Opera, Ballet Classical Music Holidays
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Karita Mattila Feat
THE IRRESISTIBLE Karita Mattila feat. “Misty” & “’Round Midnight” [PREVIOUSLY UNRELEASED] 1 1 DICH TEURE HALLE (ELISABETH) 3’28 RICHARD WAGNER TANNHÄUSER 2 MĚSÍČKU NA NEBI HLOBOKÉM (SONG TO THE MOON) (RUSALKA) 5’25 ANTONÍN DVOŘÁK RUSALKA 3 RITORNA VINCITOR (AIDA) 6’30 GIUSEPPE VERDI AIDA 4 VISSI D’ARTE (TOSCA) 2’56 GIACOMO PUCCINI TOSCA 5 FLICKAN KOM IFRÅN SIN ÄLSKLINGS MÖTE 2’57 JEAN SIBELIUS / J.L. RUNEBERG © Breitkopf & Härtel 6 MYRSKYLUODON MAIJA 5’25 LASSE MÅRTENSON © Mårtensong Oy AB 7 OVER THE RAINBOW (DOROTHY GALE) 4’52 HAROLD ARLEN THE WIZARD OF OZ © EMI Music Publishing Scandinavia AB 8 DON’T CRY FOR ME ARGENTINA (EVITA) 5’15 ANDREW LLOYD WEBBER EVITA © Evita Music Ltd. 9 WUNDERBAR (LILLI VANESSI) 2’09 COLE PORTER KISS ME KATE © Warner/Chappell Music Scandinavia AB 10 SOMEWHERE 3’38 LEONARD BERNSTEIN WEST SIDE STORY © Edition Wilhelm Hansen AB 2 11 I COULD HAVE DANCED ALL NIGHT (ELIZA DOOLITTLE) 2’32 FREDERICK LOEWE MY FAIR LADY © Warner/Chappell Music Scandinavia AB 12 SMOKE GETS IN YOUR EYES 3’42 JEROME KERN / OTTO HARBACH © Warner/Chappell Music Scandinavia AB 13 MISTY* 4’20 ERROLL GARNER / JOHNNY BURKE © Warner/Chappell Music Scandinavia AB & Air Crysalis Scandinavia AB 14 ’ROUND MIDNIGHT* 3’30 THELENIOUS MONK & COOTIE WILLIAMS / BERNIE HANIGHEN © Warner/Chappell Music Scandinavia AB *previously unreleased [57’26] KARITA MATTILA, soprano Finnish Radio Symphony Orchestra · Jukka-Pekka Saraste (1–5, recorded live) ODE968-2 Jyväskyla Sinfonia · Riku Niemi (6) ODE907-2 Tapiola Sinfonietta · Pekka Savijoki (7–11) ODE848-2 Fever -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec. -
Ópera Presentación
100 AÑOS DEL FESTIVAL DE SALZBURGO 11,30h Los domingos por la mañana te van a (en)cantar DESDE SALZBURGO, MILÁN Y MADRID ÓPERA PRESENTACIÓN Retomamos las sesiones matinales de ópera con seis nuevos títulos, desde escenarios ya conocidos como Saltzburgo y la Scala de Milán, y con la novedad del Teatro Real de Madrid, uno de los principales templos de la ópera. Arrancamos esta nueva entrega el 18 de abril con SALOMÉ desde el Festival de Salzburgo. El 2 de mayo tendremos la cita en el mismo escenario con L’ITALIANA IN ALGERI. Llega desde el Teatro Real FAUST, con un reparto imponente: Piotr Beczala e Ismael Jordi dan voz al personaje titular, símbolo insu- perable de ambición desmesurada, junto a Marina Rebeka e Irina Lungu en el papel de Marguerite. Y completamos la programación que nos lleva hasta el verano con tres grandes producciones operísticas desde La Scala de Milán. El 30 de mayo tendrá lugar la presentación de TURANDOT, el 13 de junio ANDREA CHÉNIER y el 27 de junio CARMEN, que pondrá el broche a este nuevo ciclo. El precio de la entrada es de 10€. Como novedad, te ofrecemos un abono para los seis espectáculos por tan solo 48€. Las mañana de domingo te van a (en)cantar. AURKEZPENA Goizeko opera-emanaldiei berriro ekingo diegu, sei izenburu berri- rekin, jadanik ezagunak ditugun eszenategietatik, Salzburgotik eta Milango Scalatik, eta berritasun gisa, baita gure herrialdeko opera- ren tenplu batetik Madrilgo Errege Antzokitik. Apirilaren 18an hasiko ditugu emanaldiak, Salzburgoko jaialditik, SALOMÉrekin. Maiatzaren 2an, L ‘ITALIANA IN ALGERIrekin izan- go dugu hitzordua, eszenategi berean. -
20 Singers from 15 Countries Announced for BBC Cardiff Singer of the World 2019 15-22 June 2019
20 singers from 15 countries announced for BBC Cardiff Singer of the World 2019 15-22 June 2019 • 20 of the world’s best young singers to compete in the 36th year of the BBC's premier voice competition • Competitors come from 15 countries, including three from Russia, two each from South Korea, Ukraine and USA, and one each from Argentina, Australia, Brazil, China, England, Guatemala (for the first time), Mexico, Mongolia, Portugal, South Africa and Wales • Extensive broadcast coverage across BBC platforms includes more LIVE TV coverage than ever before • High-level jury includes performers José Cura, Robert Holl, Dame Felicity Lott, Malcolm Martineau, Frederica von Stade alongside leading professionals David Pountney, John Gilhooly and Wasfi Kani • Value of cash prizes increased to £20,000 for the Main Prize and £10,000 for Song Prize, thanks to support from Kiri Te Kanawa Foundation • Song Prize trophy to be renamed the Patron’s Cup in recognition of this support • Audience Prize this year to be dedicated to the memory of much-missed baritone Dmitri Hvorostovsky, winner of BBC Cardiff Singer of the World in 1989, who died in 2017 • New partnership with Wigmore Hall sees all Song Prize finalists offered debut concert recitals in London’s prestigious venue, while Main Prize to be awarded a Queen Elizabeth Hall recital at London’s Southbank Centre Twenty of the world’s most outstanding classical singers are today [4 March 2019] announced for BBC Cardiff Singer of the World 2019. The biennial competition returns to Cardiff between 15-22 June 2019 and audiences in the UK and beyond can follow all the live drama of the competition on BBC TV, radio and online. -
The Morgan to Display Original Manuscripts from Madama Butterfly and La Bohème in New Exhibition on Giacomo Puccini
Press Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN TO DISPLAY ORIGINAL MANUSCRIPTS FROM MADAMA BUTTERFLY AND LA BOHÈME IN NEW EXHIBITION ON GIACOMO PUCCINI SHOW MARKS 150th ANNIVERSARY OF THE GREAT COMPOSER’S BIRTH Celebrating Puccini on View September 15, 2009, through January 10, 2010 New York, NY, July 24, 2009—The life and art of one of opera’s iconic figures, composer Giacomo Puccini, is the subject of a new exhibition opening September 15 at The Morgan Library & Museum. On view are approximately forty items related to Puccini’s career, including rarely seen original sketches for his acclaimed operas Madama Butterfly and La Bohème. The exhibition celebrates the 150th anniversary (2008– 09) of Puccini’s birth in Lucca, Italy, on December 22, 1858. The show runs through January 10, 2010. In addition to original manuscripts, the exhibition also includes a display of first-edition librettos, personal letters, a period poster and playbills, souvenir postcards, and rare material linked to Puccini’s relationship with such legends as Enrico Caruso and Arturo Toscanini. The exhibition is drawn almost exclusively from the Morgan’s extensive music holdings, including the Cary, Heineman, and Fuld collections, as well as the Robert Owen Lehman Collection, which is on deposit at the Morgan. “The Morgan is delighted to bring to life this major figure in operatic history,” said William M. Griswold, director of the Morgan. “So many of Giacomo Puccini , La Bohème, sketches for Act IV, 1895.The Dannie and Hettie Heineman Collection. Heineman MS 173B. -
British Roots
Thursday 12 December 2019 7.30–9.30pm Barbican LSO SEASON CONCERT BRITISH ROOTS Tippett Concerto for Double String Orchestra Elgar Sea Pictures Interval PAPPANO Vaughan Williams Symphony No 4 Sir Antonio Pappano conductor Karen Cargill mezzo-soprano Supported by LSO Friends Broadcast live on BBC Radio 3 6pm Barbican LSO Platforms: Guildhall Artists Vaughan Williams Phantasy Quintet Howells Rhapsodic Quintet Portorius Quartet Welcome News On Our Blog Thank you to our media partners: BBC Radio 3, LSO STRING EXPERIENCE SCHEME BELA BARTÓK AND who broadcast the performance live, and THE MIRACULOUS MANDARIN Classic FM, who have recommended the We are delighted to appoint 14 players to concert to their listeners. We also extend this year’s LSO String Experience cohort. Against a turbulent political background, sincere thanks to the LSO Friends for their Since 1992, the scheme has been enabling Bartók wrote his pantomime-ballet The important support of this concert; we are young string players from London’s music Miraculous Mandarin, which a German delighted to have so many Friends and conservatoires to gain experience playing in music journal reported caused ‘waves of supporters in the audience tonight. rehearsals and concerts with the LSO. They moral outrage’ to ‘engulf the city’ when it will join the Orchestra on stage for concerts premiered in Cologne. Ahead of tonight’s performance, the in the New Year. Guildhall School’s Portorius Quartet gave elcome to this evening’s LSO a recital of music by Vaughan Williams WHAT’S NEXT FOR OUR 2018/19 concert at the Barbican. It is a and Howells on the Barbican stage. -
Karita Mattila “A Mis 58 Años, Sigo Debutando Roles”
PORTADA Karita Mattila “A mis 58 años, sigo debutando roles” por Ingrid Haas a soprano finlandesa Karita Mattila no deja de sorprender a todo el público y a los críticos con su evolución a un “Mucha gente se nuevo repertorio donde sigue cautivando a la audiencia, como lo hacía en sus roles de heroína joven e ingenua con sorprendió de que Llos cuales comenzó su carrera. yo cantaba Mozart y De voz lírica distintiva, con un registro central aterciopelado de pronto hacía y redondo, agudos que salen como rayos láser y una presencia escénica encantadora, Mattila inició su carrera cantado roles como Strauss” la Condesa (Le nozze di Fígaro), Donna Elvira (Don Giovanni) o Fiordiligi (Cosí fan tutte) de Mozart, para después pasar a interpretar papeles tales como Leonore (Fidelio), Hanna Glawari (Die Lustige Witwe), Emma (Fierrabras), María/Amelia (Simon Boccanegra), Elisabeth (Don Carlos), Tatiana (Eugene Onegin) y el papel principal en Manon Lescaut. Al ir transformándose más su voz y adquiriendo un volumen y un © Marica Rosengard peso más dramático, Mattila se adentró en el repertorio alemán y checo, añadiendo a su curriculum roles tan demandantes y fuertes como Ariadne (Ariadne auf Naxos), Siegliende (Die Walküre), Comencemos por platicar acerca de su debut como Madame Eva (Die Meistersinger von Nürnberg), los roles titulares de de Croissy en Dialogues des Carmélites de Poulenc en la Arabella, Salome y Jenůfa (donde, años después, cantaría también Metropolitan Opera House de Nueva York. ¿Qué fue lo que le el papel de Kostelnička), Elsa y recientemente Ortrud (Lohengrin), atrajo de este personaje para decidir debutarlo en este punto Emilia Marty (The Makropulos Case), Lisa (Pikovaya Dama), de su carrera? Kundry (Parsifal), Marie (Wozzeck), Kabanicha (Káťa Kabanová) Es uno de los papeles más interesantes de la ópera y muy complejo , Klytämnestra (Elektra), Leokadja Begbick (Aufstieg und Fall de crear. -
02-06-2019 Don Giovanni Eve.Indd
WOLFGANG AMADEUS MOZART don giovanni conductor Opera in two acts Cornelius Meister Libretto by Lorenzo Da Ponte production Michael Grandage Wednesday, February 6, 2019 PM OM set and costume designer 7:30 –11:00 Christopher Oram lighting designer Paule Constable choreographer Ben Wright revival stage director Louisa Muller The production of Don Giovanni was made possible by a generous gift from the Richard and Susan Braddock Family Foundation, and Sarah and Howard Solomon Additional funding was received from Jane and Jerry del Missier and Mr. and Mrs. Ezra K. Zilkha The revival of this production is made possible general manager by a gift from the Metropolitan Opera Club Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 567th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S don giovanni conductor Cornelius Meister in order of vocal appearance leporello continuo Ildar Abdrazakov David Heiss, cello Howard Watkins*, donna anna harpsichord Rachel Willis-Sørensen mandolin solo don giovanni Joyce Rasmussen Balint Luca Pisaroni the commendatore Štefan Kocán don ot tavio Stanislas de Barbeyrac donna elvir a Federica Lombardi zerlina Aida Garifullina maset to Brandon Cedel* Wednesday, February 6, 2019, 7:30PM–11:00PM MARTY SOHL / MET OPERA A scene Chorus Master Donald Palumbo from Mozart’s Musical Preparation Gregory Buchalter, Howard Watkins*, Don Giovanni Lydia Brown*, and Nimrod David Pfeffer* Fight Director J. Allen Suddeth Assistant Stage Directors Sarah Ina Meyers and Daniel Rigazzi Stage Band Conductor Jeffrey Goldberg Italian Coach Loretta Di Franco Prompter Nimrod David Pfeffer* Met Titles Cori Ellison Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Das Gewand, Düsseldorf, and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses fire effects. -
Programm Opera National De Paris Englisch 2020 21.Pdf
THURSDAY 10 SEPTEMBER 2020 AT 7:30PM DST Manon Opera comique in five acts (1884) When, in 1731, l’Abbé Prévost wrote L’Histoire du Music: Jules Massenet chevalier Des Grieux et de Manon Lescaut - the work Libretto: Henri Meilhac, Philippe Gille that inspired Massenet’s Manon - he portrayed an After l’abbé Prévost entire era, that of the Regency, which saw the old order fade away and a new order, full of the promise Musical direction: Dan Ettinger of unprecedented freedom, rise from its ashes. Stage direction: Vincent Huguet Manon must make her way between these two Sets: Aurélie Maestre worlds, fleeing the convent in order to embrace the Costumes: Clémence Pernoud paths of desire and transgression, throwing herself Lighting design: Bertrand Couderc headlong into a burning and destructive passion Chorography: Jean-François Kessler with Des Grieux. A parenthesis opens, only to close Dramaturgy: Louis Geisler again in suffering and obscurity. The director Vincent Chorus master: José Luis Basso Huguet casts the work’s customary taffeta aside in order to bring out its violence to the full. Paris Opera Orchestra and Chorus Manon, Pretty Yende Le Chevalier des Grieux, Benjamin Bernheim Lescaut, Ludovic Tézier Le Comte des Grieux, Roberto Tagliavini Guillot de Morfontaine, Rodolphe Briand De Brétigny, Pierre Doyen Poussette, Cassandre Berthon Javotte, Alix Le Saux Rosette, Jeanne Ireland L’Hôtelier, Philippe Rouillon Deux Gardes, Julien Joguet, Laurent Laberdesque New production 3:50 including two 20-min intervals In French, with EN/DE/IT/SP subtitles Presented by Alain Duault Recorded in March 2020 without any audience at the Opéra Bastille 8 THURSDAY 15 OCTOBER 2020 AT 7:30PM DST Salome Opera in one act (1905) Modern psychology made its first appearance on the Music: Richard Strauss opera stage with Richard Strauss’ masterpiece Libretto: Hedwig Lachmann Salome. -
Oper Leipzig 2019.2020
OPER LEIPZIG 2019.2020 OPER | LEIPZIGER BALLETT | MUSKALISCHE KOMÖDIE OPER 2019.2020 PREMIEREN DER LIEBESTRANK L‘ELISIR D‘AMORE Gaetano Donizetti Melodramma in zwei Akten | Text von Felice Romani | In italienischer Sprache mit deutschen Übertiteln LEITUNG Musikalische Leitung Giedre˙ Šlekyte˙ | Inszenierung Rolando Villazón | Bühne Johannes Leiacker | Kostüme Thibault von Craenenbroeck | Licht Davy Cunningham | Choreinstudierung Alexander Stessin | Dramaturgie Elisabeth Kühne BESETZUNG Adina Bianca Tognocchi | Belcore Jonathan Michie / Franz Xaver Schlecht | Nemorino Piotr Buscewski / Matthias Stier | Dulcamara Sejong Chang / Paolo Bordogna | Giannetta Christiane Döcker / Sandra Maxheimer Chor der Oper Leipzig | Gewandhausorchester PREMIERE 14. Sep. 2019, Opernhaus AUFFÜHRUNGEN 22. Sep. / 03. Okt. / 01. Nov. 2019 / 04. Jan / 13. Mär. / 25. Apr. 2020 alle Vorstellungen mit Einführung 45 Min. vor Vorstellungsbeginn TRISTAN UND ISOLDE Richard Wagner Handlung in drei Aufzügen | Text vom Komponisten | In deutscher Sprache mit Übertiteln LEITUNG Musikalische Leitung Ulf Schirmer | Inszenierung Enrico Lübbe | Regie-Mitarbeit Torsten Buss | Bühne Étienne Pluss | Kostüme Linda Redlin | Licht Olaf Freese | Video fettFilm | Choreinstudierung Thomas Eitler-de Lint | Dramaturgie Nele Winter BESETZUNG Tristan Daniel Kirch | Marke Sebastian Pilgrim | Isolde Meagan Miller | Kurwenal Mathias Hausmann | Melot Matthias Stier | Brangäne Barbara Kozelj | Hirt Martin Petzold | Steuermann Franz Xaver Schlecht | Junger Seemann Sven Hjörleifsson / Patrick Vogel | Herren des Chores der Oper Leipzig | Gewandhausorchester PREMIERE 05. Okt. 2019, Opernhaus AUFFÜHRUNGEN 12. Okt. / 10. Nov. 2019 / 14. Mär. / 01. Jun. 2020 alle Vorstellungen mit Einführung 45 Min. vor Vorstellungsbeginn 2 ÜBER.LEBEN! SZENISCHES CHORPROJEKT ANLÄSSLICH DES 75. JAHRESTAGES DER BEFREIUNG VON AUSCHWITZ-BIRKENAU | KOOPERATION DER OPER LEIPZIG MIT DER SCHAUBÜHNE LINDENFELS Musik von Johann Sebastian Bach, Francis Poulenc, Dmitri Schostakowitsch, Arnold Schönberg u.a. -
Ntr Zaterdagmatinee NTRZM 2021-2022 Inhoud
DAM HET CONCERTGEBOUW AMSTER CONCERTGEBOUW HET NTR ZATERDAGMATINEE NTRZM 2021-2022 Inhoud 2 De onverwoestbare magie van de NTR ZaterdagMatinee KEES VLAARDINGERBROEK Uw donaties 4 NTR ZaterdagMatinee op Radio 4 en internet Gedurende de eerste lockdown vanwege het 5 Ongezien, maar niet ongehoord! dreigende coronavirus, nu ruim een jaar geleden, SIMONE MEIJER - ROLAND KIEFT hebben we tien Matineeconcerten moeten afgelasten. Een overweldigend aantal van onze 6 Hans Abrahamsen BAS VAN PUTTEN vaste bezoekers heeft toen het aankoopbedrag van de kaarten voor deze concerten omgezet in 10 The hidden soul of harmony WILLEM BRULS een donatie aan de serie. 6 13 Première-partituren JOEP CHRISTENHUSZ Deze donaties zijn volledig en uitsluitend ten 17 Nieuwe muziek in oude vaten SOFIE TAES goede gekomen aan de NTR ZaterdagMatinee. Wij zijn heel blij dat wij de musici wier concerten zijn afgezegd hiervoor (ten dele) hebben kunnen De series compenseren. Daarnaast hebben we een bedrag gereserveerd voor een aantal grote 19 Opera 6 concerten compositieopdrachten aan Nederlandse componisten. 29 RFO & Friends I 6 concerten RFO & Friends II 6 concerten Namens het team van de NTR ZaterdagMatinee 10 37 en alle musici en componisten: heel hartelijk GOK & Friends 4 concerten bedankt voor uw genereuze bijdrage! 45 51 Oude Muziek 5 concerten Kees Vlaardingerbroek Artistiek leider 59 Hedendaags 4 concerten 64 Een cultureel baken in onzekere tijden PAUL JANSSEN 13 68 Ons Radio Filharmonisch Orkest en VERKOOP ABONNEMENTEN INFORMATIE OVER DE PROGRAMMERING Groot Omroepkoor -
Salisburgo. Il Festival Estivo Le Opere
Salisburgo. Il festival estivo Indicaci ciò che più ti piace e noi, senza alcun impegno da parte tua, ti proporremo un’offerta. Le opere Großes Festspielhaus venerdì 27 (19.00), martedì 31 (19.30) luglio sabato 4 (19.00), martedì 7 (19.00), mercoledì 15 (19.00), venerdì 24 (19.00), giovedì 30 (18.00) agosto 2018 Die Zauberflöte di W. A. Mozart Wiener Philharmoniker – Konzertvereinigung Wiener Staatsopernchor Direttore: Constantinos Carydis – Regia: Lydia Steier Interpreti: Adam Plachetka, Maria Nazarova, Mauro Peter, Matthias Goerne, Albina Shagimuratova Christiane Karg, Ilse Eerens, Paula Murrihy, Geneviève King Felsenreitschule sabato 28 (20.00) luglio mercoledì 1 (20.00), giovedì 9 (20.00), domenica 12 (15.00) venerdì 17 (20.00), martedì 21 (20.00), lunedì 27 (20.00) agosto 2018 Salomè di R. Strauss Wiener Philharmoniker Direttore: Franz Welser-Möst – Regia: Romeo Castellucci Interpreti: Anna Maria Chiuri, Patrick Vogel, John Daszak, Asmik Grigorian Julian Prégardien, Avery Amereau, Mathias Frey, Jörg Schneider, David Steffens E’ un’iniziativa de: IL SIPARIO MUSICALE Via Molino delle Armi 11 – 20123 Milano. Tel. +39 02 5834941 Fax. +39 02 89950108 [email protected] - www.ilsipariomusicale.com Großes Festspielhaus domenica 5 (18.00), venerdì 10 (19.30), lunedì 13 (19.00), sabato 18 (20.00), mercoledì 22 (19.00), sabato 25 (19.00) agosto 2018 La dama di picche di P. I. Čajkovskij Wiener Philharmoniker – Konzertvereinigung Wiener Staatsopernchor Salzburger Festspiele und Theater Kinderchor Direttore: Mariss Jansons – Regia: Hans Neuenfels Interpreti: Igor Golovatenko, Hanna Schwarz, Gleb Peryazev, Margarita Nekrasova, Julia Suleymanova Haus für Mozart mercoledì 8 (19.30), sabato 11 (19.30), martedì 14(15.00), giovedì 16 (15.00), domenica 19 (19.30) agosto 2018 L’italiana in Algeri di G.