Paper on Internet Piracy and Copyright from the International Immersion Program 2019
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Romanian Political Science Review Vol. XXI, No. 1 2021
Romanian Political Science Review vol. XXI, no. 1 2021 The end of the Cold War, and the extinction of communism both as an ideology and a practice of government, not only have made possible an unparalleled experiment in building a democratic order in Central and Eastern Europe, but have opened up a most extraordinary intellectual opportunity: to understand, compare and eventually appraise what had previously been neither understandable nor comparable. Studia Politica. Romanian Political Science Review was established in the realization that the problems and concerns of both new and old democracies are beginning to converge. The journal fosters the work of the first generations of Romanian political scientists permeated by a sense of critical engagement with European and American intellectual and political traditions that inspired and explained the modern notions of democracy, pluralism, political liberty, individual freedom, and civil rights. Believing that ideas do matter, the Editors share a common commitment as intellectuals and scholars to try to shed light on the major political problems facing Romania, a country that has recently undergone unprecedented political and social changes. They think of Studia Politica. Romanian Political Science Review as a challenge and a mandate to be involved in scholarly issues of fundamental importance, related not only to the democratization of Romanian polity and politics, to the “great transformation” that is taking place in Central and Eastern Europe, but also to the make-over of the assumptions and prospects of their discipline. They hope to be joined in by those scholars in other countries who feel that the demise of communism calls for a new political science able to reassess the very foundations of democratic ideals and procedures. -
What Is Peer-To-Peer File Transfer? Bandwidth It Can Use
sharing, with no cap on the amount of commonly used to trade copyrighted music What is Peer-to-Peer file transfer? bandwidth it can use. Thus, a single NSF PC and software. connected to NSF’s LAN with a standard The Recording Industry Association of A peer-to-peer, or “P2P,” file transfer 100Mbps network card could, with KaZaA’s America tracks users of this software and has service allows the user to share computer files default settings, conceivably saturate NSF’s begun initiating lawsuits against individuals through the Internet. Examples of P2P T3 (45Mbps) internet connection. who use P2P systems to steal copyrighted services include KaZaA, Grokster, Gnutella, The KaZaA software assesses the quality of material or to provide copyrighted software to Morpheus, and BearShare. the PC’s internet connection and designates others to download freely. These services are set up to allow users to computers with high-speed connections as search for and download files to their “Supernodes,” meaning that they provide a How does use of these services computers, and to enable users to make files hub between various users, a source of available for others to download from their information about files available on other create security issues at NSF? computers. users’ PCs. This uses much more of the When configuring these services, it is computer’s resources, including bandwidth possible to designate as “shared” not only the and processing capability. How do these services function? one folder KaZaA sets up by default, but also The free version of KaZaA is supported by the entire contents of the user’s computer as Peer to peer file transfer services are highly advertising, which appears on the user well as any NSF network drives to which the decentralized, creating a network of linked interface of the program and also causes pop- user has access, to be searchable and users. -
Testimony of Authors Guild President Scott Turow Before the Senate
My name is Scott Turow. I’m the president of the Authors Guild, the largest society of published authors in the U.S., representing more than 8,500 book authors and freelance writers. Our members represent the broad sweep of American authorship, including literary and genre fiction, nonfiction, trade, academic, and children’s book authors, textbook authors, freelance journalists and poets.1 Guild members have won countless honors and all major literary awards, including the Nobel Prize for Literature.2 The Authors Guild promotes the professional interests of authors: we’re advocates for effective copyright protection, fair contracts, and free expression. It’s a pleasure and an honor to be here this morning. I’d like especially to thank this committee for recognizing the severity of the problem we all face and getting the ball rolling with COICA in the fall, which recognized this central and unavoidable truth: any serious attempt to address online piracy must address the third-party enablers of infringement. Anything that doesn’t address those enablers is, frankly, a pretend solution to a real problem. Our Copyright Policy Inadvertently Encourages Investments in Technologies and Services That Promote Trafficking in Stolen Books, Music, and Movies After 300 years as one of history's greatest public policy successes, copyright is coming undone. As we meet here this morning, our well-intended policy toward copyright online is 1 The Guild had its beginnings as the Authors League of America, which was founded in 1912 by a group of book authors (including Theodore Roosevelt, who served as the League’s founding vice president), short story writers, freelance journalists and a smattering of dramatists. -
Circular 1 Copyright Basics
CIRCULAR 1 Copyright Basics Copyright is a form of protection Copyright is a form of protection provided by the laws of the provided by U.S. law to authors of United States to the authors of “original works of authorship” that are fixed in a tangible form of expression. An original “original works of authorship” from work of authorship is a work that is independently created by the time the works are created in a a human author and possesses at least some minimal degree of creativity. A work is “fixed” when it is captured (either fixed form. This circular provides an by or under the authority of an author) in a sufficiently overview of basic facts about copyright permanent medium such that the work can be perceived, and copyright registration with the reproduced, or communicated for more than a short time. Copyright protection in the United States exists automatically U.S. Copyright Office. It covers from the moment the original work of authorship is fixed.1 • Works eligible for protection • Rights of copyright owners What Works Are Protected? • Who can claim copyright • Duration of copyright Examples of copyrightable works include • Literary works • Musical works, including any accompanying words • Dramatic works, including any accompanying music • Pantomimes and choreographic works • Pictorial, graphic, and sculptural works • Motion pictures and other audiovisual works • Sound recordings, which are works that result from the fixation of a series of musical, spoken, or other sounds • Architectural works These categories should be viewed broadly for the purpose of registering your work. For example, computer programs and certain “compilations” can be registered as “literary works”; maps and technical drawings can be registered as “pictorial, graphic, and sculptural works.” w copyright.gov note: Before 1978, federal copyright was generally secured by publishing a work with an appro- priate copyright notice. -
Digital Rights Management and the Process of Fair Use Timothy K
University of Cincinnati College of Law University of Cincinnati College of Law Scholarship and Publications Faculty Articles and Other Publications Faculty Scholarship 1-1-2006 Digital Rights Management and the Process of Fair Use Timothy K. Armstrong University of Cincinnati College of Law Follow this and additional works at: http://scholarship.law.uc.edu/fac_pubs Part of the Intellectual Property Commons Recommended Citation Armstrong, Timothy K., "Digital Rights Management and the Process of Fair Use" (2006). Faculty Articles and Other Publications. Paper 146. http://scholarship.law.uc.edu/fac_pubs/146 This Article is brought to you for free and open access by the Faculty Scholarship at University of Cincinnati College of Law Scholarship and Publications. It has been accepted for inclusion in Faculty Articles and Other Publications by an authorized administrator of University of Cincinnati College of Law Scholarship and Publications. For more information, please contact [email protected]. Harvard Journal ofLaw & Technology Volume 20, Number 1 Fall 2006 DIGITAL RIGHTS MANAGEMENT AND THE PROCESS OF FAIR USE Timothy K. Armstrong* TABLE OF CONTENTS I. INTRODUCTION: LEGAL AND TECHNOLOGICAL PROTECTIONS FOR FAIR USE OF COPYRIGHTED WORKS ........................................ 50 II. COPYRIGHT LAW AND/OR DIGITAL RIGHTS MANAGEMENT .......... 56 A. Traditional Copyright: The Normative Baseline ........................ 56 B. Contemporary Copyright: DRM as a "Speedbump" to Slow Mass Infringement .......................................................... -
Causes, Effects and Solutions of Piracy in the Computer Software Market
Review of Economic Research on Copyright Issues, 2006, vol. 4(1), pp. 63-86 CAUSES,EFFECTSANDSOLUTIONSOFPIRACYINTHE COMPUTER SOFTWARE MARKET AMY MARSHALL Abstract. Much literature has been devoted to exploring the protection of computer programs. The decreasing effectiveness of copyright and patents has been extensively examined and alternative forms of protection, both phys- ical and market-based, have been laid out. A large proportion of writings is dedicated to describing the significant network externalities that exist in thesoftwaremarket,andtheeffect that these have on the optimal level of protection. A large number of surveys have been undertaken to analyse the characteristics of software pirates and their incentives to pirate. This paper attempts to provide an overview of this literature. 1. Introduction The widespread incidence of unauthorised use and copying of computer software has had a devastating impact on the software industry in recent years. Significantly costly time and effort is invested by software programmers in developing a program and with software piracy preventing these developers from recouping remuneration from users, the incentives existing to produce new software may not be sufficient enough for any further development, causing the industry to stagnate. This would be costly to not only computer programmers but also to the government who would miss out on a significant amount of taxation revenue and society as a whole, whose software choices would be diminished. The traditional protector of intellectual property is copyright, defining the rights of ownership of creators and allowing for the enforcement of these rights. The basis behind copyright law is to provide the means for a creator to receive sufficient remuneration for development to occur. -
The Syntheist Movement and Creating God in the Internet Age
1 I Sing the Body Electric: The Syntheist Movement and Creating God in the Internet Age Melodi H. Dincer Senior Thesis Brown University Department of Religious Studies Adviser: Paul Nahme Second Reader: Daniel Vaca Providence, Rhode Island April 15, 20 2 Table of Contents Acknowledgments. 3 Introduction: Making the Internet Holy. .4 Chapter (1) A Technophilic Genealogy: Piracy and Syntheism as Cybernetic Offspring. .12 Chapter (2) The Atheist Theology of Syntheism . 49 Chapter (3) Enacted Syntheisms: An Ethics of Active Virtuality and Virtual Activity. 96 (In)Conclusions. 138 Works Cited. 144 3 Acknowledgments I would briefly like to thank anyone who has had a hand—actually, even the slightest brush of a finger in making this project materialize outside of the confines of my own brain matter. I would first like to thank Kerri Heffernan and my Royce Fellowship cohort for supporting my initial research on the Church of Kopimism. My time in Berlin and Stockholm on behalf of the Royce made an indelible mark on my entire academic career thus far, without which this thesis would definitely not be as out-of-the-box as it is proud to be. I would also like to thank a few professors in the Religious Studies department who, whether they were aware of it or not, encouraged my confidence in this area of study and shaped how I approached the religious communities this project concerns. Specifically, thank you to Prof. Denzey-Lewis, who taught my first religious studies course at Brown and graciously sponsored my Royce research amidst her own travels. Also, infinite thanks and blessings to Fannie Bialek, who so deftly modeled all that is good in this discipline, and all that is most noble in the often confusing, frustrating, and stressful task of teaching “hard” topics. -
Iclab: a Global, Longitudinal Internet Censorship Measurement Platform
ICLab: A Global, Longitudinal Internet Censorship Measurement Platform Arian Akhavan Niaki∗y Shinyoung Cho∗yz Zachary Weinberg∗x Nguyen Phong Hoangz Abbas Razaghpanahz Nicolas Christinx Phillipa Gilly yUniversity of Massachusetts, Amherst zStony Brook University xCarnegie Mellon University {arian, shicho, phillipa}@cs.umass.edu {shicho, nghoang, arazaghpanah}@cs.stonybrook.edu {zackw, nicolasc}@cmu.edu Abstract—Researchers have studied Internet censorship for remains elusive. We highlight three key challenges that must nearly as long as attempts to censor contents have taken place. be addressed to make progress in this space: Most studies have however been limited to a short period of time and/or a few countries; the few exceptions have traded off detail Challenge 1: Access to Vantage Points. With few ex- for breadth of coverage. Collecting enough data for a compre- ceptions,1 measuring Internet censorship requires access to hensive, global, longitudinal perspective remains challenging. “vantage point” hosts within the region of interest. In this work, we present ICLab, an Internet measurement The simplest way to obtain vantage points is to recruit platform specialized for censorship research. It achieves a new balance between breadth of coverage and detail of measurements, volunteers [37], [43], [73], [80]. Volunteers can run software by using commercial VPNs as vantage points distributed around that performs arbitrary network measurements from each the world. ICLab has been operated continuously since late vantage point, but recruiting more than a few volunteers per 2016. It can currently detect DNS manipulation and TCP packet country and retaining them for long periods is difficult. Further, injection, and overt “block pages” however they are delivered. -
Downloading Copyrighted Materials
What you need to know before... Downloading Copyrighted Materials Including movies, TV shows, music, digital books, software and interactive games The Facts and Consequences Who monitors peer-to-peer file sharing? What are the consequences at UAF The Motion Picture Association of America for violators of this policy? (MPAA), Home Box Office, and other copyright Student Services at UAF takes the following holders monitor file-sharing on the Internet minimum actions when the policy is violated: for the illegal distribution of their copyrighted 1st Offense: contents. Once identified they issue DMCA Loss of Internet access until issue is resolved. (Digital Millennium Copyright Act) take-down 2nd Offense: notices to the ISP (Internet Service Provider), in Loss of Internet access pending which the University of Alaska is considered as resolution and a $100 fee assessment. one, requesting the infringement be stopped. If 3rd Offense: not stopped, lawsuit against the user is possible. Loss of Internet access pending resolution and a $250 fee assessment. What is UAF’s responsibility? 4th, 5th, 6th Offense: Under the Digital Millennium Copyright Act and Loss of Internet access pending resolution and Higher Education Opportunity Act, university a $500 fee assessment. administrators are obligated to track these infractions and preserve relevent logs in your What are the Federal consequences student record. This means that if your case goes for violators? to court, your record may be subpoenaed as The MPAA, HBO and similar organizations are evidence. Since illegal file sharing also drains becoming more and more aggressive in finding bandwidth, costing schools money and slowing and prosecuting alleged offenders in criminal Internet connections, for students trying to use court. -
Democratizing Production Through Open Source Knowledge: from Open Software to Open Hardware Article (Accepted Version) (Refereed)
Alison Powell Democratizing production through open source knowledge: from open software to open hardware Article (Accepted version) (Refereed) Original citation: Powell, Alison (2012) Democratizing production through open source knowledge: from open software to open hardware. Media, Culture & Society, 34 (6). pp. 691-708. ISSN 0163-4437 DOI: 10.1177/0163443712449497 © 2012 The Author This version available at: http://eprints.lse.ac.uk/46173/ Available in LSE Research Online: July 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Democratizing Production through Open Source Knowledge: From Open Software to Open Hardware Alison Powell London School of Economics and Political Science Department of Media and Communications Final revised submission to Media, Culture and Society March 2012 1 Acknowledgements Research results presented in this paper were developed with the support of a Canadian Social Sciences and Humanities Research Council postdoctoral fellowship. -
An Analysis of Contributions to Wikipedia from Tor
Are anonymity-seekers just like everybody else? An analysis of contributions to Wikipedia from Tor Chau Tran Kaylea Champion Andrea Forte Department of Computer Science & Engineering Department of Communication College of Computing & Informatics New York University University of Washington Drexel University New York, USA Seatle, USA Philadelphia, USA [email protected] [email protected] [email protected] Benjamin Mako Hill Rachel Greenstadt Department of Communication Department of Computer Science & Engineering University of Washington New York University Seatle, USA New York, USA [email protected] [email protected] Abstract—User-generated content sites routinely block contri- butions from users of privacy-enhancing proxies like Tor because of a perception that proxies are a source of vandalism, spam, and abuse. Although these blocks might be effective, collateral damage in the form of unrealized valuable contributions from anonymity seekers is invisible. One of the largest and most important user-generated content sites, Wikipedia, has attempted to block contributions from Tor users since as early as 2005. We demonstrate that these blocks have been imperfect and that thousands of attempts to edit on Wikipedia through Tor have been successful. We draw upon several data sources and analytical techniques to measure and describe the history of Tor editing on Wikipedia over time and to compare contributions from Tor users to those from other groups of Wikipedia users. Fig. 1. Screenshot of the page a user is shown when they attempt to edit the Our analysis suggests that although Tor users who slip through Wikipedia article on “Privacy” while using Tor. Wikipedia’s ban contribute content that is more likely to be reverted and to revert others, their contributions are otherwise similar in quality to those from other unregistered participants and to the initial contributions of registered users. -
A Study of Peer-To-Peer Systems
A Study of Peer-to-Peer Systems JIA, Lu A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Philosophy in Information Engineering The Chinese University of Hong Kong August 2009 Abstract of thesis entitled: A Study of Peer-to-Peer Systems Submitted by JIA, Lu for the degree of Master of Philosophy at The Chinese University of Hong Kong in June 2009 Peer-to-peer (P2P) systems have evolved rapidly and become immensely popular in Internet. Users in P2P systems can share resources with each other and in this way the server loading is reduced. P2P systems' good performance and scalability attract a lot of interest in the research community as well as in industry. Yet, P2P systems are very complicated systems. Building a P2P system requires carefully and repeatedly thinking and ex- amining architectural design issues. Instead of setting foot in all aspects of designing a P2P system, this thesis focuses on two things: analyzing reliability and performance of different tracker designs and studying a large-scale P2P file sharing system, Xun- lei. The "tracker" of a P2P system is used to lookup which peers hold (or partially hold) a given object. There are various designs for the tracker function, from a single-server tracker, to DHT- based (distributed hash table) serverless systems. In the first part of this thesis, we classify the different tracker designs, dis- cuss the different considerations for these designs, and provide simple models to evaluate the reliability of these designs. Xunlei is a new proprietary P2P file sharing protocol that has become very popular in China.