earlier data storage devices used to mainly be Floppy drives which had a small storage space. However, with the development of computer technology, we today have pen drives, CD/DVD devices and other removable media to store and transfer data. With these, you store/save/copy files and folders containing data, pictures, videos, audio, etc. from your computer and even transfer them to another computer. They are called secondary storage devices. To access the data stored in these devices, you have to attach them to a computer and access the stored data. Some of the examples of external storage devices are- Pen drives, CDs, and DVDs. Introduction to Pen Drive/CD/DVD A pen drive is a small self-powered drive that connects to a computer directly through a USB port.
    [Show full text]
  • Media Draft Appendix
    Media Draft Appendix October, 2001 P C Hariharan Media Historical evidence for written records dates from about the middle of the third millennium BC. The writing is on media1 like a rock face, cave wall, clay tablets, papyrus scrolls and metallic discs. Writing, which was at first logographic, went through various stages such as ideography, polyphonic syllabary, monophonic syllabary and the very condensed alphabetic systems used by the major European languages today. The choice of the medium on which the writing was done has played a significant part in the development of writing. Thus, the Egyptians used hieroglyphic symbols for monumental and epigraphic writing, but began to adopt the slightly different hieratic form of it on papyri where it coexisted with hieroglyphics. Later, demotic was derived from hieratic for more popular uses. In writing systems based on the Greek and Roman alphabet, monumental writing made minimal use of uncials and there was often no space between words; a soft surface, and a stylus one does not have to hammer on, are conducive to cursive writing. Early scribes did not have a wide choice of media or writing instruments. Charcoal, pigments derived from mineral ores, awls and chisels have all been used on hard media. Cuneiform writing on clay tablets, and Egyptian hieroglyphic and hieratic writing on papyrus scrolls, permitted the use of a stylus made from reeds. These could be shaped and kept in writing trim by the scribe, and the knowledge and skill needed for their use was a cherished skill often as valuable as the knowledge of writing itself.
    [Show full text]
  • Compact Disc Minidisc Deck
    3-856-489-32(1) Compact Disc MiniDisc Deck Operating Instructions EN GB Mode d’emploi F f MXD-D1 1996 by Sony Corporation Sony Corporation Printed in Japan On cleaning WARNING Precautions Clean the cabinet, panel and controls with a soft cloth slightly moistened with To prevent fire or shock a mild detergent solution. Do not use On safety any type of abrasive pad, scouring hazard, do not expose the unit Should any solid object or liquid fall powder or solvent such as alcohol or to rain or moisture. into the cabinet, unplug the unit and benzine. To avoid electrical shock, do have it checked by qualified personnel before operating it any further. If you have any questions or problems not open the cabinet. Refer concerning your unit, please consult your nearest Sony dealer. servicing to qualified On power sources personnel only. • Before operating the unit, check that the operating voltage of the unit is identical with your local power The laser component in this product is supply. The operating voltage is capable of emitting radiation exceeding the limit for Class 1. indicated on the nameplate at the rear of the unit. • If you are not going to use the unit for a long time, be sure to disconnect the CAUTION unit from the wall outlet. To TO PREVENT ELECTRIC SHOCK, DO disconnect the AC power cord, grasp NOT USE THIS POLARIZED AC PLUG the plug itself; never pull the cord. WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY On condensation in the unit INSERTED TO PREVENT BLADE If the unit is brought directly from a EXPOSURE.
    [Show full text]
  • Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music
    Common Tape Manipulation Techniques and How They Relate to Modern Electronic Music Matthew A. Bardin Experimental Music & Digital Media Center for Computation & Technology Louisiana State University Baton Rouge, Louisiana 70803 [email protected] ABSTRACT the 'play head' was utilized to reverse the process and gen- The purpose of this paper is to provide a historical context erate the output's audio signal [8]. Looking at figure 1, from to some of the common schools of thought in regards to museumofmagneticsoundrecording.org (Accessed: 03/20/2020), tape composition present in the later half of the 20th cen- the locations of the heads can be noticed beneath the rect- tury. Following this, the author then discusses a variety of angular protective cover showing the machine's model in the more common techniques utilized to create these and the middle of the hardware. Previous to the development other styles of music in detail as well as provides examples of the reel-to-reel machine, electronic music was only achiev- of various tracks in order to show each technique in process. able through live performances on instruments such as the In the following sections, the author then discusses some of Theremin and other early predecessors to the modern syn- the limitations of tape composition technologies and prac- thesizer. [11, p. 173] tices. Finally, the author puts the concepts discussed into a modern historical context by comparing the aspects of tape composition of the 20th century discussed previous to the composition done in Digital Audio recording and manipu- lation practices of the 21st century. Author Keywords tape, manipulation, history, hardware, software, music, ex- amples, analog, digital 1.
    [Show full text]
  • Dual Digital Audio Tape Deck OWNER's MANUAL
    » DA-302 Dual Digital Audio Tape Deck OWNER’S MANUAL D00313200A Important Safety Precautions CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALI- Ü FIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure ÿ that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the pres- ence of important operating and maintenance (servicing) instructions in the literature Ÿ accompanying the appliance. This appliance has a serial number located on the rear panel. Please record the model number and WARNING: TO PREVENT FIRE OR SHOCK serial number and retain them for your records. Model number HAZARD, DO NOT EXPOSE THIS Serial number APPLIANCE TO RAIN OR MOISTURE. For U.S.A Important (for U.K. Customers) TO THE USER DO NOT cut off the mains plug from this equip- This equipment has been tested and found to com- ment. If the plug fitted is not suitable for the power ply with the limits for a Class A digital device, pur- points in your home or the cable is too short to suant to Part 15 of the FCC Rules. These limits are reach a power point, then obtain an appropriate designed to provide reasonable protection against safety approved extension lead or consult your harmful interference when the equipment is operat- dealer.
    [Show full text]
  • MINIDISC MANUAL V3.0E Table of Contents
    MINIDISC MANUAL V3.0E Table of Contents Introduction . 1 1. The MiniDisc System 1.1. The Features . 2 1.2. What it is and How it Works . 3 1.3. Serial Copy Management System . 8 1.4. Additional Features of the Premastered MD . 8 2. The production process of the premastered MD 2.1. MD Production . 9 2.2. MD Components . 10 3. Input components specification 3.1. Sound Carrier Specifications . 12 3.2. Additional TOC Data / Character Information . 17 3.3. Label-, Artwork- and Print Films . 19 3.4. MiniDisc Logo . 23 4. Sony DADC Austria AG 4.1. The Company . 25 5. Appendix Form Sheets Introduction T he quick random access of Compact Disc players has become a necessity for music lovers. The high quality of digital sound is now the norm. The future of personal audio must meet the above criteria and more. That’s why Sony has created the MiniDisc, a revolutionary evolution in the field of digital audio based on an advanced miniature optical disc. The MD offers consumers the quick random access, durability and high sound quality of optical media, as well as superb compactness, shock- resistant portability and recordability. In short, the MD format has been created to meet the needs of personal music entertainment in the future. Based on a dazzling array of new technologies, the MiniDisc offers a new lifestyle in personal audio enjoyment. The Features 1. The MiniDisc System 1.1. The Features With the MiniDisc, Sony has created a revolutionary optical disc. It offers all the features that music fans have been waiting for.
    [Show full text]