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ApocalypseApocalypse Now!Now! A journey that started from the Edge of Insanity has seen Tony MacAlpine return to his roots with his self-titled offering. The pianist, virtuoso, and producer talks shop about Steve Vai, practicing, lessons learned, and hopes for the future.

The Sound: Let us get straight to the new stuff! Tell us about your latest record simply entitled Tony MacAlpine and what, after ten years since Chromaticity, inspired you once again to record an instrumental album? Tony MacAlpine: Well the new record is a self-titled album. It is a really heavy instrumental record that I had the pleasure of recording with Marco Minnemann, Virgil Donati and Phillip Bynoe. I really had a lot of fun doing this record and was so involved doing many other things over the years that this just really felt like the time was right to come back and write this record over the course of last year and record it.

TS: Over the years you’ve played Solca © Alex six, seven, and now eight string guitars. What drives you to continue to explore extended range instruments and how do you feel these different types of guitars persuade your stylistic tenden- the live performances. With TS: You’re guitar tone has cies? the eight string you’re able to changed over your twenty-five play in much fuller registers year career and yet still retains TM: Guitars, amplifies, elec- and you can really experiment a very clear signature sound. tronics and the like have come with different chord substitu- Most will agree that tone ul- so far and the waiting time is tions and enhance the sonic timately resides in the hands, very short and the progress bass lows depending on how but what is your approach to is very tense. The stuff they you string the eight string. setting up an amp to achieve come up with between ev- Some people string them a your sound? ery other quarter amp show little higher, some people use and yearly amp show is pretty the lower string, some people TM: My amplification is very, amazing. These guitars that go to a low E. I’m using a stan- very simple. It’s always been I’m using now are really just dard guitar tuning so the low- and it’s always going to be. another example of the inno- est string on the instrument is In the studio I use Hughes & vation and where the instru- an F#. Basically that is the idea Kettner Triamps which are re- ments are at. What they do of the seven and the eight. It ally just three stage hundred is create the tonal capabilities is really just to add another full watt tube heads. There are no of all the recordings especially range to the instrument. effects involved or anything. It‘s just straight into the amp and then we record the tracks

© Alex Solca © Alex and mix them. This record was mixed by Ulrich Wild. He’s a Grammy award winning engi- neer and is very skilled at getting and achieving really good tones. I use different things to achieve different sounds. Sometimes I work with plug- ins with different things in the studio and enhance the track that way which is nothing new. It’s pretty standard fare. In a live situation, I also use Hughes & Kettners but I don’t use Triamps. I use the Coreblades. The Coreblade is a hundred watt head. It’s a fully tube head also but it’s got all the effects and gating built inside the head. So there are no external effects I’m using. I’m really just using the head on stage and it’s a very pure sound. Again you have these independent effects chains that are bi-products of the am- plifier itself so there is no tone degradation. On the floor I use and Ernie Ball volume and an Ernie Ball wah pedal and a Multiwave Source Audio pedal. And that’s about all I got going on. TS: How do you feel the eight string locking tremolo system compares to for seven and six string guitars? TM: It’s the same thing. My guitar has a Gotoh in the bridge and it is the same thing as the six string or anything. There’s no difference. They’re all locking systems in the guitars. TS: Rock guitar and classical piano are not worlds apart but appear to share an influential relationship in your music. How have you found your classical piano studies and endeav- ors to influence the seemingly infinite depth of your rock song writing? TM: Instrumental music to me started with classical music. I began listening to symphonies and I began a five playing instrumental piano music which is from the classical genre. Anything from Beethoven to List and Chopin and all kinds of stuff. I do that today and record it. That’s what I was doing and that was my first ex- Solca © Alex posure to music so my compo- sition is driven by the fact that, from what I understand it to be, it’s based on classical writing except it’s with drums, tar or some bass lines or I can guitar and bass. I wasn’t re- write just in my head. I’m hap- ally influenced only through py if I don’t have anything be- rock music or Johnny Win- cause that means that I might ter’s music or George Benson have something the next day. who I credit as being some For me it’s really just a matter of the highest influences for of sitting down and trying to me. That was the start of it get your thoughts into the stu- for me; the classical. And to dio and make it musical. me that is just a continuation of it now. TS: Having deeply explored many different styles of guitar TS: You’ve said once in an playing, do you find that you interview that most every- can compartmentalize each or thing you’ve written has do you find that they blend to- been recorded and released gether during improvisation? at one point in time. This point speaks volumes about TM: For instance if I was play- the quality of music that you ing with CAB, which I haven’t write. Do you find the writing done in a long time, it’s a com- process ever to be frustrating pletely different style of gui- or do you find that the music tar playing. I’m always doing frequently writes itself? something with Planet X and it would be something com- TM: No, I don’t find it to be pletely different. So I have frustrating at all. What I was definitive styles that I can call really trying to say was the upon to play. I also do some exploration of different- har situations where I might just monies and many things have play a setting where; for in- been recorded and tried. Cer- stance I just did That Metal tainly if we do research and Show and sat in and played listen to great classical works in the perch there and played and obscure fusion works and primarily with more of a rock different things from differ- and blues approach. So there ent artists, you can find a lot are all kinds of styles that I’m of things that are similar to really fascinated with and have a lot of people. The writing my hands on and enjoy that. process for me is a very work It all depends on what I want ethic type of thing. I’m ok if to do, how I want to play, and © Alex Solca © Alex I’m not creative for a day or how I want to be heard, what if I happen to have something I really want to say in the par- that evening, I can record it ticular environment that I’m the next day. There is no one playing in. real process for me so I can write on keyboards or gui- TS: What is your current practice routine like? TM: I don’t have a current pursuit of music. What drives take her on the tour further practice routine. I was talking your inspiration? in the year and later, Europe. with Steve (Vai) about this and And so just being around these TM: It’s the love of music, it is kind of funny. We started incredible players like her and it’s the love of playing and it’s playing music so young and it Tosin Abasi and Guthrie Govan the love of working with other is almost like English. When and seeing where guitar is go- musicians that’s always driven you’re speaking the language, ing is something that is very in- me and also the joy of seeing a you don’t go back and start spirational. It’s very good for creation come to life in a final studying grammar again. You the movement of what is going mix and hearing what it takes definitely don’t do that. You on with guitar. to make that sound like some- just continue on learning and thing wilder than your furthest broadening your vocabulary. TS: What drove you to pursue imaginations. That’s the drive That’s really what we do. We a career as a guitarist rather for me: a love for music. continue broadening. I defi- than a pianist? nitely don’t sit home and prac- TS: Which of your contem- TM: I can’t say it was really tice scales or anything like poraries currently inspire your one or the other. I started that. If I’m learning anything, guitar playing? around twelve playing guitar I’m learning somebody’s set and then when I was in col- TM: I really don’t think that that I’m going to play or some lege I got some offers to write any of my contemporaries in- of the music that I wrote. For some stuff for some different spire my guitar playing. I mean I instance, it took a lot of study people and I did and then end- started music way too young to to get some of these lines ed up getting a record deal. really go through a thing where done on the new record be- You know, coming out of col- I was inspired or influenced. I cause I wrote them down us- lege you just really want to go was driven to play music by lis- ing a program. It’s just to be in a direction you feel like it’s tening to professionals play. I more of a fresh approach if I’m feasible at that moment. It don’t really listen to somebody reading some stuff rather than seemed like the thing for me to get information on what I’m memorizing it. I get to memo- to do and that really was the really going to do for my next rize it later and go about it that decision factor. My mind was approach. I mean there are so way. To me music is a contin- always made up that whatever many wonderful young play- ual growth and it’s not neces- panned out first I would take ers out there that I’ve had the sary to go back to the building that route; I did. blocks or the fundamentals. opportunity to work with. The guitar player that we have in TS: Back to your latest solo TS: You are an artist who con- this band now, Nili Brosh is a release! The song Fire Moun- tinues to “one-up” yourself young twenty-two year old tain opens with an ear-catch- with each record you put out. woman from Israel; an amazing polyrhythmic section. You We’re not talking about playing player, just a stunning play- and Virgil create a tight rhyth- ing faster or heavier here, but er. We just did a show with mic harmony all while it seems more along the lines of con- her in Hollywood and I’m get- you are deliberately and very tinuing a life-long progressive ting ready to go to Japan and musically playing just behind the beat. How does is already put together. your music see itself They’re actually play- through to fruition? ing to what is created How much of it is in- and what is written. teraction between the TS: Seven The Hard musicians, and how Way features an all much of it is written start line-up and some and directed by you? great modern rock/ TM: The entire re- metal songs. Does the cord is written and band have any plans to directed by me. For record a new record? instance, all the drum TM: Not at this point, parts, when I wrote no. We’re just really the songs in the stu- involved with engag- dio, were done in Su- ing different tour -of perior Drummer and fers that we’ve had I recorded and played and to go out and sup- the stuff. So the tracks port the record either that the drummers ac- by ourselves or in sup- tually play on are the port of other bands. finished tracks; they’re That’s really our focus playing to what’s al- right now. ready created. We tried to do stuff in TS: What was it like another way but it playing in Steve Vai’s wasn’t really good. I band? prefer the drummers to have the freedom TM: Well I just did a of knowing where the show with Steve Vai final picture is, where on the 14th (7/14/11). we’re intending to go I played six songs for rather than doing it him in his set and it the other way around was a Cliff Cultreri ben- like when I did Edge efit. It was a wonder- of Insanity. I tracked ful event. Cliff Cultreri to the actual drums. was a very important Often times I can get person in the music such a great feel out industry who was re- of these guys and I can sponsible for signing go back and change both Joe Satriani and Solca © Alex some parts which we Steve Vai, which did did after they had ac- wonders for obviously tually played, but the this whole movement. whole idea of the song Playing with Steve is like playing music with a friend, some other stuff with him, had do for quite a while. Actually because we’ve been friends for the CAB record come out with getting that together and mak- so long. He’s been a wonder- Favored Nations and that did ing that happen has just been ful source of guidance for me very well. So it’s a very hands- wonderful for us. as well as somebody that I can on company and we’re look- TS: You appeared in the bi- bounce ideas off, and playing ing forward to some success- opic “Crazy: The Hank Garland his music is something that I’ve ful things happening with this Story” as jazz giant Wes Mont- always loved because I love his one. gomery. What was that like for compositions and I love his TS: Who are some of the art- you? playing. It was a lot of fun just ists that you would love to to do this; these six songs that work with but have not had TM: It was fun, I enjoyed that. we did. I always look forward the chance to yet? It was a lot of fun to actually to doing some stuff together, be involved with a movie like very cool. TM: I don’t really know. I that and seeing the similarities don’t have a laundry list of in that craft and what I actu- TS: Tell us what your experi- people that I’d like to work ally do was really amazing to ence with Favored Nations has with. Like I said, I really enjoy me because there are so many been like! listening to music and I don’t similarities in what they do to TM: The record is out on Fa- necessarily have to play with achieve that perfect take. It vored Nations and is also out certain musicians to be able was really fun. I love the music on another label, Sundog. to understand and enjoy what and always loved Wes Mont- What we’re doing is working they’re doing because listen- gomery so being able actu- very intensely with them, with ing is fun and being involved ally play those vintage guitars Favored, to get the best place- with them is something com- and dress up in vintage style ment and the best position we pletely different. I think the clothes; it was really pretty in- can for this record by as much most current musicians that tense. as we can and working with I play with now are really ful- TS: What is the most mem- Steve has been great in that filling a quest for me. Actually respect. Over the working with Marco has been orable moment that you can years I’ve done something that I’ve wanted to recall that you’ve shared with your guitar? TM: I don’t know. That is a good question. There are a lot of memorable moments I think that I’ve shared with the guitar (laughs). Every time we take the stage, it’s a lot of fun. Maybe playing in Paris at the celebration with Michael - Pol nareff . Virgil Donati and I and a host of other musicians did this show and played the tour with him for almost a couple years in Europe and Asia. Mi-

© Alex Solca chael Polnareff is a French art- everyone over the years that after all it is the most unique ist that was very popular in really became involved in mu- art form that we have and it is France and countries of the sic with all artists and people something that really needs to like in the seventies and then that love music. That’s the be cherished. I’d like to thank he retired and came back and most important thing. You the readers and the listeners did this big tour which was re- know what we have to keep over the years that have given ally quite successful. Every gig the interest going is to love mu- so much of their time to follow was sold out, there were twen- sic and support it and if you’re the stuff that I’m doing. All the ty-five thousand seat venues a a player, love it and really en- best to everybody and I hope night. He sold out Bercy Sta- joy the experience of giving to see them out there on the dium fourteen shows in a row. and receiving music because road! That was a lot of fun coming from being able to experience going up and being able to just play as a soloist. Basically that is what I did. He had other guitar players in the band but my job was just to come up and rip up these solos over his music so I’d have to say that was pretty much a lot of fun. Play- ing at the Eiffel Tower show doesn’t happen every so often in your life. That was two mil- lion people there, Nelly Furta- do and everything. So that was a very memorable thing. So there are many things like that that are musically related that I enjoyed. And I enjoy things on a much smaller scale just as much. When CAB went to Japan and sold out all the Blue Notes, that was just to- tally amazing. Just being able to play in such legendary clubs, you know? It did so well, and that was with Dennis Cham- bers and myself and Bunny Brunnel. It was really just a lot of fun. TS: You’ve got the last word! TM: I just would like to thank © Alex Solca

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Outdrive

A few years ago I realized that I'd spent almost all of my adult life working. I'm not complaining because I love what I do. Still, it's important to get away from it to gain a fresh perspective. It energizes me. I needed a hobby that had nothing to do with guitar. Growing up, my cousins always had speedboats, and they lived near the water. I remembered how much fun I had with them. I bought a boat.

No-one told me how much work owning a boat is!

An outdrive is the mechanism on a speedboat that connects the engine to the propellor. When I wrote this song, I was thinking about how much fun it is to drive a speedboat really fast. There's nothing complex, or thoughtful. Only the joy of going fast! I wanted to convey that in the song.

Most of the song is based on a "Classic Rock" style. So many classic rock tunes are in A, so the key choice seemed obvious. We also wanted enough "twists and turns" in the song so it would hold the listener's interest. We tried everything to make it sound "fun."

Most of the licks are either Classic Rock blues licks, or arpeggios. Of course there are some scale runs too! Even a little bit of tapping!

Pay close attention to keeping the bends in tune. In the tablature, the parenthesis,"( )" show the bend-note's target pitch. This is important because there are some unusal chords use in the song.

Good luck and have fun! Key: Outdrive sl. = slide From "Bull in a China Shop" (Jon Finn Group - SEP Records) h.o. = hammer-on p.o. = pull-off Transcribed by Jon Finn t = tap vib. = vibrato sl. sl. > > > > > > > > > > 4 œ œ œ œ œ œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ G1 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

T 5 5 7 9 9 9 7 7 7 7 9 7 7 7 A 5 7 7 7 5 5 5 5 7 7 7 5 5 5 4 0 0 0 0 0 0 0 0 0 B 4 5 5 5 5 5 5 5 5 5

G5 A5 1 3 5fr. 7fr. sl. sl. > > > > > > > > > > 4 œ œ œ œ œ œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ G2 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

5 5 7 9 9 9 7 7 7 7 9 7 7 7 5 7 7 7 5 5 5 5 7 7 7 5 5 5 4 0 0 0 0 0 0 0 0 0 4 5 5 5 5 5 5 5 5 5

sl. sl. sl. sl. sl. p.o. 5 > > > > > œ œ œ œ œ œ œ œ œ œ œ bœ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5 8 8 8 8 7 9 9 9 7 7 7 7 9 7 9 7 9 7 9 8 7 5 5 7 7 7 5 5 5 7 5 0 0 0 0 0 0 0 0 0

sl. sl. sl. sl. sl. p.o. 5 > > > > > œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5 8 8 8 8 7 9 9 9 7 7 7 7 9 7 9 7 9 7 9 8 7 5 5 7 7 7 5 5 5 7 5 0 0 0 0 0 0 0 0 0 Outdrive Intro 3

9 œ œ œ œ j œ œ œ œ œ œ œ œ j œ. œ œ œ œ & œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ > œ œ > œ œ œ > œ œ œ œ. > œ œ > > œ œ œ œ œ > œ œ > 9 > > 5 5 5 5 7 9 2 2 2 0 7 9 2 2 5 7 2 2 2 5 0 7 5 7 2 2 0 0 0 0 0 3 0 3 3 3 5 5 3 0 0 0 0 0 0 3 3 0 1 3 3 3 0

G5 A5 G5 A5 A5 1 1 4 A5 1 1 4 1 3 1 3 5fr. 7fr. F5 C5 G5 D5 5fr. 7fr. 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 9 œ œ œ œ j œ œ œ œ œ œ œ œ œ œ j œ. œ œ œ œ & œ œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ œ > œ œ > œ œ œ > œ œ œ œ. > œ œ > > œ œ œ œ œ > œ œ > 9 > > 5 5 5 5 7 9 2 2 7 9 2 2 5 7 2 2 5 7 5 7 2 2 0 0 0 0 0 3 0 3 3 5 5 3 0 0 0 0 0 0 3 3 0 1 3 3 0

14 œ œ œ œ œ œ œ œ bbœ œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > œ œ > > œ œ œ > œ œ > 14 œ œ 5 5 5 2 5 7 7 7 5 7 8 7 5 2 2 2 2 5 7 7 7 7 5 7 8 7 5 5 7 2 2 2 0 3 0 7 5 7 0 0 0 0 0 0 3 3 0 10 10 10 10

A5 D5 1 1 4 C5 1 1 1 1 7fr. 5fr.

14 œ œ œ œ œ œ œ œ bbœ œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > œ œ > > œ œ œ > œ œ > 14 œ œ 5 5 5 5 7 7 7 5 7 8 7 5 2 2 2 5 7 7 7 7 5 7 8 7 5 5 7 2 2 2 0 3 0 7 5 7 0 0 0 0 0 0 3 3 0 10 10 10 10 Outdrive 4

18 h.o. p.o. h.o. p.o. p.o. h.o. œ j > œ ‰ œ. œ œ #œ œ œ & œ œ œ. œ. œ œ œ # œ œ œ œ #œ œ œ œ œ #œ œ œ œ > œ œ bœ. > > > > > œ œ œ œ 18 œ œ > œ >

2 0 0 0 2 2 10 12 0 0 0 3 4 0 3 0 8 8 10 3 10 12 13 14 0 0 3 4 0 0 3 3 0 6 8 10 11 12 0 3

G5 D5 D 5 E5 B 5 F5 C5 1 3 1 3 1 3 1 3 1 3 1 3 1 3 10fr. 10fr.# 11fr. 12fr. b 6fr. 8fr. 8fr. 18 p.o. h.o. p.o.h.o. p.o. h.o. œ j > œ ‰ œ. œ œ œ œ #œ œ œ œ œ & œ œ œ. œ. œ œ œ œ # œ œ œ œ #œ œ œ œ #œ œ œ > œ œ bœ. > > > > > œ œ œ œ 18 œ œ > œ >

0 0 2 10 12 0 0 0 3 4 0 3 0 8 8 10 10 12 13 14 0 0 3 4 0 0 3 3 0 6 8 10 11 12 0 3

sl. sl. A full 23 œ œ #œ œ #œ œ œ œ r œ œ œ œ œ œ #œ œ œ œœ œ œ œ œœ œ œ œ œ œ œ œ œ & . œ œœ œ œ

23 9 5 9 5 5 9 5 9 5 13 12 10 15 14 12 17 8 5 8 5 8 5 13 13 12 15 14 7 7 9 7 5 14 12 14 . } 7 5

G5 A5 A5 1 1 4 1 3 5fr. 7fr. F5 C5 G5 D5 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 23 œ œ œ œ j . œ œ œ œ œ j œ. & œ œ œ œ œ. œ œ œ œ œ. œ œ œ > œ œ > œ œ œ > œ œ œ œ. > œ œ > > œ œ œ 23 > > 5 5 7 9 2 2 5 7 2 2 5 7 0 0 0 0 0 3 0 3 3 5 5 3 0 . 0 3 3 0 1 3 3 0 Outdrive full 5 full 27 j œ #œ œ œ œ œ œ œ œ œ r œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ & œ œ œ

27 9 5 9 5 5 9 5 9 5 10 10 8 5 8 5 8 5 10 13 15 15 13 10 7 7 9 7 5 11 } 7 5 }

G5 A5 A5 1 1 4 1 3 C5 D5 7fr. 1 1 1 1 5fr. 5fr. 7fr.

27 œ œ œ œ œ œ œ œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ > œ œ > œ œ > œ œ > > 27 œ œ 5 5 7 9 2 2 5 7 7 7 5 7 2 2 5 7 7 7 0 0 0 0 0 3 0 0 3 3 0 10 10 10 10 1/2

full sl. 30 j √ œ œ œ bœ œ œ #œ œ œ œ r bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & œ œœ œ œ ‰ œ œ

30 9 5 9 5 5 9 5 9 5 18 17 13 15 1516 15 13 8 5 8 5 8 5 18 18 17 14 14 12 7 7 9 7 5 19 17 } } 7 5

A5 1 1 4 B 5 F5 C5 1 3 1 3 1 3 b 6fr. 8fr. 8fr.

30 p.o. œ œ œ bbœ œ œ œ œ œ œ œ ‰ œ. j & œ œ œ œ œ œ œ œ œ œ œ. œ. œ œ œ œ > œ œ > œ œ > œ œ bœ. > > 30 œ œ > 5 5 5 5 7 8 7 5 2 2 2 7 5 7 8 7 5 5 7 2 2 2 10 7 5 7 0 0 0 0 0 0 3 0 8 8 10 0 3 3 0 6 8 Outdrive 6 sl. 1st 2nd 34 h.o. p.o. h.o. p.o. h.o. œ œ œ œ œ œ œ#œ ‰ . & œ œ œ œ œ#œ œ œ . œ œ œ œ#œ œ œ œ œ œ œ #œ œ œ 34 œ > > 15 20 19 17 22 20 19 19 0 2 0 2 0 5 0 3 4 0 5 0 3 4 0 5 0 3 4 0 0 0 3 .

G5 D5 D 5 E5 1 3 1 3 1 3 1 3 10fr. 10fr. # 11fr. 12fr. 1st 2nd 34 h.o. p.o. h.o. p.o. h.o. > œ œ . & œ œ œ ##œ œ œ œ œ œ œ#œ œ œ œ œ œ œ#œ œ œ œ > > > œ œ œ œ #œ œ 34 œ >

0 0 2 0 2 12 0 0 0 3 4 0 5 0 3 4 10 12 13 14 0 0 3 4 0 10 11 12 0 3 .

6 t 38 √ > > #>œ œ œ > œ œ #œ œ œ œ œ #œ >œ œ œ œ #œ 6 #œ œ œ ‰ & #œ œ œ #œ œ œ#œ œ œ#œ j œ œ > > > > > œ œ 38 > 14 15 17 21 22 21 17 15 14 14 15 17 17 15 14 12 14 16 16 14 12 12 14 16 16 14 12 12 14 16 16 14 12

G5 A5 A5 1 1 4 1 3 5fr. 7fr.

38 œ œ œ œ œ œ œ œ œ & œ œ œ œ œ œ > œ œ > œ œ > œ œ 38 œ œ 5 5 7 9 2 2 5 7 2 2 0 0 0 0 0 3 0 0 3 3 0 Outdrive 7 loco B 40 > > 3 œ œ œ œ >œ œ >œ #>œ œ œ œ œ #œ œ œ #w ˙ #œ#œ#œ #œ. #œ œ #œ & J

40 13 12 10 10 9 13 13 12 10 10 11 11 11 11 14 12 12 11 9 11 13 11 11 10

F5 C5 G5 D5 F G /F 1 3 1 3 1 3 1 3 1 4 #3 2 3fr. 3fr. 5fr. 2 #1 1 1 # 40 j œ œ jœ. # #w w ##w & œ. œ œ œ œ œ. œ # w w # w œ. > œ œ > > œ œ œ # w w #w 40 > > 2 1 3 1 5 7 4 1 3 3 5 5 3 0 1 3 3 0 2 2

45 #œ œ ˙. #œ#œ #œ. #œ œ #œ. J œ #œ œ & J #œ #œ. J #œ w

10 10 13 13 11 13 11 11 10 10 10 10 13 13 11 11

F G /F 1 4 3#2 2 #1 1 1 # 45 w # #w w #w w & w # w w ## w w w # w w #w w 45 2 1 3 1 4 1 2 2 Outdrive 8

50 √ 5 œ . #œœ#œ#œ œ œ#œœœ#œœ#œ #œ œ#œ & Œ #œœœœœœœ#œ œ #œ #œœœ #œ#œ œ œœœœœœ#œœœœ #œ 50 14 161917 17 161716 14 14 14 1617 17 16 17 16 14 141614 1416 16 16 14 14 16 1416 18 18 18 18 16 18 16141618 1618 18

B A maj7/B 1 4 3 2 2 3 1 4 7fr. 6fr. 50 ##w w #w w & w w # w w w w w w 50 7 9 8 6 9 7 7 7 1/2

loco r 54 # œ œ œ. bœ bœ œ bœ #œ œ #œ . œbœ œ ‰ ‰ #˙ #œ œ œ & Œ ‰ J ‰ ‰ J ‰ J J ≈

54 11 13 14 1617 17 16 16 14 11 13 14 14 14 10 } 13 13

B m F#m/A 2 b1 4 3 2 1 3 4 3fr. 4fr. 54 bw w ##w w & w w #w w bw w w w 54 6 7 6 6 3 4 6 5 Outdrive full full full 9

58 r r r # œ #w # œ #œ. # œ œ œ #œ #˙. #œ #œ #w & J

16 18 16 18 16 16 14 14 16 } } } 13 15 13

C /G G 1 #3 3 3 # 4fr. 1 4 #3 2 4fr. 58 #w w #w w & ## w w ## w w # w w # w w 58 6 4 6 5 6 6 4 4

& ‰ œ œ #œ œ œ œ œ œ œ œ #œ œ œ œ 62 œ >

0 2 0 5 0 3 4 0 5 0 3 4 0 0 3

& ‰ œ œ #œ œ œ œ œ œ œ œ #œ œ œ œ 62 œ >

0 2 0 5 0 3 4 0 5 0 3 4 0 0 3 Outdrive 10 sl. sl. C full√ full loco 64 œ œ œ #œ œ œ r r œ œ œ œ œ œ œ #œ œ œ. ˙ œ œ œ œ œ œ œ & ‰ œ œ œ ‰

64 15 15 13 12 10 15 14 12 17 1517 17 1517 15 13 15 13 13 13 12 15 14 14 12 14 12 14 } } 14

G5 A5 A5 1 1 4 1 3 5fr. 7fr. F5 C5 G5 D5 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 64 œ œ œ œ j œ œ œ œ œ œ œ j œ. & œ œ œ œ œ œ. œ œ œ œ œ. œ œ œ > œ œ > œ œ œ > œ œ œ œ. > œ œ > > œ œ œ 64 > > 5 5 7 9 2 2 5 7 2 2 5 7 0 0 0 0 0 3 0 3 3 5 5 3 0 0 3 3 0 1 3 3 0

full full √ full 3 68 r 3 œ r 3 3 œ œ œ œ œ œ œ r œ œ œ œ œ J œ œ œœ œ œ œ œ œ œ œœ œ œ œœ œ ‰ œ 3 œ 3 & œ #œ 3 œ œ œ œ œ œ œ #œ 3 œ 68 2022 20 17 20 17 172217 2015 10171015 8 2022 20 17 1919211917 19 17 19 17 14 9 17 } 19 17 } 21 19 19 17 19 17 15 14 15

G5 A5 A5 1 1 4 1 3 C5 D5 7fr. 1 1 1 1 5fr. 5fr. 7fr.

68 œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œb œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > œ œ > œ œ > œ œ > > 68 œ œ 5 5 7 9 2 2 5 7 7 7 5 7 8 7 5 5 7 2 2 5 7 7 7 7 5 7 8 7 5 5 7 0 0 0 0 0 3 0 7 5 7 0 3 3 0 10 10 10 10 Outdrive full 11 1/2 full 1/2 full sl. sl. 72 r œ r œ #œ œ œ # œ œ r bœ œ œ œ œ œ œ J œ œ œ r œ œ œ œ œ#œ ‰ #œ œ œ # œ r ‰ œ & œ œ œ œ #œ œ œ 72 1921 19 17 18 17 15 20 19 17 22 1920 19 17 18 18 17 20 19 1618 16 14 19 17 19 } 1617 16 14 } } 1416 14 12 } } A5 1 1 4 G5 D5 D 5 B 5 F5 C5 1 3 1 3 1 3 1 3 1 3 1 3 10fr. 10fr.# 11fr. b 6fr. 8fr. 8fr. p.o. 72 œ œ œ œ j > œ œ œ œ ‰ œ. œ œ œ œ #œ & œ œ œ œ œ œ. œ. œ œ œ œ # œ œ œ œ > œ œ > œ œ > œ œ bœ. > > > > 72 œ œ > 5 5 5 2 2 2 2 2 2 10 12 0 0 0 0 0 0 3 0 8 8 10 10 12 13 0 3 3 0 6 8 10 11

loco p.o. 76 p.o. p.o. h.o. p.o. h.o. h.o. √ p.o. p.o. p.o. >œ œ œ œ œ œ >œ œ œ > œ >œ œ œ œ œ œ >œ œ œ > & ‰ œ œ#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ 76 œ > 121712 17 12 121712 17 12 17 17 1712 17 121712 17 17 1712 17 12 0 2 14 14 14 14 14 0 5 0 3 4 0 5 0 3 4 0 0 3

G5 A5 A5 1 1 4 E5 1 3 1 3 5fr. 7fr. 12fr. h.o. p.o.h.o. p.o. h.o. 76 œ œ œ œ œ œ œ œ œ œ œ & œ œ œ #œ œ œ œ œ#œ œ œ œ œ œ > œ œ œ œ œ œ > œ œ > œ œ > œ œ 76 œ > œ œ 5 5 0 0 2 7 9 2 2 0 0 0 3 4 5 7 2 2 14 0 0 3 4 0 0 0 0 0 0 3 0 12 0 3 0 3 3 0 Outdrive 12 sl. 80 sl. œ œ #œ œ œ œ œ #œ œ #œ œ œ#œ œ œ œ œ œ œ & œ œ œ œ œ œ œ œ#œ sl. œ sl. œ œ 80 17 12 19 14 21 14 15 17 15 14 14 15 17 17 15 14 17 12 19 14 21 16 14 12 15 10 17 12 19 16 14

G5 A5 A5 1 1 4 1 3 F5 C5 G5 D5 5fr. 7fr. 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 80 j œ œ œ œ œ j œ. œ œ œ œ & œ. œ œ œ œ œ. œ œ œ œ œ. > œ œ > > œ œ œ œ œ > œ œ > 80 > > 5 5 7 9 2 2 5 7 5 7 2 2 3 3 5 5 3 0 0 0 0 0 1 3 3 0

83 œ œ œ œ œ œ #œ œ œ œ œ œ œ œ #œ œ œ œ & #œ œ œ œ#œ œ œ œ œ œ#œ œ œ œœ œœ œ#œ œ œ œ œ œ œ œ œ œ œ 83 22 17 2015 1714 1512 1410 12 8 10 5 8 3 141517 19 17 15 13 10 8 7 5 121416 19 17 14 12 11 9 7 5 12 1214 16 16 14 12 14 16

C5 D5 1 1 1 1 5fr. 7fr.

83 œ œ œ œ œ œ œ œbbœ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ > œ œ > > 83 œ œ

5 7 7 7 5 7 8 7 5 5 7 7 7 7 5 7 8 7 5 5 7 0 3 0 7 5 7 0 3 3 0 10 10 10 10 Outdrive sl. sl. 13 sl. loco sl. p.o. sl. sl. #œ œ sl. 86 œ sl. œ œ œ #œ #œ œ bœ œ œ œ œ œ œ #œ œ œ œ œ œ #œ sl. #œ ‰ œ œ & œsl.#œ œ œ œ 86 14 15 19 21 22 17 12 7 2 12 14 17 7 9 11 12 22 17 12 7 2 20 15 10 5 0 7 9 16 17 5

A5 1 1 4 G5 D5 D 5 B 5 F5 C5 1 3 1 3 1 3 1 3 1 3 1 3 10fr. 10fr.# 11fr. b 6fr. 8fr. 8fr. p.o. 86 œ œ œ œ j > œ œ œ œ ‰ œ. œ œ œ œ #œ & œ œ œ œ œ œ. œ. œ œ œ œ # œ œ œ œ > œ œ > œ œ > œ œ bœ. > > > > 86 œ œ > 5 5 5 2 2 2 2 2 2 10 12 0 0 0 0 0 0 3 0 8 8 10 10 12 13 0 3 3 0 6 8 10 11

& œ œ #œ œ œ œ #œ œ œ œ œ #œ œ œ œ 90 œ >

0 2 0 5 0 3 4 0 5 0 3 4 0 0 3 4

E5 1 3 12fr. h.o. p.o. h.o. 90

& œ œ œ #œ œ œ > œ œ œ œ œ #œ œ œ 90 œ

0 2 0 0 5 0 3 4 14 0 0 3 4 12 0 3 Outdrive 14 92 > > √ œ œ œ œ >œ œ >œ #>œ bœ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ #œ œ & œ œ œ œ

92 13 12 10 10 9 18 17 15 15 14 13 13 12 10 10 18 18 17 15 15 > 14 > 12 > 12 > 11 > 9 19 17 17 16 14

F5 C5 G5 D5 B 5 F5 C5 G5 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. b 6fr. 8fr. 8fr. 10fr. 92 j j œ œ j>œ. & œ œ j œ. œ. œ œ œ œ œ. œ œ. œ œ œ œ œ. œ bœ. > œ œ > œ œ œ. > œ œ > > œ œ œ > > œ 92 > >

5 7 5 7 3 3 5 5 3 3 3 5 5 3 1 3 5 3 1 3 5 3 0 5

D 96 r r #œ #œ #œ œ œ #œ # œ #œ ˙ #œ. #œ œ #œ. #œ œ #œ. #˙. #œ #œ. & J J J ‰ J J

96 1113 13 11 13 13 14 11 13 13 14 13 14 14 1416 } 13 10 11 } }

F G /F F 1 4 #3 2 1 4 3 2 2 #1 1 1 # # 96 #w w #w w #w & ## w w ## w w ## w # w w #w w # w 96 2 1 2 3 1 3 4 1 4 2 2 2 Outdrive 15 r 101 . # œ r √ œ #œ œ œ #œ # œ #˙. œ . J œ #œ #œ #œ#œ œ œ & J J Œ Œ #œ œ œ#œ œ œ œ œ #œ #œ œ#œ 101 13 1113 13 11 14 1113 13 11 11 11 13 13 13 14 16 18 16 14 } } 15 14 16 18 18 } } } 14 16 18

B G /F 2 1 1 1 1 4 3 2 # # 7fr.

101 #w w #w w # w & w ## w w w #w w w 101 1 7 1 8 1 9 2 7

105 3 3 œ #œ #œ œ œ œ œ œ œ œ œ #œ œ & œ œ #œ #œ œ #œ œ #œ #œ œ œ œ œ œ 3 #œ #œ 105 16 19 17 16 17 16 14 16 17 19 19 17 16 14 19 17 16 14 14 16 18 16 16 14 16 14 18 16 16

A maj7/B 2 3 1 4 6fr. 105 w #w & w # w w w 105 9 6 7 7 Outdrive 1/2 16 r vib. 107 # œ œ w ~~~~~~ 3 3 3 œ bœ bœ œ bœ œ ‰bœ ‰ ‰ J 1/2J & #œ ‰ ‰ ‰ ‰ ‰ #œ œ#œ#œ œ œ œ œ œ vib. 107 ~~~~~~ 11 13 14 16 17 11 13 14 13 10 16 14 14 18 16 18 16 18 14

B m F#m/A 2 b1 4 3 2 1 3 4 3fr. 4fr. 107 w bw w #w & w w w ##w w bw w w 107 6 7 6 6 3 4 6 5 full full full r 111 œ œ. r vib. r r #œ œ #œ # œ #w~~~~~~ # œ #œ. œ œ # œ #˙ #œ . #œ#œ #w & J J

111 1517 16 16 14 1618 1618 16 16 14 1416 } } } 13 15 13

C /G G 1 #3 3 3 # 4fr. 1 4 #3 2 4fr. 111 w #w w #w w & w ## w w ## w w w # w w # w w 111 6 4 6 5 6 6 4 4 Outdrive 17 E full 116 h.o. p.o. h.o. p.o. h.o. #œ œ œ œ r œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ & œ œ œ œ œ#œ œ œ œ œ œ œ œ œ #œ œ 116 œ > 9 5 9 5 5 9 5 9 5 8 5 8 5 8 5 0 2 7 7 9 7 5 0 5 0 3 4 7 5 0 5 0 3 4 0 0 3 }

G5 A5 A5 1 1 4 1 3 5fr. 7fr. h.o. p.o. h.o. p.o. h.o. 116 œ œ œ œ ‰ œ œ œ œ œ œ œ œ & œ œ #œ œ œ œ#œ œ œ œ œ œ œ œ œ œ œ œ > œ œ > œ œ > œ œ 116 œ > œ œ 5 5 0 2 7 9 2 2 0 5 0 3 4 5 7 2 2 0 5 0 3 4 0 0 0 0 0 0 3 0 0 3 0 3 3 0

full 120 œ œ #œ œ œ œ œ œ œ œ #œ œ #œ œ œ œ r œ œ œ œ œœ œ œ œ œœ œ œ œ œ œ & œ œœ œ œ

120 13 12 10 15 14 12 17 9 5 9 5 5 9 5 9 5 13 13 12 15 14 8 5 8 5 8 5 14 12 14 7 7 9 7 5 } 7 5

G5 A5 A5 1 1 4 1 3 F5 C5 G5 D5 5fr. 7fr. 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 120 j œ œ œ œ j œ. œ œ œ œ œ & œ. œ œ œ œ œ. œ œ œ œ œ œ œ. > œ œ > > œ œ œ œ œ > œ œ > œ œ œ > œ œ œ 120 > > 5 5 7 9 2 2 5 7 5 7 2 2 3 3 5 5 3 0 0 0 0 0 0 3 0 1 3 3 0 0 3 3 0 Outdrive 18 full 1/2 vib. sl. j 124 j œ ˙.~~~~~~~ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ & Œ

124 10 10 17 15 10 1315 15 13 10 13 15 1516 15 13 17 17 15 13 15 13 11 } 14 } 14 12 14

A5 C5 D5 1 1 4 1 1 1 1 5fr. 7fr. p.o. 124 bœ œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ > > œ œ œ > œ œ > œ œ > œ œ 124 œ œ 5 5 5 5 7 7 7 5 7 8 7 5 2 2 2 5 7 7 7 7 5 7 8 7 5 5 7 2 2 2 7 5 7 0 0 0 0 0 0 3 0 10 10 10 10 0 3 3 0

128 > > œ œ > > >~ œ œ œ œ #œ ~ œ œ œ œ ~ œ œ #œ ~ œ ~ & ~ Œ

128 13 12 10 10 9 13 13 12 10 10 14 12 12 11 9

F5 C5 G5 D5 A5 1 3 1 3 1 3 1 3 1 3 3fr. 3fr. 5fr. 5fr. 128 j ^ & œ œ j œ. ~ Œ œ. œ œ œ œ œ. œ ~~ œ. > œ œ > œ ~~ 128 > >

5 7 3 3 5 5 7 1 3 5 COLD COLD DAY Chris Duarte Group "Infinite Energy" Music by Chris Duarte - Transcription by Jason Spell

Tune down 1/2 step 1 = D♯ 4 = C♯ 2 = A♯ 5 = G♯ 3 = F♯ 6 = D♯

Backside of the Pocket Nightclub Blues = 84

Pick using RH Thumb Dm7

S-Gt

1½

(14) (15) 13 (13) 12 13 14 15 15 14 (14) 11 12 13 14 14

12 13 12 13 (13) 10 12 13 12 10 13 14 13 14 (14) 10 12 13 12 10 12 12

10 13 10(10) 12 13 12 13 10 13 10 13 14 13 14 (14) (14) 12 10 10 12 8 10

0:23 B Head Dm7

13 10 12 10 12 10 12 14 (14) 10 12 12 14 14 12 10 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8

10 12 13 12 (12) 10 10 10 10 12 12 12 12 12 8 10 10

Gm7

13 10 12 10 12 10 12 14 (14) 10 12 12 14 14 12 10 12 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8 10

Dm7

10 12 10 10 12 10(12) 12 12 10 12 12 12 8 10 10

Am7 Gm7

13 (13) 13 15 10 12 10 12 10 12 14 10 12 14 14 12 10 12 10 (10) 12 10 12 8 10 8 10 8 10 12 8 10 12 12 10 8 10 10

Dm7

13 10 13 12 14 12 10 10 12 12 10(12) 12 8 10 10

2/17 Chord progression simile until letter J C Head

10 10 13 10 12 10 12 10 12 14 (14) 10 10 10 12 12 14 14 12 10 12 12 12 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8 10

13 15 13 10 12 10 13 15 13 10 12 10 12 14 12 10 10 12 12 12 8 10 10

10 10 13 10 12 10 12 10 12 14 (14) 10 10 10 12 12 14 14 12 10 10 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8

12 13 12 13 13 14 13 14 12 10 10 12 12 10(12) 12 8 10 10

13 (13) 15 10 12 10 12 10 12 14 10 12 13 14 12 10 12 10 (10) 12 12 8 10 8 10 8 10 12 8 10 11 12 10 8 10 10

3/17 1:32 D Solo

full

13 10 10 12 12 (12) 12

full full

13 13 15 13 10 13 10 13 15 15 (15) 15 1312 10 12 10 12 12 8 10

4:3

full full full

13 10 10 13 10 13 13 13 10 15 15 12 10 12 (12) 10 14

full full full full

13 15 14 15 15 13 1310(10) (15) 15 15 (15) 1310 10 13 1310 12 1210 1012 12 12

4/17 43

5:3 7:6

full

10 12 10 10 12 10 10 12 12 10 12 12 12 12 12 10 12 10 12 12 10 13

7:6 5:3

½ ¼ 10 13 1310 10 10 12 10 121210 1012 10 10 10 12 13 12 10 10 12 12 12 12 12 12 10 10 12 12 12 12

4:3 4:3

full full

10 0 10 13 10 10 10 12 12 10 10 12 10 12 10 12 12 12 12 12

7:6

full

10 10 13 10 13 12 10 12 13 12 10 10 12

5/17 50 2:3 4:3

½ ½ ½ ½ ½ 10 13 13 13 13 13 10 13 15 15 12 10 12 10 12 10 12 10 12 10 12 10 12 12 12 12

4:3

full full full ½ ½ 15 15 13 13 10 13 15 15 15 13 10 13 10 10 13 10 12 12 10 10 12 12 12

4:3 4:5 5:3 4:3

full ½ 10 10 13 10 13 (13) (13) 13 10 13 10 12 12 13 13 13 12 10 10 12 10 12 10 12 12 12 10 12

4:5

full full full full

13 15 15 15 15 13 13 13 15 (15) 15 15 13 15 15 10 12 12 (12) 10 12 12 10 12

6/17 58

5:3 4:3 5:3 4:3

full full full full

10 13 15 13 13 13 13 15 13 10 13 15 15(15) 15 14 12 10 10 12 12 10 12 12

4:5 5:3

full

13 (13) 13 13 (13) 15 15 13 15 13 13 10 10 14 13 12 12 10 12 10 12 10 13 12 10 10 12 10 12

feedback

4:3

full

10 X 10 10 12 10 12 12 12 10 12 12 12 10 12 13

4:3 5:3 5:3

full full

10 10 13 10 15 10 13 10 12 13 12 10 10 12 10 12 12

7/17 64 4:5

full full full

15 13 13 15 17 20 17 20 17 20 17 20 17 20 20 10 1310 10 (10) 15 15 1310 13 10 1310 12 12

5:3 4:3 5:3 4:3

full full ½ ¼ 10 10 10 (10) 10 10 10 10 121210 1214 14 12 10 12 10 12 10 12 1012 10 12 10 12 12 12

full full full full

13 10 13 10 10 10 10 13 10 13 10 10 10 13 10

4:3 7:6 4:3 4:3

full full full full fullfull full

10 10 10 10 13 13 10 10 10 13 10 13 (13) 13 10 13 13 10 13 10 13 10 10 13 12 12 12 10 12 12 10 12

8/17 slow, smooth slide

5:3

full full ¼ (10) 13 10 15 15 13 15 15 17 17 15 15 15 18 18 15 13 15 2 2 14

2:3 2:3 2:3

full full

13 13 15 15 (15) 13 13 13 10 (15) 12 15 15 15 15 15 13 10 13 10 12 12 10 12

4:3

full ½ 13 10 (10) 13 10 13 13 10 12 12 10 12 12 (12) 10 10 12 12 10 10 12 12 10 13 10 13

3:49 H Head

10 10 10 12 10 12 10 12 14 (14) 10 12 12 10 10 12 8 8 10 8 10 8 10 12 (12) 10 13 10 10

9/17 82

13 13 13 13 13 15 10 13 10 10 12 12 14 14 12 10 13 14 13 14 13 14 13 14 14 12 10 12 8 10 10 12 12 10 8 10

16 15 15 13 15 13(15) 10 10 10 12 10 12 10 12 14 (14) 10 12 12 8 8 10 8 10 8 10 12 (12) 10

10 13 10 10 12 12 14 14 12 10 12 12 10 8 10 10 12 12 10 8 10

13 10 13 13 12 1312 10 12 12 10 10 13 12 10 10 12 12 (12) 12 (12) 12 8 10 10

13 10 13 (13) 13 15 10 12 10 12 10 12 14 10 12 14 13 12 10 12 10 (10) 12 10 12 8 10 8 10 8 10 12 8 10 12 11 10 8 10 10

10/17 91

full ½ 13 15 (15) 15 13 15 15 (15) 13 14 12 (12) 10 12 12 8 10 10

I Head

13 10 12 10 12 10 12 14 (14) 10 12 12 14 14 12 10 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8

full full full full

13 10 12 10 12 (12) (12) 12 10 10 12 12 10(12) 12 8 10 10

10 10 0 13 10 12 10 12 10 12 14 (14) 10 10 10 12 12 14 14 12 10 9 10 8 10 8 10 8 10 12 (12) 8 10 10 12 12 10 8

99 2:3

14 15 13 13 13 15 15 13 15 15 14 10 12 12 8 10 10

11/17 101

13 (13) 15 10 12 10 12 10 12 14 10 12 13 14 13 12 10 12 10 (10) 12 12 8 10 8 10 8 10 12 8 10 11 12 11 10 8 10 10

103

12 13 15 13 12 10 10 13 14 16 14 12 10 10 12 10(12) 12 10

4:58 J Outro Solo Dm7 105

12 12 12 12 12 12 12 12 12 12 12 12 12 12

106

12 10 10 12 12 12 10 12 10 10 12 12 12 10 12 12

107

4:5 4:3

¼ ¼ ¼ ¼

10 12 12 12 12 10 10 12 12 12 12 10 12 12 12

12/17 108

10 13 13 10 13 12 10 10 13 12 10 13 12 10 10 12 12 12

109

13 10 13 (13)

110

5:3 4:3 5:3

15 16 16 17 13 13 13 14 14 15 15 13 15 15 13 13 13 12 13 13 14 14 12 14 13 12 10 10 13 12 10 12

Overdub 112

2:3

10 13 12 12 10 12 12 (15) (12) (10)

113

10 10 10 12 12 8 10 12 10

114

13 15 16 17 13 15 13 13 15 10 12 14

13/17 115

5:3

16 17 (17) 20 16 15 13 16 15 13 15

116

(15) 16 17 10 13 14 15 13 13 14

117

5:3 5:3

10 10 13 13 13 13 12 13 12 10 10 13 12 10 13 12 10 13 12 10 12

118

5:3 9:6

10 10 12 13 12 10 10 12 10 12 10 12 12 12 12 10 12 10

119

8:6

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 13 12 10 12 12

14/17 120

4:3 8:6 3

13 12 12 12 12 12 12 12 12 12 12 14 12 14 12 10 10 12 10 12 10 12 12 12

121

6 9:6 7:6

12 13 12 12 12 12 12 12 12 12 12 12 12 13 12 10 12 10 12 12 10 12 12

122

8 7 9 10 10 7 9 9 10 9 10 11 12 10 10 13

123

8 9 10 9 9 10

8:6 124

8:6

13 10 7 9 9 12 9 10 7 9 9 12 9 10 10 12 12 8 10 10 12

15/17 7:6

125

7:6 7:6 9:6 9:6 9:6

13 10 1513 121410 121314141210 1210 1412 12 16 1412 1412 12 12 1210 14 14 14 1412 9 9 12 9 1211108 14 1214121110 9 1012

10:6 8:6 2:3 9:6 127

8:6 8:6

131210 13131210 X 131210 12 12 1210 12 X X 12X 11121110 8 8 8 10 121412141214121412 10 1214 16141514 10 8 10 8 12

3 3 8:6 129 8:6

7:6

7 X X 10 101214(14)12 101214 12 10121212101010 16 14 16 14 10 12 14 12 12 101210 1210121012 1012 12 10121210 10 12

132

10 12 13 12 10 12 10 12 10 12 12 10 12 12 13 12 10 10 12 10 12 10 12 10 7 10 12 12 12 12 8 10 8 10 12 12 10 8 10 12 12 12 8

135

full

16 17 10 13 13 10 10 14 15 15 12 10 X 10 10 12 12 13 14 12 10 X 12 12 12 10 10(12) 12 12 10(12) 10(12) 10(12)

16/17 begin fade out 138

10 9 12 10 10 12 12 10 10 12 10 12 10 12 10 10 12 10 12 10 12 10 12 12 12 12 12 12 12 12

141

11 9 11 9 11 9 7 9 11 9 11 9 11 9 12 12 12 12 12 10 12

143

12 13 12 10 0 12 13 12 10 10 12 12

145

10 10 15 17 20 22 10 14

17/17

UNDER THE INFLUENCE - Rusty Cooley Page 2 of 56

F/A A5 F/A A5 F/A A5

8 V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

G/B F/B G/B F/B G/B F/B

10 V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

E/Gb D/Gb E/Gb G/B E/Gb D/Gb

12 V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

7 V V V V V V V V V V V V 14 V V V V V V V I V V V V V V V V V V 7 8 7 8 12 8 12 17 12 T 10 10 13 13 9 9 14 14 A 10 10 14 14 7 12 10 14 15 12 B 5 8 12 12 15 H H P H P

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B Verse F/A A5 F/A A5 F/A A5 15 V V V V V V V V V V I Gtr I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[A.H. T 10 9 10 (10) 9 10 9 A B sl. F F E E

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr II P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

G/B F/B G/B F/B G/B F/B

17 V V V V V V V V V V I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[A.H. T 12 10 12 (12) 10 12 10 A B sl. G F

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 19 V V V V V V I V V V V V V [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[ T 9 7 9 (9) 7 9 7 A B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

F/A A5 F/A A5 F/A A5 21 V V V V V V V V V V V V V I V V V [[[[[ [[[[[[[[[[[ [[[[[[[[[[[[[[[[[[[[ T 10 9 10 (10) 9 10 12 9 10 9 A 12 10 12 B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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G/B F/B G/B F/B G/B F/B V V 23 V V V V V V V V V V V V V V I A.H. [[[[[ [[[[[[[[[[[ [[[[[ [[[[[[[[[[[ T 12 10 12 (12) 10 12 14 10 14 9 12 10 9 A B sl. G

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 25 V V I V V V V V V V gV [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ T 9 7 A 10 (10) 9 7 6 B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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F/A A5 F/A A5 F/A A5 V V 27 V V V V V V V V V V V I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[ P.M. P.M. T 10 12 10 9 10 (10) 9 9 9 9 A B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

G/B F/B G/B F/B G/B F/B V V 29 V V V V V V V V V V V I [[[[[[A.H. A.H. A.H. P.M. P.M. P.M. T 13 12 12 10 12 (12) 10 10 10 10 A B sl. F sl. G F

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 31 V V I V V V V V V V gV [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ T 9 7 A 10 (10) 9 7 6 B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

F/A A5 F/A A5 F/A A5 8va 6 V 33 V V V V V V V V V V V V V I V V V V V V [[[[ [[[[[[[[[ [[[[ [[[[[[[[[ 6 17 15 13 T 17 15 13 15 13 12 10 9 10 (10) 9 14 12 10 A B sl. sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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G/B F/B G/B F/B G/B F/B 8va V V 35 V V V V V V V V V V V V I V V V V V V 6 [[[[ [[[[[[[[[ [[[[ [[[[[[[[[ 6 19 17 15 T 18 17 15 17 15 13 12 10 12 (12) 10 16 14 12 A B sl. sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

E/G D/G E/G D/G E/G D/G b b b b 8va b b V V 37 V V V V V V V V V V V V V V V V V V I 6 [[[[ [[[[[[[[[ [[[[ [[[[[[[[[ 6 20 19 17 T 20 18 17 18 17 15 9 7 9 (9) 7 17 16 14 A B sl. sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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N.C. Am 8va V V V V V V V V V V V V V V 39 V V V V V V V V V V V V V V V V V V V V V I 6 6 6 T 17 18 20 22 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 14 16 17 16 17 19 A 12 14 15 14 15 17 12 14 15 B

I V V V V V V V V P.M. P.M. P.M. T 5 5 5 A 7 7 7 0 0 0 0 0 B

Gb° B° V V V V V V V V V V V V V V V V V V V V V V V 41 gV V V V V V V V V I T 9 12 10 12 9 12 10 12 9 12 10 12 9 10 12 10 12 15 13 15 12 15 13 15 12 15 13 15 12 15 13 15 A B

I gV V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 4 4 4 7 7 7 A 6 6 6 9 9 9 0 0 0 0 0 0 0 0 0 0 B

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org UNDER THE INFLUENCE - Rusty Cooley Page 10 of 56 Am F Fb° V V V V V V V V V V V V 43 V V V V V V gV V V V V V gV V V V V V V V I T 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 6 10 9 10 6 10 9 10 7 10 9 10 7 10 9 10 A B

eeW I V V V W g W V V V V V P.M. P.M. P.M. T 1 1 5 5 5 2 2 A 7 7 7 3 4 0 0 0 0 0 B G Gb° Am V V V V V V V V V V V V V V V V V V V V 45 V V V V gV V V V V V V V I T 8 12 10 12 8 12 10 12 9 12 10 12 9 12 10 12 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 A B

I W gW V V V V V V V V P.M. P.M. P.M. T 3 3 4 4 5 5 5 A 5 6 7 7 7 0 0 0 0 0 B Gb° B° V V V V V V V V V V V V V V V V V V V V V V V V 47 gV V V V V V V V I T 9 12 10 12 9 12 10 12 9 12 10 12 9 12 10 12 12 15 13 15 12 15 13 15 12 15 13 15 12 15 13 15 A B

I gV V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 4 4 4 7 7 7 A 6 6 6 9 9 9 0 0 0 0 0 0 0 0 0 0 B

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Am F Fb° V V V V V V V V V V V V 49 V V V V V V gV V V V V V gV V V V V V V V I T 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 6 10 9 10 6 10 9 10 7 10 9 10 7 10 9 10 A B

eeW I V V V W g W V V V V V T 1 1 5 5 5 2 2 A 7 7 7 3 4 0 0 0 0 0 B G Gb° Am C B° V V V V V V V V V V V V V V V V V V V V V V 51 V V V V gV V V V V V I T 8 12 10 12 8 12 10 12 9 12 10 12 9 12 10 12 10 13 12 13 10 13 12 13 13 17 15 13 12 15 13 12 A B

I W gW V V V V V V V V V V V V V V V V T 3 3 4 4 A 5 6 B 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7

Am F B° C Em Dm 8va V 53 V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V

T 15 18 17 18 15 18 17 18 18 22 20 18 17 20 18 17 13 17 15 17 13 17 15 17 17 20 18 17 15 18 17 15 A B

I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7 3 3 3 3 3 3 3 3 7 7 7 7 5 5 5 5 B

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C° Dm C G ° B° 8va b V V V V V V V 55 V V V gV I V V V V V V V V V V V V V 42

T 12 15 13 15 12 15 13 15 15 18 17 15 13 17 15 13 9 12 10 12 12 15 13 15 A B

I 42 V V V V V V V V V V V V V V V V gV V V V V V V V P.M. T A 2 2 2 2 2 2 2 2 5 5 5 5 3 3 3 3 B 4 4 4 4 7 7 7 7

Am C B° Dm F Em 8va V V V V V V V V V V V V V V V V V 57 V V V V V V V V V V V V V I 4 V V

T 10 13 12 13 10 13 12 13 13 17 15 13 12 15 13 12 15 18 17 18 15 18 17 18 18 22 20 18 17 20 18 17 A B

I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A B 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7 3 3 3 3 3 3 3 3 6 6 6 6 5 5 5 5

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C Em Dm B° Dm C 8va

59 V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V

T 13 17 15 17 13 17 15 17 17 20 18 17 15 18 17 15 12 15 13 15 12 15 13 15 15 18 17 15 13 17 15 13 A B

I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A B 1 1 1 1 1 1 1 1 5 5 5 5 3 3 3 3 0 0 0 0 0 0 0 0 3 3 3 3 1 1 1 1

G ° B° N.C. 8vab 61 2 V V 4 V V V V V I 4 gV V V V V V 4 V gV V V V V V V V V V

T 9 12 10 9 12 15 13 12 10 13 12 13 12 15 13 15 9 13 10 13 10 14 13 14 A B

I 42 4 gV V V V V V V V V V V V T A 0 B 4 4 4 4 7 7 7 7 0 1 0

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N.C. N.C. 8va V gV V V V V V 63 V V V V V V V V V V I gV V V V V gV V V V V V V V V V 13 17 16 17 16 19 17 19 T 13 17 15 17 10 13 12 13 12 15 13 15 13 16 14 16 9 13 10 13 10 14 13 14 A B

I gV V V V V V V V T A 3 0 B 4 1 4 0 1 0

N.C. Am B° C B° 8va V V V V V V V V V V V V V V V V V V V V V 65 V V V gV V I gV V V V V V 13 17 16 17 16 19 17 19 17 20 19 20 19 22 20 22 20 24 22 24 19 22 20 22 T 13 17 15 17 13 16 14 16 A B

I gV V V V V V V V V V V V V V V V V V V V T A 3 B 4 1 4 5 5 5 5 7 7 7 7 8 8 8 8 7 7 7 7

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Am G ° N.C. 8va b V V V V V V V V 6 6 67 2 gV 7 gV V V V V V 6 } I 4 4 V V VgV V V V V V V V V V V } 6 V VgV 6 VgV V V V 1 17 20 19 20 16 19 17 19 17 16 13 T 17 15 13 16 14 13 14 13 10 x A 14 12 10 x 14 12 11 12 11 8 B 12 10 9 10 9 6 5 6 sl. sl.

I 42 47 V V V VgV V V V T A B 5 5 5 5 4 4 4 4

= 182 AmP C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 69 V V V V V I 4 V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P 4 I 4 V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

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F D/Fb G E/Gb V V V V V V V V V V V V V V V V V V V V 71 V V gV eV V V V gV V I V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 8 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

Am C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 73 V V V V V I V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

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F D/Fb G E/Gb V V V V V V V V V V V V V V 75 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

Am F C E 8va ` V V V V V V V V V eV V 77 V V V V V V V V V V eV V V V I V V V V V V eV

12 8 8 12 8 17 13 13 17 13 15 12 12 15 12 18 15 15 18 15 T 10 10 13 13 16 16 9 17 14 17 12 15 A B P P P P P P P P

W W W W eW I W W W eeW W W W W 5 T 5 6 5 4 5 5 5 3 A 7 7 5 5 7 8 3 6 B 5 5 3 3

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G Am F 8va 8va 8va 8va V V V V V V V V V V V V V 79 V V V V V V V I 42 V V V 4 V

17 13 13 17 13 12 8 8 12 8 17 13 13 17 13 T 10 10 17 14 17 9 17 14 17 A B P P H P P P P P H P

W 2 W 4 W W I 4 W 4 W W W W W 5 T 3 5 6 4 5 5 A 5 7 7 5 7 8 B 3 5 5

C E G 8va ` eV V V V 81 V V V V V V eV V V V V V V I V V V eV 42 V V V

15 12 12 15 12 18 15 15 18 15 19 15 15 19 15 T 13 13 16 16 12 15 19 16 19 A B P P P P P P H P

W eW 2 W I W eeW 4 W W W W T 5 4 3 5 3 4 A 5 5 5 3 6 5 B 3 3 3

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Am G F G 8va V V V V V V V V V V V 83 V V V V V V V V V V V I 4 V V V V V V V V V V

20 17 17 20 17 19 15 15 19 15 17 13 13 17 13 19 15 15 19 15 T 21 17 21 19 16 19 17 14 17 19 16 19 A B P P H P P P H P P P H P P P H P 4 I 4 V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. T A 7 7 5 5 3 3 5 5 B 5 5 5 5 3 3 3 3 1 1 1 1 3 3 3 3

Am G F G 8va V V V V V V V V V V V 85 V V V V V V V V V V V I V V V V V V V V V V

20 17 17 20 17 19 15 15 19 15 17 13 13 17 13 19 15 15 19 15 T 21 17 21 19 16 19 17 14 17 19 16 19 A B P P H P P P H P P P H P P P H P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. T A 7 7 5 5 3 3 5 5 B 5 5 5 5 3 3 3 3 1 1 1 1 3 3 3 3

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Am C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 87 V V V V V I V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

F D/Fb G E/Gb V V V V V V V V V V V V V V 89 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org UNDER THE INFLUENCE - Rusty Cooley Page 21 of 56 Am C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 91 V V V V V I V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5 F D/Fb G E/Gb V V V V V V V V V V V V V V 93 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4 Em F V V V V V V V V V V V V V V 95 V V V V V V V V V V V V V V I V V V V

7 3 3 7 3 7 3 3 7 3 8 5 5 8 5 8 5 5 8 5 T 5 5 5 5 6 6 6 6 4 4 5 5 A B P P P P P P P P

I U U U T A 2 3 B 0 1

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Em F V V V V V V V V V V V V V V 97 V V V V V V V V V V V V V V I V V V V

7 3 3 7 3 7 3 3 7 3 8 5 5 8 5 8 5 5 8 5 T 5 5 5 5 6 6 6 6 4 4 5 5 A B P P P P P P P P

I U U U T A 2 3 B 0 1 Dm D Db° E V V V V 99 V gV V V V gV V V V V I V V V V V V gV V 42 gV V

5 1 2 5 2 2 5 2 4 7 4 4 T 3 3 3 3 4 4 5 5 2 2 2 4 A B P P P P 2 I V gV gV 4 V gV V T A 3 4 5 (5) 6 5 5 6 (6) 7 B

= 198 P 8va V V V VeV V V V V V 101 VgV fVgV VgV fV V gV fVgV V VgV fV V V VgV 4 eV V V V 5 eV V V V V V V V V V V V I 4 5 5 4 gVgV 5 5 6 5 5 6 5 8 5 7 10 7 11 8 10 1411 1316131714 1619162017 T 7 9 10 12 13 15 16 18 19 8 5 7 10 11 8 1013 14111316 17141619 2017 A B P P sl. H P P P H H P P sl. H P P P sl. H P P P

I 4 45 T A B

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8va V V V V V V V V V 103 gV eV V gV fV V V V gV eV V V V gV fV V V V I 4 V V gV gV V

20 17 17 20 17 19 16 16 19 16 17 14 14 17 14 16 13 13 16 13 T 19 19 17 17 16 16 14 14 20 16 17 13 A B P P P P P P P P 4 I 4 W W gW gW T A 7 4 B 7 4 sl. sl. 8va V V V V V V V V V 105 gV eV V gV fV V V V gV eV V V V gV fV V V V I V V gV gV V

20 17 17 20 17 19 16 16 19 16 17 14 14 17 14 16 13 13 16 13 T 19 19 17 17 16 16 14 14 20 16 17 13 A B P P P P P P P P

I W W gW gW T A 7 4 B 7 4 sl. sl. gV V fV V V V V V V V V V V V V V V V V V V V V V fV V V V 107 e V gV V V V Ie 5 11 14 11 11 14 11 13 10 10 13 10 11 8 8 11 8 10 7 7 10 7 T 13 13 11 11 10 10 8 8 14 10 11 7 A B H P P P P P P P P e Ie 3 3 V V V V V V V V V V P.M. P.M. [[[[[[[[[[ T A 1 1 B 1 1 3 3 3

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V V V V V V V V V V V V V V 109 g V eV V gV fV V V V V eV V gV fV V V V I V V

8 5 5 8 5 7 4 4 7 4 8 5 5 8 5 7 4 4 7 4 T 7 7 5 5 7 7 5 5 8 4 8 4 A B P P P P P P P H P g I W W W W T A B 0 0 0 0 V V V V V V V V fV V V V V V V V V V V V fV V V V 111 e gV V V gV V V Ie e V V 11 8 8 11 8 10 7 7 10 7 11 8 8 11 8 10 7 7 10 7 T 10 10 8 8 10 10 8 8 11 7 11 7 A B P P P P P P P P e Ie e 3 3 V V V V V V V V V V P.M. [[[[[[[[ [[[[[[[[[[[ T A B 3 3 3 3 3 3 3 3 8va g 113 gg V gV fV V V V V gV fV V V V V gV fV V V V V gV fV V V V I V eV gV V V eV gV V 14 11 11 14 11 13 10 10 13 10 14 11 11 14 11 13 10 10 13 10 T 13 13 11 11 13 13 11 11 14 10 14 10 A B P P P P P P P P g g I g 3 3 gV V V eV V gV V V eV V P.M. P.M. T A 1 1 1 1 B 1 1 1 1 1 1

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8va

115 f f V V V V V V fV V V V V V V V V V fV V V V I f gV fV V gV V V gV fV V gV V V

17 14 14 17 14 16 13 13 16 13 17 14 14 17 14 16 13 13 16 13 T 16 16 14 14 16 16 14 14 17 13 17 13 A B P P P P P P P P f f I f 3 3 V V V V V V V V V V P.M. [[[[[[[[ P.M. [[[[[[[[[[[ T A 4 4 B 4 4 4 4 4 4

8va fV V V V V V V fV V V V V V V 117 g g V V V V V V V V V V V V V V I g gV V gV V

20 17 17 20 17 19 16 16 19 16 20 17 17 20 17 19 16 16 19 16 T 19 19 17 17 19 19 17 17 20 16 20 16 A B P P P P P P P P g g I g W W W W T A 7 B 0 7 0 sl.

= 210 8vaP 8va 8va 6 6 V V V 6 6 V VfVV 119 f f fV V V V V V g g fVfV V V V f 4 V V VfV V V V V g V V VfV V V V I 4 7 fVfV V V V VfV V VfV 6 6 VfV V VfV V 6 161721191917 17192020 T 1718 211817 1718201820 191716171614 141617161719 A 171514151412 121415141517 1514 121415 B sl.

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8va 6 6 V V V g V VfV V 6 fV V V V VfV V 121 gg fV VgVVf fVeV VfV VfV V V V VfV I 6 VfVV fV fVfVgV V V 7 V V V VfV fV V V 6 6 V V 6 1917 2022242220 T 2018201816 15 182022202224 191715171614 141617 171921 A 1717151414 1415171617 1614171514 1517 B

8va V fVV eV V V gVV gV fVV e fV fV V V V gV V V V fV V V 123 g g V fVV V fV V V V V I g 22 20 20 18 20 23 23 21 19 18 20 19 17 17 19 21 19 17 17 20 19 17 T 22 19 20 20 20 18 17 18 20 20 A B

8va g fV V V fV V V V eVV V V V 6 124 gg fV V V V V V gV V V V fV V V V V I V V V fV fV V V V 11:8 12:8 6 17 19 20 19 17 15 18 18 17 15 14 15 14 12 T 18 17 17 17 18 20 19 17 15 13 12 15 13 12 19 14 12 10 12 10 9 A B

6 3 125 g g I g V fV V V V V fV fV V V V V V fV V 6 V T A 12 10 9 10 9 7 10 8 7 8 7 5 B 10 8 7 0

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= 158 EmP Dm Em Dm 8va gV V V fVV g V V fV V V 126 g gg4 j V V V V V V V fV fV V V V V g V 5 I 4 v 4:5 5 3 3 FullM FullM FullM [[ \\ T 17(17) O (17) O (17)17 15 12 11 14 12 10 11 12 11 10 10 10 8 12 9 9 12 A B g g I g g44 V } V V V V } V V V V } fV V V V V V } fV V V V V Gtr II P.M. P.M. T A B 7 x 5 5 7 x 5 5 5 x 3 3 0 3 5 x 3 3 0 3

V VfV V V VfV V V V V V V 7 128 g gg fV V VfV V fV V VfV 7 7 I g fVgVVf fV V V V 6 VfVfV V V V V V 7 V fV V V V V V V V \ 14 1214151412 T 121415 15141210 12 1210 9 1211 9 A 1210 8 1210 9 10 9 7 B 10 8 7 8 7 5 8 7 5 sl. sl. 8 7 5 8 7 5 7 g g I g g V } V V V V } V V V V }fV V V V V V } fV V V V V P.M. P.M. T A B 7 x 5 5 7 x 5 5 5 x 3 3 0 3 5 x 3 3 0 3

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fV 6 6 V fV VgV V V V V VfV V VfV V V VgV 130 g g V V V V V V V V V g g V V VfV V V V V V V V V V V VfV 6 I V V V V V 6 6 6 6 6 FullM 1822 T 10121512 15171915 21 9 111411 9 9 111411 9 14 111417 1822 A 7 9 12 9 7 7 9 12 12 9 7 9 12 7 9 12 12 9 7 9 12 B H H H H P P P P H H H H H H P P P P H H H H P P H H P H H H H P g g I g g V } V V V V } V V V V } fV V V V V V } fV V V V V P.M. P.M. T A B 7 x 5 5 7 x 5 5 5 x 3 3 0 3 5 x 3 3 0 3

Em Dm 8va 8va fV V V V V V V gVV fV V V gV V V V 132 g g V V V V V V V V V V I g g l fV V V V V V V 8:5 9:6 FullM FullM FullM 1 M1/2 M2 M2 22 (22) O 22(22) O (22) 23 23 22 19 17 18 19 18 17 T 19 17 17 19 17 15 17 17(17)15(15) O (15) O 17 (17) A B sl. g g I g g V } V V V V } V V V V } fV V V V V V } fV V V V V P.M. P.M. T A B 7 x 5 5 7 x 5 5 5 x 3 3 0 3 5 x 3 3 0 3

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6 g 6 6 6 134 gg g I fV V V V V V V V V V V V V V V V V V V V V V V V T A 7 7 5 7 9 B 7 9 10 9 7 7 9 10 5 7 9 7 9 10 10 9 7 9 10 g g I g g V V V V V V V V V V V V V V V P.M. T A 4 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

7 g V V V V V V V V V V V 135 gg g V V fV V V V V V V V V I V V V V V V V 7 7 T 14 14 7 9 11 9 7 11 13 14 13 14 16 16 14 13 14 A 7 9 11 9 7 7 9 11 11 12 14 11 B H H P P H H H H P P H H H H H H g g I g g V V V V V V V V V V V V V V V P.M. T A 4 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

gV V V fV V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V fV 136 g g V g g 6 6 9:8 I 11:8 1414 1414 1412 141816 1614 T 151717151415 17171514 141517 17 1514 1514121414 1715 1513 161416 A B g g I g g V V V V V V V V V V V V V V V P.M. T A 4 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org UNDER THE INFLUENCE - Rusty Cooley Page 30 of 56 V V gV fV V 137 g gg V V V V V fV V V j I g V V V V V V V

T 16 16 15 13 14 14 13 11 A 14 14 12 11 12 12 11 9 12 12 11 9 B g g I g g V V V V V V V V V V V V V V V P.M. T A 4 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

P = 158 138 g g I g g V } V V V } fV V V V V V V fVV V V V V V V V V V fV V V V V V P.M. P.M. P.M. P.M. P.M. T A B 7 x 5 5 5 7 5 5 5 7 5 5 5 5 5 x 3 3 3 3 3 5 3 3 3 3 3 3 3 5 5 5 3 3 3 3 3 3

141 g g I g g V V } V } V fVV V V V V V V V V } fV V V V V V } fVV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A B 7 5 5 5 7 x 5 5 5 7 x 5 5 5 5 3 3 3 3 3 3 3 3 3 5 x 3 3 3 3 3 5 x 3 3 3 3 3

144 g g I g g V } V } V V } fV V V V V V V } fVV V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. T A 4 B 7 x 5 5 5 7 x 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 x 3 3 3 3 3 5 x 3 3 3 3 3

147 g g I g g V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A 4 4 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

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P = 170 149 g g f f 3 3 g g f f 3 3 I V V V V V V V V V V V V V V V V V V V V gV V V V V V V V T A 4 3 2 0 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 4 1 0 5 4 5

3 3 3 151 3 3 3 2 4 3 3 2 I 4 V V 4 V 4 V V V V V V V V gV V V V V gV V V V V V V V T A 5 3 2 3 2 0 5 7 8 3 5 7 B 5 4 1 0 0 4 1 0 5 4 5

3 154 3 3 3 3 4 3 3 2 4 3 3 3 I 4 V 4 V V 4 V V V V gV V V V V V V V V V gV V V V V gV V V V V V V V T A 3 2 0 5 3 2 3 2 0 B 0 0 4 1 0 5 4 5 5 4 1 0 0 4 1 0 4 1 0

3 3 3 3 3 3 157 3 3 3 3 3 3 I eV V V V fV V V V V V V V V V V V V V V V V gV V V V V V V gV V V V V V V V T A 6 3 2 3 6 7 3 2 0 5 7 8 3 5 7 5 7 8 3 5 7 B 5 3 2 3 5 7 0 0 4 1 0 5 4 5

3 3 3 160 3 3 3 3 5 4 3 3 I 4 V V V V V V V V V 4 V V V V V gV V V V V gV V V V V V V V T A 5 7 8 3 5 7 2 3 5 0 2 3 0 3 2 0 B 1 4 0 0 4 1 0 5 4 1

3 3 162 3 3 3 3 2 4 3 3 2 I 4 V V 4 V 4 V V V V gV V V V V gV V V V V V V V V V gV V T A 5 3 2 3 2 0 5 3 2 B 5 4 0 0 0 4 1 0 5 4 5 5 4 1

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3 3 165 3 3 3 3 4 3 3 2 4 3 3 I 4 V 4 V V V V V V 4 V V V V gV V V V V V V V V V V gV V V V V V V V T A 3 2 0 5 7 8 3 5 7 3 2 0 B 0 0 4 1 0 5 4 5 0 0 4 1 0 5 4 5

3 3 3 3 3 168 3 3 3 2 4 3 3 V I 4 V V 4 V gV V V V V V V V V V V V gV V V V V gV V V V V V V V V T A 6 3 2 3 6 7 5 3 2 3 2 0 5 3 2 3 5 7 B 5 4 1 0 0 4 1 0 5 4 1

= 140 3 P 6 3 6 171 3 V 3 4 6 V V V V V V I 4 V gV V V V 4 V V V V V gV V V V V V V V gV V V V V V V V 6 T 4 5 7 4 5 7 A 9 7 6 3 6 7 3 6 7 8 7 5 3 5 7 3 5 7 B 8 7 5 4 5 7 4 5 7 H H H H H H H H H H H H H H H H

= 158 P F/A A5 F/A 3 173 V V V W I V V V V gV V 3 3 \\\\\\\\\\\\\ T 10 9 7 10 9 A 10 9 7 6 7 B sl.

V V V I V V V V V V V V V V V V V Gtr II P.M. P.M. P.M. T 10 9 10 A 7 7 7 0 0 0 0 0 0 0 0 0 0 B

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A5 F/A A5 G/B F/B G/B 176 I T A B

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. T 9 10 9 12 10 12 A 7 7 7 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B F/B G/B F/B E/Gb D/Gb E/Gb 178 I T A B

V V V V V I V V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. T 10 12 10 9 7 9 A 9 9 9 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B D/Gb E/Gb D/Gb N.C. 180 I T A B

6 6 6 V V V V V V V V V V V V V I gV V V V V V V V V V V V V V V V V V V V V V V V V V V 6 P.M. P.M. P.M. P.M. T 7 9 7 9 10 12 A 6 6 6 7 9 10 7 9 10 9 10 12 0 0 0 0 0 0 0 0 0 0 5 7 8 7 8 10 7 8 10 B 5 7 8

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F/A A5 F/A A5 F/A A5 182 I T A B

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

G/B F/B G/B F/B G/B F/B 184 I T A B

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 186 I T A B

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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N.C. 188 I T A B 7 V V V V V V V V V V V V V V V V V V V I V V V V V V V V V V 7 8 7 8 12 8 12 17 12 T 10 10 13 13 9 9 14 14 A 10 10 14 14 7 12 10 14 15 12 B 5 8 12 12 15 H H P H P

F/A A5 F/A A5 F/A A5 189 V V V V V V V V V V I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ T 10 9 10 ((10)) 9 10 9 A B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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G/B F/B G/B F/B G/B F/B

191 V V V V V V V V V V I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ A.H. T 12 10 12 ((12)) 10 12 10 A B sl. F

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 193 V V V V V V I V V V V V V [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ [[[[[[ T 9 7 9 (9) 7 9 7 A B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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F/A A5 F/A A5 F/A A5 195 V V V V V V V V V V V V V I V V V [[[[[ [[[[[[[[[[[ [[[[[ [[[[[[[[[[[ T 10 9 10 (10) 9 10 12 9 10 9 A 12 10 12 B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

G/B F/B G/B F/B G/B F/B V V 197 V V V V V V V V V V V V V V I [[[[[ [[[[[[[[[[[ [[[[[ [[[[[[[[[[[ T 12 10 12 (12) 10 12 14 10 14 9 12 10 9 A B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 199 V V I V V V V V V V gV [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[[[[[[[ T 9 7 A 10 ((10)) 9 7 6 B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

F/A A5 F/A A5 F/A A5 V V 201 V V V V V V V V V V V I [[[[[[ [[[[[[[[[[[[ [[[[[[ [[[[[[ P.M. P.M. T 10 12 10 9 10 (10) 9 9 9 9 A B sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 10 9 10 9 10 9 A 7 7 7 7 7 7 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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G/B F/B G/B F/B G/B F/B V V 203 V V V V V V V V V V V I P.M. P.M. P.M. T 13 12 12 10 12 ((12)) 10 10 10 10 A B sl. sl.

V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 12 10 12 10 12 10 A 9 9 9 9 9 9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

E/Gb D/Gb E/Gb D/Gb E/Gb D/Gb 205 V V I V V V V V V V gV [[[[[[ [[[[[[[[[[[[ [[[[[[[[[[[[ T 9 7 A 10 ((10)) 9 7 6 B sl.

V V V I gV V V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 9 7 9 7 9 7 A 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 B

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F/A A5 F/A 8va V V V V V V V V V V V V V V V V 207 V V V V V V V V V V V V V V V V I 17 17 19 19 20 20 19 19 17 17 19 19 20 20 19 19 T 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 A B sl.

V V V I V V V V V V V V V V V V V T 10 9 10 A 7 7 7 0 0 0 0 0 0 0 0 0 0 B

A5 F/A A5 8va V V V V V V V V V V V V V V V V 208 V V V V V V V V V V V V V V V V I 17 17 19 19 20 20 22 22 20 20 19 19 17 17 19 19 T 17 17 17 17 17 17 17 17 17 17 17 17 17 17 18 18 A B

V V V I V V V V V V V V V V V V V P.M. P.M. P.M. P.M. T 9 10 9 A 7 7 7 0 0 0 0 0 0 0 0 0 0 B

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G/B F/B G/B 8va V V V V V V V V V V V V V V V V 209 V V V V V V V V V V V V V V V V I 19 19 20 20 22 22 20 20 19 19 20 20 22 22 20 20 T 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 18 A B

V V V I V V V V V V V V V V V V V P.M. P.M. P.M. T 12 10 12 A 9 9 9 0 0 0 0 0 0 0 0 0 0 B

F/B G/B F/B 8va V V V V V V eV V V V V V V V V V 210 V V V V V V V V V V V V V V I V V 19 19 20 20 22 22 23 23 22 22 20 20 19 19 20 20 T 18 18 18 18 18 18 18 18 18 18 18 18 18 18 15 15 A B

V V V I V V V V V V V V V V V V V T 10 12 10 A 9 9 9 0 0 0 0 0 0 0 0 0 0 B

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E/G D/G E/G 8va b b b V V V V 211 gV V V V V V V V V V V V I V V V V V V V V V V V V V V V V 16 16 17 17 19 19 17 17 16 16 17 17 19 19 17 17 T 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 A B

V V I gV V V V V V V V V V V V V P.M. P.M. P.M. T 9 7 9 A 6 6 6 0 0 0 0 0 0 0 0 0 0 B

D/G E/G D/G 8va b b b V V V V V V 212 gV V V V V V V V V V I V V V V V V V V V V V V V V 16 16 17 17 19 19 20 20 19 19 17 17 16 16 17 17 T 15 15 15 15 15 15 15 15 15 15 15 15 15 15 A B

V I gV V V V V V V V V V V V V P.M. P.M. P.M. P.M. T 7 9 7 A 6 6 6 0 0 0 0 0 0 0 0 0 0 B

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N.C. Am 8va V V V V V V V V V V V V V V 213 V V V V V V V V V V V V V V V V V V V V V I 6 6 6 T 17 18 20 22 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 14 16 17 16 17 19 A 12 14 15 14 15 17 12 14 15 B sl.

I V V V V V V V V P.M. P.M. P.M. T 5 5 5 A 7 7 7 0 0 0 0 0 B

Gb° B° V V V V V V V V V V V V V V V V V V V V V V V V 215 gV V V V V V V V I T 9 12 10 12 9 12 10 12 9 12 10 12 9 12 10 12 12 15 13 15 12 15 13 15 12 15 13 15 12 15 13 15 A B

I gV V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 4 4 4 7 7 7 A 6 6 6 9 9 9 0 0 0 0 0 0 0 0 0 0 B

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org UNDER THE INFLUENCE - Rusty Cooley Page 44 of 56 Am F Fb° V V V V V V V V V V V V 217 V V V V V V gV V V V V V gV V V V V V V V I T 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 6 10 9 10 6 10 9 10 7 10 9 10 7 10 9 10 A B

eeW I V V V W g W V V V V V T 1 1 5 5 5 2 2 A 7 7 7 3 4 0 0 0 0 0 B G Gb° Am V V V V V V V V V V V V V V V V V V V V 219 V V V V gV V V V V V V V I T 8 12 10 12 8 12 10 12 9 12 10 12 9 12 10 12 10 13 12 13 10 13 12 13 10 13 12 13 10 13 12 13 A B

I W gW V V V V V V V V P.M. P.M. P.M. T 3 3 4 4 5 5 5 A 5 6 7 7 7 0 0 0 0 0 B

V V V V V V V V V V V V V V V V V V V V V V V V 221 gV V V V V V V V I T 9 12 10 12 9 12 10 12 9 12 10 12 9 12 10 12 12 15 13 15 12 15 13 15 12 15 13 15 12 15 13 15 A B

I gV V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T 4 4 4 7 7 7 A 6 6 6 9 9 9 0 0 0 0 0 0 0 0 0 0 B

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eeW I V V V W g W V V V V V P.M. P.M. P.M. T 1 1 5 5 5 2 2 A 7 7 7 3 4 0 0 0 0 0 B

G G ° Am C B° 8va b

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T 8 12 10 12 8 12 10 12 9 12 10 12 9 12 10 12 10 13 12 13 10 13 12 13 13 17 15 13 12 15 13 12 A B

I W gW V V V V V V V V V V V V V V V V T 3 3 4 4 A 5 6 B 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7

Am F B° C Em Dm 8va V 227 V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V

T 15 18 17 18 15 18 17 18 18 22 20 18 17 20 18 17 13 17 15 17 13 17 15 17 17 20 18 17 15 18 17 15 A B

I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7 3 3 3 3 3 3 3 3 7 7 7 7 5 5 5 5 B

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229 V V V I V V V V V V V V V V V V V 42 gV V V V V V V V

T 12 15 13 15 12 15 13 15 15 18 17 15 13 17 15 13 9 12 10 12 12 15 13 15 A B

I 42 V V V V V V V V V V V V V V V V gV V V V V V V V T A 2 2 2 2 2 2 2 2 5 5 5 5 3 3 3 3 B 4 4 4 4 7 7 7 7 Am C B° Dm F Em 8va V 231 V V V V V V V V V V V V V V I 4 V V V V V V V V V V V V V V V V V

T 10 13 12 13 10 13 12 13 13 17 15 13 12 15 13 12 15 18 17 18 15 18 17 18 18 22 20 18 17 20 18 17 A B

I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A B 5 5 5 5 5 5 5 5 8 8 8 8 7 7 7 7 3 3 3 3 3 3 3 3 6 6 6 6 5 5 5 5 C Em Dm B° Dm C 8va

233 V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V

T 13 17 15 17 13 17 15 17 17 20 18 17 15 18 17 15 12 15 13 15 12 15 13 15 15 18 17 15 13 17 15 13 A B

I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V T A B 1 1 1 1 1 1 1 1 5 5 5 5 3 3 3 3 0 0 0 0 0 0 0 0 3 3 3 3 1 1 1 1 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org UNDER THE INFLUENCE - Rusty Cooley Page 47 of 56

G ° B° N.C. 8vab 235 2 V V 4 V V V V V I 4 gV V V V V V 4 V gVV fVg V V V V V V V

T 9 12 10 9 12 15 13 12 10 13 12 13 12 15 13 15 9 13 12 13 10 14 13 14 A B

I 42 4 gV V V V V V V V V V V V T A 0 B 4 4 4 4 7 7 7 7 0 1 0

N.C. N.C. 8va V gV V V V V V 237 V V V V V V V V V V I gV V V V V gV V V V V V V V V V 13 17 16 17 16 19 17 19 T 13 17 15 17 10 13 12 13 12 15 13 15 13 16 14 16 9 13 10 13 10 14 13 14 A B

I gV V V V V V V V T A 3 0 B 4 1 4 0 1 0

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N.C. Am B° C B° 8va V V V V V V V V V V V V V V V V V V V V V 239 V V V gV V I gV V V V V V 13 17 16 17 16 19 17 19 17 20 19 20 19 22 20 22 20 24 22 24 19 22 20 22 T 13 17 15 17 13 16 14 16 A B

I gV V V V V V V V V V V V V V V V V V V V T A 3 B 4 1 4 5 5 5 5 7 7 7 7 8 8 8 8 7 7 7 7

Am G ° N.C. 8va b V V V V V V V V 6 6 241 2 gV 7 gV V V V V V 6 } I 4 4 V V VgV V V V V V V V V V V } 6 V VgV 6 VgV V V V 17 20 19 20 16 19 17 19 17 16 13 T 17 15 13 16 14 13 14 13 10 x A 14 12 10 x 14 12 11 12 11 8 B 12 10 9 10 9 6 5 6 sl. sl.

I 42 47 V V V VgV V V V T A B 5 5 5 5 4 4 4 4

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= 182 AmP C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 243 V V V V V I 4 V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P H P P H P P H P P P 4 I 4 V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

F D/Fb G E/Gb V V V V V V V V V V V V V V V V V V V V 245 V V gV eV V V V gV V I V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 8 7 7 A B P H P P P P H P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

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Am C G Am V V V V V V V V V V V V V V V V V V V V V V V V V V 247 V V V V V I V 12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P H P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

F D/Fb G E/Gb V V V V V V V V V V V V V V 249 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

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Am F E 8va 8va ` V V V V V V V V V V eV V 251 V V V V V V V V V V eV V V V I V V V V V eV

12 8 8 12 8 17 13 13 17 13 15 12 12 15 12 18 15 15 18 15 T 10 10 13 13 16 16 9 17 14 17 12 15 A B P P P P H P P P P P

W W W W eW I W W W eeW W W W W 5 T 5 6 5 4 5 5 5 3 A 7 7 5 5 7 8 3 6 B 5 5 3 5

G Am F 8va 8va V V V V V V V V V V V 253 V V V V V V V I 42 V V V 4 V V V

17 13 13 17 13 12 8 8 12 8 17 13 13 17 13 T 10 10 17 14 17 9 17 14 17 A B P P H P P P P P H P

W 2 W 4 W W I 4 W 4 W W W W W 5 T 3 5 6 4 5 5 A 5 7 7 5 7 8 B 3 5 5

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C E G 8va ` eV V V V 255 V V V V V V eV V V V V V V I V V V eV 42 V V V

15 12 12 15 12 18 15 15 18 15 19 15 15 19 15 T 13 13 16 16 12 15 19 16 19 A B P P P P P P H P

W eW 2 W I W eeW 4 W W W W T 5 4 3 5 3 4 A 5 5 5 3 6 5 B 3 3 3

Am G F G 8va V V V V V V V V V V V 257 V V V V V V V V V V V I 4 V V V V V V V V V V

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Am C G Am 8va V V V V V V V V V V V V V V V V V V V 3 V V V V V V V V V I V V V V

12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

F D/Fb G E/Gb V V V V V V V V V V V V V V 5 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

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Am C G Am 8va V V V V V V V V V V V V V V V V V V V 7 V V V V V V V V V I V V V V

12 8 8 12 8 15 12 12 15 12 10 7 7 10 7 12 8 8 12 8 T 10 10 13 13 8 8 10 10 9 12 7 9 A B P P P P P P P P

I V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 7 7 10 10 5 5 7 7 B 5 5 5 5 8 8 8 8 3 3 3 3 5 5 5 5

F D/Fb G E/Gb V V V V V V V V V V V V V V 9 V V V V V V gV V V V V V gV V I V V V V 8 5 5 8 5 8 5 5 8 5 10 7 7 10 7 10 7 7 10 7 T 6 6 7 7 8 8 9 9 5 5 7 7 A B P P P P P P P P

I V V V V V V V V V gV V V V V V V V V gV V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 3 5 5 5 7 7 B 1 1 1 1 2 2 2 2 2 3 3 3 3 4 4 4 4

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Em F V V V V V V V V V V V V V V 11 V V V V V V V V V V V V V V I V V V V

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I U U U T A 2 3 B 0 1

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5 1 2 5 2 2 5 2 4 7 4 4 T 3 3 3 3 4 4 5 5 2 2 2 4 A B P P P P 2 I V gV eV 4 V fgV V T A 3 4 5 ((5)) 6 5 5 6 ((6)) 7 B

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= 198 P 8va V V V VeV V V V V V 17 VgV fVgV VgV fV V gV fVgV V VgV fV V V VgV 4 eV V V V 5 eV V V V V V V V V V V V I 4 5 5 4 gVgV 5 5 6 5 5 6 5 8 5 7 10 7 11 8 10 1411 1316131714 1619162017 T 7 9 10 12 13 15 16 18 19 8 5 7 10 11 8 1013 14111316 17141619 2017 A B P P sl. H P P P sl. H P P sl. H P P P sl. H P P P

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