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Scribal Culture and the Making of the Hebrew Bible Scribal Culture and the Making of the Hebrew Bible Scribal Culture and the Making of the Hebrew Bible KAREL VAN DER TOORN HAR VARD UNIVERSITY PRESS Cambridge, Massachusetts, and London, England Copyright © 2007 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Designed by Gwen Nefsky Frankfeldt First Harvard University Press paperback edition, 2009. Library of Congress Cataloging-in-Publication Data: Toorn, K. van der. Scribal culture and the making of the Hebrew Bible / Karel van der Toorn. p. cm. Includes bibliographical references and index. ISBN 978-0-674-02437-3 (cloth : alk. paper) ISBN 978-0-674-03254-5 (pbk.) 1. Bible. O.T.—History. I. Title. BS1130.T66 2007 221.6′6—dc22 2006049603 Contents Acknowledgments vii Abbreviations ix introduction 1 1. books that are not books: Writing in the World of the Bible 9 2. authorship in antiquity: Practice and Perception 27 3. in search of the scribes, i: Comparative Evidence 51 4. in search of the scribes, ii: The Biblical Evidence 75 5. making books: Scribal Modes of Text Production 109 6. the teaching of moses: Scribal Culture in the Mirror of Deuteronomy 143 7. manufacturing the prophets: The Book of Jeremiah as Scribal Artifact 173 8. inventing revelation: The Scribal Construct of Holy Writ 205 9. constructing the canon: The Closure of the Hebrew Bible 233 Notes 267 Selected Bibliography 367 Index 393 Acknowledgments I owe the opportunity to write this book to the board of the Universiteit van Amsterdam, which granted me a generous sabbatical leave after my service as dean of the Faculty of Humanities. The leave allowed me to pursue an interest that had been with me since the com- pletion of my book Family Religion in Babylonia, Syria, and Israel, which appeared in 1996. I had decided at that time to turn my atten- tion to the scribes and scholars of the ancient Near East in an attempt to understand the social context of the religious writings they had pro- duced. The Hebrew Bible presented itself as a natural focus for my re- search. As my own thinking on the matter developed, it became obvious that I was working on an introduction to the Bible. Such introductions are familiar to teachers and students, but the one I saw emerging from my studies was unlike other representatives of the genre. I was exploring the scribal culture of the Near East as a means to understanding the making of the Hebrew Bible. The individual books of the Bible were of less interest to me than the social and intellectual background of the scribes behind them. The focus on the scribal milieu opened up new av- enues of approach to the books of the Bible. I did my research and writing at the Netherlands Institute of Ad- vii Acknowledgments vanced Studies in Wassenaar and at the Netherlands Institute for the Near East in Leiden. The pleasant and scholarly environment of these institutes has been a source of inspiration and encouragement. Several colleagues, some from places other than Wassenaar and Leiden, read parts of the manuscript; Joris Borghouts, Christopher Rollston, Mark S. Smith, and Marten Stol saved me from some serious errors, offered useful suggestions, and supplied me with a score of references. Writing is usually a solitary pursuit; thinking often is too. Thus I feel all the more fortunate to have a few people whom I consider friends as well as intellectual sparring partners. My discussions with Peter van Rooden, Mark Smith, and Liz Bloch-Smith were so absorbing at times that it is difficult to say who came up with certain ideas that I eventu- ally considered mine. Though I remain responsible for everything that is in this book, some of the better ideas are likely to go back to them. Literature appearing after the completion of the manuscript at the end of 2005 has not been included in the Bibliography. Amsterdam, December 2006 viii Abbreviations ABD Anchor Bible Dictionary, ed. David Noel Freedman, 6 vols. New York: Doubleday, 1992. AfO Archiv für Orientforschung AOAT Alter Orient und Altes Testament CM Cuneiform Monographs COS The Context of Scripture, ed. William W. Hallo and K. Lawson Younger, 3 vols. Leiden: Brill, 1997–. DN Divine name JAOS Journal of the American Oriental Society JBL Journal of Biblical Literature JCS Journal of Cuneiform Studies JNES Journal of Near Eastern Studies JSOT Journal for the Study of the Old Testament K. Tablets from Kuyunjik, as numbered in the British Museum LÄ Lexikon der Ägyptologie, ed. W. Helck, E. Otto, and W. Westendorf, 7 vols. Wiesbaden: Harrassowitz, 1972–1992. LXX Septuagint MT Masoretic text NJPS Tanakh: The Holy Scriptures: The New Jewish Publication Society Translation according to the Traditional Hebrew Text OBO Orbis Biblicus et Orientalis RA Revue d’Assyriologie Abbreviations RlA Reallexikon der Assyriologie, ed. Erich Ebeling et al. Berlin: W. de Gruyter, 1928–. SAA State Archives of Assyria SBL Society of Biblical Literature VT Vetus Testamentum ZA Zeitschrift für Assyriologie ZAW Zeitschrift für die alttestamentliche Wissenschaft x Scribal Culture and the Making of the Hebrew Bible INTRODUCTION Who wrote the Bible? The question is nearly as old as the Bible it- self. Jewish sages, quoted in the Talmud (Baba Bathra, 15a), were al- ready asking it, and it still echoes today in the minds of scholars and in the titles of textbooks.1 For as long as the Bible has had the status of sa- cred book, people have been intrigued by its origins. The Bible that this book is concerned with is the Hebrew Bible, adopted by the Christian church as the Old Testament. Its origins go back to early Israel. It is something of a paradox that the Israelites, steeped as they were in an oral culture, should leave a book as their leg- acy to the world. Their own world was one without books. Reading and writing were restricted to a professional elite; the majority of the population was nonliterate. Even if this observation seems perfunctory, it needs to be made, since modern readers of the Bible are prone to project their own book culture on the people of the Bible. Though Ju- daism has been defined as a “religion of the book,” the book in ques- tion stems from a culture of the spoken word. If we are to understand the making of the Hebrew Bible, we must fa- miliarize ourselves with the scribal culture that produced it. That cul- ture was the culture of a literate elite. The scribes who manufactured the Bible were professional writers affiliated to the temple of Jerusalem. 1 Scribal Culture and the Making of the Hebrew Bible They practiced their craft in a time in which there was neither a trade in books nor a reading public of any substance. Scribes wrote for scribes. To the public at large, the books of the Bible were icons of a body of knowledge accessible only through the oral instruction presented by re- ligious experts. The text of the Hebrew Bible was not part of the popu- lar culture. The Bible was born and studied in the scribal workshop of the temple. In its fundamental essence, it was a book of the clergy. Most of those involved in the making of the Bible left neither a name nor a biography. We do not know them individually. We can identify their milieu as that of the scribal elite, and it is that milieu that holds the key to the origins of the Bible. It can be circumscribed more nar- rowly as that of the scribal workshop of the Second Temple, active in the period between 500 and 200 b.c.e. The propagation of the books that were to constitute the Bible originates with the same institution. The scribes we will be looking at were scholars and teachers: they wrote, edited, copied, gave public readings, and interpreted. If the Bible became the Word of God, it was due to their presentation. Both the production and the promotion of the Hebrew Bible were the work of the scribes. The story of the making of the Bible is the story of the scribes behind the Bible. Evidence: Internal, External, Comparative The evidence on which the case for the Bible as a product of the scribal workshop must be built is of three kinds: some of it is internal, in the Bible itself; some external, illuminating the Bible from outside; and some comparative. It is essential to take these three types of evidence together. No one piece is by itself conclusive; in combination, their wit- ness is compelling. The internal evidence consists primarily in the unintentional traces of scribal involvement exhibited in the text of the Bible. Such evidence is to be sharply distinguished from the explicit references to authorship, textual fixation, and transmission. While the latter testimony deserves a careful assessment, it is intentional and therefore subject to caution. 2 Introduction Witnesses frame the truth as they see fit, and the same is true of super- scriptions, colophons, and other text-related observations. Thus the data provided in superscriptions to the prophetic books are quite mis- leading if they are interpreted in terms of actual authorship; Isaiah, Jeremiah, and the other prophets did not write the books that the superscriptions attribute to them. The clues we must look for are those traditionally associated with the redaction criticism of the Bible: edito- rial expansions, scribal annotations, seams and incongruities in the text, and the like. When I speak of external evidence, I refer to extrabiblical material from the time of the Bible that has the potential to shed light on its making.
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