Vanier Library Construction Starts
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
S Institute Dies in Paris
Campagne de souscription Capital Campaign de l'Urnversite Concordia . ~ncordia University ~ Concordia University, Montreal Vol. 9 No. 26 Apr. 17, 1986 · Concordia sweeps Symbolic force behind Drama Festival Institute dies in Paris everal Concordia Home Free, directed by by Barbara Verity Theatre students and Assoc. Prof. Joe Cazalet, won he symbolic force S graduates swept last for technical proficiency, behind Concordia's week's Quebec Drama Festival graduate Elena Caniglia tak T -Simone de Beauvoir at the Centaur Theatre, winn ing the award. Another Institute died Monday in ing most of the 13 awards. graduate, Simon Berry, won Paris, leaving a legacy of Three major awards went to as most promising young per feminist thought and existen Danny and the deep Blue Sea, former. Special mentions also tialist writing. directed by Jon Cuthbert, a went to Lori Wainberg, a Simone de Beauvoir, best former Concordia student: graduate, and Lennie Parker, known as author of The Se best production; best actor, a second year student, . for cond Sex, was to have received Robert Austern, a student who their acting. Parker is current an Honorary Degree from .is also currently playiIJg in the ly performing in the Theatre Concordia University this spr La Diligence production, Luv; Department's production of ing. The University had been and best actress, Antoinette The Crucible. considering the possibility of Taddeo, a student. The Concordia students and presenting the award to her in A graduate, Vittorio Rossi, graduates had formed two · Paris because ill health wrote Little Blood Brother, companies, the Ba-ck Alley prevented her from travelling. -
The Black Madonna Figure As a Source of Female Empowerment in The
DÉPARTEMENT DE LETTRES ET COMMUNICATION Faculte de lettres et sciences humaines université de Sherbrooke THE BLACK MADONNA FIGURE AS A SOWRCE OF FEXALE EMPOWERMEWT IN TRE WORKS OF FOUR XTALIAN-CANADIAN AUTHORS Par SIGRID ULRIKE CLAASEN &MOIRE PRÉSENTÉ pour obtenir tA MA~TRZSE ÈS ARTS EN LXTTÉRATVRE CANADIENNE COMPARÉE Sherbrooke AVRIL 1997 National Library Bibliothèque nationale (*m of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services sewices bibliographiques 395 Wellington Street 395, nie Wellington OttawaON K1AON4 OttawaON KlAON4 Canada Canada Your me vmM&enœ Our Nam retémœ The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sen reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la proprieté du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent êîre imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Résume en francais L'image de la madone noire comme source de puissance chez la femme, analysée dans quatre oeuvres italo-canadiennes L' image de la madone noire est la figure centrale du présent mémoire. La madone noire du paganisme d'avant Jésus- Christ est, selon Lucia Chiavola ~irnbaum',une métaphore des croyances italiennes héréditaires. -
MR91673.Pdf (5.595Mb)
DEPARTEMENT DES LETTRES ET COMMUNICATIONS Faculte des lettres et sciences humaines Universite de Sherbrooke La litterature ecrite en anglais au Quebec apres 1976: Une etude de cas de.six oeuvres ecrites en anglais au Quebec basee sur la theorie de la litterature mineure par Gilles Deleuze et Felix Guattari English Writing in Quebec after 1976: A Case Study of Six Literary Works Based on the Theory of Minor Literature by Gilles Deleuze and Felix Guattari j Par Michael Labarre Bachelier es Arts (English Studies) de I'Universite Bishop's Memoire presente pour I'obtention de LA MATTRISE ES ARTS Litterature canadienne comparee Sherbrooke Septembre 2012 © Michael Labarre, 2012 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-91673-5 Our file Notre reference ISBN: 978-0-494-91673-5 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Women's Caucus AD Interviews September 2011 – February 2016
Women’s Caucus AD Interviews September 2011 – February 2016 Arranged by date most recent to oldest Kim Blackwell, 4th Line Theatre……………………………………………………………………2 Anthony Black and Christian Barry, 2b Theatre……………………………………………3 Jacqueline Russell, Urban Curvs Theatre……………………………………………………...9 Clayton Jevne, Theatre Inconnu………………………………………………………………….11 Quincy Armorer, Black Theatre Workshop………………………………………………...18 Micheline Chevrier, Imago Theatre ……………………………………………………………20 Eric Coates, Great Canadian Theatre Company ………………………………………….28 Ken Gass, Canadian Rep Theatre………………………………………………………………..30 Michael Shamata & Erin Macklem, Belfry …………………………………………………..32 Del Surjik, Persephone……………………………………………………………………………….40 Loretta Seto, Lynna Goldhar-Smith, Susinn McFarlen, Wet Ink Collective…..44 Ruth Lawrence, Women’s Work Festival ……………………………………………………47 Kelly Thornton, Nightwood………………………………………………………………….……..50 Jillian Keiley, National Arts Centre …………………………………………………………….54 Robert Metcalfe, Prairie Theatre Exchange ……………………………………………….58 Roy Surette, Centaur Theatre …………………………………………………………….………61 Rachel Ditor, Arts Club……………………………………………………………………….………63 Ruth Smillie, Globe Theatre ……………………………………………………………….………67 Andy McKim, Theatre Passe Muraille…………………………………………………………71 Vanessa Porteous, Alberta Theatre Projects ………………………………………………75 Tessa Mendel, Halifax Theatre for Young People …………………………………..…..79 Michael Shamata, Belfry …………………………………………………………………………....81 Bradley Moss, Theatre Network…………………………………………………………………84 Eric Coates, Blyth Festival ………………………………………………………………………….86 -
The Transmemoric Process: the Journey of Italian
THE TRANSMEMORIC PROCESS: THE JOURNEY OF ITALIAN-QUÉBÉCOIS ARTISTS Anita Aloisio Submitted in partial fulfillment of the requirements for the degree of Masters of Media Studies in The Department of Communications Studies Concordia University MARCH, 2016 © Anita Aloisio, 2016 TABLE OF CONTENTS ABSTRACT 3 PREMISE 4 CHAPTER I PERSONAL NARRATIVE 7 II METHODOLOGIES PAST AND PRESENT 10 III LITERATURE AND MEDIA REVIEW 12 Media Review 15 IV THE JOURNEY OF ITALIAN IMMIGRANTS: THE IMPACT ON QUEBEC’S LINGUISTIC AND CULTURAL DEBATES 20 V THE DEFINING MARKERS: ETHNICITY, IDENTITY, AND QUEBEC NATIONALISM 27 Anglophone and Francophone Versus Allophone 30 VI SEVEN CASE STUDIES: REFLECTIONS AND TESTIMONIES OF ITALIAN-QUÉBÉCOIS ARTISTS AND THEIR CREATIVE WORK 32 Vittorio Rossi: Playwright, Actor 32 Agata De Santis: Documentary Filmmaker, Producer, Blogger 33 Sandra Coppola: Filmmaker, Scriptwriter 34 Luisa Pepe: Singer, Songwriter 35 Franco Taddeo: Comedian 35 Michaela Di Cesare: Playwright, Actor 36 Marco Calliari: Author, Composer, Musician 37 Common Traits 40 VII THE TRANSMEMORIC PROCESS: AN ARTIST’S COUNTERACTION TO ESTABLISHED CULTURAL NORMS 44 VIII CONCLUSIONS 52 BIBLIOGRAPHY 57 MEDIOGRAPHY 60 Aloisio 3 ABSTRACT This study focuses on the complex construct of multilayered social identities internalized by Italian-Québécois artists and how it is manifested in their artwork. These experiences find expression through various artistic forms, contents, and practices. Practitioners in theater, film, and musical production sectors are featured. Through video and audio excerpts captured during several encounters I examine how the political landscape and the subjects’ parents’ experience of immigration impinged on the artistic process and production. A video documentary constitutes the essential part of the research-creation approach, which the present written component complements.