University of Arkansas, Fayetteville ScholarWorks@UARK
Theses and Dissertations
5-2013 In Autumn Rhythm Daniel Joseph Thompson University of Arkansas, Fayetteville
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IN AUTUMN RHYTHM
IN AUTUMN RHYTHM
A thesis submitted in partial fulfillment of the requirements for the degree of Master of Music in Music
By
Daniel Thompson Northeastern State University Bachelor of Arts in Music, 2011
May 2013 University of Arkansas
ABSTRACT
In Autumn Rhythm is a twelve-minute work for orchestra inspired by the improvisational processes and artistic outlook of American painter Jackson Pollock (1912 - 1956). Pollock’s work Autumn Rhythm manifests itself in this piece as a web of dense, improvisatory counterpoint that emphasizes aggregate texture over clear linear designs. The form is delineated by a metric palindrome extrapolated from the symmetrical rhythmic design of the opening section.
This thesis is approved for recommendation to the Graduate Council.
Thesis Director:
Dr. Robert Mueller
Thesis Committee:
Dr. James Greeson
Dr. Martin Nedbal THESIS DUPLICATION RELEASE
I hereby authorize the University of Arkansas Libraries to duplicate this thesis when needed for research and/or scholarship.
Agreed Daniel Thompson
Refused Daniel Thompson TABLE OF CONTENTS
I. INSTRUMENTATION 1 II. PERFORMANCE NOTES 2 III. STRUCTURAL SYNOPSIS 4 IV. SCORE 6
I. INSTRUMENTATION
2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B-flat (2nd doubling Bass Clarinet in B-flat) Bassoon Contrabassoon
2 Horns in F 2 Trumpets in C 2 Trombones Tuba
Timpani 3 Percussion
Piano (doubling Celesta)
Strings (min. 10.8.6.6.4)
*Transposed Score *Duration ca. 12’
1 II. PERFORMANCE NOTES
General
Rhythmic values should remain intact at meter changes unless a metric modulation is specified.
Hairpins that do not result in a dynamic change are merely to aid the performer in shaping a line.
Glissandi are indicated with a straight line.
Complex tuplets are indicated as a ratio (7:8 = 7 in the space of 8)
“D.T.” = Material from Robert Mueller’s Die Lebendigen und Die Todten (used by permission)
Woodwinds
= Double tonguing (flutes)
Flutter tonguing is indicated by an unmeasured tremolo accompanied by the word “flutter.”
Brass
The horn, trumpet, and trombone parts all require straight mutes; trumpets also require harmon mutes.
Flutter tonguing is indicated by an unmeasured tremolo accompanied by the word “flutter.”
2
Percussion/Keyboard
Pedaling indications for the Piano, Celesta, and Vibraphone merely signify textural necessity for use of the pedal. Additional pedaling is at the discretion of the performer.
= let vibrate
The Vibraphone motor is optional. If it is used it should be kept on a low to medium speed.
Strings
Un-slurred notes should be played with brush strokes unless it is noted otherwise.
Artificial harmonics are indicated by a ( ˚ ) above the notehead. The resultant pitch is one octave higher than notated.
Glissandi should be seamlessly connected, unless impossible like the Cello and Bass parts’ glissandi on page 72. In that case, portamento technique is most appropriate.
3 III. STRUCTURAL SYNOPSIS
In Autumn Rhythm’s structure is most succinctly articulated by these four main points:
1. The pitch material is derived from an all-interval tetrachord [0146] and scales made of cycles and extrapolations of that tetrachord’s subsets [014] and [026].
2. The piece has macro pitch-centricity on E. Important structural approaches occur in the bass register from the above F. Much of the harmonic tension in the piece is created through the introduction, flirtation, and fulfillment of that specific linear descent.
3. There are three important recurring elements:
an original theme (first statement mm. 64-74)
an original ground bass (submerged in introduction, first true statement mm. 224- 230)
4 and a borrowed theme from Robert Mueller’s Die Lebendigen und Die Todten (from mm. 70-77 in original score, first statement beginning in m. 315)
4. The three sections of the work (A, B, C) - as well as their sub-sections - are delineated by a palindromic metric scheme.
A B C (mm. 1-165) (mm. 166-304) (mm. 305-406)
2+3+2 3+4 4 + 6 + 6 5 3 + 3 + 4 4+3 2+3+2 8 8 4 + 8 + 8 4 4 + 4 + 4 8 8
5 Transposed Score !" # $% with motion and intensity, expressive () &' ( 7 feel (2+3+2) # # # # # # 9 9 9 # # # # # 1 % # # # # # # E.Hn 3 9 9 9 9 # # # 9 9 9 9 9 9 9 9 9 9 3
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# # # # # #
with motion and intensity, expressive ()
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Temple blocks w/ hard mallets 3 # # M 1 M 1 3 3 Chimes Percussion
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unis. 55 9* 9 9* 9* * 9 9 9 9 9 9 9 % * 9 * * * * M * * * * % # # M 9 * 9* 9* 9*
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18 79 % # # # # # #
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3 3 3 3 79 9 M %&( 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 M 3 3 %&( # # # # # #
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# # # # # #
79 # # # # # # *+%
# # # # # #
unis. 3 3 3 3 9 9 9* 9* 9 9* 9* 79 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 * * * 3 3 3 M 9 9 % # # # # M * 9 9 * 3 div. 3 M % # # # # # 9 *9 M 3 * % M 9 9 9 M 9 9 9 9 9 9 9 9 9 ) M 9 9 9 M 9 9 9 9 9 9 9 9 9
19 85 9 9 b 9 % 9 9 9 9 9 9 9 # 9 9 9 M 9 9 9 9 Picc. 9 9 9 % # # # # M 9 9 9 3 9 9 b 9 % 9 9 9 9 9 9 9 8 9 9 9 M 9 9 9 9 9 % 9 9 9 # # # # M 9 9 3
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a 2 % 9 9 9 9 M 9 9 9 9 9 9 H 3 3 M 9 9 9 9 9 9 9 9 9 9 H 85 % # # # # # #
# # # # * Perc. # # # # # #
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85 # # # # # # *+%
# # # # # # 85 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % * * * * 3 3 3 0 sub. 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 * 9 9 * 3 3 3 * sub. * 0 3 b * 9* 9 * 9 % 9 * 9 M 9 9* 9 9 9*9 9 9 * * * * * 3 * H % 9 9 9 9 9 9 9 M 9 9 9 H 3 ) 9 9 9 9 9 9 9 M 9 9 9 H 3
20
91 9 9 9 9 9 9 9 9 % 9 9 9 9 9 M # 9 9 9 3 Picc. 0 9 9 9 9 9 9 9 9 9 9 9 9 % M # # 3 0 9 9 % 9 9 9 9 9 9 9 9 M # # 3 0 9 9 9 % 9 9 9 9 9 9 9 9 M # # 9 3
3 0 3 % 9 9 9 M # # 9 9 9 9 0 3 3 % M # # 9 9 9 9 9 9 9 * 0 9 9 9 % 9 9 9 9 M # # 3 3 0 )% # 9 9 9 M # # 9 9 3 0 3 91 M %&( 9 9 9 9 9 # 9 9 9 9 9 # # M 3 * 0 9 9 9 9 %&( 9 9 9 9 9 M # # 3 3
3 0 % 9 9 9 M # # 9 9 9 9 9 3
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3 0 9 9 9 9 ) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 0
21 lyrical () a tempo C 97 9 molto rit. + 7 feel (3+4) % M # # M 8 # (0) + % # # # M 8 #
+ % # # # M 8 #
+ % # # # M 8 #
+ % 9 # # # M 8 8
Bass Clar. % + 9 % # # # M 8 M 9 % + 9 9 9 9 % # # # M 9 9 9 9 9
7:8 + )% # # # M 8 # lyrical () a tempo 97 molto rit. + %&( # # # M 8 #
+ %&( # # # M 8 #
+ % # # # M 8 #
+ # # # M 8 #
97 + % # # # 8 9* 9* 9*
Small Tam-tam + M # # M # Crotales w/ hard mallets + Perc. # # # M 8 8
+ # # M 8 #
97 # # # # # *+% 9 + 9 9 9 9 9 9 9 9 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 * 9 9 9 9 9 lyrical () a tempo 97 molto rit. + col legno battuto % 9 M # # M 8 8 9 * (0) col legno battuto M + % 9* # # M 8 8 9 M 9 * ( ) col legno battuto 0 + % M # # M 8 9* M 8 9 (0) 9 + % 9 9 9 9 9 9 8 9 9 9 9 9 9 9 9 + ) 9 9 9 9 9 9 8 9 9 9 9 9 9 9
22 102 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % M 9 9 3 7:8
9 % # # # 8 % % # # # #
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102
%&( # # # #
1. Straight mute %&( # # # 8 M 9
% # # # #
# # # #
102 % # # # #
# # # # Crotales Perc. # 8 # 8
Glock. M 8
102 # # # # *+% 3 M M 9 9 9 9 9 9 9
102 col legno battuto % 9 9 # 8 # 8
col legno battuto % # 8 9 # 8 9
col legno battuto % # M M # M 9 8 9 9
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23 9 106 9 9 9 9 9 9 9 % 9 # (n)
% 9 c # # (n)
% 9 9 9 # # 9 9 9 M 3
% 9 9 9 9 9 9 9 9 # (n)
% 9 c # 9 M (n) (n) Bass Clar. % # M 9 c 9 % (n) (n) % # # # #
)% # # # # 106
%&( # # # # Straight mutes 8 M %&( 9 9 9 9 9 9 9 9 9 9 8 M (n) 1.Straight mute 9 % # # # 8 M # # # #
106 % # # # #
# # # #
Perc. # # # # #
106 # # # # *+% 9 9 9 1 9 9 9 9 9 9 9 9 9 Solo arco 106 9 9 9 9 9 9 9 9 % M 9 8 # arco 3 div. % 9 9 9 9* 9 M 9 8 9 9 9 M 9 * arco % 9 9 M 9 9 M 9 9 9 * % # 8 9 9 9 1 9 9 ) 9 9 9 1 9 9 9 9
24 110 % # # # # 9 % 9 9 9 9 9 c 9 c (n) % # # # #
% # # # #
% # # # MM 9 9 9 9 % # # # #
% # # # #
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110
%&( # # # # Straight mutes 9 %&( 9 9 9 c 9 9 9 M 1 9 9 9 c (n) Straight mute 9 9 9 9 c % M 1 (n) # # # #
110 % # 8 1 9 9 8 9 * 9*
# # # # Vibes # # # 8 Perc. Ped. Glock. 8 1 9 110 9 9 # # # 8 *+% 9 9 1 9 9 9 8 9 9 9 9 9 9 9 9 Ped. 9
110 9 9 9 9 9 9 9 9 9 9 9 % 9 9 c (n) 9 * * * % 9* 9 9 9* c* 9 9 9 M 1 9 9 c * * * * * * (n) % 9 9 M 1 9 9 c * * * * * (n) % 9 9 1 9 9 9 8 9 * 9* ) 9 9 1 9 9 9 8 9 * 9*
25
% # # # #
% # # # #
% # # # #
% # # # #
3 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
% # # # #
% 9 9 M 9 9 9 M 9 )% 9 9 M 9 9 9 M 9 - . . %&( # 8 9 9 9 8 9 9 9 9 9 9 9 - . . %&( # # # #
% # # # #
# # # #
114 % # # # #
# # # # Vibes Perc. Ped. Ped.
Glock. # 8 8 9 114 9 9 # # # *+% # # # #
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % M 9 9 9 9 9 9 3 % # 8 8 9* 9 * 9 * % # 8 9 * 9* 8 9* % 9 9 M 9 9 9 M 9 ) 9 9 M 9 9 9 M 9
26 118 % # # # #
% # # # # 9 9 9 9 9 9 % M 9 # # (n) E.Hn 9 9 3 % 9 9 # 8 1 9 8 8 9 (n) 9 % 9 9 # 8 1 9 9 9 9 9 (n) 9 3 % # # # #
% M 9 # 9 9 9 9 )% M 9 # 9 9 9 9
118 - - . . %&( 9 8 9 9 9 c 9 9 9 9 c - . . -
%&( # # # #
1.Open
% 9 9 # # # 8 3 3 # # # 8 9 9
118 % # # # #
# # # # Vibes Perc. # # #
Glock. 8 #
118 # # # # *+% # # # #
9 9 118 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 3 3 % 8 9* 9* 9 * 9* 9* 9
3 % 9 * 8 9 * 9* 9* 9* 9
% M 9 8 9 9 9 9 9 9 3 ) M 9 8 9 9 9 9 9 9 3
27 9 9 9 9 9 9 9 9 % # M 9 9 9 9 9 9 9 3 3 % # # # #
9 9 9 9 9 9 9 9 % # M 9 9 9 9 9 9 9 3 3 % 9 9 9 9 9 9 9 9 9 8 9 (n)
% 9 # # # (n)
% # # # #
9 9 % # # # 8 3 )% # # # #
%&( # # # #
%&( # # # #
% 9 9 8 M 9 8 9 9 3 3 3 3 8 M 8 9 9 9 9 9
122 % # # # #
Small Tam-tam # # #
Perc. # # # #
# # # #
122 # # # # *+% # # # #
Tutti 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 3 3
% 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 9 9 9 9 9 9 9 % 9 9 9 9 9 3
9 9 % 8 M 9 8 9 9 3 3 9 9 ) 8 M 9 8 9 9 3 3
28 126 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 M 1 9 9 9 3 9 9 9 9 9 9 9 9 9 % # M 9 9 9 9 9 9 9 9 3 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 M 1 9 9 9 3
% # # # #
9 9 9 9 9 9 9 9 9 9 9 9 9 % # M 9 9 9 9 3 9 9 9 9 9 % # # 9 9 9 9 9 9 9 9 3 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 3 )% # # # #
Straight mutes 126 3
%&( # 8 1 9 9 9 9 9 99 9 9 9 99 9 9 9 9 3 Straight mutes 3 %&( 9 # 8 1 9 9 9 9 99 99 99 9 9 9 9 9 3 a 2 % 9 8 9 9 9 1 9 9 9 1 9 9 9 9 3 3 8 1 1 9 9 9 9 9 9 9 9 9 9 9 126 3 % # 8 1 1 9 * 9 9 9 9 9 9 9 9 # # # #
Perc. # # # #
Bass drum 3 # 8 M 1 / 126 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # 8 1 9 9 9 9 9 9 9 9 9 9 9 9 9 3
*+% 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # 8 1 9 9 9 3
126 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 3 % 9 8 9 9 9 1 9 9 9 1 9 9 9 9 3 ) 9 8 9 9 9 1 9 9 9 1 9 9 9 9 3
29 130 9 9 c 9 9 9 9 9 9 9 % 9 9 M (n) 9 % c # # (n) 9 c % # # (n)
% # # # # 9 c % # 8 M 9 (n) 9 9 9 % 9 9 9 3 9 c 9 9 9 % 9 9 9 8 # # 3 (n)
)% # # # # 130
%&( 9 c # # 9 c (n) %&( 9 c 9 c # # (n) % 9 c 9 c
9 c 9 c 130 % # # 9 * c* Small Tam-tam # # Crotales w/ hard mallets
Perc. # # M
# # # / 130 9 c 9 c # # *+% 9 c 9 c # #
130 9 c % # # (n)
% 9 # # # (n) 9 % 9 9 9 9 9 9 9 9 c 3 % 9 c 9 c ) 9 c 9 c
30 134 9 c % # # (n)
% # # # #
3 3 9 9 9 9 % # M 9 9 9 9 9 9 9 9 9 3 9 9 9 3
% # # # #
9 % 9 9 9 9 9 9 9 M # # 9 9 3 (n)
% 9 c # # (n) % # # # #
)% # # # #
134
%&( # # # #
%&( # # # #
% # # 9 c (n) # # 9 c (n) 134 % # # # #
# # # #
Perc. # # # #
# # # #
134 Celesta 9 # # 9 9 9 9 9 M 9 9 9 9 9 9 9 9 9 9 9 *+% 9 9 # # 9 9 9 9 9
col legno battuto 134 % 9 9 9 # # M 1 1 1 9 1 9 1 9 1 pizz.
% 9 9 9 9 9 # # M 9 9 9 1 9 9 9
pizz. % 9 9 9 9 9 9 c M 9 9 9 1 9 9 9 (n) % # # 9 c (n) ) # # 9 c (n)
31 C# 138 9 9 9 9 9 9 9 9 9 9 9 9 % # # 1 3 3 (n) Picc.C 9 9 % # # # (n) C 9 9 9 % # # (n)
% 9 9 9 9 9 # # M 9 9 9 9 9 9 9 9 9 3 3 9 9 9 9 9 % M M 9 9 9 9 9 9 # 3 3 3 (n) Bass Clar. 9 9 9 9 9 % # # M 9 9 9 9 9 9 9 9 9 3 3 9 % # # # #
)% # # # # 138
%&( # # # #
%&( # # # #
% # # # #
# # # #
138 % # # # #
Ride w/ stick M # M Snare w/ sticks
Tom-toms Perc. # 1 # #
# # # #
138 9 9 9 9 9 9 9 # 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M 9 9 9 9 9 *+% 9 9 9 # # #
(col legno battuto) 138 arco 9 % M 9 M # M 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 9 col legno battuto pizz. (pizz.) 9 9 9 9 9 9 9 9 % 1 9 9 1 1 9 1 9 1 9 1 M 9 9 9 1 9 9 col legno battuto pizz. (pizz.) 9 9 % 9 9 9 9 9 9 1 9 9 1 1 9 1 9 1 9 1 M 9 9 9 1 9 9 pizz. % 9 9 9 9 9 9 M 9 9 9 9 1 9 9 1 9 M # pizz. ) 9 9 9 9 9 9 M 9 9 9 9 1 9 9 1 9 M #
32 142 9 9 9 9 9 9 9 9 % 9 9 9 9 # # 3 3 3 (n)
% # # # #
9 9 9 9 9 9 9 9 9 9 9 9 % # 8 1 9 9 9 9 9 9 9 3 3 3 % 9 9 9 9 9 9 # # #
3 (n) 3 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 # 1 9 9 9 9 9 9 9 X 3 3 Bass Clar. 9 % 9 9 9 9 9 # # # 3 (n) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % # 8 1 9 9 9 9 3 3 3
b b b9 9 b9 b b 9 9 9 1 b9 b9 9 9 b9 )% # 1 9 9 1 1 1 1 1 1 9
142
%&( # # # #
%&( # # # #
% # # # #
# # # #
142 % # # # # Ride M 8 8 M Snare Tom-toms Perc. # 1 8 1 # # # #
142 9 9 9 # # # 9 9 9 *+% # # # #
142 % 9 9 9 9 9 9 # # # (n) 3 9 9 col legno battuto % 9 9 9 9 1 1 9 1 1 M 1 1 1 9 1 9 1 9 1 9 M 9 9 9 col legno battuto 9 % 1 1 9 1 1 9 M 9 1 9 1 1 9 1 9 1 9 1 M 9 9 (pizz.) 9 9 9 9 9 9 9 9 1 9 9 9 9 % 9 9 9 9 9 9 M 9 1 1 1 1 1 (pizz.) 9 9 9 9 9 9 9 9 1 9 9 9 9 ) 9 9 9 9 9 9 M 9 1 1 1 1 1
33 146 9 9 9 9 9 9 9 % # # 8 1 9 9 9 9 3 3
% # # # #
3 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # 3 9 9 9 3 (n) % # # # #
% 9 9 c 9 9 9 # # 3 3 (n) % # # # #
9 % 9 9 9 c # # (n) b )% 9 1 M M # # #
146
%&( # # # #
%&( # # # #
% # # # #
# # # #
146 % # # # #
3 1 M
Snare (on rim)
Perc. # # # 1 8
# # # #
3 146 Celesta 8 1 9 9 9 9 9 9 9 9 9 9 9 9 # 9 9 3 *+% 9 9 9 9 9 # 9 9 9 # 3
146 % # # # #
(col legno battuto) (col legno battuto) % MM # M 1 1 9 1 9 1 9 1 9 9 9 9 (col legno battuto) (col legno battuto) % MM # M 1 9 1 1 1 9 9 1 9 9 9 9 (pizz.) (pizz.) 9 9 9 9 9 9 % 9 9 9 9 9 MM M 9 1 c (n) (pizz.) (pizz.) 9 9 9 9 9 9 9 9 ) MM M 9 9 9 9 1 c (n)
34 accel. (to = 140) 150 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 3 3 3 9 c (n)
% # # # # 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 8 1 9 9 c 3 3 (n) % # # # #
9 9 9 9 9 9 9 % M 9 9 9 9 9 9 9 3 3 9 9 c (n) % # # # #
% # # # #
)% # # # #
accel. 150 (to = 140)
%&( # # # # 1. Harmon w/o stem
%&( 9 # 1 9 9 9 9 9 9 9 9 9 c (n) % # # # #
# # # #
150 % # # # # Ride # M Snare (on rim) M Tom-toms Perc. # 1 # #
# # # #
150 Celesta 9 9 9 9 9 9 9 9 M 9 9 9 9 9 9 9 9 9 # 9 9 9 9 9 9 9 *+% 9 9 9 9 # 9 9 # # accel. col legno battuto (to = 140) 150 9 9 9 9 % M 1 1 9 1 9 1 9 1 M M # pizz. col legno battuto 9 % 9 9 9 9 9 9 9 9 9 M 9 9 9 9 1 9 1 1 9 1 1 1 9 1 9 pizz. col legno battuto % 9 9 9 9 9 9 9 9 9 9 M 9 9 9 9 1 9 1 1 9 1 1 1 9 1 9 (pizz.) 9 9 9 9 9 9 9 9 % 9 9 9 9 1 M # M 9 1 (pizz.) 9 9 9 9 9 9 9 9 ) 9 9 9 9 1 M # M 9 1
35 [accel.] 154 # # # # Xylo. w/ hard mallets Perc. 1 M 1 1
# # # #
154 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 *+% 9 # # # #
[accel.] col legno battuto 154 9 9 9 9 9 9 9 9 % 1 9 1 9 9 9 M 1 1 1 1 M 1 1 1 1 pizz. 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 1 9 9 9 9 M 1 1 9 9 pizz. 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 M 1 1 1 9 9 (pizz.) 9 9 % 1 M # M 1 9 9 #
(pizz.) 9 9 ) 1 M # M 1 9 9 #
5 5
[accel.] 158 E.Hn % # # 8 1 9 9 9 9 9 9 9 9 9 9 3
# # # # Perc. 1 1 1 #
# # # #
158 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # 9 9 9 9 9 9 9 9 *+%
# # # #
[accel.] (col legno battuto) 158 9 9 % 1 9 9 9 9 M 1 9 1 1 1 M M # (pizz.) 9 9 9 9 9 9 % 1 9 9 9 9 9 1 9 9 1 M # (pizz.) 9 9 9 9 9 % 9 9 9 9 9 9 1 1 9 9 1 M # (pizz.)
% 9 M 1 9 # M 1 9 9 # (pizz.)
) 9 M 1 9 # M 1 9 9 #
36 Tempo I ( ) ( ) % # # # #
% # # # # C % 9 # # # M E.Hn % 9 9 c 9 9 9 9 9 9 9 % # # # # Bass Clar. C# 9 9 9 % # 8 M 9 9 9 9 9 9 9 % 9 9 # # # M 9 9 9 )% # # # 8 1 9 9 9
Tempo I () ( )
%&( # # # #
%&( # # # #
% # # # #
# # # #
162 % # # # # Suspended Cymbal w/ hard mallets # # # *
Perc. # # # #
Chimes
# #
3 9 9 162 Piano 9 9 9 9 9 # 8 # 9 M *+% 3
# # # # Ped. Tempo I ( ) ( ) % # # # #
% # # # #
arco % # # 8 1 9 9 9 9 9 9 arco % 9 9 # # # M 9 9 9 arco ) # # # 8 1 9 9 9
37 manic, undulating ( ) % # # # #
% # # # #
% # # # #
% 9 9 9 # # # 8 9 9 % # # # #
% # # # # 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 M 8 M 9 9 9 9 9 9 9 sub. 9 9 9 9 9 9 9 )% 9 9 9 9 9 9 9 M 8 M 9 9 9 9 9 9 9 9 9 sub. manic, undulating ( ) 9 %&( 9 9 9 9 99 9 9 # 8 9 9 9 9 9 9 8 W 1.Open 9 9 %&( 9 9 9 9 # 8 9 9 8 W 1. 9 9 % 9 9 9 # 8 M 8 # # 8 M 8 9 9 # 9 9 9
166 % # # # #
8 W 8 8 8 * * 8 W Tom-toms Perc. 8 W M M M 8 W # # # #
b9 9 166 9 9 9 9 9 9 9 9 9 9 # 8 9 9 9 9 8 W *+% # 8 9 9 9 9 9 9 8 W 9 9 9 9 9 9 9 H manic, undulating ( ) % # # # # arco % # 8 9 * 9* 9* 9* 9 9 9 9 9 M 9 9 9 * * 9 9 9 9 % # 8 9 9 9 9 * * 9 9 9 8 W * * * * 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 M 9 M M 9 9 9 9 9 9 9 9 9 sub. 9 9 9 9 9 9 9 9 9 9 9 9 ) 9 9 9 9 9 M M M 9 9 9 9 9 9 9 9 sub.
38 170 % # # # #
% # # # #
% 9 9 M 9 9 9 # # #
E.Hn 9 9 % 9 8 9 9 9 9 M 8 W # 9 % # # # #
% # # # #
9 % 8 # # # 9 )% 8 # # # 170 9 9 9 %&( 9 9 9 9 9 9 9 9 M 9 9 9 9 9 9 M 8 M 9 8 M MM M 9 9 9 9 9 9 %&( 9 9 9 M 9 9 9 9 9 9 9 M 8 W # 9 9 9 99 99 9 % 9 9 9 8 9 M 8 M 8 M MM M 9 8 9 9 M 8 W # 9 9 9
170 % # # # #
Sus. Cym. # * M 8 W #
Tom-toms Perc. 1 8 W # # # # # b b b 170 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # # 9 9 9 9 9 9 9 9 9 9 H *+% H H # # # #
arco 170 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % M * * * 9 9 9 * * * * 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % # # # #
9 9 9 9 % 9 * M 8 W # * 9 9 9 9 ) 9 * 9 M 8 W # * 9
39 174 % # # # # Picc. 9 9 9 9 9 9 % 9 9 9 9 # # M 9 % # # # #
% # # # #
% 9 9 # # # 9 9 % # # # # 9 9 9 9 % 8 M 8 W # # )% # # # # 174 3 %&( # 9 9 9 9 9 9 9 99 9 9 99 99 9 9 9 9 9 9 9 3 3 9 9 %&( 9 9 9 9 9 # 9 99 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 a 2 % # 8 9 1 9 9 ( ) 9 0 # 8 9 1 9 9 ( ) 9 174 0 % # # # #
Large tam-tam # # # Chimes Perc. # # # Bass drum # # # 8 1 174 9 9 9 9 1 9 9 9 9 # # M ( ) *+% 0 # # # # 1 174 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 M 9 * * (0) 9 9 9 1 9 9 9 9 9 % 9 9 9 9 9 9 * M 9 * (0) div. 3 9 99* 9 9 9 9 9 9 9 9* % 9 9 9 9 9 9 9 99 9 9 *9 9 9 9 * 9 9* 9 * * 9 9 9 8 3 * * * div. 3 9 * 9 9 9 9 9 99* 9 9 * 9* 99 % # 9 9 9 99 9 9 9 9 * * * * 3 ) # 8 9 1 9 9 9 * (0)
40 178 9 9 9 9 9 % # # # 9 9 9 3 sub. Picc. 1 9 9 9 % 9 9 9 9 9 9 9 M 9 9 M 8 W (0) % # # # #
% # # # #
% # # # #
% # # # #
% # # # #
)% # # # #
( ) 178 %&( 9 9 9 99 9 9 9 9 9 9 9 9 9 99 9 9 9 9 9 9 99 9 92 9 M 8 W ( ) 3 %&( 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 99 9 9 9 9 9 9 M 8 W 9 9 9 9 % 1 8 9 9 9 M 8 W 9 9 (0) 8 9 9 9 9 9 M 8 W 1 (0) 178 % # # # 8 W 9 Large tam-tam # # # Perc. # # # # Bass drum 8 8 W * ( ) 0 Celesta 178 9 9 9 9 # # # 9 9 9 3 *+% # # # # 178 1 9 9 9 % 9 9 9 9 9 9 9 * M 9 9 M 8 W (0) 1 9 9 9 % 9 9 9 9 9 9 9 * M 9 9 M 8 W ( ) 0 div. 3 ( ) 9 9 * 9* 99 9 9 9 9* 9 *9 9*9 9 * 9* 9 * 9 9 9 % 99 99 9 9 9 9 9 9 9 * * * * M 8 W * * * * div. ( ) 9 9 9 9*9 9 * 9* 9* 9 * * * 9* 9 9 99 99 9 9 9 9 9 9 9 9 9 92 9 % * * * * * * ** * M 8 W * ) 1 8 9 9 9 M 8 W 9 9 (0)
41 182 9 % 8 # # # 9 9 % # # # 8 M ( ) 9 9 9 9 9 9 % 9 9 9 9 9 9 8 # 8 9 9 9 3 3 % # # # #
% # # # #
% # # # #
% # # # #
)% # # # #
182
%&( # # # # ( ) 1.Harmon w/o stem 9 9 9 9 9 %&( 9 9 9 9 9 9 # 9 9 9 9 8 3 3 1. 9 9 9 % # # # M # # # #
182 % # # # #
# # # #
Perc. # # # #
# # # #
182 9 9 9 9 9 9 9 8 # 8 9 9 9 9 9 9 *+% # # # #
( ) 182 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 8 * * ** * 3
( ) 9 9 9 9 9 9 9 9 9 % # 8 8 M 9 9 9 * * 3 9 9 9 9 9 9 9 9 9 9 % # # 9 3 * * * % # # # #
) # # # #
42 186 9 % # # # 8 8 Picc. 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 c # 3
9 9 % 9 9 9 9 9 9 9 9 c 9 9 9 9 #
% # # # # ( ) 3 % 9 9 9 9 9 9 9 c M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 % # # # #
% # 9 9 9 9 9 8 9 9 9 9 9 )% # # # 8 9 9 Stopped ( ) 3 186 M %&( 9 8 8 9 1 1 # M 9 M 9 9 M 9 9 9 9 9 3 Harmon w/o stem 9 9 %&( 9 9 9 9 # # M 9 9 M # % # # # #
# # # #
186 % # # # #
# # # #
Perc. # # # #
# # # #
Celesta 186 9 3 9 9 9 9 9 9 9 9 c M 9 9 9 9 9 9 9 9 9 9 *+% # # # # 186 9 9 9 9 9 9 9 9 9 9 9 9 9 9 c % # 3
9 9 % 9 9 9 9 c * * 9 9 # * * * * * * * ( ) 9 9 9 9 c % 9 9 9 W # # 3 3
% # # # #
) # # # #
43 190 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 8 # 3 3 3
% # # # #
% 9 9 9 9 9 9 9 9 9 c 9 9 9 9 9 M 9 9 M 9 8 9 9 9 9 E.Hn % # # # W 8 9 9
% # # # M 9 9 M 9 9 9 M Bass Clar.
9 9 9 9 9 % # 9 # # % 9 9 9 9 # # # 9 9 9 8 9 )% 9 9 9 9 9 9 9 9 9 9 8 # 9 9 9 8
Open 190 %&( 9 9 9 9 c 9 9 9 99 M 9 M 9 M 8 M 9 W c 9 9 9 9 9 9 9 9 Open 9 9 %&( 9 9 9 9 9 9 9 9 9 99 # 8 9 9 9 9 9 8 9 9 9 M 1 M 9 a 2 % # 8 9 8 W 9 9 9 9 9 # 8 8 W 9 9 9 9 9 9 190 % # # # #
Snare w/ sticks # 8 M # *
Perc. # # # #
Bass drum # # M W Piano 190 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # # 9 9 9 9 9 M 8 *+% # # # # 190 9 9 9 9 9 % 9 9 9 9 9 9 9 9 # # 8 * * * * * * * % 9 9 * 9 # # 8 9 9 9 9 9 9* 9 * 9* 9 9 * * * % # # # #
% # 8 9 8 9 9 9 9 9 9 9 9 9* 9* 9 ) # 8 9 8 9 9 9 9 9 9 9 9 9* 9* 9
44 194 9 9 9 9 9 9 9 9 9 % 9 9 M 8 W # Fl. % M 9 9 9 9 9 9 M 8 W # 9 9 9 9 9 9 % 8 M 9 9 9 M 8 M 9 9 9 9 E.Hn 9 9 9 9 % 9 9 9 9 9 9 9 9 M 8 8 8 9 9 9 9 9
% 8 M 9 9 9 9 9 9 M 8 W # Bass Clar. 9 9 % M M # # # 9 9 % M M 9 MW # 9 9 9 9 9 )% # 9 MW # 9 9 9 9 9 194 %&( 9 # M 9 # # 9 9 9 %&( # # # #
(a 2) % 9 8 # 8 9 9 9 9 9 9 9 9 9 9 9 9 9
8 # 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9
194 % # # # #
Snare 8 1 8 W #
Perc. # # # #
Bass drum M # 8 M 8
194 # # # # *+% # # # #
194 9 9 9 9 9 9 9 % # # M 9 9 9 * 9 * div. unis. % M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 99 9 9 9 9 9 9 9 9 % # # W M * * % 9 9 9 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 ) 9 9 9 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0
45 198 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 8 8 # 9 sub. % # # # #
% 9 9 # W 8 9 9 9 9 9 9 9 9 9 9 9 9 E.Hn (0) 9 9 9 % 9 8 # # #
9 9 % 9 9 9 9 9 9 # 9 9 9 9 9 9 % # # # # b b b b 9 b9 9 b 9 9 9 b 9 b9 9 9 % 9 9 9 9 9 9 8 9 9 9 9 9 9 9 (0) b b b b 9 b9 9 b 9 9 9 b 9 b9 9 9 )% 9 9 9 9 9 9 8 9 9 9 9 9 9 9 (0) 198
%&( # # # # 1. Straight mute a 2 Straight mutes
%&( 9 9 9 9 # 9 9 9 9 9 9 9 9 9 9 (0) % 8 # # # 9 9 8 # # #
9 9 198 % # # # 8 8 9 0 # # # # Xylo. Perc. # W 8 (0)
M 8 # M sub. / Piano 198 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 *+% * * * sub. * * * * * # # # # 198 9 9 9 9 9 9 9 9 9 9 9 93 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 sub. 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 93 9 9 9 9 9 9 9 sub. 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 * sub. (0) 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 sub. 9 9 9 9 9 9 9 9 9 9 9 9 ) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 sub.
46
% # # # #
% # # # # 9 % 9 8 9 9 9 9 # # # E.Hn 9 9 % 9 9 9 8 9 9 9 9 9 MW 9 % 9 9 9 9 9 9 9 9 9 M 8 9 9 9 9 9 9 M 8 9
Bass Clar. % W 8 9 # 8 9 8 9 9 9 9 9 9 9 9 9 9 9 9 9 % W 8 9 8 8 9 0 9 9 9 )% # # 8 9 9 9 9 9 0 %&( 9 9 9 8 # 9 MW 99 9 9 9 9 9 99 9 9 9 9 9 9 9 9 9 9 9 9 %&( 9 9 99 # M 9 9 M 9 M 9 M 9 9 9 MW 9 a 2 % 9 9 c 9 9 9 9 9 9 9 8 8 9 9 9 9 9 9 0 8 8 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 202 % MW 9 # # # Large tam-tam # # 8 0
Perc. # # # #
Bass drum # # 8 202 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M 9 9 M 9 9 9 9 9 9 9 M *+% 0 9 9 9 9 9 9 9 8 # 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 M 9 0 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 0 % # # # 8 9* 9* 9 * div. 9 9 * % 9 9 9 9 c* 9 9 9 9 9 9 9 9 9 9 9 9 9 * * * 0 ) 9 9 9 9 9 9 9 8 8 9 9 9 9 9 9 9 0
47 206 9 9 9 9 9 9 9 9 9 9 9 % M M # M M M M 9 % # # # 8 8 ( ) % # # # 9 9 9 9 % 9 8 9 M 9 9 9 9 # # 9 ( ) 9 c % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 c % 9 9 # 8 # (n) 9 9 9 % 8 9 M # # 8 0 9 )% 8 9 M # # #
206 %&( 8 8 9 9 9 9 # # 9 9 99 9 9 %&( 8 8 # # # 9 99 a 2 % 9 M 8 9 9 9 # # 9 9
M 8 # # 9 9 9 9 9 9
206 % # # # #
M 8 # # #
Xylo. Perc. M M # #
M 8 # # / 206 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M 9 M 9 9 M 9 9 9 9 9 9 9 9 *+% # 9 9 9 9 9 # # 9 9 9 9 9 9 * 9 * * Solo 206 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % M 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 * 8 # 9 9 9 c sub. (n) div. unis. 9 9 c % 8 9 9 M 9 9 9 9 9 c 8 M 9 9 * * * (n) 9 % 9 c M 9 M 9 9 9 8 # 9 9 (n) 9 ) 9 c M 9 M 9 9 9 8 # 9 9 (n)
48 210 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 8 M 9 9 9 9 % 8 # # # ( ) 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 E.Hn 9 c % # # 8 9 9 % 9 9 9 # # #
% # # # # 9 9 9 9 c % 8 # # (n)
)% # # # #
210 1. %&( 9 9 # W 8 9 9 9 9 9 9 9 9 %&( # # # #
% # # # #
# # # #
210 % # # # #
# # # # Xylo. Perc. # # # # # #
210 9 9 8 # # # *+% # # # #
Tutti (Solo) 210 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9
% # # # #
9 9 % 9 c * * * 8 # # * (n) 9 9 9 9 % # W 8 9 9 9 9 9 9 ) # # # #
49 c 9 9 9 9 9 % # 8 8 8
9 % # # # W 8 9
% # # # #
9 9 % 9 9 c # # # (n) 9 % 9 9 9 9 9 9 9 c 9 c 9 9 9 9 9 9 (n) % # # # # 9 9 9 9 9 9 9 c % # 8 (n) )% # # # #
%&( # # # #
%&( # # # #
% # # # #
# # # #
214 % # # # #
# # # # Perc. # # # 8
Glock. M
214 # # # # *+% # # # #
1 9 9 9 9 9 % # # 8 (n) 9 % 9 # # # W 8
% # # # #
% c 8 # # # (n)
) # # # #
50 218 % # # # # 9 9 9 % 9 9 9 9 1 c 9 9 9 9 (n)
% # # # #
% # # # #
% # # # #
% # # # #
% # # # #
)% # # # #
218
%&( # # # #
%&( # # # #
% # # # #
# # # #
218 % # # # #
# # # # Xylo. Perc. 8 M # # # Glock. M #
/
218 9 9 9 9 9 9 9 99 9 9 99 99 9 99 99 9 9 9 9 9 # # W 9 99 9 9 9 9 9 *+%
# # # #
218 . 9 9 9 9 9 9 9 % # # (n)
9 9 % 9 9 9 9 9 9 9 # # (n)
% # # # #
% # # # #
) # # # #
51 morose ( ) molto rit. a tempo 222 9 9 9 c 9 9 9 c c 9 % 8 8 8 9 W M 9 W 3 3 (n) % # # # # c 9 9 9 9 % # # W 8 9 9 3
% # # # #
3 9 9 % 9 c c W 8 9 c 8 W 9 9 9 9 9 (n) Bass Clar. % # # # W 8 9
% # # # #
)% # # # #
morose ( ) molto rit. a tempo 222 Straight mutes %&( 9 # # W 8 9 cc 9 8
Straight mutes %&( # # # W 8 99
% # # # #
# # # #
222 % # # # #
# # # #
Perc. # # # #
# # # # / 222 c c 9 9 9 c cc cc 9 9 9 # 9 9 c W M 9 9 W *+% # # # #
morose ( ) molto rit. a tempo c 222 9 % # # # W * *
% # 8 c c 9 9 9 9 c c c c div. % # 8 9 c c 9 c c c c c
% # c c c c c c
) # c c c c c c
52 226 9 9 9 c 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 8 9 9 3 % # # #
% c W # #
% # # #
9 9 9 9 9 % # 8 9 9 9 9 9 9 c 8 3 9 c c c % c 9 c 9 % # # #
)% # # #
(Straight mutes) 226 %&( 9 c c # W W 9 c c
(Straight mutes) 1. %&( 9 9 9 9 c 9 9 c c 8 8 9 9 9 c 9 c c
% # # #
# # #
226 % # # #
# # #
Perc. # # #
# # #
226 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 W M 9 9 # 8 9 9 *+% # # #
226 c % * W # #
% 9 c c 9 c c c c % c 9 9 c c c 9 cc c cc % 9 9 c c c c c ) 9 9 c c c c c
53 229 9 9 9 9 c % # # (n)
% # # #
% # # # E.Hn 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 M 8 W 3 9 9 9 c % # W M 9 9 9 9 9 9 8 9 9 3 3 3
% # # #
9 c 9 c 9 9 % W 8 9 9 9 3 3 )% # # #
229
%&( # # # 9 c %&( 9 W # #
% # # #
# # #
229 % # # #
# # #
Perc. # # #
Glock. 3 W M # #
9 c 229 9 9 c 9 W # # *+% # # #
arco 229 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 W M 9 9 3 3 3 3 3 3
% c # # c (n) 9 9 9 9 9 9 9 % c c # 8 c c 3 3 (n) 9 9 % c # W 9 c 3 (n) ) c c # # (n)
54 232 % # # #
Picc. % # # W 8 M 9 9 9 3 9 % # # # E.Hn
% 9 9 9 # W 8 M 9 9 9 9 9 9 8 3 3 3 % 9 9 9 9 9 9 9 9 9 9 M 8 # 3 9 9 9 Bass Clar. % # # W W 9 c % W # # )% # # #
232
%&( # # # 1.Straight mute 9 c 9 9 c 9 9 %&( 9 9 9 W M 9 9 9 8 8 3 3
% # # #
# # #
232 % # # #
Small Tam-tam # W W Perc. # # #
Glock. # # W 8 M 3
232 # # # *+% # # #
232 9 9 9 c 9 9 9 c 9 9 9 c 9 9 % 9 9 9 9 9 9 9 3 3 3 9 % # # #
9 9 % # W 8 9 9 9 9 9 9 9 9 3
% c 9 c 9 c c c ) 9 9 c c W c c
55 235 % # # # Picc. 3 % 9 9 9 c c 9 9 9 9 # (n) % # # #
E.Hn 9 9 c % # W 9 9 9 9 9 9 9 9 3 9
% W 8 # 9 c c Bass Clar. (n) 9 slap tongue % 9 9 9 9 9 c c 8 9 8 9 (n) 9
% # # #
)% # # #
235
%&( # # #
%&( # # #
% # # #
# # #
235 % # # #
W W #
Perc. # # #
3 W #
235 # # # *+% Celesta 9 # # 8 9 c
235 3 % 9 9 9 c c 9 9 9 9 # (n) % W 8 # 9 c c (n) % 9 9 9 # 9 9 9 c c (n) 3 pizz. % c 9 8 9 8 9 9 c c 9 9 (n) 3 ) c 9 9 9 c c # (n)
56 238 E.Hn 9 % 9 9 9 9 M 8 W M 9 M 8 # % # # M c 9 Bass Clar. 9 (slap tongue) 9 9
% 9 9 9 M 9 9 8 M 9 W 8 9 9 # 9 9 % # # W W
Ride # W M 8 W M Tom-toms Perc. M 8 M W 8 #
# # #
238 W W W M 8 8 c Celesta 9 9 c 9 9 9 *+% 9 9 9 9 9 9 M 9 9 M 8 W 8 9 9
238 9 9 9 9 9 9 9 % 8 9 9 9 9 9 9 9 9 9 9 3 9 9 3 c
% 9 9 9 # M MW # arco pizz. 9 % # W M 9 8 W W 9 (pizz.) 9 9 9 9 9 9 % M 9 9 8 M W 8 9 #
) # # #
5 5 241 9 9 9 % # # W 8 9 3 3 3 c 9 9 9 9 9 9 % W 8 9 9 W 9 9 9 9 3 3
c 9 9 9 % 9 c 9 9 9 9 9 c 9 9 9 c 3 3 3 3 1. Harmon w/o stem
%&( 9 c 9 # # 9 9 9 9 3 3
# # #
Perc. # # # Glock. W 8 W # 3 241 % # # #
% # # #
3 3 c 9 9 % 9 c 9 9 9 9 9 c 9 9 9 9 c 3 3
arco 3 % 9 9 # 8 9 9 9 9 9 9 c c 3 ) # # #
57 244 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 c % 9 9 W 3 3 3 3 3 3 (n) 3 9 9 9 c % # 8 M 9 9 9 9 8 3 9 9 9 3 (n) 3
% # # W 9 9 9 9
3 % 8 9 9 9 9 W # 9 9 9 9 9 9
3
% 8 9 9 9 8 8 9 9 9 9 9 9 9 c c 9 3 9 9 9 (n) % # # #
% 9 W W # #
)% # # #
244
%&( # # #
%&( c 8 W # #
% # # #
# # #
244 % # # #
# # #
Perc. # # #
# # #
244 9 9 # # W 8 9 9 *+% # # #
244 9 9 % # # W 8 * *
3 3 9 9 9 9 % 8 9 9 9 9 9 9 9 9 9 9 9 9 3 9 9 9 9 9 9 3 9 9
% 9 W W # #
% c 9 c c c 9 c c (n)
) # # #
58 247 9 9 9 9 9 9 9 9 9 c % # W M 9 7:6 9 9 9 9 9 9 % W 9 9 9 9 8 # 7:6 3 9 % 9 9 # W 8 9 c 9 9 3 % # # #
c % # W 9 9 9 9 9 9
Clar. 3 3 3 % c 8 9 9 9 9 9 9 9 9 9 9 c 9 9 9 9 % # # #
)% # # #
247
%&( # # #
%&( # # #
% # # #
# # #
247 % # # #
# # #
Perc. # # #
Bass drum 3 W 8 8 Celesta
247 c c 9 c c 9 c c 9 9 c c W 8 *+% # # #
247 c c 9 c c % * * * * * # (n) % c c # # * * (n)
3 % W 8 W # c c
3 % W c 8 9 9 c c 9 93 9 3 ) W 8 9 c c 9 93 c 9 9
59 250 9 9 9 9 9 9 9 9 9 9 9 9 9 % W 8 9 9 9 9 9 MW 3 3 7:6
3
% 9 W 8 M 9 9 9 9 c # 3
% 9 9 c 9 9 c 9 W # 3
3 3 E.Hn % 9 c W 9 9 9 9 92 9 9 9 9 # 3 7:6
% 9 9 9 9 9 9 9 9 9 9 9 9 8 # W M 9 9 3 3 % W # c 9 9 9 9 9 9 (n) 9 9 % # # #
)% # # #
250
%&( # # #
%&( # # #
% # # #
# # #
250 % # # #
Snare W 8 8 M M M M M W 3 3 3 * Perc. # # #
W 8 W #
250 9 9 9 9 9 9 9 9 9 9 8 # # *+% # # #
250 % # # #
3 sul G % 9 W 8 M 9 9 9 9 c c 9 3 c c 9 c c % # W 9 % 9 9 c c c c 8 c ) 9 9 c c c c 8 c
60 253 9 9 9 9 9 9 9 9 92 9 9 9 9 92 % W 8 9 M 9 3 3 3 3 % # # #
% 9 9 9 # W 9 9 9 9 9 9 9 8 9 3 % # # #
9 c c % 9 c 8 W #
% c W # # 9
3 3 3 3 3 % W 9 9 9 9 9 9 9 c 9 9 9 9 9 9 93 9 3 3 3 3 3 )% W 9 9 9 9 9 9 9 c 9 9 9 9 9 9 93 9 253 1. %&( # W 8 W 9 c 1. Open 3 %&( # W 8 c 9 9 9 9 9 9 9 9 1. 9 9 % # # W 8 # # #
253 % # # # Ride w/ stick 3 3 3 3 3 3 W 8 8 W W 8 8 8 8 3 3 Snare (on rim)
Perc. # # #
Bass drum 3 3 3 3 * 8 8 8 M
253 # # # *+% # # #
253 % # # #
3 div. % 9 8 W 8 9 9 9 9 c* c* 9* 9 9 (n) 9 % c 9 9 c * c* 9* 8 W 8 (n) 3 % c c c 9 93 c 9 9 9 3 ) c 9 c c 9 93 c 9 9
61 256 c 9 9 9 c 9 9 9 9 9 % W W 9 3 3 3
% # # #
9 % # # W 8
E.Hn % 9 9 9 9 # # W 9 9 3
% 9 c 9 9 9 W 9 c 9 9 9 9 W 9 3 9 9 9 % # # #
3 % 9 9 c 9 9 9 9 9 M 92 9 9 9 M 9 c 9 c 9 9 3 9 3 0 9 c 9 9 )% 9 M 92 9 9 9 9 9 M 9 c 9 c 9 9 9 3 9 0
256 %&( c 9 W 8 9 9 9 9 W # 9 3
%&( 8 W # # c 9 % 9 9 9 9 9 9 9 9 9 W W 8 9 9 9 9 9 9 3 3 # # #
256 % # # #
3 8 8 W W M M * 3 3 3 3 ord. (on membrane) Perc. # # #
3 3 W M M *
256 # # # *+% # # #
256 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % # W 9 9 3 3 3 0 3 3 3 unis. 3 3 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 c 9 9 3 9 9 9 9 9 9 3 3 3 3 3 0 3 3 9 c 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 9 9 9
3 % 9 9 c 9 9 9 9 9 M 92 9 9 9 M 9 c 9 c 9 9 3 9 *
3 0 9 c 9 9 ) 9 M 92 9 9 9 9 9 M 9 c 9 c 9 9 9 3 9 * 0
62 accel. 259 9 9 9 9 c 9 9 9 9 9 9 9 % W W 8 9 9 9 3 3 3 U 0 Picc. 9 9 9 9 9 9 % # # W M 3 0 U % c 9 9 9 8 W # W 8 3 E.Hn U % c 9 8 W # W 8 9 9 3 U 9 9 % 9 9 9 9 9 9 9 9 W 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 9 9 3 3 3 0 U % # # # 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 8 9 9 9 9 9 9 3 3 3 3 3 3 3 U 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 )% 9 9 9 9 8 9 9 9 9 9 9 3 3 3 3 3 3 3 accel. U 3 3 3 3 259 %&( 9 9 9 9 9 9 9 9 W M 9 9 9 9 c 9 9 9 9 9 W W 9 8 9 9 8 8 3 3 3 a 2 (Open) 3 %&( 9 9 # # 8 9 9 9 9 9 9 9 U 0 a 2
% c 9 W # W 8 9 9 3 U # # W 8 9 9 259 U % # # W 8 9 9 Snare U W W 8 8 3 3 3 3 3 U 0 Crotales Perc. # # W 8 M Bass drum 3 3 3 3 3 3 U 8 8 8 8 8 8 0 U 3 Piano 259 9 9 9 9 9 9 9 9 9 9 9 # # 8 9 9 9 9 9 9 9 9 9 3 *+% 0 U # # # accel. c 259 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 3 3 3 3 3 3 U 3 3 3 c 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 9 3 9 9 3 U
3 3 3 3 unis. 3 div. 9 9 9 9 9 9 99 9 9 9 9 9 9 9 9 9 % 9 c M 9 9 9 9 c 9 9 9 9 9 92 9 9 3 3 8 3 3 8 8 8 0 U 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 8 9 9 9 9 9 9 3 3 3 3 3 3 3 U 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 ) 9 9 9 9 8 9 9 9 9 9 9 3 3 3 3 3 3 3 U
63 a tempo + + 8 8 W # #
+ + Perc. # # Glock. + + 8 8 W 8
+ + 262 99 99 cc 99 99 cc # # *+% # # #
a tempo + + 9 9 % 8 8 9 9 9 9 c c 9 9 9 9 % + + % 9 8 8 W # W 8 9 % + + 9 9 9 9 9 % 8 8 W 8 9 9 9 8 9 9 9 % + + % 8 9 c c c c c % + + ) 8 9 c c c c c %
5 5
fleeting molto rit. a tempo 265 9 9 % # W 9 9 9 c M 9 9 9 3 3 % # # 8 9 M 9
265 %&( # c9 9 c9 c # % # # #
Vibes
Perc. # # 8 Ped. 3 #
fleeting molto rit. a tempo 265 9 9 9 c 9 9 c c % # 3 (n) 3 % 9 9 9 9 9 9 9 # c 9 9 9 3 9 9 3 9 9 9 9 (n) div.
% c c # 9 9 9 c # %
% c c c c #
) c c c c #
64 accel. (to = 140) 268 9 9 9 c 9 9 9 9 9 9 9 9 % M 9 M 9 3 3 3 c % # W 8 M 9 9 9 3
% 8 9 M # 8 9 9 9 Bass Clar.
% # M M 9 M 9 8 9 9 9 9 9
Temple blocks
# M M #
Vibes
Perc. W 8 Ped. Ped. # # #
5 5
[accel.] 271 c 9 9 9 9 9 % 9 9 9 MW 3 3 (n) Fl. 9 9 9 9 % W M 9 9 9 9 9 c 3 9 (n) c % 8 # # E.Hn 9 % 9 9 # # 8 9 9 3
% 8 9 # # 9
% 8 9 # # 9
9 9 % # M M 9 9 M 9 8 9 9
# M 8 3
Perc. # W Ped. Ped.
# # #
65 [accel.] ( / ) 274 c 9 9 9 9 9 9 c % 9 # 3 3
% # # #
% # # #
3 % 9 c 8 9 9 9 9 9 #
9 9 9 9 % 9 9 c 9 9 9 #
% 9 # c #
% 9 9 8 c 9 #
)% # # # [accel.] ( / ) 274
%&( # # #
Straight mutes %&( # # W 1 W c
% # # #
# # #
274 % # # #
8 M M MW # 3 3 3 Perc. W # W Ped. Ped. # # #
274 # # # *+% # # # [accel.] ( / ) 274 1 % # W 8 9
% # # #
% # # #
% # # W 9 9 9 9 9 9 9 9 ) # # #
66 277 % c 9 9 9 # #
3 % # # 9 c 9 9 E.Hn % 9 9 # W 9 c 9 8 W 9 9 3 3 % W 9 9 9 9 # W 9 9 9 Bass Clar. % # # 9 9 9 9 c W
%&( c W # #
# # # Vibes Perc. # # (Ped.)
# # #
277 9 9 9 9 9 9 1 9 9 % 9 c c % # W c 9 9 * * * % # # # 9 9 c % 9 # # 3 c ) # # c
5 5
280 9 c 9 9 % # # 3 (n) 9 9 9 % # # 8 M 9 9 9 3
% 9 9 9 9 9 # # 9 3 3 280 Celesta 9 9 9 9 9 9 M 9 # # 9 9 9 9 9 9 9 9 9 9 9 M *+% 3 3 9 9 # # #
280 9 9 9 9 9 % 9 9 9 9 9 9 9 1
% # # #
% # W 9 1
% 9 9 9 1 W M M 8 ) # W 9 1
67 283 9 9 9 9 9 9 9 % 9 # # W c % 8 # # #
% # # # #
% # # # #
3
% 9 W M 9 9 M # # 9 9 9 % # # # #
% # # # # 9 9 )% 9 9 9 9 # # 9 9 #
283
%&( # # # #
%&( # # # #
% # # # #
# # # #
283 % # # # #
Temple blocks # # # Vibes 3 Perc. W M Ped. Glock. # # W
283 c c 8 # # # *+% # # # #
283 % 9 9 9 9 1 9 9 # 9 (n)
% # # # #
% # # # #
pizz. % # # M 9 9 # 9 9 9 9 9 pizz. ) 9 9 # # 9 M MM 8 #
68 287 9 c 9 9 9 % 9 9 9 9 8 # 8 9 9 9 9 % 8 9 9 9 9 9 9 9 8 8 9 9 9
% 9 9 9 # 8 9 9 8 8 9 9 9 9 Ob. % 9 # # # 9 9 M 9 9 % 9 9 M 9 9 8 # 9 9 9 9 c 9 9
Clar. % # # 9 9 9 M 9 9 9 9 9 9 9 % # # # #
)% # # # #
287
%&( # # # #
%&( # # # #
% # # # #
# # # #
287 % # # # #
# # # #
Perc. # # # # Glock. 8 # #
287 # # # #
*+% Piano 9 9 9 9 9 # W 9 9 9 9 9 9 9 9 9 9 9 9 9
287 9 9 9 9 9 9 9 9 9 9 9 9 % # W 9
% # # # #
pizz. % 9 9 # # # 8 M % # # # #
) # # # #
69 molto rit. 291 9 9 9 9 9 9 9 9 9 % 9 # # 8 9 9 3 % # # # #
9 9 % # 9 9 9 # # 9 9 % 8 # # #
% 9 9 M 9 M 9 9 9 9 9 9 9 9 8 W 9 9 9 9 % M M 9 # # 9 9 9 9 9 9
% # # # #
)% # # # #
291 molto rit.
%&( # # # #
1. Straight mute %&( 9 9 8 9 9 9 9 9 9 9 9 9 99 8 W 9 9 9 M 9 2. Straight mute % # # # #
# # # #
291 % # # # #
# # # #
Perc. # # # # # 8 8
291 # # # # *+% 9 9 9 9 9 9 9 9 9 9 8 W 9 9 9 9 9 9 9 9 9 9 9 9 molto rit. 291 9 9 1 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 (n) div. pizz. arco 9 % M 9 M # 8 9 9 9 9 9 8 W 9 9 9 9 M (pizz.) arco 9 % M 9 M 9 9 8 9 9 9 8 W 9 9 9 9 9 9 9 arco % # 8 9 9 8 W 9 9 9 arco ) # 8 9 8 W 9 9 9 9
70 ( )
% c # # # (n)
% # # # #
% # # # #
% 9 1 # # W 9 9 9 (n) % 8 9 9 c W # 9 9 9 9 9 % # # # #
9 9 9 9 9 % 9 9 c 9 9 9 9 9 9 # 9 3 3
)% # # # # ( )
%&( # # # #
%&( # # # #
% # # # #
# # # #
295 % # # # # Temple blocks 8 8 # #
Perc. # # # #
# # # #
295 # # # # *+% # # # # ( ) % # # W 9 9 1 9 9 (n) % # # # W c 9 9 9 3 % 9 # # # W 9 9 9 9 9 9 3 % 9 9 # # 9 9 9 W 1 3 9 ) # # # W 1
71 Straight mutes 299 molto rit. %&( W c c c # # c c c cc
# # # # Crotales Perc. # # 8
# # # # / 299 Piano 9 9 9 9 9 9 9 c # # 8 9 9 9 9 9 9 9 3 3 9 9 *+% 3 3 # # # # Ped. molto rit.
299 9 c c 9 9 c 9 % W 8 # 3 (n) 3 % c 9 9 9 93 9 9 9 9 c 1 c 9 3 % (n) % c c c c 1 c W c c c c 1 c % (n) % W c c c c 1 c % (n) ) W c c c c 1 c % (n)
5 5 lyrical ( ) 3 a tempo 303 3 7 feel (4+3) + % 9 9 9 9 c M 8 # # 9 9 c 9 % (n) + # W MM 8 # # + Perc. M 8 # # 3 + # W MM 8 # # / C# + / 303 9 9 1 9 9 9 9 9 9 9 9 9 8 9 9 9 9 9 9 8 1 9 9 9 9 9 99 9 3 *+% % c 9 cc 99 # M 8 # # (Ped.) Ped. lyrical 303 a tempo ( ) + % # W MM 8 # #
+ % W c c 9 M % 9 9 9 9 9 3 + % 8 8 9 9 9 9 cc 99 M 8 # # % + % # W MM 8 c 9 9
+ ) # W MM 8 # #
72 307 % # M 9 9 9 9 9 9 % 9 9 9 9 c div. % * # # c *c 99 * *
% 9 9 9 9 8 9
) # # 8 9 9
5 5 poco rit. molto espress. 311 9 9 # # # 9 9 9 9 3 9 9 *+% 3
# # # # Ped.
311 % 9 9 9 # 9 M
3 % # # 9 9 9 9 9 unis. % 9 * * 9 9 9 9 9 9 9 9 9 * * * (n) % 9 9 9 9 9 9 c 3 9 (n) ) 9 # # c (n)
5 5 a tempo
# # # #
Perc. # # # # Glock. 8 # M "DIE TODTEN" 315 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M M *+% 9 59 9 5 99 59 9 5 99 9 5 9 5 9 9 5 99 5 5 9 9 5 9 Ped. Ped. Solo a tempo 9 9 9 . c 9 9 9 % 8 % # # # M 9 9
div. % # # # 9*9 * 9 % # # # 9 ) # # # #
73 319 # # # #
Perc. # # # # Glock. # # #
319 9 9 9 9 9 9 9 3 9 9 9 9 9 9 5 9 9 9 9 9 9 9 9 9 9 5 9 9 9 9 9 M 5 3 5 *+% 5 9 9 9 5 c 9 5 9 9 5 9 5 c 9 5 9 9 5 9 Ped. Ped. . 319 c 9 % # # (n)
% 9 c 9 9 c # (n)
% 9* 9 ** c 9 9 *9 9 c # * * * (n)
% c 9 # # (n)
) # # # #
5 5 323 3 % 9 # # 8 M 9 9 9 9
"D. T." 9 9 9 9 9 9 9 9 9 9 9 9 % 8 9 9 9 3 3
# # # # Chimes Perc. # #
# # # # / 323 c 9 9 9 9 9 9 c 9 9 9 9 9 5 cc 99 M *+% 5 # # 9 9 9 9 9 9 9 9 323 (Solo) 9 9 9 9 9 9 9 9 % # # 9 9 3 % # # c 9 9 9
% # # M 9 * 9* 9*
% # # 9 9 9 9
) # # 9 9 9 9
74 327 3 9 % 9 9 9 9 9 9 9 9 9 9 1 # M % # # # #
9 9 9 % # # # M
% # # # #
9 9 9 9 % 9 # 8 1 9 9 M 3 % # # # #
9 9 9 9 9 9 9 9 % 9 9
)% # # # #
327
%&( # # # #
%&( # # # #
% # # # #
# # # #
327 % # # # #
# # # #
Chimes Perc. # # # # # #
327 9 9 9 9 9 9 9 9 9 9 9 9 9 99 9 9 9 M 9 9 9 9 9 9 9 M *+% 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 Tutti 327 (Solo) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 3 % 9 c 9 9 9 c 9 9 9 9 9 9 9 % M M 9 * 9* 9 * * * * * * 9 9 % 9 9 9 9 9 9 9 9 ) 9 9 9 9 9 9
75 ( flutter ) 331 9 9 9 9 9 9 9 9 9 % 9 * # 3 ( ) S ( flutter ) 0 9 9 % # # * # S (0) 9 ( flutter ) 9 9 9 9 9 9 % 9 9 9 # 3 * S (0) ( flutter ) % # # 9 9 # * ( ) S ( flutter ) 0 % # # 9 9* # ( ) S ( flutter ) 0 % # # 9 9* # S (0) 9 9 9 % 8 # # )% # # # # 331 %&( 9 9 # # 9 9 # ( ) a 2 Open S 0 "D. T." %&( 9 # 9 9 9 9 9 9 9 a 2 Open "D. T." 9 9 % 9 9 9 9 9 9 # # # # c ( ) 331 0 % # # # c (0) Large tam-tam # # # 0 Tom-toms Perc. # # 8 1 M Crotales # # # 0
331 9 9 9 9 9 99 99 9 9 9 9 9 99 99 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 (white keys) 9 9 9 9 99 9 9 *+% 0 9 9 9 # 9 c 9 9 9 9 Ped. c Ped. détaché c 331 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % * 9 9 9 3 0 détaché * 9 c 9 % 1 9 9 * 9 9 9 9 9 9 9 9 9 9 9 c* 9 0 div. 9 9 9 c * 9* % 9 * 9 9 * c 9 * * * * * * % 9 9 9 # 9 c* (0) ) 9 9 9 * # 9 c (0)
76 ( flutter ) 335 c c c c 9 9 % # ( ) 0 ( flutter ) C c c 9 % c # * * ( ) 0 "D. T." % # # # 9 9 9
"D. T." % 9 # # # 9 9 ( flutter ) # C C % c # c 9 * * ( ) 0 ( flutter ) C % # c * 9* c c (0) 9 9 9 % # # # )% # # # #
( flutter ) ( flutter ) 335 %&( c * c * 9* c # c 9 * * * ( ) (a 2) 0 %&( 9 9 9 9 9 9 9 9 9 9
(a 2) 9 9 9 9 9 9 % 9 9 8
# c c 9 (0) 335 % # c * c* 9* (0) ( ) Large tam-tam 0 # # Tom-toms Perc. M 1 1 8 1 Crotales
9 335 9 9 9 9 9 9 9 9 99 99 9 9 99 9 9 9 9 9 9 9 9 9 99 99 9 9 9 9 9 9 9 93 9 9 9 9 (white keys) 9 9 9 9 9 ad-lib - disjunct/chromatic *+% 0 # 9 9 c 9 9 (white keys) 9 Ped. c Ped. Ped. Ped. 9 ( détaché ) 335 c 9 9 9 9 c 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % * 9 * ( détaché )
% c 9 9 9 9 9 9 c 9 9 9 9 9 9 * 9 9 9 9 9 9 9 9 9 9 9 9 *
% c * 9* c * 9* c 9 c 9 * * * * sul D % 9 9 c * # * * 9* ( ) 0 sul A ) 9 9 c * # * * 9* (0)
77 "D. T." 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 3 3 3 "D.0 T." 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 3 3 3 3 0 "D. T." 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 9 9 9 3 "D.0 T." 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 9 9 9 3 0 3 3 3 % # # M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 3 C# 0 % 9 9 9 9 9 9 9 9 9 8 # 9 9 9 9 9 9 9 9 9 * U 0 C# 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 * 8 # 3 3 0 U )% # # # M 9 0 %&( 9 9 9 9 9 9 c 99 9 c 9 0 (a 2)
9 9 9 %&( 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 9 9 9 0 3
c % c 9 9 9 9 9 9 9 9 9 9 0 9 9 9 9 9 9 9 9 339 0 % # # # # Suspended Cymbal w/ hard mallets * *
0 3 0 3 3 Perc. 1 M # 1 * 0 Bass drum # M 1 * 0
339 c c 9 9 c 99 c c 9 9 *+% c 9 9 9 0 0 9 c 9 9 c c 9 9 Ped. c Ped. 9 Ped. Ped.
"D. T." 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 * 3 3 3 3 *
"D.0 T." 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 9 * 3 * 0 (div. a 2) 9* % c* 9* c* c 9 cc 9 c 9 * 9 * * 0 * % c* * c * 9 * 9 0 c 9 ) c 9 * * * * 0
78 9 a tempo 343 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 9 9 9 9 9 9 9 9 + + % M M M 3 3 sub. U 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 9 9 9 9 9 9 9 9 + + % M M M 3 3 sub. U 9 9 9 9 9 9 9 9 9 9 + + % 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 M M M 3 3 9 9 sub. U 9 9 9 9 9 9 9 9 9 9 + + % 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 M M M 3 3 9 9 sub. U + + % 9 9 M 8 8 9 9 9 9 9 9 9 9 9 9 9 9 9 M M M 3 sub. U 9 9 % + + % 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 1 8 9 9 9 9 9 M M M 3 3 3 0 U 9 + + % 9 9 9 9 9 9 9 8 9 9 M 9 9 9 9 9 9 9 9 M M 9 3 9 9 93 9 3 sub. 0 U + + )% # 8 9 9 9 9 9 9 9 M M M 9 9 9 9 9 9 93 9 sub. 0 343 U a tempo a 2 + + %&( 9 * 8 9 9 9 MM M M M 9 9 9 9 9 9 9 9 9 * 3 9 sub. 9 U 0 0 U 9 + + %&( 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 9 9 9 9 9 9 9 9 9 9 M M M 3 3 9 9 sub. 3 1. U U 8 + + % * 9 9 9 99 9 9 9 M # M M M 9 9 3 3 (0) 3 3 3 9 + + 9 9 9 9 9 9 M # M M M 9 9
343 + + % # # 8 M 1 M M M 9 9 Sus. Cym. 0 + + M M M 3 * sub. Tom-toms0 U 3 Perc. + + M M M M 0 3 sub. Bass drum U 3 + + M M M M M sub. 0 U Celesta 9 343 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 9 9 9 9 9 9 9 9 + + 9 9 M M 3 3 sub. *+% U Piano/ 3 3 3 + + 9 9 M 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 93 9 a tempo ( détaché ) + + 9 9 9 9 343 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 9 9 9 9 9 9 9 9 9 % * * * 3 3 sub. U sub. % ( détaché ) + + 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 92 9 9 * * * 3 3 9 9 sub. sub. unis. 3 3 U % détaché + + % * 9 9 9 99 9 9 9 9 9 9 9 9 9 9 MM 9 9 9 M M M 9 9 3 9 9 détaché sub. 3 3 * 3 0 U 9 + + % 9 9 9 9 9 9 9 9 9 9 9 9 M M M 9 9 9 9 9 9 9 9 9 93 9 détaché sub. 3 3 3 U 9 + + ) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M M M 9 9 9 9 9 9 93 9 sub. U
79 9 9 % 9 9 9 9 9 1 9 9 9 9 9 9 9 3
3
% # M 9 9 9 9 9 9 9 9 9 9 9 3 c 9 9 % 9 c 9 9 9 9 3 Celesta 9 c 347 c c 9 9 c 9 9 9 8 8 *+% / / Piano 9 c 9 c 9 9 9 c M 9 c M c 9 c 9 % * * * * c 9 c % 9 * * * *
% # # # #
% # # # #
) # # # #
5 5 7 feel (2+3+2)
3 351 + % M 9 9 9 9 9 9 9 9 9 9 (n) % (n) 3 + % 9 9 9 9 9 9 9 9 (n) % + % c # # # #
Crotales + # 8 # # # Perc. Glock. + # M # # #
(Piano - both hands) / + 351 c 9 9 9 9 9 9 9 9 c # M 9 9 3 3 3 *+% c c 5 9 # M 99 9 5 9 3 5 Ped. 351 c + % * 9 9 9 9 * * * (end tremolo) (n) + % c * 9* 9* 9** 9 (end tremolo) + % # # # # # + 9 9 9 9 9 % # % (n) 3 + ) 8 9 9 9 9 9 9 9 (n) %
80 Small Tam-tam (scrape) # # # # #
Crotales Perc. # # # M
Glock. % # # # %
356 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 M 9 9 9 9 9 9 9 9 3 3 3 3 3 3 3 3 *+% 3 9 9 9 # # 1 9 9 9 M # # 9 3 3 Ped. Ped.
% # # # # # #
div. % 9 9 9 9 9 9 9 9 9 9 9 9 div.% 9 9 9 9 9 9 % 9 9 9 9 9 % % # # # # # #
) # # # # # #
5 5
362 # # # # # # Perc. # M # #
# # #
362 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 1 9 9 9 9 3 3 3 3 3 3 *+% 9 9 9 # 1 9 9 9 9 9 # M MM 9 3 9 9 3 3 Ped. Ped. 3
362 div. 9 9 % 9 # # # # # 9 9 9 3
% 9 9 9 * 9* 9* 9 9 9 9 9 9 9 * * 9 % 9 9 9* 9* 9* 9 9 9 9 9 9 * * *
% # # # # # #
) # # # # # #
81 ord. # # # # #
Perc. # # # # # # # # # # # / 3 3
368 9 9 9 9 9 9 9 9 9 # # M 9 9 9 # 3 *+% # # # # # #
3 3 3 3 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 3 9 3 3 3
unis. 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 3 3
unis. 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 3 3
% 9 9 9 9 9 9 9 9 9 3 ) # # # # # #
5 5
374 # # # # # # Perc. # # # # #
# # # # # # / 3 3 3 9 374 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 # # M 9 3 3 *+%
# # # # # #
3 3 3 3 9 9 9 9 9 374 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 3 3 3 3
3 9 9 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 9 9 9 9 9 9 9 9 9 9 % 9 9 9 9 9 9 9 9 9 9 3 9 3
% 9 9 9 9 9 9 9
) # # # # # #
82
E.Hn 380 3 3 % # # 9 9 9 9 9 9 9 9 9 9 9 9 9 3 % 9 9 9 9 9 # # # 9 3 3
# # # # # # Crotales
Perc. # # # # 3
# # # # # # / 3 380 9 9 9 9 9 9 9 9 9 9 # # # *+% 3
# # # # # # 3 380 9 9 9 9 % 9 9 9 9 9 9 # # # 3 (n)
3 % # # 9 9 9 9 9 9 9 9 9 9 9 (n) 3 3 % 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
% 9 9 9 9 9 9 9
) # # 9 9 9 9 9
5 5
386 9 9 9 9 9 9 % # # M 3
9 % # # # # #
3 9 % 9 9 M 9 9 9 9 9 9 9 3 3 3
# # # # # # Perc. # 3 Glock. 3 3 # # # 8
386 % # # # # # #
3 3 3 3 % # 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 3 3 3 % 9 9 9 9 9 9 9 9 9 9 9 9 9
% 9 9 9 9 9 9 9
) 9 9 9 9 9 9 9
83 392 9 9 9 9 % # # # 3 9 9 % # # # # 9 9 % % # # # # # # Ob.
% # # # # # 9 9 %
% 9 9 9 9 # # #
% # # # # # #
% # # # # # #
)% # # # # # # 392
%&( # # # # # #
%&( # # # # # #
% # # # # # #
# # # # # #
392 % # # # # # #
# # # # # # Perc. # # # # 3
# # #
392 # # # # # # *+% % # # 9 9 9 9 9 9 9 9 392 % # # # # # #
3 % # # # 9 9 9 9 9 9 9 9 3 % # # # 9 9 9 9 9
% 9 9 9 9 9 9 % ) 9 9 9 9 9 9 %
84 398 9 9 9 9 9 9 molto rit. + % # # # # (n) 9 9 9 9 9 + % # # # # (n) 9 9 9 9 9 + % # M # # # # (n) + % 9 9 9 9 9 # # # # (n) + % # # 9 9 9 9 9 9 9 9 9 9 9 (n) % + % # # # # # # # # # + % # # # # # # # # #
+ )% # # # # # # # # #
398 molto rit. + %&( # # # # # # # # # + %&( # # # # # # # # # + % # # # # # # # # # + # # # # # # # # #
398 + % # # # # # # # # #
+ # # # # # # # # # + Perc. # # # # # # # # # + # # # # # # # # # / + 398 9 9 9 9 9 # # # # # # 9 9 9 9 9 9 9 9 9 *+% % # # # # 9 9 9 9 9 Ped. 9 9 9 9 9
398 9 9 9 9 9 9 molto rit. + % # # # # (n) 9 9 9 9 9 + % # M # # # # (n) + % # # # # # # # # # + % # # # # 9 9 9 9 9 (n) + ) # # # # 9 9 9 9 9 (n)
85