Ethos, Conservation, and the Rhetorical Construction of Aldo Leopold Daniel Cryer

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Ethos, Conservation, and the Rhetorical Construction of Aldo Leopold Daniel Cryer University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 1-28-2015 A Model Citizen: Ethos, Conservation, and the Rhetorical Construction of Aldo Leopold Daniel Cryer Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Part of the English Language and Literature Commons Recommended Citation Cryer, Daniel. "A Model Citizen: Ethos, Conservation, and the Rhetorical Construction of Aldo Leopold." (2015). https://digitalrepository.unm.edu/engl_etds/31 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Daniel A. Cryer Candidate English Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Michelle Hall Kells , Chairperson Gary Harrison Charles Paine Bruce T. Milne ii A MODEL CITIZEN: ETHOS, CONSERVATION, AND THE RHETORICAL CONSTRUCTION OF ALDO LEOPOLD by DANIEL A. CRYER B.A., English and Cultural Studies, Towson University, 2003 M.A., English, University of New Mexico, 2009 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy English The University of New Mexico Albuquerque, New Mexico December 2014 iii DEDICATION To my father, who made me love arguments. “Then Jesus answered and said to them, ‘Most assuredly, I say to you, the Son can do nothing of Himself, but what He sees the Father do; for whatever He does, the Son also does in like manner.’” New King James Bible, John 5.19 iv ACKNOWLEDGMENTS This project could not have begun, much less been completed, without the dedication shown by my advisor and dissertation committee chair, Dr. Michelle Hall Kells, who has encouraged me, taken my ideas seriously, and prodded me to dig deeper throughout my graduate career. Many thanks are also due to committee members Chuck Paine, Gary Harrison, and Bruce Milne, all of whom shared my enthusiasm for this project and offered thoughtful feedback. Invaluable support came in the form of a year-long dissertation fellowship from the Russell J. and Dorothy S. Bilinski Foundation and a Future Faculty Grant from the University of New Mexico’s Office of Graduate Studies, both of which allowed me to complete this project in a timely manner. Thanks also to David Null at the University of Wisconsin-Madison archives for thoughtful and friendly guidance through the Leopold papers, and to the Aldo Leopold Foundation staff for making me feel welcome on the Leopold family land that they so carefully maintain. Many helpful colleagues and mentors offered their comments on chapter drafts in various stages of completion, including Mellisa Huffman and Lindsey Ives, and M. Jimmie Killingsworth, who provided critical guidance on Chapter 5. I must especially thank Valerie Kinsey for sustained, helpful discussions of every chapter during the writing of this dissertation. Our weekly meetings kept me on track and her scholarship pushed me to think about my topic in novel ways. The support of my family has been especially meaningful: my mother, Shirley Savoie; my father, Jim Cryer; and my sisters, Sarah, Amy, and Kellie. Good friends Paul Shoukas, Peter Heald, Peter Keegan, and Carson Metzger offered good humor and good questions over a beer, a game of chess, a plate of enchiladas, or all three. And thanks to Peter Heald, Brian Hendrickson, and Don McIver for hiking and camping with me in New Mexico’s Gila Wilderness, which Leopold was instrumental in creating nearly a century ago. I am most grateful for the love and support of my wife, Stacey Kikendall, whose example as a scholar, teacher, friend, and partner motivates me every day. v A MODEL CITIZEN: ETHOS, CONSERVATION, AND THE RHETORICAL CONSTRUCTION OF ALDO LEOPOLD by Daniel A. Cryer B.A., English and Cultural Studies, Towson University, 2003 M.A., English, University of New Mexico, 2009 Ph.D., English, University of New Mexico, 2014 ABSTRACT This dissertation explores the changing, multifaceted ethos of Aldo Leopold (1887-1948), one of the twentieth century’s most versatile environmental communicators. Drawing on scholarship in environmental rhetoric, rhetorical genre theory, citizenship theory and ecofeminism, I argue that throughout his career Leopold offered evolving rhetorical versions of himself as ideals of ecological behavior to be emulated by his readers. The chapters analyze Leopold’s ethos as it was constructed in his early-career writings in the New Mexico Game Protective Association Pine Cone, a wildlife protection broadsheet; in the Report on a Game Survey of the North Central States, his first book; in reports and articles he wrote during the Wisconsin deer irruption debates of the early 1940s; in the essays of A Sand County Almanac, his best known work; and in its current manifestation on the property of the Aldo Leopold Foundation in central Wisconsin. By focusing on these key rhetorical moments in Leopold’s ethos formation, this study reveals the sources from which his ethos arose, including nineteenth and early-twentieth century conservation movements and scientific literature, and the specific environmental crises to which he responded. In revealing, on one hand, the rhetorical strategies that excluded or alienated key stakeholders in the issues on which he wrote, and, on the other, his remarkable ability to connect with a range of audiences in a variety of genres, this study shows that Leopold can serve as both a model and cautionary tale for environmental communication in our own time. vi TABLE OF CONTENTS CHAPTER 1: Introduction.......................................................................................................1 CHAPTER 2: Progressive Exclusions: The Contradictions of Sportsman Citizenship in the Pine Cone..........................................................................................................................32 CHAPTER 3: Leopold’s “new view point”: The Rhetorical Ecology of the North Central States Game Survey Report........................................................................................74 CHAPTER 4: Dreaming of a “better public”: Rhetorical Scarcity in Wisconsin’s Deer Irruption Crisis .................................................................................................................141 CHAPTER 5: The Intimate Polis: Place, Ethos, and Domesticity at the Leopold Shack ...........................................................................................................................................190 CHAPTER 6: Conclusion .........................................................................................................230 Notes............................................................................................................................................246 References...................................................................................................................................254 1 Chapter 1 Introduction Aldo Leopold’s now-classic book, A Sand County Almanac, was more than a decade in the making before its publication in 1949 and was conceived early on as a collaboration with Leopold’s former student Albert Hochbaum, a talented illustrator. As Leopold drafted the book’s essays he sent them off to Hochbaum, then working at a waterfowl research station in Manitoba, who often responded with comments. Their correspondence reveals much about how Leopold and his work were viewed by his contemporaries, and about his legacy as one of the twentieth century’s giants of environmental writing. Hochbaum clearly admired his former professor, judging in a letter dated January 22, 1944, that Leopold already sat “in a circle which may never hold more than a dozen in the century” (3). But when he found room for criticism he leveled it with the directness of a trusted friend. At several points, Hochbaum addressed what he saw as a mismatch between the persona Leopold’s essays constructed and Leopold himself. In the same letter he says, “[Y]ou […] deplore the fact that brute man has spoiled the things you love [but] you never drop a hint that you yourself have once despoiled, or at least had a strong hand in it” (1). In another, dated February 4, he says that “the reader cannot help but gather that you believe your reaction is always the proper one and that it has been always so. […] You almost chide him for not having the vision you didn’t have 20 years ago” (2). To back up these kinds of claims, Hochbaum quotes a two-decade old article of Leopold’s in which he advocated for the wholesale slaughter of predatory animals like wolves, a position he had come to regret. 2 Hochbaum caught Leopold in the act of sanitizing his persona, and he felt it was a serious error because this persona was the center not just of the book, but of Leopold’s legacy. On March 11 he wrote, “Perhaps more than anything else,” the book was “a self portrait” (1). He continued: Please don’t feel uneasy that I should call this a self portrait. I doubt that you ever thought of it as such. I think it is very important that it should be. If you will put yourself in perspective you might realize that within your realm of influence, which is probably larger than you know, Aldo Leopold is considerably more than a person; in fact he is probably less
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