Curriculum Vitae
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit -
![Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020](https://docslib.b-cdn.net/cover/3954/inmedia-3-2013-%C2%AB-cinema-and-marketing-%C2%BB-online-online-since-22-april-2013-connection-on-22-september-2020-603954.webp)
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Stan and Ollie'
'Stan and Ollie' A Screenplay By Jeff Pope Stan and Ollie - Goldenrod Revisions 20.04.17 1 BLACK. UNDER THIS this we hear a conversation. HARDY (V.O.) ... so Madelyn turned up. LAUREL (V.O.) Madelyn turned up? HARDY (V.O.) Completely out of the blue. Haven’t seen her in fifteen years... 1INT. DRESSING ROOM/ROACH LOT/STUDIO - DAY 1 Oliver HARDY leans against the door to a dressing room, worried expression, talking to his friend Stan LAUREL. Both are in their late-40s, (at the peak of their movie careers), but to begin with we have no real clue as to who they are, where they are or what they do. They are just two guys in cheap suits talking to each other. HARDY lights up a cigarette as he talks. HARDY There she was, all gussied up on the front door step. And that’s something I never thought I’d see again. LAUREL picks up a boot (the right one) with a large hole in the sole. Using a knife he levers off the heel. LAUREL What’d she want? HARDY Twenty thousand bucks. LAUREL Twenty thousand? HARDY Fifteen years of back alimony. I ** said ‘what alimony? When we broke ** up I gave you whatever money I had ** and you took the car.’ We both ** agreed that was that. LAUREL Jeez even Mae wasn’t after that much - and she wanted me to pay for a chauffeur. It’s because our faces ** are plastered all over town. ** Probably some lawyer’s bright idea. ** LAUREL levers off the other heel. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Bailey, Dennis Resume
Dennis Bailey Height: 6’ Weight: 185 lbs Eyes: Brown Hair: Salt and Pepper Film Ocean’s 13 Supporting WB, Steven Soderbergh The Trip Supporting Artesian, Miles Swain Ways of the Flesh Supporting Columbia, Dennis Cooper Man of the Year Supporting Working Title, Dirk Shafer Television Good Christian Belles (Pilot) Co-star ABC-TV, Alan Poul Chase Co-star NBC, Dermott Brown The Simpsons Guest Star FOX, David Mirkin The Bernie Mac Show Guest Star FOX, Lee Shallat Chemel General Hospital Recurring ABC, Gloria Monty Melrose Place Guest Star FOX Crossing Jordan Guest Star NBC, Dick Lowry The Drew Carey Show Guest Star ABC, Brian Roberts Days of Our Lives Recurring NBC Sabrina, The Teenage Witch Recurring ABC, Melissa Joan Hart Martin Guest Star FOX, Garren Keith Dave’s World Guest Star CBS LA Law Guest Star NBC, Eric Laneuville Murder, She Wrote Guest Star CBS Columbo Guest Star NBC, Darryl Duke Dallas Recurring CBS, Leonard Pressman China Beach Recurring ABC, Mimi Leder Ally McBeal Recurring FOX, Kenny Ortega Television- MOW Search and Rescue (Pilot) Guest Star NBC, Robert Conrad Sworn to Vengeance Guest Star CBS, Peter Hunt Last Voyage of the Morrow Castle Guest Star HBO Theatre- Broadway Gemini Francis Geminiani Helen Hayes Leader of the Pack Gus Sharkey Ambassador Marriage of Figaro Figaro Circle in the Square Theatre- Off-Broadway Preppies Bogsy Promenade Professionally Speaking Teacher St. Peter’s Wonderland Alan Hudson Guild Theatre- Regional Dead White Males Principal Pettlogg Sustainable Theatre The Immigrant The Immigrant Actor’s Theatre, Louisville Are We There Yet? The Suitor Williamstown Merry Wives of Windsor Abraham Slender The Old Globe Blue Window Griever Atlanta Alliance Commercial List available upon request . -
Inheritability of the Right of Publicity Upon the Death of the Famous
CORE Metadata, citation and similar papers at core.ac.uk Provided by Vanderbilt University Law School: Scholarship@Vanderbilt Law Vanderbilt Law Review Volume 33 Issue 5 Issue 5 - October 1980 Article 5 10-1980 Inheritability of the Right of Publicity Upon the Death of the Famous Ben C. Adams Follow this and additional works at: https://scholarship.law.vanderbilt.edu/vlr Part of the Privacy Law Commons Recommended Citation Ben C. Adams, Inheritability of the Right of Publicity Upon the Death of the Famous, 33 Vanderbilt Law Review 1251 (1980) Available at: https://scholarship.law.vanderbilt.edu/vlr/vol33/iss5/5 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Law Review by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. RECENT DEVELOPMENT INHERITABILITY OF THE RIGHT OF PUBLICITY UPON THE DEATH OF THE FAMOUS I. INTRODUCTION The exploitation of famous names and likenesses in the mar- keting of consumer products involves huge sums of money.1 Courts have recognized, albeit haphazardly, the tremendous pecuniary value of celebrity endorsements and have afforded individuals the right to exclusive control over their names and likenesses. 2 Al- though courts have applied various labels to this guarantee, s the term most commonly used is "right of publicity."'4 Given the large amount of money at stake, clear delineation of the scope of this right is imperative. Recently, however, state and federal courts5 have reached divergent results concerning the inheritability of the right of publicity upon the death of the famous. -
Copyright by Avi Santo 2006
Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable. -
Hal Roach Studios and Michael Agee
No. 01-618 In the Supreme Court of the United States ____________ Eric Eldred, et al., Petitioners, v. John D. Ashcroft, in his official capacity as Attorney General, Respondent ____________ On Writ of Certiorari to the United States Court of Appeals for the District of Columbia Circuit ____________ BRIEF OF HAL ROACH STUDIOS & MICHAEL AGEE AS AMICI CURIAE SUPPORTING PETITIONERS _____________ H. Jefferson Powell (Counsel of Record) David Lange Duke University School of Law Science and Towerview Durham, NC 27708 919 613 7098 Counsel for Amici Curiae ________________________________________________ i CONTENTS TABLE OF CONTENTS .................................. i TABLE OF AUTHORITIES ..............................iv STATEMENT OF INTEREST ............................. 1 SUMMARY OF ARGUMENT: “A POSTERITY THAT NEVER QUITE ARRIVES” ................................ 1 ARGUMENT ........................................ 4 I. The Copyright Clause imposes limits on Congress’s power to create exclusive rights. Those rights must be for limited times and must promote the progress of science. The CTEA’s retrospective term extension is outside of those limits and is therefore unconstitutional ............................... 4 A. The only congressional justification for retrospective term extension that is potentially relevant to “promot[ing] the Progress” is the film preservation rationale ................... 4 B. The film preservation rationale is logically and legally unsound ............................ 6 1. Giving incentives for film preservation through retrospective term extension is not within the ambit of Congress’s power to promote the progress of science by encouraging the creation of original works .. 6 2. The argument that the CTEA is justified by the need to encourage digitization and “media migration” is an argument without a ii limiting principle and thus flies in the face of this Court’s recent holdings .............. -
II. Remembrance Representation
II. Remembrance & Representation Figure 1. Benson Fong, Beulah Quo, and George Takei on the set of My Three Sons. 2016 Amerasia Journal Amerasia 96 Amerasia Journal 42:2 (2016): 96-117 10.17953/aj.42.1.96 The Asian American Next Door Enfiguring the Model Minority on the Domestic Melodrama Melissa Phruksachart In the years between the mass incarceration of Japanese Americans (1942-1946) and the 1965 Immigration Act, what prepared the Ameri- can public to recognize and validate the term “model minority?” This essay proposes a televisual genealogy of the model minority as dis- tinct from the 1966 formulation published by The New York Times in William Petersen’s feature “Success Story, Japanese-American Style.”1 Building upon prior scholarship, I inquire into the early Cold War log- ics that precipitated the popular rise of the model minority figure in 1966. In particular, I point to network television as an archive that circulated the structures of feeling necessary for the model minority to take hold. By doing so, I place recent histories of Asian American do- mesticity during the Cold War era into closer conversation with U.S. popular culture, particularly television. While popular media histories lament the rarity of Asian Ameri- cans on television, I identify the trope of the Asian American neigh- bor as increasingly common on television in the late 1950s and early 1960s. Both the television industry and Asian American communities found themselves rapidly growing in size in mid-1950s California. At stake for both the television industry and Asian American commu- nities was the chance to be “domesticated” into the American home. -
“The Invaders”
TEMECULA VALLEY HISTORICAL SOCIETY NEWSLETTER January 2018 Invasion of Temecula Volume 18 Issue 1 “The Invaders” By Rick Reiss “How does a nightmare begin? For David Vincent, architect, return- 2018 Officers ing home from a business trip, it began at a few minutes past four on a lost President Rebecca Farnbach Tuesday morning, looking for a shortcut that he never found. It began with a Vice President Shari Crall welcoming sign that gave hope of black coffee. It began with a closed, deserted Secretary Cheryl Cady Treasurer Roger Cudé diner and a man too long without sleep to continue his journey. In the weeks to Past President Dick Fox come, David Vincent would go back to how it began many times.” So begins the Prologue of the premiere-pilot episode of the 1960s sci-fi Directors TV series The Invaders, starring Roy Thinnes as David Vincent, in which Lynn Cudé much of this historic episode was filmed on location in Old Town Temecula in Elaine Culverhouse March 1966. The episode, titled “Beachhead”, serves as a convenient video Suzanne Dechert time capsule of Temecula’s Old Town area as it was some five decades ago. Elaine Eshom “Beachhead” was broadcast for the first time on the ABC Network on January Darell Farnbach 10, 1967. Jeffery Harmon Bob Kent The fast paced TV series was the brainchild of TV creator Larry Co- Bonnie Martland hen, who modeled the show on the very successful “man-on-the-run” TV series Carol Strode The Fugitive as well as inspirations from past Alfred Hitchcock films like North By Northwest, The 39 Steps and Saboteur as well as 1950s era sci-fi movies Committee Chairs like Invasion of the Body Snatchers. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.