Michele Angelini Biography 2015-16.Docx

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MICHELE ANGELINI, Tenor Heralded by the Dallas Morning News as an artist who "displays a voice of silken loveliness as well as graceful agility," Michele Angelini made his European operatic debut at the world famous Rossini Opera Festival in Pesaro as Count Libenskof in Il viaggio a Reims and has been thrilling audiences on leading international stages in the operatic repertoire of Bellini, Donizetti, Handel, Mozart, and Rossini. During the 2015-16 season Michele Angelini sings the title role of Gluck’s Orphée et Eurydice at the Royal Opera House, Covent Garden with Sir John Eliot Gardner and the English Baroque Soloists in a new production co- directed by Hofesh Shechter and by John Fulijames: he also brings the title role on an international concert tour with Sir John Eliot Gardiner leading the Monteverdi Choir and English Baroque Soloists. His acclaimed portrayal of Conte di Almaviva is heard in productions of Il barbiere di Siviglia at opera companies of Seville, Bilbao, and Pittsburgh, and the tenor makes a Glimmerglass Festival debut as Gianetto in a new production of La gazza ladra directed by Peter Kazaras and conducted by Joseph Colaneri. Mr. Angelini made his Covent Garden debut last season in Il barbiere di Siviglia led by Mark Elder and returned as Don Ottavio in Don Giovanni under the baton of Alain Altinoglu. He also has made his Staatsoper im Schiller Theater Berlin debut in Il barbiere di Siviglia and joined the roster of the Metropolitan Opera for Il barbiere di Siviglia and La donna del Lago, where he has been contracted for a principal role debut in a future season. The tenor made his Rheingau Musik Festival debut in performances of Rossini Stabat Mater with Music Director Andrés Orozco-Estrada conducting the Frankfurt Radio Symphony Orchestra. Highlights of recent seasons include Il viaggio a Reims at Maggio Musicale Fiorentino, L'italiana in Algeri at Teatro Comunale di Bologna, Asociación Bilbaína de Amigos de la Ópera, and the Atlanta Opera, Così fan tutte at Teatro dell'Opera di Roma, the world premiere of Benoit Mernier's Frühlings Erwachen at the Théâtre Royal de la Monnaie, Don Giovanni at the Royal Swedish Opera and Savonlinna Opera Festival, La cenerentola at Fort Worth Opera and Opera Colorado, Il turco in Italia at Düsseldorf’s Deutsche Oper am Rhein, La sonnambula at Florida Grand Opera, Il barbiere di Siviglia with the Royal Swedish Opera and New Orleans Opera, the title role of Mozart’s Il sogno di Scipione with Gotham Chamber Opera, and Chabrier's Le Roi Malgré Lui at Bard Summerscape. Metropolitan Opera engagements have included La ﬁlle du Régiment (covering Juan Diego Flórez) and Rossini's Armida (covering Lawrence Brownlee). Metropolitan Opera engagements have included La ﬁlle du Régiment (covering Juan Diego Flórez) and Rossini's Armida (covering Lawrence Brownlee). Concert work has featured Rossini's Otello with Opera Orchestra of New York and Moïse et Pharaon with The Collegiate Chorale both at Carnegie Hall, Gennaro in Lucrezia Borgia at Bel Canto at Caramoor with the Orchestra of St. Luke’s, Rossini’s Petite Messe Solennelle with the New York Choral Society at Lincoln Center, Handel’s Messiah with the National Symphony Orchestra at the Kennedy Center and at Oslo’s Den Norske Opera. Awards include First Prize in the 2010 Savonlinna Opera Festival International Singing Competition, First Prize in the 2012 Gerda Lissner Foundation Singing Competition, Top Prize winner of the 2013 Opera Index Award, and an Encouragement Award in the memory of Charles Anthony from the George London Foundation. He is a graduate of The Ohio State University with degrees in both Vocal and Bassoon Performance. AUGUST 2015: PLEASE DESTROY PREVIOUSLY DATED MATERIALS For additional information, please contact Étude Arts, LLC www.etudearts.com .

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[STENDHAL]. — Joachim Rossini , Von MARIA OTTINGUER, Leipzig 1852

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170booklet 6/8/09 15:21 Page 1 ALSO AVAILABLE on signumclassics Spanish Heroines Silvia Tro Santafé Orquesta Sinfónica de Navarra Julian Reynolds conductor SIGCD152 Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 170booklet 6/8/09 15:21 Page 3 Rossini Mezzo Rossini Mezzo gratitude, the composer wrote starring roles for her in five of his early operas, all but one of them If it were not for the operas of Gioachino Rossini, comedies. The first was the wickedly funny Cavatina (Isabella e Coro, L’Italiana in Algeri) the repertory for the mezzo soprano would be far L’equivoco stravagante premiered in Bologna in 1. Cruda sorte! Amor tiranno! [4.26] less interesting. Opera is often thought of as 1811. Its libretto really reverses the definition of following generic lines and the basic opera plot opera quotes above. In this opera, the tenor stops Coro, Recitativo e Rondò (Isabella, L’Italiana in Algeri) has been described as “the tenor wants to marry the baritone from marrying the mezzo and does it 2. Pronti abbiamo e ferri e mani (Coro), Amici, in ogni evento ... (Isabella) [2.45] the soprano and bass tries to stop them”. by telling him that she is a castrato singer in drag.
Download Booklet

CHAN 10190 Front.qxd 31/1/07 10:41 am Page 1 CHAN 10190 CHANDOS CHAN 10190 BOOK.qxd 31/1/07 10:54 am Page 2 Gioachino Antonio Rossini (1792 – 1868) Complete Piano Edition, Volume 1 premiere recordings Unpublished Works 1 Valzer in mi bemolle maggiore (Firenze, 1 ottobre 1849) 2:13 in E flat major • in Es-Dur • en mi bémol majeur 2 Thème 2:59 Lebrecht Collection Lebrecht in E flat major • in Es-Dur • en mi bémol majeur • en mi bemolle maggiore 3 Allegretto 0:31 4 Scherzo in la minore (Firenze, 28 luglio 1850) 3:44 in A minor • in a-Moll • en la mineur 5 Un rien (Passy, 1861) 0:47 Andantino From Péchés de vieillesse, Book 3 ‘Morceaux réservés’ 9:19 5 Gammes – des montées et des descentes (rising and falling scales) Deux gammes chinoises, suivies d’une mélodie analogue (Chinese scales followed by a corresponding melody) 6 A. Première montée et descente (montée) 0:47 7 A. Première montée et descente (descente) 1:27 8 B. Deuxième montée et descente (montée) 0:32 9 B. Deuxième montée et descente (descente) 0:42 10 C. Première gamme chinoise, montante et descendante 0:49 Gioachino Antonio Rossini 11 D. Deuxième gamme chinoise, montante et descendante 0:43 12 E. L’Amour à Pékin (Mon cœur blessé): petite mélodie sur la gamme chinoise (Love in Peking [My wounded heart]: little melody on the Chinese scale) 4:00 in A major • in A-Dur • en la majeur • in la maggiore Marina De Liso contralto 3 CHAN 10190 BOOK.qxd 31/1/07 10:54 am Page 4 Rossini: Complete Piano Edition, Volume 1 From Péchés de vieillesse, Book 9 ‘Album pour piano, Enigmatic and problematic, Rossini’s piano which Rossini kept his ‘péchés de vieillesse’ violon, violoncelle, harmonium et cor’ 54:39 music requires significantly more than the (sins of old age) reopened, it is perhaps the 13 1 Mélodie candide, QR xvi/67-73 4:06 cursory glance at the black dots on the page very place we should look to solve the many in A major • in A-Dur • en la majeur • in la maggiore often used by pianists to judge a work’s mysteries of the composer’s personality.
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_____________________________________________________________ GIOACHINO ROSSINI THE JOURNEY TO RHEIMS OTTAVIO DANTONE TEATRO ALLA SCALA www.musicom.it THE JOURNEY TO RHEIMS ________________________________________________________________________________ LISTENING GUIDE Philip Gossett We know practically nothing about the events that led to the composition of Il viaggio a Reims, the first and only Italian opera Rossini wrote for Paris. It was a celebratory work, first performed on 19 June 1825, honoring the coronation of Charles X, who had been crowned King of France at the Cathedral of Rheims on 29 May 1825. After the King returned to Paris, his coronation was celebrated in many Parisian theaters, among them the Théâtre Italien. The event offered Rossini a splendid occasion to present himself to the Paris that mattered, especially the political establishment. He had served as the director of the Théatre Italien from November 1824, but thus far he had only reproduced operas originally written for Italian stages, often with new music composed for Paris. For the coronation opera, however, it proved important that the Théâtre Italien had been annexed by the Académie Royale de Musique already in 1818. Rossini therefore had at his disposition the finest instrumentalists in Paris. He took advantage of this opportunity and wrote his opera with those musicians in mind. He also drew on the entire company of the Théâtre Italien, so that he could produce an opera with a large number of remarkable solo parts (ten major roles and another eight minor ones). Plans for multitudinous celebrations for the coronation of Charles X were established by the municipal council of Paris in a decree of 7 February 1825.
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Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music