DOCSLIB.ORG

ARQUITECTURA REDONDA NO SÉCULO XX TOMO 1 Van Gogh: “A Vida É Probablemente Redonda”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARQUITECTURA REDONDA NO SÉCULO XX TOMO 1 Van Gogh: “A Vida É Probablemente Redonda” ARQUITECTURA REDONDA NO SÉCULO XX TOMO 1 Van Gogh: “A vida é probablemente redonda”. Citado por G. Bachelard. INDICE TOMO 1 CAPÍTULO 1.- Introducción e Método 1.- Introducción. 2.- Unha visión transversal da arquitectura do Século XX. 3.- Método de traballo. 4.- Límites do traballo CAPÍTULO 2.- Razóns da arquitectura redonda. 2.1.- O redondo no Cosmos ............................................................................ Páx. 1 2.2.- O redondo no noso planeta .................................................................... Páx. 1 2.2.1.- Nas árbores 2.2.2.- Nos animais 2.2.3.- No mundo inanimado natural 2.3.- O redondo na arquitectura ....................................................................... Páx. 5 3.1.- Razóns do cometido. 3.2.- Razóns formais 3.3.- Razóns técnicas-construtivas 3.4.- Razóns semánticas-simbólicas. 3.5.- Razóns da totalidade arquitectónica. 2.4.- O redondo a nivel supraarquitectónico..................................................... Páx.21 4.1.- O redondo no Urbanismo 4.2.- O redondo no Paisaxismo 4.3.- O redondo na arte. Aportación dos artistas á forma redonda Imaxes do Capítulo 2 ........................................................................................ Páx.37 CAPÍTULO 3.- Antecedentes históricos. 3.A.- PERÍODO INCONSCENTE. PREHISTORIA ........................................... Páx. 1 3.A.1.- Persistencia da forma redonda residencial ao longo do Planeta. Páx. 1 3.A.1.1.- Casas redondas en climas fríos e moi fríos. 3.A.1.2.- Casas redondas en climas mornos. .............................. Páx. 5 II.1.- Organización do Castro II.2.- Organización das casas do Castro. II.3.- Arquitectura popular residencial redonda. II.4.- Arquitectura popular adxectiva redonda. II.5.- Conclusións 3.A.1.3.- Casas redondas en climas quentes e moi quentes....... Páx.36 3.A.2.- Persistencia da forma en distintas culturas. .............................. Páx.43 3.A.2.1.- Agrupacións formais. 3.A.2.2.- Edificios redondos de uso residencial. 3.A.2.3.- Edificios redondos de uso común. 3.A.3.- Conclusións ............................................................................... Páx.46 3.B.- PERÍODO CONSCENTE. HISTORIA ..................................................... Páx.48 3.B.1.- Antigüedade clásica................................................................... Páx.48 3.B.1.1.- Edificios gregos redondos: Tholos, Pritaneo e Teatros. 3.B.1.2.- Edificios romanos: Mausoleos, Termas, Templos, Panteón... Páx.52 3.B.1.3.- Conclusións dos edificios redondos da Antiguidade clásica. 3.B.2.- Idade Media ............................................................................... Páx.81 3.B.2.1.- Primeiras igrexas cristianas. 3.B.2.2.- Edificios militares. 3.B.2.3.- Conclusións 3.B.3.- O Renacemento: as figuras platónicas....................................... Páx.85 3.B.3.1.- Igrexas de Planta central. 3.B.3.2.- O círculo negativo nos patios dos Pazos. 3.B.3.3.- Os Teatros do Renacemento........................................ Páx.117 3.B.3.4.- Conclusións: A superposición do círculo e o cadrado . Páx.127 3.B.4.- O Barroco: A deformación do círculo......................................... Páx.128 3.B.4.1.- Igrexas e espazos ovais italianos: Bernini, Borromini. 3.B.4.2.- Igrexas barrocas españolas: Pontevedra, Santiago, e Lugo. 3.B.4.3.- Conclusións: predilección do óvalo e verticalidade do espazo. 3.B.5.- Iluminismo ................................................................................. Páx.139 3.B.5.1.- La Halle au Blé. Le Camus de Mézières. 3.B.5.2.- Ledoux, Boullée, Lequeu 3.B.5.3.- Jeremy e Samuel Bentham. Panoptikon. 3.B.5.4.- Intervencións urbanísticas redondas. 3.B.5.5.- Conclusións: A esfera como símbolo de perfección. 3.B.6.- Neoclásico, Romanticismo ....................................................... Páx.156 3.B.6.1.- Durand. 3.B.6.2.- Altes Museum. Berlín. 3.B.6.3.- As universidades Americana e anglosaxonas. 3.B.6.4.- As novas catedrais da industria: As Lonxas e Bolsas industriais 3.B.6.5.- Conclusións. ................................................................ Páx.160 Bibliografia .................................................................................. Páx.161 Imaxes Capítulo 3 ................................................................................. Páx.162 TOMO 2 CAPÍTULO 4.- Análise da arquitectura redonda do século XX. 4.A.- MODERNIDADE 4.0.- La Ruche de Montparnasse (París), 1900 4.1.- Modernismos .............................................................................................. 4.2.- Expresionismos .......................................................................................... 4.3.- Revolución Rusa ......................................................................................... 4.4.- W. Gropius. Oficina de Emprego Municipal. Dessau (Alemania), 1927...... 4.5.- Mercado de Abastos de Algeciras. 1933. M Sánchez Arcas e E. Torroja... 4.6.- Casa Székely. Bloemendaal (Holanda), 1934. G. Rietveld ......................... 4.7.- Paises Escandinavos................................................................................... 4.8.- Frank Lloyd Wright....................................................................................... 4.9.- Bruce Goff.................................................................................................... 4.10.- John Lautner ............................................................................................. 4.11.- Arquitectura orgánica................................................................................ 4.12.- Arquitectura hinchable e outros experimentos.......................................... 4.13.- Arquitectura para o futuro.......................................................................... 24.14.- Le Corbusier.............................................................................................. 4.15.- Iannis Xenakis. Casa de vacacións. Córcega, 1996.................................. 4.16.- Balkrishna Doshi. Galería de Arte Hussain-Doshi. Admedabad, 1990..... 4.17.- Oscar Niemeyer........................................................................................ 4.18.- Félix Candela............................................................................................. 4.19.- Emilio Pérez Piñero. Cúpulas festivais de España, 1966......................... 4.20.- B. Fuller..................................................................................................... 4.21.- Pier Luigi Nervi. Palacete dos Deportes. Roma, 1956 ............................. 4.22.- Eero Saarinen........................................................................................... 4.23.- Kenzo Tange............................................................................................. 4.24.- Louis I. Kahn............................................................................................. 4.25.- Escolas de Arte da Habana...................................................................... 4.26.- Lina Bo Bardi. Igrexa Espíritu Santo. Minas Gerais (Brasil),1976............ 4.27.- S.O.M. (Gordon Bunshaft). Museo Hirshhorn. Washington, 1969.......... 4.28.- Aldo Van Eyck.......................................................................................... 4.29.- Kisho Kurokawa........................................................................................ 4.30.- Liam McCormick. Igrexa St. Aengus. Donegal (Irlanda Norte),1965......... 4.31.- Igrexas europeas........................................................................................ 4.32.- Miguel Fisac................................................................................................ 4.33.- Alejandro de la Sota. Casa Arvesú. Madrid, 1953 ..................................... 4.34.- Xosé Bar Bóo.............................................................................................. 4.35.- Andrés Fernández- Albalat. Fábrica cerámica. Sargadelos (Lugo), 1966.. 4.36.- Edificios helicoidais..................................................................................... 4.37.- Conclusións sobre a arquitectura redonda dos clásicos modernos............ 4.B.- CONTEMPORANEIDADE 4.38.- Mario Botta ................................................................................................ 4.39.- Alvaro Siza ................................................................................................ 4.40.- Tadao Ando ............................................................................................... 4.41.- Peter Zumthor. Capela de Sogn Benedetg. Sumvitg (Suíza), 1985............ 4.42.- Richard Meier. Edificio Exposicións e Congresos. Ulm (Alemania),1986.. 4.43.- Norman Foster ........................................................................................... 4.44.- Centro Forestal de Valonia. Bruxelas, 1994. Philippe Samyn e asoc. ...... 4.45.- Banco de España. Xirona. 1989. Lluis Clotet e Ignaci Parici...................... 4.46.- Residencia de Vellos. Horta, Barcelona,1988. Emili Donato e colab. ....... 4.47.- Biblioteca Pedro Salinas. Porta Toledo (Madrid),1982. J. Navarro ........... 4.48.- Esteve Bonell e Francesc Rius. Velódromo. Horta (Barcelona), 1982........ 4.49.- Estación de autobuses de Huelva, 1993. A. Cruz e A. Ortiz....................... 4.50.- Casa Heliotropo. Friburgo. Alemania, 1994. Rolf Disch ............................. 4.51.- Toyo Ito ...................................................................................................... 4.52.- SANAA .....................................................................................................
Load more

Recommended publications
  • Lecture 01 Intro to Arch Technology
    WELCOME ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2010 CLASS CONDUCT 1) PLEASE TURN OFF CELL PHONES, BLACKBERRY’S ETC. FOR THE ENTIRE DURATION OF THE CLASS. 2) PLEASE TURN OFF ALL IPODS, ETC. 3) PLEASE NO EATING OR DRINKING DURING CLASS. 4) PLEASE BE CONSIDERATE OF OTHERS, RESPECT IS KEY TO YOUR PROFESSIONAL CAREERS AND DAILY LIVES. 5) THE CLASS WILL START PROMPTLY ON SCHEDULE, PLEASE BE PREPARED. ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY INTRODUCTION TO CLASS Professor: W. Valdez Email: [email protected] • Syllabus Review. • What is architecture, technology and ecology? • How do we describe architecture? • Prehistoric Architecture (Post and Lintel) • Egypt and Mesopotamia Architecture • The architecture of Crete, Greece, Rome and Pre-Columbian • Early, Architecture of Europe, Africa, China, and Japan • The architecture of the Middle Ages, the Renaissance, 18th and 19th Century design and the, modern movements. ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY GRADING There will be throughout the semester. • Regular in class problems or quizzes or projects. 30% • Writing assignments 20% • A mid-term examination 15% • A final exam or project 20% • Notebooks 5% • Class participation. 10% • Vocabulary list + 100% ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Rhythm / Scale In order to gauge architectural aesthetics we are required to consider the following: Scale: Relationship between building size and human scale and Rhythm: Elements repeated surroundings. (solids, voids, projections . ) ARCH 1121
    [Show full text]
  • (AHP)-Based Assessment of the Value of Non-World Heritage Tulou
    Tourism Management Perspectives 26 (2018) 67–77 Contents lists available at ScienceDirect Tourism Management Perspectives journal homepage: www.elsevier.com/locate/tmp Analytic Hierarchy Process (AHP)-based assessment of the value of non- T World Heritage Tulou: A case study of Pinghe County, Fujian Province ⁎ Hang Maa, Shanting Lib, Chung-Shing Chanc, a Harbin Institute of Technology, Shenzhen Graduate School, Shenzhen 518050, China b Shanghai W&R Group, Shanghai 200052, China c Department of Geography and Resource Management, The Chinese University of Hong Kong, Sha Tin, N.T, Hong Kong ARTICLE INFO ABSTRACT Keywords: China's Fujian Tulou (earthen buildings constructed dating to the 12th century) represent a valuable source of Analytic Hierarchy Process (AHP) human cultural heritage. As the Tulou have not been classified as World Heritage Sites by UNESCO, they lack Conservation and reuse financial support, receive minimal attention and face structural deterioration. The purpose of this study is to Cultural heritage explore a methodological approach to assess the value of non-World Heritage Tulou (NWHT) and provide Evaluation system grounds for the reuse of Tulou accordingly. First, building-type, planar layout and other characteristics of Pinghe Tulou NWHTs in Pinghe are reviewed. Next, an Analytic Hierarchy Process (AHP) is applied to the value evaluation of Pinghe Tulou. Then, policy recommendations for reuse and redevelopment are put forward. The findings suggest that focusing on the reuse of Tulou alone is not justifiable. Rather, funding, public participation and the con- tinuity of community life are important factors relating to the reuse of NWHTs. 1. Introduction Educational, Scientific and Cultural Organization (UNESCO) in 2008 (and are thus referred to here as ‘World Heritage Tulous’ (Fig.
    [Show full text]
  • Short Name of the Site
    Wang Qijun, Ancient Chinese Architecture: Vernacular Dwellings, New York, 2000. Fujian Tulou (China) Technical Evaluation Mission: 29 August-3 September 2007 No 1113 Additional information requested and received from the State Party: ICOMOS has sent a letter to the State Party on 20 December 2007 on the following issues: Official name as proposed by the State Party: Fujian Tulou - Extension of the buffer zone for Zhenfuou (Yongding); Location: Yongding County, - The reasons for moving people out of the core and Nanjing County, buffer zones and on the overall policy for sustaining the and Hua’an County, buildings as living units rather than museums; Fujian Province, People’s Republic of China - Further information on upgrading tulou services; Brief description: - Further information on the overall approach to the In lush mountainous areas in the south-west of Fujian landscape and on how an authentic farmed landscape can province, inland from the Taiwan Strait, large fortified be sustained as an appropriate setting for the tulou. communal clan houses, mostly built of rammed earth, and known as tulou (earthen houses), are set amongst The State Party responded with supplementary fields of rice, tea and tobacco below surrounding sub- information on 25 February 2008. These responses are tropical forest of pine, Chinese fir, cypress and camphor included in the report below. trees. Date of ICOMOS approval of this report: 11 March 2008 These multi-storey, inward-looking, circular or square dwellings were designed for communal living with family units of up to five storeys arranged around a 2. THE PROPERTY courtyard. Each housed a complete clan, of up to 800 people, and functioned much as a village unit.
    [Show full text]
  • The Ethnomathematics of Chinese Tulou Building Architecture As Geometry Teaching Material in Elementary School
    Journal of Teaching and Learning in Elementary Education (JTLEE) ISSN (Print) : 2615-4528 Vol. 4 No. 2, August 2021 ISSN (Online) : 2622-3023 ©All rights reserved DOI: http://dx.doi.org/10.33578/jtlee.v4i2.7881 Printed in Indonesia The Ethnomathematics of Chinese Tulou Building Architecture as Geometry Teaching Material in Elementary School Yuxian Huang1*, Jinyu Nong2, PeiPei Lai3 1Department Mathematics and Statistics, Guangxi Normal University, China. 2Nanning Yucai Experimental Middle School, Nanning, China 3Lingshan Middle School, Qinzhou, China *[email protected] Received: May 04th, 2021 Revised: June 22nd, 2021 Accepted: August 02nd, 2021 Abstract The purpose of this study is to study ethnomathematics aspects contained in Chinese Tulou architecture. The study uses the qualitative research method to describe the ethnomathematics value of Tulou building in China, and then connect Chinese Tulou building with mathematics. The method of data collection is document's content analysis. The study found that Chinese Tulou contains a wealth of mathematical knowledge, including mathematical knowledge of geometric figures in mathematics, such as circle, triangle, rectangle, square, octagon, cylinder, octaprism, as well as the area and volume of geometric figures. Therefore, in daily teaching life, teachers can use Tulou as teaching materials, which was not only help students understand mathematics knowledge but also improve the enthusiasm of students. Keywords: Chinese Tulou buildings; elementary school; ethnomathematics 1. INTRODUCTION Therefore, mathematics is closely related Many researchers said that to national culture. China has many mathematics is influenced by various building which are closely related to environments (Evans, 2004; Kubiatko et mathematics to study. China has a wall al., 2010; Lei & Zhao, 2007), including of china that was built by more than 6 language (Cai et al., 2014; Duval, 2006), different kingdoms and is more than religion (Suryanti et al., 2019), 2300 years old.
    [Show full text]
  • Istanbul Archeology Museum
    Prehistoric Architecture-Fragile tent-like structures of poles covered with hides or thatched reeds. Hunters and gatherers / Nomads / Migratory Predator Nomadic housing - permanent structures were impractical, looking for sources of food The Strong Man's house Scotland Early Cave Settlers, Seljuk, Turkey Dates: circa 30,000 BCE Source: Istanbul Archeology Museum. Primitive Farming Culture, Seljuk, Turkey Dates: circa 8,000 BCE Source: Istanbul Archeology Museum Anchorites Tufa Pinnacle, Cappadoccia, Turkey Dates: 600 BC to present Source: The House Book, Phaidon Publishers, 2005. Blackfoot Indian Teepee, Montana Dates: 1900. Source: The House Book, Phaidon Publishers, 2005. Galician Celts Palloza, Galicia, Spain Dates: 200 BC Source: The House Book, Phaidon Publishers, 2005. Inuit Igloo, New Foundland, Canada Dates: 3000 BC to present. Source: The House Book, Phaidon Publishers, 2005. Kyrgyz Yurt, Xingiang, China Dates: Unknown to Present. Source: The House Book, Phaidon Publishers, 2005. Loess Han Cave House, Shanxi, China Dates: 500 AD to Present. Source: The House Book, Phaidon Publishers, 2005. Maasai Enkang Hut, Kenya Dates: Unknown Duration. Source: The House Book, Phaidon Publishers, 2005. Mad’han “Madrif”, Tigres-Euphrates Delta Dates: 1000 BCE to present. Source: The House Book, Phaidon Publishers, 2005. Neolithic Orkney Islanders, Skara Brae”, Scotland Dates: 2000 BCE on. Source: The House Book, Phaidon Publishers, 2005. Provencale Farmers, “Dry Stone Borie”, France Dates: 1st Century BCE. Source: The House Book, Phaidon Publishers, 2005. Sami “Goatte”, Finland Dates: Traditional Housing. Source: The House Book, Phaidon Publishers, 2005. Shetland Islands “Moussa Broche”, Scotland Dates: 600 BCE to Middle Ages. Source: The House Book, Phaidon Publishers, 2005. Syrian Farmers, “Idlib” Houses Dates: 6000 BCE to present.
    [Show full text]
  • The Dong Village of Dimen, Guizhou Province, China a Darch Project Submitted to the Graduate D
    THE CASE FOR ADAPTIVE EVOLUTION: THE DONG VILLAGE OF DIMEN, GUIZHOU PROVINCE, CHINA A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE MAY 2016 By Wei Xu DArch Committee: Clark Llewellyn William R.Chapman Zhenyu Xie Keywords: Dong village; Dimen; public space; evolution; adaptive Abstract Despite the fact that over 90 % of the Chinese nationals are Han ethnicity, China is considered a multiethnic country. There are many ethnic minority groups living in various parts of China, and their culture blends with and affects the Han culture to create the amazing mixture and diverse Chinese culture. However, this diversity has gradually lost its magic under the influence of rapid economic growth which encourages uniformity and efficiency rather than diversity and traditional identity. As a result, the architectures and languages of many ethnic minorities are gradually assimilated by the mainstream Han culture. Therefore, the research and preservation of ethnic minorities’ settlements have become a crucial topic. As one of the representative ethnic minority, the Dong people and their settlements contain enormous historical, artistic and cultural values. Most importantly, its utilization of space is the foundation of its sustainability and development. As a living heritage, the maintenance of public space is crucial to the development of Dong village since the traditional function of its space makes up a major part of its cultural heritage. However, the younger Dong people’s changing social practices and life-style have resulted in the alteration of their public space.
    [Show full text]
  • Heaven and Earth in Tulou Design
    International Workshop on Rammed Earth Materials and Sustainable Structures & Hakka Tulou Forum 2011: Structures of Sustainability at International Symposium on Innovation & Sustainability of Structures in Civil Engineering Xiamen University, China, 2011 HEAVEN AND EARTH IN TULOU DESIGN Keith D. Lowe, B.A. Harvard, Ph.D. Stanford Tsung Tsin Association of Ontario, Canada [email protected] Abstract: Because of significant missing links between ancient and modern Han culture, it is often very useful to look into areas of Hakka culture to understand how the ancient Chinese lived. This is abundantly true in the area of linguistics, and lately the area of architecture has yielded much evidence that modern Hakka culture of the south flows from the ancient stream of the north. The genius of the Hakka is best seen in the unique roundhouses of the mountainous borderland of three provinces – Guangdong, Fujian and Jiangxi. However, in completing the fourth of five migrations, the Hakka returned to the traditional building styles of the northern plains of China and built Wufenglou on the plains of southern Guangdong province. In this paper the author presents a story of evolution of Hakka dwellings revealing how the Tulou design has reflected Hakka culture rooted in the central plains of the Yellow River region. Keywords: Tulou, earth buildings, round houses, weilonglou, wufenglou 1 INTRODUCTION There are mainly three types of tulou or rammed-earth clan residences built by the Hakka, i.e. in the shape of a circle (yuanlou), of an oval (weilonglou), and of a square (wufenglou) (Figure 1). Figure 1: Three types of Tulou - round, oval, square The author utilizes this simplistic typology frankly to fit his huaquiao notions of Chinese/Hakka culture, and also to fit his personal history as a descendant of the Luo clan which built the Dunshang weilonglou and the Crane Lake wufenglou.
    [Show full text]
  • Form Function and Key Elements of Fujian Tulou ——A Case Study of Nanjing Tulou
    5th International Conference on Civil, Architectural and Hydraulic Engineering (ICCAHE 2016) Form function and key elements of Fujian Tulou ——A Case Study of Nanjing Tulou Xiaohui Zheng South China University of technology, Guangzhou,China KEYWORD: Architectural forms, functional layout, key elements ABSTRACT: Tulou, the earthen building, is the world cultural heritage. It is famous for its various shapes and structures. However, opinions are different about its concept and classification. Tulou in Najing of Fujian Province will be divided into three types in the thesis, that is, round, square and deviant forms, according to the study of architectural forms, functional layout and elements of the construction. INTRODUCTION Tulou, the earthen building, has been in the list of the world cultural heritage. However, people from different areas and academic fields didn’t reach an agreement on its concept, let alone media reports. Some regarded the buildings made of rammed-earth wall as Tulou; some insisted that Hakka earthen building was equal to Fujian Tulou, while some even believed that Tulou was con- structed by the Hakka people. However, none is the exactly right one. Professor Huang Hanmin pointed out that Tulou should be one of the categories of Fujian Tulou, referring to those storied houses distributed in the western and southern areas of Fujian province and the northeastern areas of Guangdong province, which are of the defensive functions owing to the rammed-earth wall and wooden beam column, and the living areas there are set along the periphery to accommodate large families. CLASSIFICATION AND FUNCTIONAL LAYOUT OF TULOU Tulou can be divided into round, square (including mansion-style) and deviant forms according to its floor plan, while it can be divided into unit-typed buildings, gallery apartment buildings and spe- cial forms.
    [Show full text]
  • Fujian Tulou – a Living Clans-Dwelling World Heritage Site
    Fujian tulou – a living clans-dwelling World Heritage Site (Source: Vernacular News: Tulou of China by John May, in The Generalist, dated 12 April, 2011 http://hqinfo.blogspot.com/2011/04/vernacular-news-tulou-of-china.html with other materials taken from Wikipedia and other internet sources) During a short trip to the Hakka region from 15 -18 November, 2011, I visited a remarkable living World Heritage Site, the Fujian “tulou”, or fortified rammed- earth-walled dwellings, of the early Hakka and Minan peoples of Fujian Province. Mistaken for missile silos According to AmoyMagic – Guide to Xiamen and Fujian by Sue Brown and Dr Bill, 1,500 of these tulou’s were spotted by a US KH22 spy satellite as possible missile silos. A Department of National Defense report reached the desk of President Ronald Reagan in 1985 and caused much alarm. The truth was revealed soon after a couple from the US New York Institute of Photography were dispatched to pay a site visit. Perhaps this serves to underline the importance of deeper understanding between the two increasingly rival superpowers. Now a World Heritage Site Six tulou clusters with a total of 46 tulou structures were inscribed in 2008 by UNESCO as a World Heritage Site. Built in 1709, the largest amongst them is the Chengqilou 承啟樓, nicknamed "the king of tulou". Amongst the Gaobei Tulou Cluster 高北土樓群 at Gaotou village of Yongding County, it is a massive rotunda with four concentric rings surrounding an ancestral hall at the centre. The outer ring is 62.6 meters in diameter and four storeys tall.
    [Show full text]
  • The Cyber-Reception for Three Hakka Tulou Construction Projects in Taiwan from the Event to a Critique of Representative Democracy
    China Perspectives 2017/2 | 2017 Processual Change in Taiwan The Cyber-reception for Three Hakka Tulou Construction Projects in Taiwan From the Event to a Critique of Representative Democracy Fiorella Bourgeois Electronic version URL: http://journals.openedition.org/chinaperspectives/7310 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2017 Number of pages: 19-26 ISSN: 2070-3449 Electronic reference Fiorella Bourgeois, « The Cyber-reception for Three Hakka Tulou Construction Projects in Taiwan », China Perspectives [Online], 2017/2 | 2017, Online since 01 June 2018, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/7310 © All rights reserved Special feature China perspectives The Cyber-reception for Three Hakka Tulou Construction Projects in Taiwan From the Event to a Critique of Representative Democracy FIORELLA BOURGEOIS ABSTRACT: In the early 2010s, under the second mandate of Ma Ying-jeou (KMT), plans to construct three Hakka tulou in western Taiwan arou - sed considerable discontent amongst a section of the Taiwanese population. Their disapproval manifested itself in the eruption of small-scale de - monstrations and in the expression of differences of opinion and individual experiences in the cybersphere. As actors, internet users took on the role of citizen’s watch and people’s judge and revealed, through a critique of the three projects, the failings and tensions present in represen - tative democracy both in terms of cultural identity and procedural mechanisms, highlighting opposed values of the various social agents. KEYWORDS: Taiwan, representative democracy, local election, Miaoli, tulou , Liu Cheng-hung, new media, actor, value, process.
    [Show full text]
  • Procesos Habitados As Arquitecturas Nas Que Vive O Outro 90%. Procesos
    O curso de verán PROCESOS HABITADOS recibiu axuda económica da Vicerreitoría de Estudantes, Deportes e Cultura da Universidade da Coruña. Este curso incardínase dentro das actividades do PROXECTO dHÁBITAT Procesos habitados As arquitecturas nas que vive o outro 90%. que recibiu axuda inanceira da Cooperación Galega www.cooperaciongalega.org . Toda a información do Procesos habitados Las arquitecturas en las que vive el otro 90%. proxecto en: www.udc.gal/dhabitat Inhabited processes Architectures where the other 90% lives. El curso de Verano PROCESOS HABITADOS, recibió ayuda económica de la Vicerrectoría de Estudiantes, Deportes y Cultura de la Universidade da Coruña. Este curso se encuadra dentro de las actividades del PROXECTO dHABITAT, que fue inanciado por la Cooperación Galega www.cooperaciongalega.org . Toda la información del proyecto en: www.udc.gal/dhabitat Summer course PROCESOS HABITADOS received a founding from the ofice of the Head of Students, Sports and Culture of Universidade da Coruña. This course is part of the PROXECTO D`HABITAT activities, granted by the galician cooperation ofice “Cooperación Galega” www.coopraciongalega.org . All info related to this project at: www.udc.gal/dhabitat Resultados do curso de verán da E.T.S. de Arquitectura da Coruña en setembro de 2014. Resultados del curso de verano de la E.T.S. de Arquitectura de A Coruña en septiembre de 2014. Outcomes of the summer course held at the School of Architecture of A Coruña in September 2014. PROCESOS HABITADOS recolle as leccións, debates e resultados
    [Show full text]
  • American Folklore Society the Continuity and Creativity of Culture
    American Folklore Society Keeping Folklorists Connected The Continuity and Creativity of Culture 2012 Annual Meeting Program and Abstracts Hotel Monteleone New Orleans, Louisiana October 24-27, 2012 Copyright © 2012 The American Folklore Society All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Published by the American Folklore Society The Ohio State University Mershon Center 1501 Neil Ave. Columbus, OH 43201-2602 USA TABLE of CONTENTS Acknowledgements ............................................................................................................................................................... iv General Information .............................................................................................................................................................. xv Program Summary .............................................................................................................................................................xviii Program Schedule ..................................................................................................................................................................1 Wednesday ................................................................................... 1 Thursday ....................................................................................... 3 Friday .......................................................................................... 17 Saturday.....................................................................................
    [Show full text]