2012 Smithsonian Folklife Festival
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Great Britain's Best Sellers States Again in February with Dates in New York, Los Angeles, Detroit and Philadelphia
,,..... man 4/Y\m.\ out rrw:,\ r wu HUM CaehBox CashBox France Urn \I Z=iin eMUMi `siir Great Britain WWI/ \\vm Tiffuawm roni The Rolling Stones will produce and star in a major TV program to be 2 months before its opening, MIDEM 1969 is beating all records. To date, called "The Rolling Stones Rock 'n' Roll Show" which will be distributed on a about 30 offices are left in the Hotel Martinez. 2,500 participants are already global basis. It is the group's first small -screen spectacular and filming will attending MIDEM. This number represents 2/3's of last year's participation. be Michael Lindsay -Hogg who was connected with the now defunct independent MIDEM expects an increase of 25 to 30%, i.e. 4,000 to 4,500 participants. At TV series "Ready Steady Go" and also directed the Stones in their "Jumping this moment, delegates from the technical department are in Cannes studying Jack Flash" TV movie. Already booked as guests are Traffic, American blues the best way to adapt the Martinez to the expected rush. The participants singer -guitarist Taj Mahal and Indian swamp music specialist Dr. John. The will discover with the greatest pleasure that Bernard Chevry has organized long delayed "Beggar's Banquet" LP by the Rolling Stones was finally re- in the Martinez a very important and up-to-date telephone installation. An leased November 22nd by Decca with revised artwork. exchange located at each level will enable the MIDEM participants to obtain Latest Board of Trade figures just released show that total sales of gramo- without any delay long distance and local calls. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
03-26-13 (The Liberty Champion, Volume 30 Issue 18)
Scholars Crossing 2012 – 2013 Liberty University School Newspaper 3-26-2013 03-26-13 (The Liberty Champion, volume 30 issue 18) Champion Liberty University Follow this and additional works at: https://digitalcommons.liberty.edu/paper_12_13 Recommended Citation Champion, "03-26-13 (The Liberty Champion, volume 30 issue 18)" (2013). 2012 – 2013. 5. https://digitalcommons.liberty.edu/paper_12_13/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2012 – 2013 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. j Today: Sunfly 50/31 Tomorrow: Sunny 48/31 - , ol..... :- ' Tuesday, March 26, 2013 libertychampibn.com Volume 30 • Issue 78 . I spring? . ' Proposed budget ' ' Laure~ Creelonor~ lcre,[email protected] . Lynchburg City Manager Kimball Payne announced the City of Lynch bµrg's proposed budget for 2014 on March 12. The budget includes funding for many different areas in the city, ac rcording to Payne's proposal. I "We've had a number of difficult bud gets over the last four years, especially January of 2009," Payne said. "We've made a number of adjustments, such as cutting spending and erasing tax increas es in the new budget and including a pay raise." According to Payne, th~ proposed bud get includes money for the general, capi tal, airport, water, sewer and storm water funds, among others. Without the begin I ning funds and transfers between them, the total amounts to $318.1 million. The 2014 budget is different than pre l. -
Journal of the Music & Entertainment Industry Educators Association
Journal of the Music & Entertainment Industry Educators Association Volume 18, Number 1 (2018) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from The Journal of the Music & Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business research and education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the Journal of the Music & Enter- tainment Industry Educators Association do not necessarily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opin- ions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2018 Music & Entertainment Industry Educators Association All rights reserved Editorial Advisory Board Bruce Ronkin, Editor, Northeastern University Paul Linden, Associate Editor, Butler University Ben O’Hara, Associate Editor, Australian College of the Arts (Collarts) Timothy Channell, Radford University Mark J. -
Ethan Foote Music Resume May2017
ETHAN FOOTE COMPOSER/MUSICIAN 4603 Western Ave. NW● Washington, DC 20016 Phone: (202) 669-2871 ● E-Mail: [email protected] Website: www.ethanfootemusic.com SUMMARY OF QUALIFICATIONS Creative Composition, arranging, and songwriting across genres and idioms; performance on double bass, bass guitar, and acoustic six- and twelve-string guitars; proficiency on cello. Conceptual Extensive knowledge of music theory and Western music history from the common practice period onward; ability to write cogently, critically, and persuasively and apply analytical thinking to diverse subject matter; broad familiarity with the arts and humanities. Technical Mastery of Sibelius; proficiency with recording and production in Logic. AWARDS Strathmore Artist-In-Residence 2016 - 2017 Participant in selective year-long residency program for six young performing artists in the Washington, D.C. area, held at the Strathmore Mansion in Bethesda, MD. DCCAH Arts and Humanities Fellowship Program grant recipient 2016 - 2017 Awarded grant for Washington, D.C. artists from the D.C. Commission on the Arts and Humanities. COMPOSITION, ARRANGING, & SONGWRITING CONCERT MUSIC String Quartet No. 1 2017 Revanche Grotesque (quintet for violin, flute, clarinet, bassoon, and double bass) 2017 The Accusing Shadow (duet for flute and double bass) 2017 Suite for Septet (four-movement jazz suite for voice, violin, flute, clarinet, bassoon, double bass, and drums) 2017 ALBUMS Fields Burning 2015 Created and co-produced album of original music and lyrics; arranged for folk/rock instrumentation as well as string quartet, organ, and trumpet; recorded electric and acoustic guitars, bass guitar, double bass, mandolin, cello, and percussion on album. Spirit House 2015 Co-produced album by folk artist Marian McLaughlin; arranged music for various combinations of strings, woodwinds, brass, electric and acoustic guitars and basses, drums, and percussion; recorded 12-string guitar, electric guitar, double bass, bass guitar, and percussion on album. -
Cheee 25 Styles Designed by James Edmondson & Alexis Boscariol In
OHNO CheeeCheee Cheee Cheee Cheee Cheee Cheee Cheee Cheee Cheee CheeeCheeeCheee Cheee CheeeCheee Cheee CheeeCheee Cheee Cheee Cheee CheeeCheee Cheee cheee 25 styles designed by james edmondson & alexis boscariol in 2020 cheee specimen ohnotype.co ©2020. all rights reserved. OHNO Stinkhead Chaarleee Kingstreet Smortious yeast: sm, gravity: sm yeast: sm, gravity: med yeast: sm, gravity: lg yeast: sm, gravity: xl Conshred Bingbong Peeenutt Oldskool yeast: med, gravity: sm yeast: med, gravity: med yeast: med, gravity: lg yeast: med, gravity: xl Pickles Juanito Schemer Jabroni yeast: lg, gravity: sm yeast: lg, gravity: med yeast: lg, gravity: lg yeast: lg, gravity: xl Sticky Shishi Crimer Tomboe yeast: xl, gravity: sm yeast: xl, gravity: med yeast: xl, gravity: lg yeast: xl, gravity: xl Jimbo Wowie Tbone Boogy yeast: xxl, gravity: sm yeast: xxl, gravity: med yeast: xxl, gravity: lg yeast: xxl, gravity: xl Oyen Choy Baby Gnat yeast: xxxl, gravity: sm yeast: xxxl, gravity: med yeast: xxxl, gravity: lg yeast: xxxl, gravity: xl cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee small Antacid VERVAIN Yawling ARACHIS Dwaums cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee stinkhead Molluscicide CONCERNEDLY Optimisation EXHILARATED Overshading cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee chaarleee Genteelising PRODIGALISED Scowderings UNDEVELOPED Home-Thrust cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee kingstreet Contumacies MAP-READERS Ichthyopsida REGIONALISTS Bite the dust cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee smortious Anemograph DISCOLOURING Kinetograph CONTUMACIES Varsovienne cheee specimen ohnotype.co ©2020. all rights reserved. OHNO cheee conshred Red herring FRANCOPHILS Felicitously STOOL PIGEON Partitionist cheee specimen ohnotype.co ©2020. -
Multi-Cultural Arts Education Programs
Multi-Cultural Arts Education Programs 2018–2019 Curriculum Connections Address curriculum standards in innovative ways Language Arts Social Studies STEM World Languages Dance Music Theatre Visual Arts Storytelling Green Character/SEL 1 Anansegromma of Ghana ✔ ✔ ✔ ✔ ✔ ✔ ✔ 2 Andes Manta ✔ ✔ ✔ ✔ 3 Arturo Ho ✔ ✔ ✔ ✔ ✔ ✔ 4 Barynya ✔ ✔ ✔ ✔ ✔ 5 Billy B. ✔ ✔ ✔ ✔ ✔ ✔ ✔ 6 Bowen McCauley Dance Company ✔ ✔ ✔ ✔ ✔ ✔ 7 Cantaré ✔ ✔ ✔ ✔ ✔ ✔ ✔ 8 Carien Quiroga ✔ ✔ ✔ ✔ ✔ ✔ ✔ 9 Cello Fury ✔ ✔ ✔ ✔ 10 Christylez Bacon ✔ ✔ ✔ ✔ ✔ ✔ 11 Chicago Improv Productions ✔ ✔ ✔ ✔ ✔ 12 DinoRock ✔ ✔ ✔ ✔ ✔ ✔ ✔ ✔ 13 Dom Flemons—The American Songster ✔ ✔ ✔ ✔ ✔ 14 Dovie Thomason ✔ ✔ ✔ ✔ ✔ ✔ ✔ 15 Flow Circus ✔ ✔ ✔ ✔ ✔ 16 Genticorum ✔ ✔ ✔ ✔ ✔ 17 Gerdan ✔ ✔ ✔ ✔ ✔ ✔ 18 Joanne Miller ✔ ✔ ✔ ✔ ✔ ✔ 19 Karim Nagi ✔ ✔ ✔ ✔ ✔ ✔ ✔ 20 Krsko Creative Group ✔ ✔ ✔ ✔ ✔ 21 Lesole’s Dance Project ✔ ✔ ✔ ✔ ✔ ✔ 22 Magpie ✔ ✔ ✔ ✔ ✔ ✔ 23 Mark H Rooney ✔ ✔ ✔ ✔ ✔ ✔ 24 Mark Jaster ✔ ✔ ✔ ✔ ✔ 25 Prakriti Dance ✔ ✔ ✔ ✔ ✔ ✔ ✔ ✔ 26 Robert Kikuchi-Yngojo ✔ ✔ ✔ ✔ ✔ ✔ ✔ ✔ 27 Síneadh Fada ✔ ✔ ✔ ✔ ✔ ✔ ✔ 28 Smithsonian Assoc. Discovery Theater ✔ ✔ ✔ ✔ ✔ ✔ ✔ ✔ ✔ 29 Snowday ✔ ✔ ✔ ✔ 30 Step Afrika! ✔ ✔ ✔ ✔ ✔ ✔ 31 Unifed Jazz Ensemble ✔ ✔ ✔ ✔ ✔ 32 Wytold ✔ ✔ ✔ ✔ ✔ ✔ SEPT OCT NOV DEC JAN FEB MARCH APRIL MAY JUNE Black History Month Music in Our Schools Arab-American Asian American National Caribbean Month Heritage Month and Pacifc Islander American Heritage Heritage Month Month Nat’l Youth Violence Earth Day Prevention Week Cinco de Mayo Jazz Appreciation Month Theatre in Our Schools Children’s Book Week Month National -
Christylez Bacon with Wytold Teacher Guide
Christylez Bacon with Wytold Teacher Guide: Classical Hip-Hop Description Remixing the classics, this program merges the contrasting worlds of Classical and Hip-Hop music in a collaborative musical program featuring GRAMMY nominated Progressive Hip-Hop artist Christylez Bacon (pronounced: chris-styles) and six-string electric cellist, Wytold (William Wytold Lebing). Traditional elements of hip-hop such as human beatbox, rhyming and storytelling are blended with classical compositions of composers like Bach, Vivaldi and Pachelbel. Christylez Bacon demonstrates the amazing human beat-box and how it can interplay with the percussive and bowing techniques the electric cello. On-stage audio engineering enhances the layers of rhythmic and tonal complexity. By building cross-cultural connections, these presentations help students gain insight into the universality of artistic expression; call and response techniques encourage direct audience participation in the performance experience. Program Objectives Students will learn about the elements of improvisation and ensemble performance and explore a range of tone qualities, rhythms, and musical genres. The program will demonstrate how music can be created using the most basic materials of the artist’s own voice and body in addition to using modern-day acoustic engineering technology. About the Artists Christylez Bacon Christylez Bacon adds a new flavor to hip-hop by mixing musical genres from around the world through multi-instrumental exploration of beat box (oral percussion), rap, go-go, classical music and beyond. He frequently performs with artists of diverse bacKgrounds as part of what Bacon calls his “mission towards cultural acceptance and unification through music.” Originally from Southeast Washington, DC, Christylez Bacon continues to perform and give bacK to his native community. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
The Festival Records Story by Brendan Hancock and Matthew J Schelle
The Festival Records Story by Brendan Hancock and Matthew J Schelle Introduction John, Peter Allen and The Bee Gees. After decades at the top of the Music And it was also Festival Records, which Industry in Australia, Festival Records was instrumental in shaping the (now Festival Mushroom Records, after Australian Rock and Roll scene. a recent merger with the Mushroom With what was initially a simple label), are now celebrating their 50th investment from a group of old war anniversary. It’s hard to believe that an buddies working together, the label independent label such as Fcestival, went through ups and downs, but the which had an inconspicuous beginning company always bounced back, due to as a high risk-fast gain investment the combination of off-beat thinking opportunity, has steered its way past and sheer luck. numerous obstacles to become Although the Festival Records story Australia’s biggest ever independent does go beyond the years of 1977, it’s record label. It was Festival Records the early days that the real story, the which took the chances and as such, it real magic took place. From the people was Festival Records which was working behind the scenes to the artists Festival’s ‘REX’ label was created to house the best of the new young artist responsible in launching the careers of themselves, the following will give you who had joined the Festival Records countless Australian Artists such as enough information to understand how and why the famous label became what Family. The brain child of L. J Hooker. Johnny O’Keefe, Col Joye, Dig It produced hits from Noeline Batley, it is today. -
Oldiemarkt Journal
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 06/08 VINYL -/ CD-AUKTION Juni Earth, Wind & Fire Die Hitmaschine des Marice White Powered and designed by Peter Trieb – D 84453 Mühldorf Ergebnisse der AUKTION 355 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 2.614 Gesamtwert aller Gebote 52.373,00 Gesamtwert der versteigerten Platten / CD’s 22.597,00 Höchstgebot auf eine Platte / CD 408,66 Highlight des Monats Mai 2008 LP - I.D. Company - Inga + Dagmar - Hör zu black - D - M / M So wurde auf die Platte / CD auf Seite 9, Zeile 76 geboten: Mindestgebot EURO 15,00 Die einzige LP der beiden Sängerinnen Bieter 1 - 2 15,00 - 16,18 der in den 60er Jahren enorm erfolgreichen City Preacher um den Iren Bieter 3 - 4 20,10 - 21,56 Brian Docker gehört zu den Raritäten aus der langen Karriere der Inga Rumpf. Bieter 5 27,51 Sie taten sich nach dem Ende ihrer alten Bieter 6 31,87 Band zusammen und nahmen eine Platte auf, die Folk, fernöstliche Musik und Bieter 7 - 9 40,77 - 47,60 deutsche Lieder miteinander verband. Das hatte natürlich keinen großen Erfolg, Bieter 10 78,20 weswegen Inga Rumpf kurz darauf bei Frumpy auftauchte. Während das erste Gebot wie immer nach dem Motto kann man ja mal versuchen abgegeben wurde, sind die Höchstgebote relativ hoch ausgefallen. Bieter 11 79,99 Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Schallplattenbörsen Oldie-Markt 6/08 3 Plattenbörsen 2008 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical.