DOCSLIB.ORG

Astrud Gilberto Beach Samba Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Astrud Gilberto Beach Samba Mp3, Flac, Wma Astrud Gilberto Beach Samba mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Beach Samba Country: Colombia Released: 1976 Style: Smooth Jazz, Bossanova, Latin Jazz MP3 version RAR size: 1368 mb FLAC version RAR size: 1603 mb WMA version RAR size: 1293 mb Rating: 4.5 Votes: 820 Other Formats: TTA ASF DXD AAC AHX VOC WMA Tracklist Hide Credits Stay A1 2:24 Written-By – Gayle Caldwell Misty Roses A2 2:35 Written-By – Tim Hardin The Face I Love A3 2:08 Written-By – Marcos Valle, Norman Gimbel Parade A4 2:08 Written-By – Chico Buarque Oba Oba A5 1:55 Written-By – Luiz Bonfa* Canoeiro A6 1:32 Written-By – Eumir Deodato I Had The Craziest Dream B1 2:21 Written-By – Harry Warren , Mack Gordon Beach Samba B2 2:47 Written-By – Geraldo Cunha, Pery Ribeiro My Foolish Heart B3 2:44 Written-By – Ned Washington, Victor Young Dia Das Rosas B4 2:27 Written-By – Luiz Bonfa* You Didn't Have To Be So Nice B5 2:40 Written-By – John Sebastian, Steve Boone Não Bate O Coração B6 1:30 Written-By – Eumir Deodato Companies, etc. Manufactured By – Industrias Philips De Colombia S.A. Credits Arranged By – Don Sebesky (tracks: A1, A2, A4, B1 to B3, B5), Eumir Deodato (tracks: A3, A5, A6, B4, B6) Bass – Jule Ruggiro*, Ron Carter Cello – Allan Shulman*, Charles McCracken, George Ricci, Harvey Shapiro, Maurice Bialkin, Maurice Brown, Seymour Barab Cover [Design] – David Krieger, Jack Anesh Directed By [Director Of Engineering] – Val Valentin Drums – Bobby Rosengarden, Claudio Slon, Grady Tate Engineer [Original Recording Engineer] – Brooks Arthur Engineer [Re-Recording] – Rudy Van Gelder Flute – Hubert Laws, Seldon Powell French Horn – Earl Chapin, Jim Buffington, Ray Alonge, Tony Miranda Guitar – Barry Galbraith, Marcos Valle, Toots Thielemans Harmonica – Toots Thielemans Harp – Margaret Ross Harpsichord – Ben Aronov Liner Notes – Stan Levine Percussion – Alan Douglas, Dom Um Romao, Jack Jennings Photography – Jerry Schatzberg Piano – Ben Aronov, Warren Bernhardt Producer – Creed Taylor Trombone – Tony Studd, Urbie Green, Warren Covington, Wayne Andre Trumpet – Bernie Glow, Ernie Royal, James Nottingham*, Marvin Stamm Tuba – John Barber Vibraphone – George Devens Viola – Dave Mankowitz*, David Schwartz, Harold Coletta, Richard Dickler Violin – Arnold Eidus, Gene Orloff, George Ockner, Harry Katzman, Leo Kruczek Vocals – Astrud Gilberto Whistle – Toots Thielemans Woodwind – Bill Hammond, Hubert Laws, Phil Bodner, Stan Webb Notes Recorded at the A&R Studios in New York on 25, 26 May and 9, 30 June 1967. Other versions Category Artist Title (Format) Label Category Country Year Astrud Beach Samba (LP, V6-8708 Verve Records V6-8708 US 1967 Gilberto Album) Beach Samba (Reel, Astrud VVC-8708 4tr Stereo, 7" Reel, Verve Records VVC-8708 US 1967 Gilberto Album) Astrud Beach Samba (CD, 519 801-2 Verve Records 519 801-2 Europe 1993 Gilberto Album, Comp, RE) Astrud Beach Samba (CD, UCCU-9218 Verve Records UCCU-9218 Japan 2006 Gilberto Album, Ltd, RE, RM) Verve Astrud Bossa Na Praia (LP, V6-8708 Records, MGM V6-8708 Venezuela Unknown Gilberto Album, Rep) Records Related Music albums to Beach Samba by Astrud Gilberto Joao Gilberto / Antonio Carlos Jobim / Luiz Bonfa - OS 3 Genios Do Brazil Luiz Bonfá - Bonfá Eumir Deodato, Os Catedráticos - Ataque Eumir Deodato - Eumir Deodato Plays Marcos Valle: Summer Samba Luiz Bonfá - Violão Boêmio Luiz Bonfá - Eumir Deodato - Love Island Ithamara Koorax - Amor Sem Adeus - The Luiz Bonfá Songbook Maria Toledo - Sings The Best Of Luiz Bonfa Astrud Gilberto - Non-Stop To Brazil Astrud Gilberto - Astrud Gilberto Luiz Bonfa & Maria Toledo - Braziliana.
Load more

Recommended publications
  • June 2020 Vol
    A Mirror and Focus for the Jazz Community June 2020 Vol. 36, No. 06 EARSHOT JAZZSeattle, Washington Racer Sessions: The Zoom Sessions EARSHOT JAZZ LETTER FROM THE DIRECTOR A Mirror and Focus for the Jazz Community Executive Director John Gilbreath Gratitude Managing Director Karen Caropepe Programs Manager Tara Peters Development Manager Errin Patton Marketing & Development Associate Lucienne First of all, we hope that you and your loved ones are safe and sound; of Aggarwal body, mind, spirit, and shelter. Earshot Jazz Editors Lucienne Aggarwal & These are difficult times, to be sure, certainly unprecedented in our life- Tara Peters times. The more overwhelming our worries become, as they continue to Contributing Writers Halynn Blanchard, stack up outside, and inside, our doors, the more we might have to stack Meredith Cooper, Amy Denio, Grant Grays, up a list of positive things—blessings, if you will—and be willing, or force Ian Gwin, Harold Hollingsworth, Sibyl ourselves, to visit them every day. In fact, the more hellish our current James, Jonathan Shipley, David True, Kiki realities might become, the more we might see how relatively lucky we’ve Valera been up to now, in spite of social, economic, and political systems that are Calendar Editors Carol Levin, Jane Emerson, fundamentally messed up. & Tara Peters We’ve included our list of positive things in this issue, in the form of Photography Daniel Sheehan thanks to those individuals who made a contribution to the organization Layout Tara Peters Distribution Karen Caropepe, Dan Dubie & through the GiveBIG and other campaigns. It has been so heartwarming Earshot Jazz volunteers for us to receive the positive encouragement of so many community mem- bers regardless of the individual amounts.
    [Show full text]
  • Nhạc Lossless-Hiess Quốc Tế*********** ****************Classical
    FITGEAR SHOP.VN - ALBUM NHẠC HI-RES STT TÊN ALBUM & THỂ LOẠI **********NHẠC LOSSLESS-HIESS QUỐC TẾ*********** ****************CLASSICAL (1.28T) ***************** (W.A.Mozart) Arcanto Quartett, Jorg Widmann - Clarinet Quintet K581 & String Quartet 1 K421 (2013) [Qobuz 24-96] 2 (W.A.Mozart) Ronald Brautigam - Piano Concertos Nos. 19 & 23 (2013) [eClassical 24-96] 3 (W.A.Mozart) Ronald Brautigam - Piano Concertos Nos. 20 & 27 (2013) [eClassical 24-96] Adams - The Gospel According To The Other Mary - Los Angeles Philharmonic, Gustavo 4 Dudamel (2014) [96-24] Alan Gilbert, New York Philharmonic, Thomas Hampson - Passion & Pain. Haydn, Adams, 5 Schubert & Berg (2010) 6 Albéniz - Iberia and other late piano music - Marc-André Hamelin (2005) [44.1-24] Alberto Rasi, Il Tempio Armonico; Davide Monti - Vivaldi. 4 Seasons Of Love (2010) 7 [HDTracks 24-96] 8 Alexandros Myrat - Eleni Karaindrou - Concert in Athens 9 Alexei Ogrintchouk - Mozart Oboe Concerto, Quartet, Sonata (2013) [Qobuz 24-96] 10 Alfred Schnittke - Complete String Quartets - Molinari Quartet (2011, Atma) [96-24] Alfred Schnittke - Piano Quartet & Quintet, String Trio - Molinari Quartet (2013) [96-24 11 ATMA Classique] Alfred Schnittke Edition Vol.23 - Violin Works - Quasi una sonata, Concerto Grosso No. 6 12 and other (2006, BIS-1437) [44.1-24] 13 Alice Coote - Handel Arias (2014) [Hyperion 24-96] 14 Alice Sara Ott - Wonderland (2016) [FLAC 24-48] 15 Alice Sara Ott - Chopin Complete Waltzes (2010) [24-96] Alina Ibragimova & Steven Osborne - Prokofiev. Violin Sonatas; Five Melodies
    [Show full text]
  • Walter WANDERLEY Présente La Particularité D'avoir Souvent
    Walter WANDERLEY les MULTI Ȃ VERSIONS The multiple versions ǯWalter WANDERLEY ± ±ǯ enregistré, au cours de sa carrière, différen ǯ ² ǡ oit pour ses propres albums, ǯtravaillé en tant que musicien- ǯ ǯȋȌ (le plus souvent des chanteuses, mais pas toujours !) The career of the extraordinary organ player Walter Wanderley presents quite a special feature: many of his hits have Been recorded in different versions, either for his own albums, or when his role was that of a Ȁǯȋ often female, but not always!). ǡ ǯ Bien de nouvelles interprétations, jamais « gratuites », présentant des caractéristiques différentes, savamment et suBtilement ciselées. Each recording is unique and different. It is a new interpretation, never gratuitous, But with dissimilar characteristics, finely and suBtly cut out. Par ailleurs, certains morceaux portent des noms différents suivant les albums : généralement ± ǯ ² tout autre nom (dans ce cas, les variantes apparaissent dans la liste ci-dessous en bleu). Furthermore, some standards Bear different names according to the album: generally a translation from Portuguese (Brazil) to English, or even a totally different name (in which case, the variations will appear in the list Below in Blue). Il en est de même pour certains albums suivant les éditions (dans ce cas, les variantes apparaissent également dans la liste ci-dessous en Bleu). Certain albums follow the same rules according to the puBlishers (in which case the variations will also appear in the list Below in blue). Pour cǡǯ±±ǯ± ǡǯ ± ǯà Walter WANDERLEY et pouvoir plus aisément les ǡ ǯ ± ! For all these reasons, I deemed relevant to establish a list of these particular pieces, in order to make it easier to find them within the whole works By WW, and also make it easier to compare those pieces: a genuine pleasure for the unconditional admirer that I am.
    [Show full text]
  • The Harp in Jazz and American Pop Music Megan A. Bledsoe A
    The Harp in Jazz and American Pop Music Megan A. Bledsoe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2012 Reading Committee: Donna Shin, Chair Valerie Muzzolini Gordon Áine Heneghan Program Authorized to Offer Degree: Harp Performance Bledsoe - DMA Harp Performance ©Copyright 2012 Megan A. Bledsoe 2 Bledsoe - DMA Harp Performance University of Washington Abstract The Harp in Jazz and American Pop Music Megan A. Bledsoe Chair of the Supervisory Committee: Assistant Professor of Flute Donna Shin, Chair Instrumental Performance, School of Music The harp has endured a tenuous relationship with the genres of jazz and American popular music throughout history. While a few harpists have enjoyed successful and significant careers in these fields, the harp is largely absent from mainstream jazz and American pop. The purpose of this dissertation is to ascertain a definitive cause for such exclusion and use this information to identify a feasible path toward further integration of the harp in jazz and American pop music. This paper examines the state of the harp in jazz and American pop from various angles, including historical perspective, analytical assessment, and a study which compares harpists’ improvisational abilities to those of their mainstream jazz instrumentalist counterparts. These evaluations yield an encompassing view of the harp’s specific advantages and detriments in the areas of jazz and American pop. The result of this research points to a need for specialization among harpists, particularly in defining new styles. It is evident that harpists’ careers generally necessitate a working knowledge of various styles of music.
    [Show full text]
  • Bariton Schulen Und Etüden
    Bariton Schulen und Etüden Volume 14: Benny Golson (Buch/CD) 23354 21,95 € Bariton Schulen und Etüden (Killer Joe - Ease Away Walk - Along Came Betty - Are You Real - Whisper Not - I Remeber Clifford - Stablemates - Blues March) AEBERSOLD Jamey Jazz Aids Vol. 1 - Deutsche Ausgabe 24292 27,50 € Volume 15: Payin' Dues - Nine Tunes based on Standards 23355 20,00 € (Buch/CD) Jazz Aids Vol. 3 - Die II-V-I Verbindung - Deutsche Ausgabe 24293 24,95 € (Another Yew - Stella - Flesh & Spirit - What Is This? - It's You - Volume 01: Jazz How to Play and Improvise (Buch/CD)(englische 23341 26,95 € You're the Song - April - Share-A-Key) Ausgabe) Volume 16: Turnarounds, Cycles & II/V7's (Buch/2CDs) 23356 26,95 € Volume 02: Nothin' but Blues - Jazz and Rock (Buch/CD) 23342 21,95 € Volume 17: Horace Silver (Buch/CD) 23357 20,00 € Volume 03: The II-V7-1 Progession (Buch/CD) 23343 22,95 € (Song for My Father - Silver's Serenade - The Preacher - The The Most Important Musical Sequence in Jazz! Jody Grind - Sister Sadie - Gregory Is Here - Peace - Nutville) Volume 04: Movin'On (Buch/CD) 23344 20,50 € Volume 18: Horace Silver (Buch/CD) 23358 21,95 € (Magic Morning - Five 8-Bar Pharses - Agitation - Scooter - Once (Room 608 - Nica's Dream - Quicksilver - Mayreh - Strollin' - Remembered - Ballad Waltz - Quickie - All Things Unfinished - Ecaroh - Barbara - Summer in Central Park) 7/4 3/4 For Peter's Sake) Volume 19: David Liebmann (Buch/CD) 23359 20,00 € Volume 05: Time To Play Music - Jazz and Rock (Buch/CD) 23345 21,95 € (Picadilly Lilly - Slumber - Oasis -
    [Show full text]
  • Philips – Phonogram
    AUSTRALIAN RECORD LABELS PHILIPS – PHONOGRAM 1953–1970 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS – PHONOGRAM, 1953–1970 PHILIPS – PHONOGRAM LABELS INCLUDED IN THIS LISTING BUDDAH 1968-1970 POLYDOR 1956-1970 FONTANA 1958-1970 RIVERSIDE 1962-1964, 1969-1970 KAMA SUTRA 1969-1970 ROULETTE 1958-1961, 1970 LIMELIGHT 1965-1967 SWEET PEACH 1969-1970 MERCURY 1968-1970 TOPS 1958-1959 MGM 1967-1970 VERVE 1967-1970 PHILIPS 1953-1970 ZODIAC 1964-1970 A BRIEF HISTORY OF PHILIPS – PHONOGRAM 1891 GERARD PHILIPS, A 23 YEAR OLD ENGINEER, ESTABLISHES PHILIPS' FIRST FACTORY IN EINDHOVEN, THE NETHERLANDS. IN ITS FIRST YEAR THE FACTORY MADE 11,000 BULBS 1898 THE GERMAN-BASED SIEMENS COMPANY FOUNDS DEUTSCHE GRAMMOPHON GESELLSCHAFT (DGG) 1924 POLYDOR IS INTRODUCED AS A SECOND BRAND NAME FOR DGG ABROAD 1926 ESTABLISHMENT OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD IN SYDNEY, IMPORTING PHILIPS PRODUCTS FROM THE NETHERLANDS. ANTON DEN HERTOG IS THE FIRST MANAGING DIRECTOR. 1927 PHILIPS HEAD OFFICE AT 69 CLARENCE ST, SYDNEY 1929 DECCA RECORDS (LONDON) LICENCES H. W. VAN ZOELEN TO DISTRIBUTE THEIR RECORDS IN THE NETHERLANDS. HE FORMS HOLLANDSCHE DECCA DISTRIBUTIE (HDD). DURING THE 1930’S, HDD ESTABLISHES FACILITIES FOR A & R, RECORDING AND MANUFACTURE 1942 PHILIPS BUYS HDD 1942 FRANCISCUS N. LEDDY BECOMES MANAGING DIRECTOR OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD 1943 PHILIPS ELECTRICAL INDUSTRIES OF AUSTRALIA PTY LTD ESTABLISHED 1950 PHILIPS ELECTRONICS N.V. COMBINES ITS VARIOUS MUSIC BUSINESSES AND CREATES PHILIPS PHONOGRAPHISCHE INDUSTRIES (PPI), A WHOLLY OWNED SUBSIDIARY 1951 PPI AGREES TO DISTRIBUTE COLUMBIA RECORDINGS OUTSIDE THE U.S. THIS AGREEMENT RUNS TO 1961 1953 FIRST ISSUES FROM THE PHILIPS INTERNATIONAL CATALOGUE ARE RELEASED IN AUSTRALIA ON JUNE 4, 1953.
    [Show full text]
  • Astrud Gilberto Beach Samba Mp3, Flac, Wma
    Astrud Gilberto Beach Samba mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Beach Samba Country: Japan Released: 1993 Style: Bossanova, Samba MP3 version RAR size: 1200 mb FLAC version RAR size: 1396 mb WMA version RAR size: 1805 mb Rating: 4.7 Votes: 618 Other Formats: VOX DXD AHX AC3 ADX MP2 RA Tracklist Hide Credits Stay 1 2:41 Written-By – Gayle Caldwell Misty Roses 2 2:36 Written-By – Tim Hardin The Face I Love 3 2:06 Written-By – Marcos Valle, Norman Gimbel A Banda (Parade) 4 2:07 Written-By – Bob Russell, Chico Buarque Oba, Oba 5 1:59 Written-By – Luiz Bonfa*, Tony Jaffe Canoeiro 6 1:32 Written-By – Eumir Deodato I Had The Craziest Dream 7 2:25 Written-By – Harry Warren , Mack Gordon Bossa Na Praia (Beach Samba) 8 2:48 Written-By – Geraldo Cunha, Pery Ribeiro My Foolish Heart 9 2:47 Written-By – Ned Washington, Victor Young Dia Das Rosas (I Think Of You) 10 2:21 Written-By – Luiz Bonfa*, Patty Jacob You Didn't Have To Be So Nice 11 2:41 Written-By – John Sebastian, Steve Boone Nao Bate O Coracao 12 1:35 Written-By – Eumir Deodato Goodbye Sadness 13 3:34 Written-By – Niltinho, Norman GimbelWritten-By [Uncredited] – Haroldo Lobo Call Me 14 3:20 Written-By – Tony Hatch Here's That Rainy Day 15 2:44 Written-By – Jimmy Van Heusen, Johnny Burke Tu Meu Delirio 16 3:39 Written-By – Cesar Portillo de la Luz It's A Lovely Day Today 17 2:39 Written-By – Irving Berlin Companies, etc.
    [Show full text]
  • Reinterpreting Bossa Nova: Instances of Translation of Bossa Nova in the United States, 1962-1974
    Reinterpreting Bossa Nova: Instances of Translation of Bossa Nova in the United States, 1962-1974 A thesis submitted for the degree of Master of Arts in Musicology Written under the supervision of Dr. Barbara Titus Research Institute for History and Culture (OGC) Faculty of Humanities Utrecht University July 2010 Jeroen Gevers Table of Contents Introduction ........................................................................................................................................................... 2 Cultural Translation and Traveling Music Cultures .............................................................................................. 4 The Case Studies: Instances of Translation of Bossa Nova in the U.S., 1962-1974 .............................................. 7 1. Translated with Verve .................................................................................................................................... 10 Strategies of Domestication and Foreignization in the Production of Bossa Nova by a Record Company in the U.S. between 1962 and 1967 Production Strategies and the Function of Translation .......................................................................................... 12 Genre Categories and the Arrival of Bossa Nova in the U.S. .............................................................................. 13 Bossa Nova and Social Dance Culture ................................................................................................................ 17 Musical Collaborations and the
    [Show full text]
  • Astrud Gilberto
    Стр. 1 из 232 Часть II Оглавление Jan Garbarek.....................................................................................................3 Erroll Garner (1921-1977) ...............................................................................6 Кенни Гарретт ...............................................................................................12 Stan Getz..........................................................................................................13 Astrud Gilberto ...............................................................................................22 Joao Gilberto ...................................................................................................23 Dizzy Gillespie .................................................................................................25 Egberto Gismonti (Эгберто Джисмонти)....................................................34 Benny Goodman..............................................................................................36 Dexter Gordon.................................................................................................49 Dave Grusin (Дэйв Грузин) ..........................................................................55 Buddy Guy.......................................................................................................58 Steve Guyger....................................................................................................63 ДЖОРДЖ ГЕРШВИН, (1898-1937)............................................................64
    [Show full text]