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“I'm in Heaven Right Now”
CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE “I’M IN HEAVEN RIGHT NOW” Angel Bat Dawid taps into the root of all black music. BYLG31 MAYORAL RENT CONTROL THEATER SPOTLIGHT ON IN THE FIRST AND DIRECTORS ON TONI PRECKWINKLE 26TH WARDS GENDER BIAS Ben Joravsky | Kathleen Hinkel10 IN CHICAGO Samantha Smylie 8 Novid Parsi15 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER A NOTE FROM THE EDITOR “DOES JOURNALISM HAVE a future?” Jill disaffection for journalism that Lepore and have stated their support quite clearly. Lepore asked in the most recent issue of the Peretti point to in their own ways. I’ve put We’re honored. New Yorker, as prankster turned media inno- several of my own publications down, watched But the real appreciation for your sup- vator Jonah Peretti laid o 15 percent of his freelance paychecks dwindle, faced increas- port shines through our pages and on our workforce at BuzzFeed and then refused to ing antagonism for asking basic questions of website. Listen to our first-ever podcast pay most former employees their paid time authority. Perhaps most horrifying, I’ve faced the BACK ROOM DEAL at chicagoreader. o . Meanwhile, we’re over here adding pages the prospect of either doing the work for free com/backroomdeal (or Spotify, Stitcher, or to our print edition, launching a podcast, or choosing to live in a world where the work Apple) for the complete scoop on the Chi- and tracking gains in Web tra c month after doesn’t get done. cago elections from Ben Joravsky and Maya month (after month). (We also expanded our Yet we’ve seized the chance at the Read- Dukmasova. -
From Matieland to Mother City: Landscape, Identity and Place in Feature Films Set in the Cape Province, 1947-1989.”
“FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in the Department of Historical Studies UNIVERSITY OF CAPE TOWN December 2012 Supervisor: Vivian Bickford-Smith Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 25 Introduction 25 Context 27 1 Afrikaner nationalism and identity in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 Conclusion 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s 69 Introduction 69 Context 70 1 Picturesque Cape Town 76 1.1 The exotic picturesque 87 1.2 The anti-picturesque 90 1.3 A picturesque for Afrikaners 94 2 Metropolis of Tomorrow 97 2.1 Cold War modernity 102 i Conclusion 108 Chapter 3: "Just a bowl of cherries”: representations of landscape and Afrikaner identity in feature films made in the Cape Province in the 1970s 111 Introduction 111 Context 112 1 A brief survey of 1970s film landscapes 118 2 Picturesque -
Smörgåsbord: Lucy Dacus Displays Her Range with New EP “2019”
Smörgåsbord: Lucy Dacus displays her range with new EP “2019” graphic by Jennifer Ren Indie rock singer-songwriter Lucy Dacus has been steadily climbing her way into the spotlight. Her “2019” EP dropped November 8, capitalizing on her streak of popularity. Last year her sophomore record “Historian” hit #39 on the UK Independent Albums chart. She also debuted the band boygenius with fellow indie musicians Phoebe Bridgers and Julien Baker to widespread acclaim. Most recently, on the same night of her EP release, Dacus opened for alternative pop star Lana Del Rey’s live show at Chicago’s Aragon Ballroom, and was invited to perform her song “Night Shift” during the show itself. In such a time when critics and fans alike are singing Dacus’ praises, her latest work only compounds her relevancy. “2019” is a collection of three original tracks and four covers, each themed around holidays or other days of the year significant to Dacus. Over the course of its namesake year, Dacus released almost every song close in date to its respective inspiration. The exception was the EP-exclusive “Fool’s Gold,” a melancholy tribute to New Year’s. She started off this project back in February, releasing a cover of the romantic classic “La Vie Smörgåsbord: Lucy Dacus displays her range with new EP “2019” En Rose” for Valentine’s Day. This song has been performed and recorded by many since its original release in 1947, but Dacus’ take is unique to her style and sound. She utilizes the guitar-driven indie rock that she built her name off to turn the popular cover into a track that could have been an original. -
Raise Your Fists, Be Loud and Dance !
The Guilt haben ihre eigene musikalische Kategorie erfunden: Lazerpunk ! Extrem treibende Beats, schneidende Gitarrensounds und Sängerin Emma, die eine Sportakrobatik auf der Bühne präsentiert, so dass man schon beim Zuschauen Muskelkater bekommt. Tanzbare Songs der härteren Sorte mit aggressiven, digitalen Beats und mitreissender Bühnenperformance. Nennen wir es Aerobic-Lazerpunk-Action. Emma (vocals) und Tobias (guitars & beats), gründeten das Duo THE GUILT im Dezember 2012 in Helsingborg/Schweden, mit der Absicht, sehr laute, einfache Musik zu spielen – Überall und zu jeder Zeit ! Seit dem reisten The Guilt durch Europa und spielten staubigen Hütten, großen und kleinen Clubs, bei Kunstausstellungen und Festivals… Digitale Drumbeats , eine Show die nicht selten zu blutigen Knie führt, fetter Gitarrensound, ein furchtbarer Sinn für Humor und ein Publikum das mitgerissen wird, machen THE GUILT zu einer Besonderheit zwischen all den Bands, die oftmals fehlende Power mit Wänden aus Gitarrenverstärkern und riesigem Schlagzeug ausgleichen wollen. Zudem füllen The Guilt die Bühne durchgehend mit waghalsiger Action. Doch es geht ganz klar auch im Inhalte: Ein Song wie „Dance to the Revolution“ ist durchaus als klares Statement zu verstehen: Es reicht nicht nur laute Musik zu spielen: Arme hochreissen, schreien und tanzen sind ein Muss ! Emma: “The song was inspired by the Emma Goldman quote “If I can’t dance, it’s not my revolution”, in times when it’s more than important than ever to do both”. Nach einigen Singles erscheint im Mai 2017 auf Heptown Records (Vertrieb: Rough Trade) endlich das Debut Album „The Guilt“ . ALBUM RELEASE INFO “THE GUILT” This explosive duo from Malmö, Sweden, is the death in disco and the dance in revolution. -
NOISE and MILITARY SERVICE Implications for Hearing Loss and Tinnitus
NOISE AND MILITARY SERVICE Implications for Hearing Loss and Tinnitus Committee on Noise-Induced Hearing Loss and Tinnitus Associated with Military Service from World War II to the Present Medical Follow-up Agency Larry E. Humes, Lois M. Joellenbeck, and Jane S. Durch, Editors THE NATIONAL ACADEMIES PRESS Washington, DC www.nap.edu THE NATIONAL ACADEMIES PRESS • 500 Fifth Street, N.W. • Washington, DC 20001 NOTICE: The project that is the subject of this report was approved by the Governing Board of the National Research Council, whose members are drawn from the councils of the National Academy of Sciences, the National Academy of Engineering, and the Insti- tute of Medicine. The members of the committee responsible for the report were chosen for their special competences and with regard for appropriate balance. This study was supported by Contract No. V101(93)P-1637 #29 between the Na- tional Academy of Sciences and the Department of Veterans Affairs. Any opinions, find- ings, conclusions, or recommendations expressed in this publication are those of the author(s) and do not necessarily reflect the view of the organizations or agencies that provided support for this project. Library of Congress Cataloging-in-Publication Data Noise and military service : implications for hearing loss and tinnitus / Committee on Noise-Induced Hearing Loss and Tinnitus Associated with Military Service from World War II to the Present, Medical Follow- up Agency ; Larry E. Humes, Lois M. Joellenbeck, and Jane S. Durch, editors. p. ; cm. Includes bibliographical references. ISBN 0-309-09949-8 — ISBN 0-309-65307-X 1. Deafness—Etiology. -
Alumni After Berklee 2017
VALENCIA GRADUATE ALUMNI AFTER BERKLEE Survey and personal outreach data - Spring 2017 The campus in Valencia celebrates this year its 5th anniversary having graduated 4 classes of master’s programs with a total of 441 alumni. The results in this report are based on the data gathered from an alumni survey and personal outreach which in total counts the information of 74% of the total body of Valencia graduate alumni from all four graduation years as of Spring 2017. Active in the Music Industry Overall, we find that 90% of the Valencia graduate alumni are currently working in the entertainment industry. Of these, 55% are employed and 42% are self-employed/freelance. The remaining are either studying, unemployed or working in other industries. Areas of the Industry by Program Most alumni are working within their area of study: 73% of the scoring alumni are working with composition; 60% of the business alumni work in the entertainment business; 44% of the MPTI alumni work in production and/or technology; and 48% of the performance alumni work in performing arts. Education is the second most frequented area of the industry for both performance and technology students. INTERNATIONAL CAREER CENTER - BERKLEE COLLEGE OF MUSIC 1 Alumni around the Globe After four years of graduating students, we now have alumni working in 44 different countries around the world. USA is the most popular country with 42% of the alumni working there and Spain is second with 13% of the alumni body. Within the US, the most Berklee-populated states are California with 33% and New York with 16%. -
Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Systematic Innovation E-Zine Is a Monthly, Subscription Only, Publication
Systematic Innovation e-zine Issue 229, April 2021 In this month’s issue: Article – NEPTUNE: The 7 Habits Of Highly Effective (Innovation) Project Managers Article – ICMM – A Decade Down The Road Not So Funny – 1 + 1 < 2 Patent of the Month – Protective Helmet Best of The Month – Business Recoded Wow In Music – Good Morning, Captain Investments – Transparent Electronics Generational Cycles – The Map Of Tiny Perfect Things Biology – Rolling Swarms Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] ©2021, DLMann, all rights reserved NEPTUNE: The Seven Habits Of Highly Effective (Innovation) Project Managers NAVIGATOR EMPATH PLATE- ECOLOGIST SPINNER TRANSCENDER NINJA UNITER I spent the first fifteen years of my working life at Rolls-Royce, about three years of which was effectively in a programme management role at the R&D end of the spectrum. In the aerospace world, R&D cycles tend to be long, the technology is highly complicated, and it is incredibly easy to spend enormous amounts of money in a very short amount of time. Although I didn’t know it at the time, looking back, my experience doing the job represented a classic example of ‘think of someone with an extreme version of your problem and they’re highly likely to have found a solution’. -
Vianoce S Bratislavou
december 2018 — január 2019 zadarmo Informačný magazín Bratislavy www.inba.sk Vianoce s Bratislavou RÔZNE PREDNÁŠKA / DISKUSIA TURISTIKA Piatok 7. 12. 2018 Sobota 15. 12. 2018 Pondelok 31. 12. 2018 10:30 / Rodinné centrum 14:30 / Faustova sieň, Stará radnica 9:30 / Zraz pred Istra Centrom Prešporkovo VENUJTE 30 MINÚT VÝSTUP NA TVORIVÉ DIELNIČKY SLÁVY MMB DEVÍNSKU KOBYLU Vianočné inšpirácie pre darčeky Múzeum hodín predstaví Nenáročná turistická vychádzka z plste či látok Patrícia Garajová Jarjabková v posledný deň roku editoriál z obsahu Informačný magazín o Bratislave in.ba o Bratislavy prišla opäť at- HLAVNÉ TÉMY VYBERÁME ĎALEJ s kultúrno-spoločenským zameraním mosféra s vôňou Adventu. Zažiť ju môžeme v meste Sídlo redakcie: Uršulínska 6 D 100. výročie vzniku Poštová adresa: Primaciálne námestie 1, 81499 Bratislava nielen na vianočných trhoch, ale aj Československej republiky Internet: www.inba.sk, E-mail: [email protected] na koncertoch s gospelovým, jazzo- 10 Muži diplomacie Tel.: +421 2 5935 62 85 vým či swingovým nádychom. Z ná- Šéfredaktorka: PhDr.Henrieta Hrubá, mestí znejú koledy a overené vianoč- 11 Ars Bratislavensis pre rok 2019 [email protected]; Tel.: +421 2 5935 61 34 né šlágre. Bratislavské telesá a známi 19 Rodinné centrum Prešporkovo Inzercia: Andrea Vavra, interpreti siahli do hlbín dobrej kla- Vianoce s gospelom [email protected] sickej hudby. Predvianočné stretnutia nám prinášajú 4 6 22 Sen omalej kaviarničke Programová časť: Mgr. Ľubomíra Záhorová chvíľky príjemných zastavení. Znovu si uvedomujeme, Vianočná kultúra v meste 23 Bratislava spieva gospel akí vzácni sú naši priatelia a známi. Tešíme sa zo vzá- Informácie oprogramoch posielajte naadresu: Bratislava Anketa: Aký bol rok 2018? hudobné in.formácie jomnej blízkosti a spomíname. -
SBCC Music with Michael Mcdonald at the Lobero Theatre – a Special Benefit Concert to Support SBCC Music
FOR IMMEDIATE RELEASE September 7, 2018 Contact: Jennifer LeMay Director of Marketing and Communications SBCC Foundation (805) 730-4409 [email protected] SBCC Music with Michael McDonald at the Lobero Theatre – A Special Benefit Concert to Support SBCC Music Santa Barbara, CA – The SBCC Foundation is excited to present a groundbreaking benefit concert at the Lobero Theatre on Wednesday, October 10, 2018 at 7:00 p.m. that will showcase the amazing talents of SBCC Music students and faculty along with special guest Michael McDonald. SBCC’s award-winning Lunch Break Jazz Band directed by Jim Mooy will present an exciting tribute to Ray Charles. The SBCC New World Jazz Ensemble directed by Tony Ybarra will accompany Michael McDonald in a tribute to Steely Dan’s classic album Aja, along with other songs from his illustrious career. The concert will also feature Tess Erskine, a Nashville-based singer-songwriter who is an alumna of the SBCC Songwriting class. The concert is expected to sell out. A limited number of VIP tickets are available that include a reception where attendees will meet and greet with Michael McDonald and SBCC musicians. "Few members of our community realize the incredible talents that reside within SBCC's music program. This will be an extraordinary opportunity to hear them perform live alongside a renowned Grammy- winning artist. We are so grateful to Michael McDonald for his generosity. All of the performers are donating their time and talents for this special evening," says Geoff Green, CEO for the SBCC Foundation. Tickets are on sale now and range from $45 to $60, with VIP tickets available for $125.