Christine Goerke, Soprano Craig Terry, Piano

Total Page:16

File Type:pdf, Size:1020Kb

Christine Goerke, Soprano Craig Terry, Piano Streaming Premiere – Thursday, April 1, 2021, 7pm Christine Goerke, soprano Craig Terry, piano Filmed exclusively for Cal Performances at Art Factory Studios in Paterson, New Jersey on February 18, 2021. PROGRAM George Frideric HANDEL (1685–1759) “Furie terribili” from Rinaldo Paolo TOSTI (1846–1916) L’ultima canzone Ottorino RESPIGHI (1879–1936) Nebbie Pietro CIMARA (1887–1967) Stornello Riccardo ZANDONAI (1883–1944) Sotto il ciel Federico (Franco) RICCI (1809–1877) Il carrettiere del Vomero Pietro MASCAGNI (1863–1945) “Voi lo sapete, o mamma” from Cavalleria rusticana Richard STRAUSS (1864–1949) “Zueignung,” Op. 10, No. 1 “Nichts,” Op. 10, No. 2 “Die Georgine,” Op. 10, No. 4 Johannes BRAHMS (1833–1897) “Nicht mehr zu dir zu gehen,” Op. 32, No. 2 “Botschaft,” Op. 47, No. 1 Robert OWENS (1925–2017) Drei Lieder, Op. 19 Die Nacht Morgendämmerung Der verliebte Reisende Carrie JACOBS-BOND (1862–1946) Half-Minute Songs Making the Best of It First Ask Yourself To Understand Don’t You Listen How to Find Success The Pleasure of Giving Answer the First Rap A Good Exercise A Present from Yourself Now and Then When They Say the Unkind Things Keep Awake 1 Leonard BERNSTEIN (1918–1990) “One Hundred Easy Ways to Lose a Man” from Wonderful Town Walter KENT (1911–1994) “The Last Mile Home” Cole PORTER (1891–1964) “Why Can’t You Behave?” from Kiss Me, Kate The Cal Performances at Home Spring 2021 season is dedicated to Gail and Dan Rubinfeld, leading supporters of Cal Performances and the well-being of our artists for almost 30 years. Major support provided by The Bernard Osher Foundation. This performance is made possible, in part, by Patron Sponsor Bernice Greene. Note: following its premiere, the video recording of this concert will be available on demand through June 30, 2021. ABOUT THE ARTISTS Christine Goerke (soprano) has appeared in Grammy Awards for Best Classical Recording many of the most prestigious opera houses of and Best Choral Performance. Her close asso- the world, including the Metropolitan Opera, ciation with Robert Shaw yielded several record- Lyric Opera of Chicago, San Francisco Opera, ings, including the Brahms’ Liebeslieder Waltzes, Royal Opera House, Paris Opera, Teatro alla Poulenc’s Stabat Mater, Szymanowski’s Stabat Scala, Deutsche Oper Berlin, and Teatro Real in Mater, and a Grammy-nominated recording Madrid, and at the Saito Kinen Festival in of Dvořák’s Stabat Mater. Other recordings in- Japan. She has sung much of the great soprano clude the title role in Iphigenie en Tauride for repertoire, beginning with the Mozart and Telarc and Britten’s War Requiem, which re- Handel heroines and now moving into dra- ceived the 1999 Grammy Award for Best Choral matic Strauss and Wagner roles. Performance. Goerke has also appeared with a number of Goerke was the recipient of the 2001 Richard leading orchestras, including the New York Tucker Award, the 2015 Musical America Vocal - Phil harmonic, Boston Symphony Orchestra, ist of the Year Award, and the 2017 Opera News Chicago Symphony Orchestra, Cleveland Or - Award. In March 2021, Michigan Opera Theatre ches tra, Los Angeles Philharmonic, Radio Vara, named Goerke as its associate artistic director. the BBC Symphony Orchestra at the BBC Proms, and both the Hallè Orchestra and the Grammy Award-winning pianist and arranger Royal Scottish National Symphony at the Edin - Craig Terry (piano) enjoys an international burgh International Festival. She has worked career regularly performing with the world’s with some of the world’s foremost conductors, leading singers and instrumentalists. Currently including James Conlon, Sir Andrew Davies, Terry serves as music director of the Patrick Sir Mark Elder, Christoph Eschenbach, Claus G. and Shirley W. Ryan Opera Center at Lyric Peter Flor, James Levine, Sir Charles Mackerras, Opera of Chicago after having served for 11 Kurt Masur, Zubin Mehta, Andris Nelsons, Seiji seasons at the Lyric as assistant conductor. Ozawa, David Robertson, Donald Runnicles, Previously, he was assistant conductor at the Esa-Pekka Salonen, the late Robert Shaw, Metropolitan Opera after joining its Linde - Patrick Summers, Jeffery Tate, Christian mann Young Artist Development Program. Thiele mann, Michael Tilson Thomas, and Edo Terry has performed with such esteemed vo- de Waart. calists as Jamie Barton, Stephanie Blythe, Chris - Goerke’s recording of Vaughan Williams’ tine Brewer, Janai Brug ger, Lawrence Brownlee, A Sea Symphony with Robert Spano and the Nicole Cabell, Sasha Cooke, Eric Cutler, Atlanta Symphony Orchestra won the 2003 Danielle de Niese, Joyce DiDonato, Giuseppe Opposite: Christine Goerke 3 ABOUT THE ARTISTS Filianoti, Renée Fleming, Christine Goerke, Harris Theater in collaboration with the Ryan Susan Graham, Denyce Graves, Bryan Hymel, Opera Center and Lyric Opera of Chicago. Brian Jagde, Joseph Kaiser, Quinn Kelsey, Kate His discography includes four recently released Lindsey, Amanda Majeski, Ana María Martí - recordings, including Diva on Detour with nez, Eric Owens, Ailyn Perez, Nicholas Phan, Patri cia Racette, As Long As There Are Songs Susanna Phillips, Luca Pisaroni, Patricia with Stephanie Blythe, and Chanson d’Avril with Racette, Hugh Russell, Bo Skovhus, Garrett Nicole Cabell; his latest recording project, Song - Sorenson, Heidi Stober, Christian Van Horn, play with Joyce DiDonato, was released by War - Amber Wagner, Laura Wilde, and Catherine ner Classics and won the 2020 Grammy Award Wyn-Rogers. He has collaborated as a chamber for Best Classical Solo Vocal Album. musician with members of the Metropolitan Terry hails from Tullahoma, Tennessee, re- Opera Orchestra, the Lyric Opera of Chicago ceived his bachelor’s degree in music education Orchestra, the Gewandhaus Or ches ter, and the from Tennessee Technological Uni versity, con- Pro Arte String Quartet. tinued his studies at Florida State University, Terry is the artistic director of “Beyond the and earned his master’s degree in collaborative Aria,” a highly acclaimed recital series now in piano from the Manhattan School of Music, it's seventh sold-out season, presented by the where he was a student of pianist Warren Jones. TEXTS & TRANSLATIONS GEORGE FRIDERIC HANDEL “Furie terribili” from Rinaldo “Terrible furies” [Giacomo Rossi] Furie terribili! Terrible furies! Circondatemi, Encircle me, Seguitatemi, follow me, Con faci orribili! with your horrible countenances! PAOLO TOSTI “L’ultima canzone” “The Last Song” [Francesco Cimmino] M’han detto che domani They told me that tomorrow, Nina vi fate sposa, Nina, you will be a bride. Ed io vi canto ancor la serenata. Yet to you I will still sing my serenade! Là nei deserti piani Up on the deserted plateau, Là,ne la valle ombrosa, down in the shady valley, Oh quante volte a voi l’ho ricantata! Oh, how many times I have sung it to you! Foglia di rosa Rose-petal O fiore d’amaranto O flower of amaranth, Se ti fai sposa Even though you will marry, Io ti sto sempre accanto, I always will be near, Foglia di rosa Rose-petal Opposite: Craig Terry 5 TEXTS & TRANSLATIONS Domani avrete intorno Tomorrow you’ll be surrounded Feste sorrisi e fiori by celebration, smiles, and flowers, Nè penserete ai nostri vecchi amori. and you will not think on our past love; Ma sempre notte e giorno yet always, night and day, Piena di passione full of passion, Verrà gemendo a voi la mia canzone. my song will moan to you. Foglia di menta Mint-flower, O fiore di granato, O flower of pomegranate, Nina, rammenta Nina, remember I baci che t’ho dato, the kisses that I gave to you, Foglia di menta! Mint-flower! OTTORINO RESPIGHI “Nebbie” “Mists” [Ada Negri] Soffro, lontan lontano I suffer. Far, far away, Le nebbie sonnolente the sleeping mists Salgono dal tacente rise from the silent Piano. plain. Alto gracchiando, i corvi, Shrilly cawing, the crows, Fidati all’ali nere, trusting their black wings, Traversan le brughiere traverse the moors, Torvi. grimly. Dell’aere ai morsi crudi To the raw bites of air Gli addolorati tronchi the sorrowful tree trunks Offron, pregando, i bronchi nudi. offer, praying, their bare branches. Come ho freddo! How cold I am! Son sola; I am alone; Pel grigio ciel sospinto driven through the gray sky Un gemito destinto a wail of the dead Vola; soars; E mi ripete: Vieni; And repeats to me: come, È buia la vallata. the valley is dark. O triste, o disamata Oh sad, oh unloved one… Vieni! Vieni! Come! Come! 6 TEXTS & TRANSLATIONS PIETRO CIMARA “Stornello” Folk Song [Arnaldo Fratelli] Son come chicchi della melograna Your red velvety lips are like the grains Vellutati e vermigli i labbri tuoi of the pomegranate. Gareggiar colla fragola montana The perfume of your breath could compete Pel profumo dell’alito tu puoi with that of a mountain strawberry. Come le piante che gemme odorate Like the fragrant burgeoning plant distills Distillano dal tronco e dalla chioma from its trunk and its foliage, Tu stilli dale tue labbra rosate Your rosy lips drip kisses that are the Baci che sono del tuo cor l’aroma. fragrance of your heart. Fammi nutrir di baci si soavi That I may feed from your sweet kisses Come si nutre di rugiada il fiore as the flower feeds from the dew. Baciami sempre come mi baciavi Always kiss me as you kissed me the first La prima volta che ti strinsi al core! time I pressed against your heart. Se tu fossi rugiada le tue stille If you were dew, would you deny your Di vita altrici negheresti al fior? life-giving droplets to the flower? Baciami dunque e fa nove scintilla So kiss me and make nine sparks burn life Arder di vita in quest’arido cor! into this desiccated heart. —translated by Nathalie Doucet RICCARDO ZANDONAI “Sotto il ciel” “Under the sky” [Victoria Aganoor] Sotto il ciel, Under the sky che d’un vago that colors the evening pallor tinge la sera, with a vague pallor, cinto dalla brughiera surrounded by the moor, dorme tra l’alghe il lago; the lake sleeps among the algae.
Recommended publications
  • Annual Report 2015–2016
    ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home.
    [Show full text]
  • Lectures and Community Engagement 2017­–18 About the Metropolitan Opera Guild
    Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM).
    [Show full text]
  • Coa-Program-For-Web.Pdf
    HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • 2020-21-Brochure.Pdf
    SUBSCRIPTIONS 20 21 music dance Ca l theater Performances University of California, Berkeley Letter from the Director Universities. They exist to foster a commitment to knowledge in its myriad facets. To pursue that knowledge and extend its boundaries. To organize, teach, and disseminate it throughout the wider community. At Cal Performances, we’re proud of our place at the heart of one of the world’s finest public universities. Each season, we strive to honor the same spirit of curiosity that fuels the work of this remarkable center of learning—of its teachers, researchers, and students. That’s why I’m happy to present the details of our 2020/21 Season, an endlessly diverse collection of performances rivaling any program, on any stage, on the planet. Here you’ll find legendary artists and companies like cellist Yo-Yo Ma, the Vienna Philharmonic Orchestra with conductor Gustavo Dudamel, the Mark Morris Dance Group, pianist Mitsuko Uchida, and singer/songwriter Angélique Kidjo. And you’ll discover a wide range of performers you might not yet know you can’t live without—extraordinary, less-familiar talent just now emerging on the international scene. This season, we are especially proud to introduce our new Illuminations series, which aims to harness the power of the arts to address the pressing issues of our time and amplify them by shining a light on developments taking place elsewhere on the Berkeley campus. Through the themes of Music and the Mind and Fact or Fiction (please see the following pages for details), we’ll examine current groundbreaking work in the university’s classrooms and laboratories.
    [Show full text]
  • Un Ballo in Maschera
    San Francisco Opera Association War Memorial Opera House 2014-2015 Un Ballo in Maschera A Masked Ball (In Italian) Opera in three acts by Giuseppe Verdi Libretto by Antonio Somma Based on a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque Cast Conductor Nicola Luisotti Count Horn (Sam) Christian Van Horn Count Ribbing (Tom) Scott Conner * Director Jose Maria Condemi Oscar Heidi Stober Costume Designer Gustavus III, King of Sweden (Riccardo) Ramón Vargas John Conklin Count Anckarström (Renato) Thomas Hampson Lighting Designer Brian Mulligan 10/7, 22 Gary Marder Chief Magistrate A.J. Glueckert † Chorus Director Madame Arvidson (Ulrica) Dolora Zajick Ian Robertson Christian (Silvano) Efraín Solís † Choreographer Amelia's Servant Christopher Jackson Lawrence Pech Amelia Anckarström Julianna Di Giacomo * Assistant Conductors Giuseppe Finzi Vito Lombardi * San Francisco Opera debut † Current Adler Fellow Musical Preparation Bryndon Hassman Tamara Sanikidze Place and Time: 1792 in Stockholm, Sweden John Churchwell Jonathan Khuner Fabrizio Corona Prompter Dennis Doubin Supertitles Philip Kuttner Assistant Stage Directors E. Reed Fisher Morgan Robinson Stage Manager Rachel Henneberry Costume Supervisor Jai Alltizer Wig and Makeup Designer Jeanna Parham Saturday, Oct 04 2014, 7:30 PM ACT I Tuesday, Oct 07 2014, 7:30 PM Scene 1: Levee in the king's bedroom Friday, Oct 10 2014, 7:30 PM Scene 2: Madame Arvidson's house on the waterfront Monday, Oct 13 2014, 7:30 PM INTERMISSION Thursday, Oct 16 2014, 7:30 PM ACT II Sunday, Oct 19 2014, 7:30 PM A lonely field Wednesday, Oct 22 2014, 7:30 PM INTERMISSION ACT III Scene 1: Count Anckarström's study Scene 2: The king's box at the opera Scene 3: Inside the Stockhold opera house Sponsors This production is made possible, in part, by the Bernard Osher Endowment Fund and the Thomas Tilton Production Fund.
    [Show full text]
  • Iphigénie En Tauride
    Christoph Willibald Gluck Iphigénie en Tauride CONDUCTOR Tragedy in four acts Patrick Summers Libretto by Nicolas-François Guillard, after a work by Guymond de la Touche, itself based PRODUCTION Stephen Wadsworth on Euripides SET DESIGNER Saturday, February 26, 2011, 1:00–3:25 pm Thomas Lynch COSTUME DESIGNER Martin Pakledinaz LIGHTING DESIGNER Neil Peter Jampolis CHOREOGRAPHER The production of Iphigénie en Tauride was Daniel Pelzig made possible by a generous gift from Mr. and Mrs. Howard Solomon. Additional funding for this production was provided by Bertita and Guillermo L. Martinez and Barbara Augusta Teichert. The revival of this production was made possible by a GENERAL MANAGER gift from Barbara Augusta Teichert. Peter Gelb MUSIC DIRECTOR James Levine Iphigénie en Tauride is a co-production with Seattle Opera. 2010–11 Season The 17th Metropolitan Opera performance of Christoph Willibald Gluck’s Iphigénie en This performance is being broadcast Tauride live over The Toll Brothers– Metropolitan Conductor Opera Patrick Summers International Radio Network, in order of vocal appearance sponsored by Toll Brothers, Iphigénie America’s luxury Susan Graham homebuilder®, with generous First Priestess long-term Lei Xu* support from Second Priestess The Annenberg Cecelia Hall Foundation, the Vincent A. Stabile Thoas Endowment for Gordon Hawkins Broadcast Media, A Scythian Minister and contributions David Won** from listeners worldwide. Oreste Plácido Domingo This performance is Pylade also being broadcast Clytemnestre Paul Groves** Jacqueline Antaramian live on Metropolitan Opera Radio on Diane Agamemnon SIRIUS channel 78 Julie Boulianne Rob Besserer and XM channel 79. Saturday, February 26, 2011, 1:00–3:25 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide.
    [Show full text]
  • Maximise Your Enjoyment and Understanding of Wagner’S Music
    Wagner Society in NSW Inc. Maximise your enjoyment and understanding of Wagner’s music Newsletter No. 123, December 2011 - January 2012 IT'S ALMOST MEMBERSHIP RENEWAL TIME Yes, it’s surprising how quickly the year slips by, and membership renewal is due by 31 January! Why renew your membership for 2012? The best reason to renew is the expanded range of activities and events that will stimulate, educate and entertain! Our calendar will expand the number of Wagner Society events from eight to ten with more variety and interest than ever before. There will be recitals, lectures, debates, fund-raisers and social occasions, focussed on the buildup to the bicentenary of Wagner's birth and Opera Australia's forthcoming Ring production in Melbourne in 2013. SO, MAXIMISE YOUR ENJOYMENT BY RENEWING YOUR MEMBERSHIP! You can renew your membership now using the renewal form at the back of this newsletter. Hamburg State Opera in two concert performances of Das Rheingold, the opening opera in Richard Wagner’s greatest President’s Report work, The Ring Cycle. In 2000 in Vienna, Ms Young made Welcome to the final newsletter for 2011. musical history when she became the first woman ever to Your Committee has been working energetically (some conduct the complete Ring Cycle. members, it seems, have been writing emails almost around Ms Young will also conduct the performance of Mahler’s the clock) in organising an exciting series of events for next mighty Symphony No. 2, known as the Resurrection year. Indeed, we have such an abundance of riches that, in Symphony that will feature soloists from the Hamburg addition to our regular functions, we will be participating State Opera.
    [Show full text]
  • Mozart Requiem September 2018
    Music of the Baroque Chorus and Orchestra Jane Glover, Music Director Soprano Violin 1 Oboe Laura Amend Gina DiBello, Anne Bach, principal Alyssa Bennett Elliott Golub Honorary Erica Anderson Bethany Clearfield Concertmaster Chair Rosalind Lee Kathleen Brauer, Hannah Dixon co-assistant Basset Horn McConnell concertmaster Susan Warner, principal Susan Nelson Teresa Fream Daniel Won Bahareh Poureslami Martin Davids Emily Yiannias Michael Shelton Jeri-Lou Zike Bassoon William Buchman, Alto principal Ilana Goldstein Violin 2 Lewis Kirk Julia Hardin Sharon Polifrone, Amanda Koopman principal Maggie Mascal Ann Palen Trumpet Quinn Middleman Rika Seko Barbara Butler, co- Anna VanDeKerchove Paul Vanderwerf principal Helen Kim Charles Geyer, co- principal Tenor Channing Philbrick Sam Grosby Viola Patrick Muehleise Elizabeth Hagen, Josh R. Pritchett principal Trombone Ryan Townsend Strand Claudia Lasareff- Reed Capshaw, principal Zachary Vanderburg Mironoff David Binder Christopher Windle Benton Wedge Jared Rodin Amy Hess Bass Timpani Cornelius Bouknight Cello Douglas Waddell Cody Michael Bradley Barbara Haffner, Corey Grigg principal Jan Jarvis Judy Stone Organ Nicholas Lin Mark Brandfonbrener Stephen Alltop Dylan Martin Bass Collins Trier, principal Michael Hovnanian The Mozart Requiem Jane Glover, conductor William Jon Gray, chorus director Saturday, September 15, 2018, 7:30 PM Harris Theater for Music and Dance, Chicago Sunday, September 16, 2018, 3:00 PM North Shore Center for the Performing Arts, Skokie Coronation Anthem No. 1, “Zadok the Priest”
    [Show full text]
  • The American Opera Series May 16 – November 28, 2015
    The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary.
    [Show full text]
  • The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
    20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating.
    [Show full text]
  • Christine Brewer, Soprano and Craig Terry, Piano
    Old Dominion University 2018-2019 F. Ludwig Diehn Concert Series Christine Brewer, soprano Craig Terry, piano Concert: October 15, 7:30 p.m. Master Class: October 16, 12:30 p.m. Wilson G. Chandler Recital Hall F. Ludwig Diehn Center for the Performing Arts arts@odu Program Dich, teure Halle Richard Wagner (1813 – 1883) from Tannhäuser Wesendonck Lieder Richard Wagner Der Engel Stehe Still Im Treibhaus Schmerzen Träume September Richard Strauss (1864 – 1949) from Vier Letzte Lieder Ich liebe dich Allerseelen Breit über mein Haupt Zueignung INTERMISSION With a Song in My Heart Richard Rodgers (1902 – 1979) from Spring is Here Sing to Me, Sing Sidney Homer (1864 – 1953) Review Celius Dougherty (1902 – 1986) Hickory Hill Paul Sargent (1910 – 1987) Come Rain or Come Shine Harold Arlen (1905 – 1986) I Had Myself a True Love from St. Louis Woman Happiness is Just a Thing Called Joe Harold Arlen from Cabin in the Sky When I Have Sung My Songs Ernest Charles (1895 – 1984) Love Went A-Riding Frank Bridge (1879 – 1941) An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Translations Dich, teure Halle – Tannhäuser Be Still! – Stehe Still! by Richard Wagner Hurrying, scurrying wheel of time Marking out eternity; You, dear hall, I greet again... Glowing spheres in distant space I gladly greet you, beloved room! Circling us with gravity; All sempiternal generation, cease! In you, I still hear his songs Enough of that – let me know peace! Which waken me from my gloomy dream When he departed from you Desist, now, creative powers; How desolate you appeared to me.
    [Show full text]