Collection of Material By, About, Or Relating to DH and Frieda Lawrence
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From Christian Concerns to Sexuality in Action : a Study of D.H
81blroth&~uenationale CANADIAN THES'ES ?)/~sESCANADIENNES d Canada ON MICROFICHE SUR MICROFICHE hAVE 6~ALITHW NOM DE L'AUTEUR TITLE OF THESIS TITRE DE LA TH~SE . L-7 Perm~ssron IS heray grmted to the NATIONAL LIBRARY OF L'autorlsar~onest, par la prdsente, accordge B /a BIBLIOTHS. CANADA to mtcrof~lrn th~sthes~s and to lend or sell copies QUE NATlONALE DU CANADA de m~crof~lme~certe these et of the film, de prgter ou de vendre des exemplaires du film. Th'e auth~rreservss othef publication rights, and neither the L'auteur se rbserve Ies aulres droits de publication. ?I la t'lesls nw extensive extracts from it may be printed or other- th$seni,de longs extraits de celle-CI nedoivent drre itnprirnt!~ wlse reproduced without the author's written perrniss~on. ov autrement reprcrduits sani l'autorisatian Pcrite de /'auteur. C DATED DAT~ Natlonal L~braryof Canada Bibl1oth6quenationale du Canada Collect~onsDevelopment Branch Direction du developpement des collections , Canad~anTheses on Service des thBses canadiennes '- Microfiche Service sur microfiche The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upon the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every , effort has been made to ensure 'avons tout fait pour assurer une qualite supkrieure the highest quality of reproduction possible. de reproduction. If pages are missing, contact the university which S'il manque des pages, veuillez communiquer granted the degree. avec I'universite qui a confer@le grade. -
A Study of the Escaped Cock
A Study of The Escaped Cock 論 文 A Study of The Escaped Cock: D. H. Lawrence’s Quest for Pagan Harmony YAMADA Akiko 要 旨 英語題名を和訳すると「『逃げた雄鶏』研究── D. H. ロレンスの異教 的均衡の希求」になる。ロレンスは,キリスト教に代わる宗教として古代 ギリシア・ローマ神話に登場したパン神信仰を,自分の作品において独自 の存在として登場させている。それは,ギリシア・ローマ神話の彼の特徴 を生かしながらも,キリスト教の一道に対して,全てを包含しながらもす べてが均衡を保っている宇宙の在り方を希求する二道の思想の象徴とし て,パン神を描いていることである。パン神はこれまでロレンスの多くの 作品に描かれてきたが,彼の最後の中編小説である『逃げた雄鶏』におい ても,パン神の象徴を力強く描いている。主人公である「死んだが甦った 男」は固有名詞としてのキリストとは一度も書き表されていないが,読者 には,その甦った状況の描き方からキリストを指していることが分かる。 ロレンスは,磔刑にされたが甦ったキリストを,彼が殺される前の生き方 を否定してエルサレムからレバノンまで放浪した後,そこでエジプト神話 に登場する殺されたオシリスを求めるイシスの女神に仕える巫女との出会 いにより,彼女と性的に交わることによって,異教に生きる人間として真 に甦ったことを描く。「甦った男」は,キリスト教の「ロゴス」を否定し, 「肉と血」による生き方こそが人間にとって真のものだ,と悟る。この思 想を,自然における太陽や海,木や花の描写を溢れんばかりの生命力の表 れとして描くとともに,生命力のシンボルとしての,「甦った男」のトー 1 愛知大学 言語と文化 No. 37 テムとしての百姓に飼われていた「逃げた雄鶏」を描いている。 ロレンスのパン神のこれまでの作品における重要性と,『恋する女たち』 において唱道されている「星の均衡」のテーマが『逃げた雄鶏』にも表れ ていることから,パン神及び均衡の主題が『逃げた雄鶏』において中心の 主題であることを述べる。この主題は他の研究者によっては十分に分析さ れていない。『逃げた雄鶏』において,この世界は,大宇宙と小宇宙が対 応し,全てが均衡を保っていることを願うロレンスの新宗教の集大成の思 想が描かれている。 キーワード:雄鶏,太陽,海,バラの花,大いなる日と卑小な日,夜の太陽 Introduction The Escaped Cock was first written in 1927 and published in 1928 when the title of this novella was The Escaped Cock and included only part I. But after one year, part II was added and published in 1929 when the title was changed to The Man Who Died, though D. H. Lawrence, the author, preferred the title of The Escaped Cock.1 The Cambridge Edition of the Works of D. H. Lawrence edited by M. Herbert, B. Jones and L. Vasey was published with the title of The Escaped Cock in The Virgin and the Gipsy and Other Stories including the novella in 2005. Lawrence continued to write the theme of the God Pan2 from his first novel The White Peacock to the last novel Lady Chatterley’s Lover as the alternative principle to Christianity to revive our world. -
ATINER's Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 the Lawrentian Truth: Selfhood and The
ATINER CONFERENCE PRESENTATION SERIES No: LIT2016-0009 ATINER’s Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 The Lawrentian Truth: Selfhood and the Primal Consciousness Neena Gandhi Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER’s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER’s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: LIT2016-0009 ATINER’s Conference Paper Proceedings Series LIT2016-0009 Athens, 23 February 2017 ISSN: 2529-167X Neena Gandhi Assistant Professor, American University of Sharjah, United Arab Emirates The Lawrentian Truth: Selfhood and the Primal Consciousness ABSTRACT “If I am to become an Angel,” ” says Tom Brangwen in The Rainbow, “it’ll be my married soul and not my single. It’ll not be the soul of me when I was a lad for I hadn’t a soul as would make me an angel then”, voicing an important Lawrentian truth. For Lawrence, “the great relationship” is the relationship between man and woman and the ultimate aspiration of life is to perfect one’s essential being which can only be achieved when an individual is able to polarize his or her primal consciousness with that of another. This paper traces the trajectory of Lawrence’s concept of love and selfhood through his novels. In his early novels such as The White Peacock (1911), Sons and Lovers (1913) and The Rainbow (1915), Lawrence displays a lot of faith in individual relationships which, in fact, become the medium for the self to realize itself. -
D. H. Lawrence and the Idea of the Novel D
D. H. LAWRENCE AND THE IDEA OF THE NOVEL D. H. LAWRENCE AND THE IDEA OF THE NOVEL John Worthen M MACMILLAN ~) John Worthen 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-21706-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1979 Reprinted 1985 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke. Hampshir!' RG21 2XS and London Companies and representativ!'s throughout the world British Library Cataloguing in Publication Data Worthl'n, John D. H. Lawrence and the Idea of the Novel I. Lawrence. David Herbert Criticism and interpretation I. Title 823' .9'I2 PR6023.A93Z/ ISBN 978-1-349-03324-9 ISBN 978-1-349-03322-5 (eBook) DOI 10.1007/978-1-349-03322-5 Contents Preface Vll Acknowledgements IX Abbreviations XI Note on the Text Xlll I The White Peacock I 2 The Trespasser 15 3 Sons and Lovers 26 4 The Rainbow 45 5 Women in Love 83 6 The Lost Girl 105 7 Aaron's Rod 118 8 Kangaroo 136 9 The Plumed Serpent 152 10 Lady Chatterley's Lover 168 II Lawrence, England and the Novel 183 Notes 185 Index 193 Preface This is not a book of novel theory. -
D. H. Lawrence and the Harlem Renaissance
‘You are white – yet a part of me’: D. H. Lawrence and the Harlem Renaissance A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Laura E. Ryan School of Arts, Languages and Cultures 2 Contents Abstract ...................................................................................................................... 3 Declaration ................................................................................................................. 4 Copyright statement ................................................................................................... 5 Acknowledgements .................................................................................................... 6 Introduction ................................................................................................................ 7 Chapter 1: ‘[G]roping for a way out’: Claude McKay ................................................ 55 Chapter 2: Chaos in Short Fiction: Langston Hughes ............................................ 116 Chapter 3: The Broken Circle: Jean Toomer .......................................................... 171 Chapter 4: ‘Becoming [the superwoman] you are’: Zora Neale Hurston................. 223 Conclusion ............................................................................................................. 267 Bibliography ........................................................................................................... 271 Word Count: 79940 3 -
FRIEDA LAWRENCE and HER CIRCLE Also by Harry T
FRIEDA LAWRENCE AND HER CIRCLE Also by Harry T. Moore THE PRIEST OF LOVE: A LIFE OF D. H. LAWRENCE THE COLLECTED LETTERS OF D. H. LAWRENCE (editor) HENRY JAMES AND HIS WORLD (with F. W. Roberts) E. M. FORSTER THE WORLD OF LAWRENCE DURRELL (editor) SELECTED LETTERS OF RAINER MARIA RILKE (editor) Frieda Lawrence, by the late Charles McKinley FRIEDA LAWRENCE AND HER CIRCLE Letters from, to and about Frieda Lawrence edited by Harry T. Moore and Dale B. Montague ©Harry T. Moore and Dale B. Montague 1981 Softcover reprint of the hardcover 1st edition 1981 978·0·333·27600·6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 fly THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-05036-9 ISBN 978-1-349-05034-5 (eBook) DOI 10.1007/978-1-349-05034-5 Contents Frieda Lawrence frontispiec~ Acknowledgements VI Introduction Vll 1. Letters between Frieda Lawrence and Edward W. Titus 1 2. Letters between Frieda Lawrence and Caresse Crosby 38 3. Letters from Frieda Lawrence and Ada Lawrence Clarke to Martha Gordon Crotch 42 4. Letters from Angelo Ravagli to Martha Gordon Crotch 71 5. Letters between Frieda Lawrence and Richard Aldington 73 Epilogue 138 Index 140 v Acknowledgements Our first acknowledgement must go to Mr Gerald Pollinger, Director of Laurence Pollinger Ltd, which deals with matters concerned with the Lawrence Estate. When Mr Pollinger iearned of the existence of the letters included in this volume, he suggested that they be prepared for publication. -
An Exploration of Female and Male Homosocial Bonds in DH Lawrence's
Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket An exploration of female and male homosocial bonds in D. H. Lawrence’s ‘serious English novels’ ENGL 3318: Final Year Project Tutor: Dr Fiona Becket Student ID: 200614777 1 Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket Introduction………………………………………………………………… 3 I. Female Homosociality in The Rainbow………………………… 4 II. Female Homosociality in Women in Love……………………… 9 III. Male Homosociality in Women in Love………………………… 15 IV. Male Homosociality in Aaron’s Rod……………………………. 20 Conclusion………………………………………………………………….. 25 Bibliography………………………………………………………………… 26 2 Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket Introduction To focus exclusively on homosocial relationships, ‘the social bonds between persons of the same sex’, may seem like an odd choice when studying a writer like D. H. Lawrence.1 Lawrence himself stated that ‘The great relationship, for humanity, will always be the relation between man and woman. The relation between man and man, woman and woman, parent and child, will always be subsidiary.’2 His attitude towards sex, gender and the nature and importance of homosocial relationships, however, were subject to many changes throughout his career. These changes, I argue, are most visible in three closely related novels written across a seven-year span. The first is the female-focused narrative of The Rainbow, banned for obscenity upon publication due to its protagonist’s lesbian affair.3 The second is its sequel, Women in Love, best-known for the ambiguous relationship between its male protagonists, but whose female relationships are also worth studying. The last novel is Aaron’s Rod, a text in which the titular protagonist relinquishes his ties to his family and country and explores the possibilities of bonds with other men. -
D. H. Lawrence's Political Philosophy As Expressed in His Novels
RICE UNIVERSITY D. H. LAWRENCE'S POLITICAL PHILOSOPHY AS EXPRESSED IN HIS NOVELS BY GARY LEWIS TYERYAR A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director’s signatures Houston, Texas June, 1963 3 1 272 00675 0754 ABSTRACT As I have indicated in my title, the subject of this thesis is the political philosophy of D. H. Lawrence as expressed in his novels. X had originally intended to present a general, critical analysis of the political philosophy^ but as research progressed, it seemed necessary for me to discover exactly what political views Lawrence really held. Therefore, the thesis has become, to a very large extent, a presentation and an organization of the strictly factual material that I have found in Lawrence's novels. In order to be absolutely fair to Lawrence, I have presented this material, as often as possible, in Lawrence's words rather than my own* My concern has been with the facts, rather than with a criticism or an evaluation of the facts* The chief contribution that I have made is in extracting the facts, and organizing them. I have taken the liberty, however, of selecting novels which I consider characteristic of the man. They are: Sons and Lovers. The Rainbow* Women in Love. Aaron's Rod. Kangaroo. The Plumed Serpent. and Lady Chatterley's Lover. Apocalypse and"Reflections on the Death of a Porcupine" are also discussed. The facts have been organized into the following categories: The Genesis of Lawrence's Ideas, Lawrence's Anti-Capitalistic and Anti-Mechanization Views, Lawrence’s Anti-Democratic Leanings and his Attitude Toward War, The Communist and Fascist Questions, and Individual Liberty, Leadership and Power. -
JDHLS Online
J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Article: ‘“Ausdruckstanz” and “Ars Amatoria”: D. H. Lawrence and the interrelated arts of dance and love Author: Earl G. Ingersoll Source: Journal of D. H. Lawrence Studies, Vol. 4, No. 2 (2016) Pages: 73‒97 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain JDHLS 2016, vol. 4, no. 2 73 “AUSDRUCKSTANZ” AND “ARS AMATORIA”: D. H. LAWRENCE AND THE INTERRELATED ARTS OF DANCE AND LOVE EARL G. INGERSOLL As Marina Ragachewskaya has recently indicated in this journal, Lawrence’s interest in the art of dance has received renewed attention in the 2010s.1 The subject has been thought to have opened with two notable investigations:2 ‘D. H. Lawrence and the Dance’ (1992) by Mark Kinkead-Weekes and then ‘Music and Dance in D. H. Lawrence’ (1997) by Elgin W. Mellown, who apparently was unaware that Kinkead-Weekes had blazed the trail before him, since his article contains no mention of this earlier work.3 Another writer who missed Kinkead-Weekes’s article, with its endnote citations from Martin Green’s Mountain of Truth: The Counterculture Begins, Ascona, 1900‒1920, was Terri Ann Mester, whose interpretations of dance scenes in Lawrence’s fiction could have benefited from even a cursory reading of Green’s 1986 study.4 Mester cites Deborah Jowitt’s Time and the Dancing Image, but she does not explore Jowitt’s very brief commentary upon Rudolf Laban and Mary Wigman, which might have provided her with yet another avenue of access to Green’s Mountain of Truth.5 To close this circle, Kinkead-Weekes then responded to Mester’s monograph in his keynote address at the 2003 International D. -
Dorothy Brett
Dorothy Brett: An Inventory of Her Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator Brett, Dorothy, 1883-1977 Title Dorothy Brett Collection Dates: 1898-1968 Extent 17 boxes (7.08 linear feet) Abstract: British painter Dorothy Brett attended the Slade School of Art where she became friends with other Bloomsbury artists. In 1924 she travelled with D.H. and Frieda Lawrence to America, where Brett eventually settled in Taos, New Mexico. The collection comprises a large accumulation of letters written to Brett over her adult life including correspondence with Frieda Lawrence, Spud Johnson, Georgia O'Keefe, and Leopold Stokowski. Also present are a few manuscripts and some personal papers. RLIN record # TXRC98-A13 Language English. Access Open for research Administrative Information Acquisition Purchases and gifts, 1968-1969 Processed by Chelsea S. Jones, 1998 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Brett, Dorothy, 1883-1977 Biographical Sketch Dorothy Eugenie Brett, born in 1883, was the eldest daughter of the 2nd Viscount Esher, Reginald Baliol Brett, and his wife Eleanor. Besides Dorothy, called "Doll" by her family, there were two older brothers, Oliver and Maurice, and a younger sister, Sylvia. The children were raised in a restrictive manner similar to other children of the Victorian era. They saw little of their parents, being largely left in the charge of a nanny and other servants. Once the boys were sent to school, a governess was retained for the girls. However, she was dismissed after a short time and the girls' education was left to their mother. -
A Language of the Body
A LANGUAGE OF THE BODY: IMAGES OF DISABILITY IN THE WORKS OF D.H. LAWRENCE By PAMELA WRIGHT A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English DECEMBER 2006 © Copyright by Pamela Kaye Wright, 2006 All Rights Reserved © Copyright by Pamela Kaye Wright, 2006 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of PAMELA WRIGHT find it satisfactory and recommend that it be accepted. _________________________ Chair _________________________ _________________________ ii ACKNOWLEDGEMENTS To Dr. Virginia Hyde, Chairwoman of my committee, I express sincere gratitude and appreciation for all the hard work put into this dissertation as well as all the hard work put into my education at Washington State University. On a personal level, you have been a wonderful mentor and friend. I take away some of the grace, ease and knowledge that you exhibit in the classroom. To Dr. Carol Siegel, I am proud to have been a student in your classroom. You too have been an amazing teacher and counselor. You have had a profound effect on my education and my understanding of Lawrence. To Dr. Jon Hegglund, thank you for your time and effort while serving on this committee. Finally, but certainly not in the least, to my husband, William, thank you for never letting me give up my dream. It has arrived at last. iii A Language of the Body: Images of Disability in the Works of D.H. Lawrence Abstract by Pamela Kaye Wright Washington State University December 2006 Chair: Virginia Hyde It should not be surprising (though it may seem so at first) that D.H. -
Southwest Texas Science Fiction and Fantasy: Films, TV, and Literature As Popular Culture
Annual Meeting st 31 Hyatt Regency Albuquerque Albuquerque, New Mexico Texas Popular Culture and American Culture Association American Culture and Culture Texas Popular February 10-13, 2010 / www.swtxpca.org Southwest Southwest st 31 Annual Meeting of the SWTX PCA/ACA To All SWTX PCA/ACA Participants This past year the Popular/American Culture movement was saddened with the passing of Dr. Ray Browne. As the founder of the National PCA/ACA, its regional organizations, the inspiration behind the Journal of Popular Culture and the Journal of American Culture, a prolific author and advocate for Popular /American Culture scholars Ray’s influence was felt worldwide. st Join us in dedicating our 31 Annual SWTX PCA/ACA Conference in his honor. CONTENTS PROGRAM Ray Browne (1922 – 2009): Mentor to Many and Friend to All Ray Browne was a mentor to thousands of us and we celebrate his influence as we mourn. At the age of 87, he was still editing book reviews for the Journal of American Culture and, pretty much till the end of his life, making the daily trek to his office in Bowling Green State University’s Jerome Library. Ray believed that there was both a need and an opportunity to study popular culture. For someone trained in folklore (as Ray had been), this was not a radical notion, but “traditionalist” professors in English and history departments deplored such slumming. A 1969 Toledo, Ohio, meeting of the American Studies Association focusing on popular culture became the occasion for crystallizing random experiments into a new movement. With cohorts Russell Nye, Tom Towers, Marshall Fishwick, and Daniel Walden—and with indispensable help from Ms.