A FOREST STEADING WALL OVER HERE BY MILKMAID’S SIGNPOST TO JUPITER IN THE MIDDLE JIM LAMBIE SHANE WALTENER PETER LIVERSIDGE Tessellated panels of spray painted chrome Web of 400 cm diameter. Knitted with circular Information sign pointing upwards at 70 degree peeled back to reveal the background colours. knitting needles and four strands of multi- angle with the inscription ‘Jupiter – 893 million “The forest that we look at reflected in the chrome panels coloured fishing line, using a technique inspired to 964 million kilometres’. “The calculation takes into is being peeled away revealing layers of colour. The reflection by Shetland lace.“Trapping the essence of the place and account that both the Earth and Jupiter are in elliptical orbits in the work will change with every season that passes.” framing an ever changing imprint of it.” around the sun.” SUCK THE NECK CELLS OF LIFE BY THE ICE CREAM LANE HARE HILL THE BOUNDARY WALL CHARLES JENCKS HENRY CASTLE Terraced earthworks with embedded paths, summit Hole with walls plated in cast and opening Rubber, bronze and black granite. and inscriptions. Mounds of soil and turf; barred by seventeen-foot high cast iron cage. “The work exists in two places; in a boundary wall of the sculptures comprising iron, red sandstone, concrete “we all know what darkness is .....we carry it within us.” grounds of Bonnington House and buried in the Pentlands and Liesegang rock. “A landform celebration of the cell as at Hare Hill some 3 miles away. The two sites are connected the basis of life.” FIRMAMENT GALA HILL WOOD by two events in the 2nd World War.” GORMLEY THE ROSE WALK THE WILDERNESS LOVE BOMB LIME AVENUE MARC QUINN Inspired by an old star map, 1170 corten steel PABLO BRONSTEIN GALLERY EXHIBITIONS 12-metre tall orchid laser printed onto vinyl elements and 1019 steel balls welded together Wooden Gothic and Chinese porticos facing each other Daniel Lie, 18 May – 14 July and adhered to a stainless steel orchid . to form the non-regular polygonal structure of a alongside a courtyard, lined by beds of roses. “Irony , 28 July – 30 September “A modified flower at once monstrous and seductively beautiful crouching figure. Sited on a horizon; best viewed and pleasure co-exist in an emblem of 18th century tastes.” with the sky through it. “Think about the endless demonstrating the ways in which human desires are now FESTIVALS QUARRY THE WILDERNESS condition of the sky and the conditioned space of architecture.” shaping the natural world.” PHYLLIDA BARLOW In Plain Site, 9 – 11 August ONLY CONNECT GALA HILL WOOD BEEHIVES WILDFLOWER MEADOW Jupiter Rising, 23 – 25 August Two towering cement and steel columns and a IAN HAMILTON FINLAY IAN HAMILTON FINLAY mountainous flight of ruined steps. Five WBC beehives awaiting bees, Inscription: Discover Jupiter’s 2019 season of masterclasses, Northumbrian Limestone; arched bridge Will the audience become performers? learning courses, family activities and gift ideas BEES; they lightly skim; and gently sip; the dimply river’s between two milestones each inscribed with the moving around the cement columns, at www.jupiterartland.org brim; BOATS closing words of ‘Howards End’ by E.M. Forster. protagonists who look upwards “I can only write what the muse allows me to write.” (IHF) into the columns’ awkward prosthetic steel frames, NOCTURNE (A MOON LANDING) high above, IN THE HAHA CORNELIA PARKER STONE HOUSE – BONNINGTON making the sky an image – RULES GALA HILL WOOD ANDY GOLDSWORTHY then encountering the mountainous mass, A subverted sign commemorates Nocturne (A Moon Landing) when precious fragments PLEASE DO: Stone house made from locally quarried stone. a fragmented amphitheatre, emerging opposite… of moon rock were scattered over the estate during “Houses are usually places of security, shelter and comfort. • Obtain a proof of entry badge from reception THE LIGHT POURS OUT OF ME the opening event in May 2009.“The firework display was There is something unnerving about entering a building in and wear it at all times, our staff may ask to THE WILDERNESS ANYA GALLACCIO inspired by Whistler’s ‘Nocturne in Black and Gold, The Falling see these at some point during your visit which nature is the occupant.” An underground chamber of amethyst surrounded Rocket’ (1875) and Debussy’s Nocturnes.” • Photograph the art works (as long as it’s not WEEPING GIRLS GALA HILL WOOD by obsidian in its natural state, protected by gold for commercial use) barbed wire. A VARIETY OF CULTURES ORCHARD ALEC FINLAY • Feel free to ascend the Jencks Life Mounds by way of the paths Figures hand carved from waxes. Cast in found objects STONE COPPICE BADGER WOOD An orchard of native apple and plum varieties with at the foundry. Patinated and painted bronze.“The site ANDY GOLDSWORTHY • Take responsibility for any children or the addition of oak ladders. Placed near the trees, teenagers in your charge I have picked at Jupiter has a quiet, melancholic atmosphere.” Unused boulders from Stone House placed in coppiced which are still young, the measure of the ladders trees with limbs able to hold them. The work will be • Report any vandalism, anti-social behaviour TEMPLE OF APOLLO GALA HILL anticipates the eventual extent the pruned canopies or breach of these rules to a member of staff tended, managing the installation and the coppiced will fill. IAN HAMILTON FINLAY wood. A further round of stones might be placed in • Wear sensible footwear and take care. You Portland stone with gold leaf lettering. 10-15 years. “A living, growing, changing sculpture in which YOU IMAGINE WHAT YOU DESIRE enter at your own risk and we cannot take responsibility for accidents or personal injury. The quote ‘Consecutive upon Apollo a titanic people and wood play equally important roles.” BY THE HAHA NATHAN COLEY revolt in his heart’ is from L.A. St-Juste, SEPARATION IN THE EVENING (A Illuminated text on scaffolding, inspired by words Finlay’s ‘Apollo of the French Revolution’. Celestial Blossom Before the Yellow House) from the Irish playwright George Bernard Shaw. PLEASE DON’T: “Temple (n): a sacred place; a place menaced by bailiffs.” BY THE DUCK POND SARA BARKER “Fairground lights describing the essence of imagination, • Bathe in the water features (there’s the odd and our first thoughts towards creativity.” piranha) XTH MUSE GALA HILL WOOD Stainless steel & brass sheet, stainless steel & brass Play loud music or drop litter IAN HAMILTON FINLAY rod, mirrored steel, automotive paint. “The various COPPICE ROOM BY THE STEADINGS • • Bring a picnic or BBQ Portland stone head on plinth. Sappho, the material surfaces create a collage of real & imagined landscape, ANDY GOLDSWORTHY where hand-painted, real and reflected colour affects the • Dogs are not allowed (except assistance dogs tenth muse, is the poetess of erotic lyricism Limbs coppiced from Badger Wood suspended perception of form.” or Dog Members) and the symbol of love and beauty. together in a room. “It is so subversive … inside of that skin • Enter the private house area (which includes lies this forest … it is very dark and you just disappear.” IN MEMORY GALA HILL WOOD RIVERS DUCK POND TANIA KOVATS the formal rear garden) NATHAN COLEY A boathouse built over deep water. Inside the CAFÉ PARTY BY THE STEADINGS • Climb on any of the sculptures boathouse is a collection of water from one hundred A simple enclosure formed by poured concrete NICOLAS PARTY • Roll down or climb up the undulations of the rivers around the British Isles. “Each river has a history Jencks Life Mounds (however tempting this surrounding a tended graveyard with headstones Colourful wall murals and brightly designed and each river has a story and in some way I am trying to capture may seem!) we will not take responsibility and planting. “In memory asks us to think about how we French bistro-style furniture adorning the that in each bottle.” for any personal injury. mark lives that are passed.” interior of the Jupiter dining extension. ANIMITAS DUCKPOND “A Parisian Bistro in Alice in wonderland.” LANDSCAPE WITH GUN AND TREE CHRISTIAN BOLTANSKI CALL 01506 88 99 00 IN THE EVENT OF AN GALA HILL WOOD CORNELIA PARKER GATEWAY BY THE STEADINGS EMERGENCY. A FIRST AID POINT IS LOCATED AT Hundreds of small Japanese bells attached to long JOANA VASCONCELOS RECEPTION, LIFEBUOYS ARE SITUATED TO THE NORTH Cast iron and corten steel.“In Gainsborough’s, Mr. and stems planted in the ground. The bells chiming to Mrs Andrews, a couple are posed under a tree, Mr Andrews An intricately designed pool within landscaped OF CELLS OF LIFE, GATEWAY AND BY THE EDGE OF the wind let out the ‘music of souls’ and reproduce THE DUCK POND (SEE MAP FOR DIRECTIONS) carries a shotgun under his arm and his wife sits with her the map of the stars on the night Boltanski was born. gardens, featuring 11,500 handcrafted (unfinished) hands in her lap. In Landscape with Gun and “What I’m trying to do is to remind people to forget it’s art and Portuguese tiles. “Gateway is a big splash that invites WE HOPE YOU ENJOY YOUR DAY AT JUPITER Tree, a gun has been left leaning against a tree, possibly loaded.” think about it as life.” the public to immerse in a joyful and spirited dimension.” SCOTTISHCHARITY NUMBERSC037732 EXIT ONLY

You Imagine K CAR PAR Estate What You Desire Office BIKEBIKE Marquee DISABLED RACKRACK CAR PARK Firmament Love T S b H Bom t Coppice e E THE

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Jupiter Rising (23-25 AUGUST) N O RU e NNI er NG, C S H LIMB UND er ING OR ROLLING ON MO Ov L D The Cells of Life F I E POND In Memory I D ’ S DUCK M I L K M A Separation In The Evening

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é Party DEEP WATER Fhior at Caf Download Jupiter's FREE LIFEBUOY app to enhance your visit Animitas Rivers 6 LIFEBUOY 3 A Forest and make the most of The Rose BADGER WOOD 5 the artland. Walk Nathan Coley

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2019 Welcome to Jupiter Artland. A walk around the artworks will take you about two hours but take longer if you wish. Set off in whichever direction you like and see the artworks in whichever order you like.

This map shows you where the artworks are in relation to each other, the house, the Steadings and the ONLY ENTRANCE other landmarks. But there is no set route. Make your own journey. Discover and enjoy. TICKET OFFICE Look out for information signs commemorating the 7 8 locations of former temporary exhibitions and our Emerging Artist programme. FRONT GATES B7015 by Ben Tindall