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ECON Thesaurus on Brexit
STUDY Requested by the ECON Committee ECON Thesaurus on Brexit Fourth edition Policy Department for Economic, Scientific and Quality of Life Policies Authors: Stephanie Honnefelder, Doris Kolassa, Sophia Gernert, Roberto Silvestri Directorate General for Internal Policies of the Union July 2017 EN DIRECTORATE GENERAL FOR INTERNAL POLICIES POLICY DEPARTMENT A: ECONOMIC AND SCIENTIFIC POLICY ECON Thesaurus on Brexit Fourth edition Abstract This thesaurus is a collection of ECON related articles, papers and studies on the possible withdrawal of the UK from the EU. Recent literature from various sources is categorised, chronologically listed – while keeping the content of previous editions - and briefly summarised. To facilitate the use of this tool and to allow an easy access, certain documents may appear in more than one category. The thesaurus is non-exhaustive and may be updated. This document was provided by Policy Department A at the request of the ECON Committee. IP/A/ECON/2017-15 July 2017 PE 607.326 EN This document was requested by the European Parliament's Committee on Economic and Monetary Affairs. AUTHORS Stephanie HONNEFELDER Doris KOLASSA Sophia GERNERT, trainee Roberto SILVESTRI, trainee RESPONSIBLE ADMINISTRATOR Stephanie HONNEFELDER Policy Department A: Economic and Scientific Policy European Parliament B-1047 Brussels E-mail: [email protected] LINGUISTIC VERSIONS Original: EN ABOUT THE EDITOR Policy departments provide in-house and external expertise to support EP committees and other parliamentary bodies -
Celebrity Studies, 2019
Celebrity Studies, 2019 https://doi.org/10.1080/19392397.2019.1615967 Dr Hannah Yelin History, Philosophy, and Culture, Oxford Brookes University, Oxford, UK. [email protected] ‘I am the centre of fame’: doing celebrity, performing fame and navigating cultural hierarchies in Grace Jones’ I’ll Never Write my Memoirs Abstract This article outlines the concept of doing celebrity: whereby celebrity and pop stardom are presented as a deliberately constructed set of actions and behaviours, rather than an ontology. It does so by conceptualising celebrity as something one does, not something one is. The article examines Grace Jones’ 2015 memoir, I’ll Never Write My Memoirs, as an example which contravenes the claim - in both celebrity culture and autobiography - to offer up access to an authentic self. This article reveals an embrace of performativity over authenticity that Jones presents as part of a wider art practice. This self-representational move claims the masculinised status of creative agent and author of the star image, and seeks a level of cultural value otherwise often denied to the female pop star celebrity. The concept of doing celebrity, therefore, opens up new ways to consider the means available to public women to navigate the negative value judgements associated with female celebrity as a cultural field. Keywords: Grace Jones, performance, gender, agency, memoir. 1 “Ladies and Gentlemen: Miss Grace Jones” Jamaican born star Grace Jones has been fêted by both popular and academic audiences for her longevity as a (sub)cultural/ gay/ style ‘icon’ (Cafolla, 2017, Schulman, 2015, Tang, 2016, Guzman, 2010, Royster, 2009, Shaviro 2010). -
Campaign Fact Book Former Whitechapel Bell Foundry Site Whitechapel, London
Campaign Fact Book Former Whitechapel Bell Foundry Site Whitechapel, London Compiled January 2020 Whitechapel Bell Foundry: a matter of national importance This fact book has been compiled to capture the breadth of the campaign to save the site of the Whitechapel Bell Foundry, which is currently threatened by a proposal for conversion into a boutique hotel. Re-Form Heritage; Factum Foundation; numerous community, heritage and bellringing organisations; and thousands of individuals have contributed to and driven this campaign, which is working to: reinstate modern and sustainable foundry activity on the site preserve and record heritage skills integrate new technologies with traditional foundry techniques maintain and build pride in Whitechapel’s bell founding heritage The site of the Whitechapel Bell Foundry is Britain’s oldest single-purpose industrial building where for generations bells such as Big Ben, the Liberty Bell, Bow Bells and many of the world’s great bells were made. Bells made in Whitechapel have become the voices of nations, marking the world’s celebrations and sorrows and representing principles of emancipation, freedom of expression and justice. As such these buildings and the uses that have for centuries gone on within them represent some of the most important intangible cultural heritage and are therefore of international significance. Once the use of the site as a foundry has gone it has gone forever. The potential impact of this loss has led to considerable concern and opposition being expressed on an unprecedented scale within the local area, nationally and, indeed, internationally. People from across the local community, London and the world have voiced their strong opposition to the developer’s plans and to the hotel use and wish for the foundry use to be retained. -
Blair and Israel
This is a chapter in my 2002 The Rise of New Labour, which is still available for virtually nothing on-line from Amazon and Abebooks. It originally appeared in Lobster 43 and seems worth reposting in the context of the Al Jazeera revelations about Israeli operations in British politics.1 Blair and Israel Robin Ramsay In January 1994, three months before John Smith’s death, the then shadow Home Secretary Tony Blair, with wife Cherie Booth, went on a trip to Israel at the Israeli government’s expense - a trip, incidentally, neither the Sopel nor Rentoul biographies of Blair mentioned.2 Blair had always been sympathetic to Israel, had shared chambers with Board of Deputies of British Jews President Eldred Tabachnik,3 and had joined the Labour Friends of Israel on becoming an MP. Two months after returning from Israel, Tony Blair was introduced to Michael Levy at a dinner party by Gideon Meir, the number two in the Israeli embassy in London.4Levy was a retired businessman who had made his money creating and then selling a successful record company and had become a major fund-raiser for Jewish charities. Levy was ‘dazzled by Blair’s drive and religious commitment’ and the two men became friends.5 A month later the leader of the Labour Party, John Smith, died, and Blair won the leadership election contest with Gordon Brown – in some accounts with financial 1 See for example <http://www.aljazeera.com/news/2017/01/israels- parliamentary-plot-uk-politicians-170107220710691.html>. 2 See the profile of Michael Levy in the Daily Express 26 June 2000. -
Japan Securities Summit 4 March 2019
Japan Securities Summit 4 March 2019 Mansion House London Japan Securities Dealers Association (JSDA) with the support of the International Capital Market Association (ICMA) Japan Securities Summit Contents Welcome message from Mr. Taro Aso, Deputy Prime Minister of Japan Messages from the organisers Programme Speaker biographies About the organisers Supporting Partners Media Partner Join the ICMA Events App Event code: jss2019 iPhone Android QR code QR code 01 Welcome message from Mr. Taro Aso, Deputy Prime Minister I would like to welcome you all to the Japan Securities Summit in London. More than six years have passed since digitalization, and we will strive to pursue the Abe Administration was inaugurated the objectives in the “Financial Services in December 2012. In order to break out Policy: Assessments and Strategic of prolonged deflation, the Prime Minister Priorities” to transform the Financial has placed top priority on revitalizing the Services Agency from the Financial Japanese economy and has advanced Sanction Agency to the Financial Services an economic policy package comprising Development Agency. (i) bold monetary policy, (ii) flexible fiscal policy, and (iii) a growth strategy that In addition, we have continued to work encourages private sector investment. to maintain the long-term soundness of Japan’s financial system and to facilitate Resulting from such efforts, the nominal financial intermediation amid the evolving GDP of the Japanese economy is financial environment. expected to mark a record high for four straight years. In addition, although the In Japan, the household sector holds a stock market showed some fluctuations tremendous pool of financial assets, and from the end of last year to the beginning more than half of them, about 8 trillion of this year, corporate operating income dollars, are deposits and cash. -
FOI Letter Template
Americas Directorate Foreign and Commonwealth Office King Charles Street London SW1A 2AH Website: https://www.gov.uk/fco Mr George Greenwood Email: [email protected] 23 October 2017 Dear Mr Greenwood FREEDOM OF INFORMATION ACT 2000 REQUEST REF: 0567/2017 Thank you for your email of 5 June stating you are happy to continue the following request under the Freedom of Information Act (FOIA) 2000, as suggested in our internal review. You asked: ‘Please provide all communications between the Foreign and Commonwealth Office and the British embassy in Washington concerning American immigration and border control policy regarding Muslims. Please reduce the scope of my request to the three weeks between 23th January and 12th February’. I am writing to confirm that we have now completed the search for the information which you requested. I can confirm that the Foreign and Commonwealth Office (FCO) does hold information relevant to your request. We have carefully considered if we can release this information and conducted the appropriate Public Interest Tests. We can release some of the information and this is attached as a digest of information to be released. However, we do not intend to release the other information relevant to your request as we judge it is exempt from release under the following exemptions of the Freedom of Information Act 2000 (FOIA): - section 27 (1) (a) (c) (d) (International relations) - section 35 (1) (a) (Formulation of government policy, etc.) - section 40 (2) and (3) (Personal information) 1 - Section 41 (1) (Information provided in confidence) Section 27 (1) (a) (c) and (d) International Relations Some of the information you have requested is being withheld under section 27 (1) (a) (c) and (d) of the FOIA. -
LAS VEGAS SANDS CORP. (Exact Name of Registration As Specified in Its Charter) ______
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 _________________________________________________________ Form 10-Q _________________________________________________________ ☒ QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2021 ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number 001-32373 _________________________________________________________ LAS VEGAS SANDS CORP. (Exact name of registration as specified in its charter) _________________________________________________________ Nevada 27-0099920 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 3355 Las Vegas Boulevard South Las Vegas, Nevada 89109 (Address of principal executive offices) (Zip Code) (702) 414-1000 (Registrant’s telephone number, including area code) _______________________________________________________________________________________ Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock ($0.001 par value) LVS New York Stock Exchange Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ☒ No ☐ Indicate by check mark whether the registrant has submitted electronically every Interactive Data File required to be submitted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or for such shorter period that the registrant was required to submit such files). -
IMAGINE... the POWER of a PHOTOGRAPH WINTER/SPRING 2021 CONTENTS General Information Mission Statement
Serving the Photo Community Since 1999 Now offering classes online! IMAGINE... THE POWER OF A PHOTOGRAPH WINTER/SPRING 2021 CONTENTS General Information Mission Statement ......................................................................................... 2 Letter from Julia Dean, Executive Director .......................................... 2 The Board of Directors, Officers and Advisors ........................................... 3 Charter Members, Circle Donors and Donors ................................... 3 Donate ................................................................................................................. 4 Early Bird Become a Member ........................................................................................ 5 Certificate Programs ..................................................................................... 6 One-Year Professional Program ............................................................... 7 Gets the Online Learning Calendar .......................................................................8-9 Webinar Calendar .........................................................................................10 In-Person Learning Calendar ..................................................................11 Discount Mentorship Program ...................................................................................12 Register early for great discounts on The Master Series ........................................................................................13 Youth Program .................................................................................24-25, -
Post-Cinematic Affect: on Grace Jones, Boarding Gate and Southland Tales
Film-Philosophy 14.1 2010 Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro Wayne State University Introduction In this text, I look at three recent media productions – two films and a music video – that reflect, in particularly radical and cogent ways, upon the world we live in today. Olivier Assayas’ Boarding Gate (starring Asia Argento) and Richard Kelly’s Southland Tales (with Justin Timberlake, Dwayne Johnson, Seann William Scott, and Sarah Michelle Gellar) were both released in 2007. Nick Hooker’s music video for Grace Jones’s song ‘Corporate Cannibal’ was released (as was the song itself) in 2008. These works are quite different from one another, in form as well as content. ‘Corporate Cannibal’ is a digital production that has little in common with traditional film. Boarding Gate, on the other hand, is not a digital work; it is thoroughly cinematic, in terms both of technology, and of narrative development and character presentation. Southland Tales lies somewhat in between the other two. It is grounded in the formal techniques of television, video, and digital media, rather than those of film; but its grand ambitions are very much those of a big-screen movie. Nonetheless, despite their evident differences, all three of these works express, and exemplify, the ‘structure of feeling’ that I would like to call (for want of a better phrase) post-cinematic affect. Film-Philosophy | ISSN: 1466-4615 1 Film-Philosophy 14.1 2010 Why ‘post-cinematic’? Film gave way to television as a ‘cultural dominant’ a long time ago, in the mid-twentieth century; and television in turn has given way in recent years to computer- and network-based, and digitally generated, ‘new media.’ Film itself has not disappeared, of course; but filmmaking has been transformed, over the past two decades, from an analogue process to a heavily digitised one. -
THE BBC and BREXIT
THE BBC and BREXIT The ‘Today’ Programme’s Coverage of the UK General Election 6 November – 11 December 2019 1 Contents SUMMARY .....................................................................................................................................................3 PART ONE: MONITORING STATISTICS..................................................................................................6 1.1 OVERVIEW – THE BBC, THE ROYAL CHARTER AND OFCOM ......................................................6 1.2 THE POLITICAL BACKGROUND ....................................................................................................... 13 1.3 MAIN UK PARTIES IN THE 2019 GENERAL ELECTION ................................................................ 15 1.4 TODAY’S EU COVERAGE .................................................................................................................. 24 1.5 SPEAKERS AND CODING ................................................................................................................. 24 1.6 CONCLUSION ..................................................................................................................................... 31 PART TWO: CONTENT ANALYSIS ........................................................................................................ 35 SUMMARY OF ISSUES RAISED BY PRO-BREXIT COVERAGE ............................................................ 35 SECTION 1: WITHDRAWAL CONTRIBUTIONS ................................................................................... -
Sharon Van Etten Presents Video for New Song, “Jupiter 4,” Directed by Katherine Dieckmann
November 27, 2018 For Immediate Release Sharon Van Etten Presents Video For New Song, “Jupiter 4,” Directed by Katherine Dieckmann https://www.youtube.com/watch?v=W4etGF2PJcA New Album, Remind Me Tomorrow, Out January 18th via Jagjaguwar; World Tour Kicks Off February 6th Sharon Van Etten will release Remind Me Tomorrow, her first album in almost five years, on January 18th via Jagjaguwar. Following the release oF lead single “Comeback Kid,” Van Etten now shares “Jupiter 4,” and its accompanying video. “Jupiter 4” is one oF the First songs recorded For the album, which helped Van Etten and producer John Congleton align ideas about a potential sonic landscape to explore. His eerie mix oF drones, synths and theremin complement Van Etten's evocative lyrics oF Finding love, as she sings, "Baby, baby, baby // I’ve been waiting, waiting waiting // my whole life for someone like you. // It’s true that everyone would like to have met // A love so real." The video, directed by Katherine Dieckmann, elevates the song’s haunting emotion. The two First met when Van Etten scored Dieckmann’s Film Strange Weather. “I had been looking forward to collaborating with Katherine again since finishing our work together on her film in 2016. Since wrapping the film, she has not only been a guiding force in my work, but a light and guiding force in my life as well, sharing with me stories of how she and her husband made it work with two kids as artists living in New York and encouraging me to return to my music after my son was born,” describes Van Etten. -
Lindsey Buckingham Insists He Isn’T a Virtuoso
Guitar BY RUSSELL HALL TOO LS O Lindsey F T HE T RAD E n G U Buckingham I TAR n LIN DS E Y B U CKIN G H AM When it comes to playing guitar, Lindsey Buckingham insists he isn’t a virtuoso. Many would disagree with that assess- alone in his bedroom fguring out how ment, but in Buckingham’s view, to duplicate the sounds made by guitarist LINDSEY BUCKINGHAM Gift of Screws virtuosity isn’t necessarily a good thing. Scotty Moore. [ Reprise ] “Tere are times when cleverness or “It wasn’t about facility,” Buckingham technical profciency can overwhelm the says. “It was more about being so interested Great Day Time Precious Time simplicity or the openness of what needs in music and wanting to learn to play those Did You Miss Me to be there,” he explains. “It can be hard, songs. When you’re 7 or 8, your learning Wait for You Love Runs Deeper sometimes, to not do too much. Knowing curve is way quicker. I was so taken with Bel Air Rain where to play and where to be silent are this form of music, I had to be a part of it.” The Right Place to Fade important.” Fast-forward 50 years, and the rich- Gift of Screws Underground Buckingham has been putting that philoso- ness of Buckingham’s contributions to Treason phy into practice for more than fve decades. contemporary music is beyond dispute. Beginning at age 6, when his parents gave Afer making a superb folk-pop album him a Mickey Mouse ukulele, the future with childhood friend Stevie Nicks, the Fleetwood Mac member set about perfect- northern California native was invited by ing a fnger-picking technique that’s as Mick Fleetwood to join Fleetwood Mac.