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Prof. Dr. Barbara Lüneburg – Violine | Multimedia | Künstlerische Forschung | Komposition [email protected], [email protected]

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Prof. Dr. Barbara Lüneburg – Violine | Multimedia | Künstlerische Forschung | Komposition Barbara.Lueneburg@Bruckneruni.At, Info@Barbara-Lueneburg.Com Prof. Dr. Barbara Lüneburg – Violine | Multimedia | Künstlerische Forschung | Komposition [email protected], [email protected] FORSCHUNG UND PUBLIKATIONEN IN AKADEMIA UND KUNST (Stand März 2021) Link zu Orcid: https://orcid.org/0000-0002-3259-5219 https://orcid.org/0000-0002-3259-5219 1. DRITTMITTELPROJEKTE Seite 1 2. PUBLIKATIONEN–AKADEMIA Seite 2 3. PUBLIKATIONEN–KUNST Seite 8 1. DRITTMITTELPROJEKTE 2014-2018 Leitung des künstlerischen Forschungsprojektes "TransCoding-From 'Highbrow' Art to Participatory Culture" – Drittmittelprojekt, vom Österreichischen Wissenschaftsfonds (FWF) als PEEK-Projekt AR 259-G21 zur künstlerischen Forschung gefördert, beheimatet an der Kunstuniversität Graz. 2016-2020 Hauptforscherin zu allen Fragen der Performance-Praxis im künstlerischen Forschungsprojekt "GAPPP-Gamified Audiovisual Performance and Performance Practice" (Leitung: Prof. Dr. Marko Ciciliani) – Drittmittelprojekt, vom Österreichischen Wissenschaftsfonds (FWF) als PEEK-Projekt AR 364-G24 finanziert, beheimatet an der Kunstuniversität Graz. 2018-2020: Konzeption des Drittmittel-Projektes "Zukunftswerkstatt Trossingen" für die Musikhochschule Trossingen gefördert vom Innovationsfonds Kunst Baden-Württemberg (Deutschland). Die Durchführung des Projektes wurde nach meinem Weggang von der Musikhochschule Trossingen vom Team des dortigen Landeszentrums übernommen. 1 2. PUBLIKATIONEN-AKADEMIA A) Wissenschaftliche Artikel in Büchern, Journalen und Fachzeitschriften (peer-reviewed) Lüneburg, Barbara, “Worldmaking–Knowing through Performing” in Knowing in Performing: Artistic Research in Music and the Performing Arts, Annegret Huber, Doris Ingrisch, Therese Kaufmann, Johannes Kretz, Gesine Schröder, Tasos Zembylas (Hrsg.), 2021, Transcript Verlag. Open access: https://www.transcript- publishing.com/media/pdf/cb/60/42/oa9783839452875r3SnP9suvnytl.pdf Lüneburg, Barbara, “ TransCoding – Von „Intellektuellenkunst“ zu partizipativer Kultur. Publikumspartizipation über Social Media im Kontext künstlerischer Forschung” in Vermittlung zeitgenössischer Musik | Mediating Contemporary Music, Losert, Martin, Heiligendorff, Simone, Grebosz-Haring, Katarzyna (Hrsg.), 2020, Schott Verlag Lüneburg, Barbara, “Empowerment and Disempowerment in the Participatory Culture of TransCoding”. In Organised Sound 2019-12 | Journal-Artikel. University of Cambridge. DOI: 10.1017/s1355771819000359 Lüneburg, Barbara, "Between Art and Game: Performance Practice in the Gamified Audiovisual Artworks of GAPPP" in The Computer Games Journal, 2018, https://doi.org/10.1007/s40869-018- 0066-7, Springer Science+Business Media, LLC, part of Springer Nature 2018. Online link: https://rdcu.be/9mkg Lüneburg, Barbara, Between “Ludic Play” and “Performative Involvement”: Performance practice in gamified audiovisual multimedia artworks, https://econtact.ca/20_2/lueneburg_gamifiedmultimedia.html, 2018, eContact! 20.2 (online Journal, Canada). Gamified Audiovisual Works – Composition, Perception, Performance Mit Co-Autor Marko Ciciliani. In Tagungsbericht: Korea Electro-Accoustic Music Society's Annual Conference 2017. From 'Highbrow Art' to Participatory Culture – A Potential for Change. Online-Publikation im Journal RUUKKU for artistic research. 2016 Barbara Lüneburg, www.researchcatalogue.net/view/253119/253120. 2 B) Wissenschaftliche Monographien Ciciliani, Marko; Lüneburg, Barbara; Pirchner, Andreas (als Herausgeber, Autoren und Künstler), LUDIFIED. Monographie zum künstlerischen FWF-Forschungsprojekt GAPPP-Gamified Audiovisual Performance and Performance Practice. 2021, Berlin: The Green Box. (432 Seiten mit Texten von Lüneburg und Dokumentationen audiovisueller Werke aus dem Projekt, inklusive eines USB-Datenträgers mit über 4 Stunden Videomaterial), Buchdesign: Anja Lutz. Lüneburg, Barbara, TransCoding - From ‘Highbrow Art’ to Participatory Culture. Social Media – Art – Research Monographie zum gleichnamigen künstlerischen FWF-Forschungsprojekt. 2018, Bielefeld: Transcript Verlag, 202 Seiten, ISBN: 978-3-8376-4108-0 | Open Access Downloadlink: https://www.transcript-verlag.de/media/pdf/4d/81/f3/oa9783839441084DULW9Nbe9y2hx.pdf Kompendium-Website zur Monographie auf http://transcoding.info/english/book.html C) Dissertation A holistic view of the creative potential of performance practice in contemporary music (Dissertation an der Brunel University London, 2013, http://bura.brunel.ac.uk/handle/2438/7512). D) Beiträge in Sammelbänden Musik für das ‘verfeinerte Ohr’ und einen wanderfreudigen Geist – Über meine Arbeit mit Manfred Stahnke. Veröffentlichung im von Bockel Verlag, Juli 2017 in einer Festschrift für den Komponisten Manfred Stahnke. Sciarrino Caprice in Music of the 20th Century II, 1945 to present, 2015, commons: schola vol.15, Herausgeber Fuijkura, Dai; Sakamoto, Ryuichi. Social Media für die Kunst in Pars pro Toto, Herausgeber: Fonds zur Förderung der wissenschaftlichen Forschung (FWF), 2015. Verlagsgruppe News (VGN) Violine und Elektronik in "Das große Lexikon der Violine", 2015, Laaber Verlag, (Herausgeber Dr. Stefan Drees) Lou Mallozzi: For the Record in Neue Musik heute? Versuch einer Standortbestimmung, edition mono/monochrom, 2014, (editor: MICA-MUSIC INFORMATION CENTER AUSTRIA), p. 221, text for the mica-music austria symposium at Wien modern (23.-26.10.2012) 3 E) Publikationen für die allgemeine Öffentlichkeit, die mit meiner Forschung in Zusammenhang stehen Grenzgängerin zwischen Interpretation, Komposition und Forschung Zeitschrift Grazkunst der Kunstuniversität Graz, Juni 2017 Club Club, Scheune und World Wide – Alternative Präsentationsformate in der neuen Musik. Veröffentlichung in Spuren-Musikzeitung der Gegenwart, Schwaz, Österreich. 2017 F) Interviews: Co-Autorin von Es geht um die Auflösung des Künstlerbegriffes vom einsamen Genie, der allein vor sich hin arbeitet. – BARBARA LÜNEBURG im mica-Interview (Interviewer: Curt Cuisine, 20.4.2016, Website der Mica Austria, Mica Focus, http://www.musicaustria.at/barbara-lueneburg- im-mica-interview/, eingesehen am 2017-4-9) Co-Autorin von Ein Blog mit imaginären Flügeln – die Performancekünstlerin Barbara Lüneburg im mica-Interview (Interviewer: Curt Cuisine, 5.8.2014, Website der Mica Austria, Mica Focus, http://bit.ly/1n6qisv, abgerufen am 2015-5-28). Co-Autorin von charisma und elektronik. Julia Gerlach im Gespräch mit der Violinistin Barbara Lüneburg, erschienen in Neue Zeitschrift für Musik (1991-) Vol. 172, No. 5, Musik/Räume (September Oktober 2011), S. 10-12 Co-Autorin von Entdeckungsreise in andere Gefilde. Die Geigerin Barbara Lüneburg im Gespräch mit Stefan Drees, erschienen in Seiltanz. Zeitschrift für aktuelle Musik, Heft 2, April 2011 G) CD-Booklets für CDs/DVD: Beyond (Begleittext zur Solo-CD beim Label Coviello contemporary, Co-Autorin mit Tim Rutherford Johnson) Weapon of Choice Weapon of Choice, Begleittext zur Solo-DVD beim Label Ahornfelder, 2011 Pasajes-Mexico (Begleittet zur Kammermusik-CD beim Label NEOS, Co-Autorin mit Egbert Hiller) H) Konferenzen, Gremien und Gastvorträge Seit 2021: • Mitglied des Editorial Boards von JAR, des Journal for Artistic Research der Society for Artistic Research. 4 • Vortrag: Embodied Expressions of Charisma and Gender – A Critique of Classical Instrumental Practices through Artistic Research bei METHOD/ART Research seminar on artistic research methodology | 17-18 March 2021 2019/20: • Vorträge und Gastseminare in den USA, Mexico, Deutschland, Österreich, Irland, Schweiz, Korea, Belgien, Island, Littauen und Estland u.a. zu Themen der künstlerischen Forschung allgemein, Methodologie in der künstlerischen Forschung und zu spezifischen Forschungsprojekten wie beispielsweise GAPPP oder Transcoding 2018 • Ringvorlesung zur künstlerischen Forschung der Musikuniversität Wien über das künstlerische Forschungsprojekt TransCoding- From ‘Highbrow Art’ to Participatory Culture • Frankfurter Buchmesse Vorstellung der Monographie zu TransCoding • Leicester University, GB, Konferenz "Bringing New Music to New Audiences", Lecture Recital und Vortrag zu TransCoding • Bukarest, Festival Inner sounds: Lecture Recital und Vortrag zu TransCoding • International summer Academy: ISA-Science, Konferenz der Musikuni Wien: Vortrag zu TransCoding • Symposium der Ludomusikology: Vortrag zum künstlerischen Forschungsprojekt GAPPP 2017 • Speedtalk bei der Roadshow des österreichischen Wissenschaftsfonds an der Technischen Universität Graz über das künstlerische Forschungsprojekt TransCoding • Konzert, Vortrag und Posterpräsentation auf der Tagung "Neues Hören für Erwachsene" des Mica Österreich und der Kunstuniversität Graz mit künstlerischen und wissenschaftlichen Resultaten des Forschungsprojektes TransCoding 2016 • Jurymitglied des Deutschen Akademischen Austauschdienstes (DAAD) für das "Artist in Residence-Programm" 2017-18. • Lecture recital zum Thema "The Artist Promoter Relationship: Necessary Evil or Creative Potential" bei der Konferenz "European New Music Festivals as Agorai. Music, Creativity, Politics and History" (Universität Mozarteum Salzburg) • "Lange Nacht der Forschung", Graz, Mumuth, KUG, Austria: Präsentation der audiovisuellen Installation "Read me" und Posterpräsentation, beides im Kontext des künstlerischen Forschungsprojektes "TransCoding" 5 • "Genderstudies in der Musikwissenschaft", Konferenz an der Kunstuniversität Graz als Gastsprecherin bei der Podiumsdiskussion "Gender and Interdisciplinarity" • Organisation der Konferenz "ARTikulationen" zur künstlerischen Forschung an der Kunstuniversität Graz 2015 • "Künstlerische Praxis und
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