Here You Have a Complete List of All New Arrivals in the Music Section of Infomaden in April-October 2013
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COMING out on JUNE 10, 2014 New Releases from TEEN AGERS • the ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL
COMING OUT ON JUNE 10, 2014 new releases from TEEN AGERS • THE ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL. 1 • MAN IS THE BASTARD KILLWHITNEYDEAD • THE ADOLESCENTS • FLYBOYS THE MIDDLE CLASS • CLITGORE • SCROTOCTOMY STAGES OF DECOMPOSITION • BITE • THE CROISSANTS HE WHO CANNOT BE NAMED • KEEP THEM GAGGIN’ SIEGE • FLAG OF DEMOCRACY Exclusively Distributed by TEEN AGERS I Hate It, LP STREET DATE: June 10th, 2014 INFORMATION: Artist Hometown: Orlando, FL Key Markets: Philadelphia, PA; Orlando, FL; New York, NY For Fans of: HOW DARE YOU, SAVES THE DAY, THE GET UP KIDS Erupting like a sonic Cthulhu from beneath the Florida swamps comes TEEN AGERS, the brainchild of four gentlemen, current and former members of HOW DARE YOU, GO RYDELL, PROTAGONIST, and DIRECT EFFECT. With plenty of melody to satisfy the crowd at your rad wine mixers and hearty helpings of riffage guaranteed to satiate your unresolved adolescent angst, TEEN AGERS are the result of an unstoppable force meeting an immovable object; just a bit slower, so as to not pull something. A product of blood, sweat, and icy-hot, TEEN AGERS’ initial offering I Hate It was recorded at The Moathouse in ARTIST: TEEN AGERS Gainesville by Roger Lima (LESS THAN JAKE) and mixed/mastered by Stephen Egerton. TITLE: I Hate It LABEL: Anchorless Records CAT#: ALR02301-1 MARKETING POINTS: FORMAT: LP GENRE: Indie/punk - Recorded and Produced by Roger Lima of LESS THAN JAKE BOX LOT: 40 - Mixed and Mastered by Stephen Egerton SRLP: $13.98 - Extensive US and European touring UPC: 616822010419 EXPORT: NO RESTRICTIONS - Festival Appearances - PR by Beartrap Media - Color Vinyl with Mp3 coupon! TRACK LIST: Also Available from ILD: 1. -
Lithuanians and Poles Against Communism After 1956. Parallel Ways to Freedom?
Lithuanians and Poles against Communism after 1956. Parallel Ways to Freedom? The project has been co-financed by the Department of Public and Cultural Diplomacy of the Ministry of Foreign Affairs within the competition ‘Cooperation in the field of public diplomacy 2013.’ The publication expresses only the views of the author and must not be identified with the official stance of the Ministry of Foreign Affairs. The book is available under the Creative Commons Attribution License 3.0, Poland. Some rights have been reserved to the authors and the Faculty of International and Po- litical Studies of the Jagiellonian University. This piece has been created as a part of the competition ‘Cooperation in the Field of Public Diplomacy in 2013,’ implemented by the Ministry of Foreign Affairs in 2013. It is permitted to use this work, provided that the above information, including the information on the applicable license, holders of rights and competition ‘Cooperation in the field of public diplomacy 2013’ is included. Translated from Polish by Anna Sekułowicz and Łukasz Moskała Translated from Lithuanian by Aldona Matulytė Copy-edited by Keith Horeschka Cover designe by Bartłomiej Klepiński ISBN 978-609-8086-05-8 © PI Bernardinai.lt, 2015 © Jagiellonian University, 2015 Lithuanians and Poles against Communism after 1956. Parallel Ways to Freedom? Editet by Katarzyna Korzeniewska, Adam Mielczarek, Monika Kareniauskaitė, and Małgorzata Stefanowicz Vilnius 2015 Table of Contents 7 Katarzyna Korzeniewska, Adam Mielczarek, Monika Kareniauskaitė, Małgorzata -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
East and West As the Basic Concepts of Solidarity 1980-1989
East and West as the Basic Concepts of Solidarity 1980-1989 Bronisław Swiderski A number of both Polish and foreign commentators conceive Solidarity as an alternative to both the ideology and the practice of the communist system. Books by historians, political scientists and journalists, for example by Alain Touraine (1982), Timothy Garton Ash (1983), Jerzy Holzer (1984), Lopiński, Moskit and Wilk (1989) or Georges Mink (1989) emphasize the conflict between Solidarity and the government. The authors see it as a struggle for freedom, democracy and liberalism against dictatorship. Analyses by Roman Laba (1991) and by Lawrence Goodwyn (1991) distinguish simultaneous confrontations on two different levels: one between the working class and the Leninist state, the other within Solidarity itself: the working class and the intellectual ideologues. Sergiusz Kowalski (1990) offers an interesting discussion of the distinction between tradition and the past in Solidarity ideology, as well as of the trade-union's "reconstruction" of the Polish tradition as an anti-communist one. Barbara Törnquist-Plewa (1992) points out the confrontation between different ideas which arose as Solidarity appropriated "Polish" religion, history and tradition. The official system was thus left unrooted in the Polish past. Many scholars, then, considered Solidarity to be a political and ideological alternative to the communist system, and saw the situation as the "new world" fighting l'ancien regime. But did the ideas of Solidarity and their application in fact constitute a real alternative to the official structures? It seems that more of the actual facts indicate that Solidarity should be described as complementary to Slavica Lundensia 14, 1995, pp 43-53 Bronisław Swiderski and not as an alternative to the official Poland of the time. -
COMING out on DECEMBER 9, 2014 New Releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • the SHRINE
COMING OUT ON DECEMBER 9, 2014 new releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • THE SHRINE Exclusively Distributed by ADELIT@S/KOHOSH Split, LP STREET DATE: DECEMBER 9, 2014 INFORMATION: Artist Hometown: ADELIT@S-- Portland, OR; KOHOSH—Seattle, WA Key Markets: Seattle, Portland, Vancouver BC, San Francisco, Los Angeles, San Diego, Tijuana, Germany, France, Netherlands, Denmark, Sweden For Fans of: CRASS, CONFLICT, LOST WORLD, LOS CRUDOS, POST REGIMENT, CONTROPOTERE, SKARP, AGATHA, GARMONBOZIA, ARCANE, OLD CITY, INVERSION, CREOSOTE The split features five new tracks of blazing anarcho-punk from Portland’s ADELIT@S, who are picking up right where their Llama Viva de la Rabia LP (released on Aborted Society in 2012) left off. Energetic, melodic, and tuneful punk with politically charged dual female/male vocals sung in Spanish. ARTIST: ADELIT@S/KOHOSH Incorporating some of their Latin folk influence, these tracks are punchier and more hardcore than TITLE: Split earlier efforts. Recorded by Stan Wright at Buzz or Howl Studios in Portland, OR. LABEL: Aborted Society CAT#: ABSOC031-1 A progressive six-piece from Seattle, KOHOSH brings three tracks of inventive crust that equally harkens FORMAT: LP to 80’s peace punk as much as it does to the more melodic side of the 90’s European anarchopunk GENRE: Punk, Latin, Crust, Melodic Hardcore, sound. Dual guitars weave in and out of fast and mid-tempo passages accompanied with cello and Anarchopunk harmonized female/male vocals. Recorded by Brandon Fitzsimons at Airport Grocery Studio in Seattle, BOX LOT: 50 WA. Both sides were mastered by Dan Randall at Mammoth Sound in Oakland, CA. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
Komplette Ausgabe Als
TRUST URGE LP/CD »Why hide the lie?« RPN 005/006 POLSKA MALCA MLP »Polska M alca« RPN 004 POLSKA MALCA ON TOUR MAY/JUNE 1991! 25.5. Basel (CH), Hirscheck/2 6.5 . Karlsruhe 29.5. Hamburg, Störtebecker/30.5. Hannover, M.A.D. 31.5. Arnsberg-Neheim,JBZ/1.6. Flensburg,Volksbad 3.6. Essen, Fritz/4.6. Wuppertal, HonkyTonk 5.6. Linz (Ö), Kapu / 6.6 Donauwörth 7.6. Wangen,JUZTonne/8.6. Wien(Ö)Flex Out in June: »Die 2555. Nacht« Live-Benefit-LP-Sampler mit PULLERMANN, FLEXX, SUBTERRANEAN KIDS und NOISE ANNOYS RISE LP/CD »Rise« RPN 007/008 Release-date: 15. June 1991 Still available: p y u i F w * Lindenweg 13 • 4763 Ense 2 , a V* West Germany_______ I----------------------- I----------------------- ------------ ^ J RQÜGH PULLERMANN 7” »l’ve g o t...« URGE LP »Listen carefu lly...« PULLERMANNLP/CD»Puller1rau« . ............................ T D A n c rpn ooi rpn 002 rpn 003/005 D is t r iD u t e d b y L U n H s All Records available in every good record-store or at POWERUNE-Mailorder, Brigitte Sawall, Große Riedbruchstr. 12,4600 Dortmund-Mengede. Hallo Alex/andere TRUST'ler, 1990 oder dem 15. Januar 1991 aus aber das despotische Osmanische Reich ' V o r z e i g e - B i l d u n g 1, um a n s c h li e ß e n d ich habe einige Anmerkungen bezüglich dem Gleichgewicht geworfen worden, quasi als Inbegriff m ultikultureller vom TRUST Lösungsvorschläge zu des Aufrufs der Friedensbewegung vom was ich als Verdummung der Marke Helmut Toleranz zu nennen grenzt an erbitten. -
Komplette Ausgabe Als
HARDCOREMAGAZIN M A I/ JUNI TRUST NR. 23 4.- DM Exklusiv im TRUST HAYWIRE & Der Massenmord ZODIAC Das ADOLESCENTS-Special D.I. FLOWER LEPERDS Der Wahnsinn URGE! Die HöHe HELLS KITCHEN Der Himmel auf Erden STENGTE DØRER DIE TROTTEL "\»Je *ïW t &wt- A ( TioGTbCU.! Mur^BU-^oo»r& So Sexist? - das Cover der NO/FX-Platte "S/M Realität und Phantasie trennt, kann Moin Trust! Airlines" doch nur jemand kommen, der Was da mit dem CHEMICAL PEOPLE-In- - z.B. die HARD-ONS im Zap-Inter- entweder an eine monokausale Wir- Dies ist mein erster Leserbrief, terview im Trust #22 produziert view Okt. 89: kung bei Menschen durch Medien- den ich abschicke. Premiere! Was wurde, schlägt wirklich dem Faß den Keish: "Wir respektieren Mädchen in einfluß glaubt (dieser Glaube wurde man über die DROOGIES liest, ist ja Boden aus. jeder Weise." in der zuständigen Wissenschaft hammerhart, aber ihre Musik ist ja Porno-Promotion in Reinkultur! Zap: "Fein." (!) seit ca. 30 Jahren aufgegeben, in eh scheiße. Ich hab ja nu auch beim Nicht nur, d a ß diesen widerwärti- Ray: "Ja, wir respektieren sie, so- gewissen ach so intellektuellen Poll mitgemacht und da dann auch gen, reichen, weißen, dekadenten lange sie die Beine spreizen..." Zirkeln wird ihm aber immer noch gleich losgelassen, was mir am upper-class Beverly Hills Kids ge- Keish: "... und wenn sie unsere mit äußerster Beharrlichkeit Trust gefallt, bzw. nicht gefällt. nügend Platz zur Verfügung gestellt Schwänze lutschen!" gefrönt.), oder aber andere Men- Ich dachte mir "Kàa, Rolli. Wenne wird ihren sexistischen Scheißdreck -
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena Gray Aniskiewicz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2019 Doctoral Committee: Associate Professor Benjamin Paloff, Chair Associate Professor Herbert J. Eagle Professor Charles Hiroshi Garrett Visiting Assistant Professor Jodi C. Greig, University of Wisconsin-Madison Alena Gray Aniskiewicz [email protected] ORCID iD: 0000-0002-1922-291X © Alena Gray Aniskiewicz 2019 To my parents, for everything. (Except hip-hop. For that, thank you, DH.) ii Acknowledgements To Herb Eagle, whose comments and support over the years have been invaluable. To Jodi Greig, whose reputation preceded her, but didn’t do her justice as a friend or scholar. To Charles Hiroshi Garrett, who was my introduction to musicology fourteen years ago and has been a generous reader and advisor ever since. And to Benjamin Paloff, who gave me the space to figure out what I wanted and then was there to help me figure out how to get it. I couldn’t have asked for a better committee. To my peers, who became friends along the way. To my friends, who indulged all the Poland talk. To Culture.pl, who gave me a community in Warsaw and kept Poland fun. To the Department of Slavic Languages and Literatures, the Copernicus Program in Polish Studies, the Rackham Graduate School, and the Sweetland Writing Center, whose generous funding made this dissertation possible. I’m thankful to have had you all in my corner. -
COMING out on DECEMBER 9, 2016 New Releases from USELESS PIECES of SHIT ACXDC FUNERAL CHIC SAVAGE / LOATHING
COMING OUT ON DECEMBER 9, 2016 new releases from USELESS PIECES OF SHIT ACXDC FUNERAL CHIC SAVAGE / LOATHING Exclusively Distributed by USELESS PIECES OF SHIT (UPS) Ugly In Public, EP STREET DATE: DECEMBER 9, 2016 INFORMATION: Artist Hometown: Tucson, Arizona Key Markets: Tucson, Phoenix, Arizona, Westcoast of USA For Fans of: SPAZZ, DIE KREUZEN, BL’AST Tucson’s USELESS PIECES OF SHIT (UPS) played so fast that speed freaks couldn’t catch up. Utterly tasteless, but beautifully concise, the band tore a hole in the desert floor with their violent, often drunk as shit, mentally unstable blasts of extreme punk rock. You’ve never had so much fun in five minutes. Play it loud and share it with your mom. ARTIST: USELESS PIECES OF SHIT (UPS) MARKETING POINTS: TITLE: Ugly In Public LABEL: Slope Records • Yellow vinyl with a groovy black splatter pattern CAT#: SLOPE009-7 • Gatefold album cover with killer flyer art and pictures FORMAT: EP • Limited edition of 500 GENRE: Punk BOX LOT: 10 SRLP: $6.98 UPC: 855806006059 EXPORT: No Restrictions TRACK LIST: 1. Hinckley’s Brain 2. Obnoxious Teenage Drunk Olympics 3. Euthanasia 4. Robotman 5. Fuck Shit Up Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com ACxDC Discography 03-13, 2x Cassette tape STREET DATE: DECEMBER 9, 2016 INFORMATION: Artist Hometown: Los Angeles, California Key Markets: California, Arizona, Texas, New York For Fans of: INFEST, SPAZZ, MAGRUDERGRIND, DROPDEAD, DYSTOPIA ANTICHRIST DEMONCORE or ACxDC for short aren’t your stereotypical satanic grindviolence band. -
MARCIN GMYS the Polish Composers' Union 70Th
Integration Attempts Paweł Mykietyn and the Composer’s Self-Reflection MARCIN GMYS Department of Musicology, Adam Mickiewicz University, Poznań Email: [email protected] The Polish Composers’ Union 70th Anniversary events are co-organised by the Institute of Music and Dance and co-financed by the Ministry of Culture and National Heritage Integration Attempts. Paweł Mykietyn and the Composer’s Self-Reflection Musicology Today • Vol. 12 • 2015 DOI: 10.1515/muso-2015-0006 ABSTRACT interviews which in no way contradict my own idea of the composer’s aesthetic stance, developed on the basis In this paper, the author attempts to reconstruct the aesthetic views of of my almost twenty-year-long acquaintance with the artist. Paweł Mykietyn, a leading Polish composer of the middle generation. Since Mykietyn has never presented his views comprehensively, the author reconstructs his opinions on the basis of published interviews ON MUSICAL BEAUTY with the composer, focusing on his ideas regarding musical and non- musical inspirations, the significance of mathematical procedures in the In the magazine “Glissando” No. 16 (2010), Paweł compositional process, traditional musical forms, the role of quotations Mykietyn gave the following answer to a question asked and self-quotations, experimentation with microtones and musical by Jan Topolski and Ewa Szczecińska regarding the time, as well as the concept of music as autobiography. wisdom of the compositional procedures he applies, Keywords: Paweł Mykietyn, postmodernism, microtonality, temporal which are usually exceptionally elaborate and closely innovation, permanent accelerando related to combinatorics. As evident from his reply, the purpose of such procedures is to create a beautiful Paweł Mykietyn has not yet published his ideas in artefact which will have a predefined effect on the listener: a systematic manner. -
Polish Punk Rock Scene in the 1980S
2.7. “Fallen fallen is Babylon”. Polish punk rock scene in the 1980s Piotr Zanko1 Abstract The 1980s were in Poland a time of crucial changes occurring in society. It was when Solidarnosc, a trade union and a democratic opposition movement, emerged, and when the communist regime introduced martial law to stop democratic transformation. Poland faced economic crisis and almost a million of its citizens chose emigration, both because of economic and political reasons. In the background Poland experienced then an extraordinary boom for rock music. It was also a time of huge popularity of punk rock – crude, uncompromising music. In my article I want to bring nearer a production of chosen bands of Polish punk rock music from the 1980s, among them Dezerter, TZN XENNA, Brygada Kryzys, Smierc Kliniczna, Siekiera, Moskwa. I will focus especially on selection of the lyrics of these bands. I will show how these bands criticized the social reality of that time, and what alternative visions they created in their artistic production. After Stephen Duncombe (2002), I assume that Polish punk rock music in the 1980s was indeed “a haven in a heartless world”, a way of escaping from politics, as well as a means to set free a feeling of discontent with dull reality, but on the other side it created, in spite of the censorship, some kind of a “free space”, a place where new language and new meanings could emerge, as well as where communities might be built. Keywords: Polish punk rock, cultural resistance, DIY, communism Poland after World War II became a satellite country of the Soviet Union, but in the 1980s it experienced important social changes.