Mopho Keys Manual
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The Definitive Guide to Evolver by Anu Kirk the Definitive Guide to Evolver
The Definitive Guide To Evolver By Anu Kirk The Definitive Guide to Evolver Table of Contents Introduction................................................................................................................................................................................ 3 Before We Start........................................................................................................................................................................... 5 A Brief Overview ......................................................................................................................................................................... 6 The Basic Patch........................................................................................................................................................................... 7 The Oscillators ............................................................................................................................................................................ 9 Analog Oscillators....................................................................................................................................................................... 9 Frequency ............................................................................................................................................................................ 10 Fine ...................................................................................................................................................................................... -
Rack Mount Edition by R.Stephen Dunnington
USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F. -
Microkorg Owner's Manual
E 1 ii Precautions Data handling Location THE FCC REGULATION WARNING (for U.S.A.) Unexpected malfunctions can result in the loss of memory Using the unit in the following locations can result in a This equipment has been tested and found to comply with the contents. Please be sure to save important data on an external malfunction. limits for a Class B digital device, pursuant to Part 15 of the data filer (storage device). Korg cannot accept any responsibility • In direct sunlight FCC Rules. These limits are designed to provide reasonable for any loss or damage which you may incur as a result of data • Locations of extreme temperature or humidity protection against harmful interference in a residential loss. • Excessively dusty or dirty locations installation. This equipment generates, uses, and can radiate • Locations of excessive vibration radio frequency energy and, if not installed and used in • Close to magnetic fields accordance with the instructions, may cause harmful interference to radio communications. However, there is no Printing conventions in this manual Power supply guarantee that interference will not occur in a particular Please connect the designated AC adapter to an AC outlet of installation. If this equipment does cause harmful interference Knobs and keys printed in BOLD TYPE. the correct voltage. Do not connect it to an AC outlet of to radio or television reception, which can be determined by Knobs and keys on the panel of the microKORG are printed in voltage other than that for which your unit is intended. turning the equipment off and on, the user is encouraged to BOLD TYPE. -
Poly Evolver Keyboard – Synthesizer Performance-Wunder Text: Björn Bojahr Foto: Dieter Stork
y 052 keyboards test cd track 02 & datenteil Dave Smith Instruments Poly Evolver Keyboard – Synthesizer Performance-Wunder text: Björn Bojahr foto: Dieter Stork Die Oberfläche des Instruments nutzt seine gung koppeln – breite Flächen oder ein Stereo- komplette Breite aus und zeigt mit entspre- Lead-Sound machen oft eben erst bei polyfoner chender Anordnung der Parameter sowie klei- Spielweise wirklich Spaß. Der PEK ist für dieses nen gelben Linien ganz klar den Aufbau der Einsatzgebiet bestens gerüstet, da die Klanger- Klangerzeugung an. Kaum drücke ich eine Taste, zeugung komplett in Stereo aufgebaut ist. läuft der Step-Sequenzer los – jeder Step mit Der Step-Sequenzer ist ein oft zu Unrecht ver- einer eigenen LED. Vier Voice-LEDs zeigen, wel- nachlässigtes Feature der Evolver-Klangerzeu- che Stimme den aktuellen Ton erzeugt. gung, kann er doch bis zu vier Parameter unab- Aber nicht nur die Optik überzeugt, der Poly hängig voneinander steuern. Das Programmie- Evolver Keyboard (PEK) klingt auch noch sensa- ren eigener Evolver-Sequenzen war noch nie so tionell. Vier komplette Evolver verbergen sich komfortabel wie mit der Keyboard-Version, und unter der Haube, samt Step-Sequenzer und der glauben Sie mir: Wenn Sie die Knöpfe schon di- ganz eigenen Verschaltung analoger und digita- rekt vor sich haben, dann benutzen Sie sie auch. ler Elemente. Sie müssen diese vier Module Während dieses Tests habe ich eher weniger in nicht getrennt ansprechen, der Synthesizer die Tasten gelangt, weitaus mehr fasziniert hat kann sie auch zu einer polyfonen Klangerzeu- mich der direkte Zugriff auf die Step-Sequenzer. KEYBOARDS 10.2005 y 053 profil Hersteller / Vertrieb: Seite sind optisch eine wahre Freude, beim Dave Smith Instruments Spielen hatte ich jedoch einige Probleme mit Internet: dem Pitch-Bend-Controller: Die Federung und www.davesmithinstruments.com Mittenrasterung des Rades erfordert zuviel Anschlüsse: Kraftaufwand. -
The Synth Issue
THE SYNTH ISSUE KORG ARP ODYSSEY REDUX REVIEWED HANDS ON PREVIEWS Sequential Prophet-6 Moog System 55 Modular Modal Electronics 002 MODES DEMYSTIFIED No Sheet Music Required FAKE IT ’TIL YOU MAKE IT Bigger Samples Aren’t Always Better ROLAND JD-Xi SPACESTATION 3 ARTURIA Meet the Mid-Side Stereo iPROPHET SLOW BLUES MASTER CLASS Mini-Synth to Beat from One Amp Vector Victory Get the Real-Deal Feel 5.2015 | $5.99 A MUSIC PLAYER PUBLICATION 40 YEARS OF GROUNDBREAKING SYNTHS Grammy® winner and MIDI co-creator Dave Smith has designed more groundbreaking synths than anyone. Ever. Whatever your musical need or budget, Dave’s award-winning line of analog and analog/digital hybrid instruments has the right tool for you. Pro 2 · Prophet 12 · Prophet ’08 Mopho · Mopho x4 · Mopho SE Tetra · Tempest · Evolver THE PROPHET-6 IS COMING SOON! www.davesmithinstruments.com Designed and built in California CONTENTS MAY 2015 KNOW TALK 32 SYNTH SOLOING CÞ 8 Voices, tips, and breaking news from the Keyboard community. 4 œ œ We’ve explored his sound; now dive &4 œ œ œ Jan Hammer NEW GEAR SYNTH EDITION into the playing style of . D minor pentatonic 34 BEYOND THE MANUAL 10 In our special synthesizer-focused issue, we bring you first-look Learn tweaks to get more soft synth coverage of the Dave Smith Instruments Prophet 6, Modal mileage from your computer. Electronics 002, and Moog’s Modular systems, plus ten more new synth releases. 36 DANCE Making classic sounds with the ARP. HEAR REVIEW 16 ROAD WARRIORS In NRBQ’s 50th anniversary year, keyboardist 38 ANALOG SYNTH and founding member Terry Adams discusses Korg ARP Odyssey his touring gear, and the Monk tribute he’s always dreamed of making. -
REVOLVER Refill REVOLVER
1 REVOLVER refill REVOLVER Introduction A new monster in your pocket REVOLVER is an analogue synth refill, based on the sounds of DSI Evolver synthesizer. In other words, it can be viewed as a continuation of the Analogue Monsters series : REVOLVER provides vivid, dynamic and rich-sounding real analogue sounds, giving you a powerful new synth in your Reason rack. About Evolver DSI Evolver is an incredible synthesizer that incorporates many of Dave Smith and Sequential's old secrets, circuits and technologies. It uses a monstrous four oscillator voice architecture - two analogue DCOs and two digital - with two independent Curtis analog low-pass filters. The analogue oscillators feature multiple classic waveforms plus pulse-width modulation and hard sync, and they sound really nice and big. The digital oscillators feature FM synthesis, Ring Modulation and 96 wavetables. Modulation capabilities are handled by four LFOs and three ADSR envelope generators. The Evolver's analog-style sequencer brings itself to life with animated evolving sounds. All modulators can be synced for massive rhythmic sounds. 2 REVOLVER refill The analogue hack Evolver is a digital/analogue hybrid synth. It means the oscillators and filters are analogue, but the on-board effects (feedback, delay, distortion, hi-pass filter and mixer) are all digital. This concept is a very serviceable feature for performers, but a bit annoying for us – we don't need the digital effects, we want to use the original analogue sounds! The “analogue hack” is a way to achieve this: it taps the analogue signals before the onboard effects' AD converters and leads it out as two separated dual mono channels. -
Pdf Nord Modular
Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity -
Wavestate Voice Name List
wavestate WAVE SEQUENCING SYNTHESIZER Voice Name List EFGSCJ 1 2 Table of contents Performances ................................................................... 3 Programs ......................................................................... 4 Wave Sequences ............................................................... 7 Multisamples ................................................................. 11 wavestate ............................................................................11 Wavestation .......................................................................16 Plugin Guru .......................................................................18 Effects ............................................................................ 19 3 Performances Performances Name Name Name Name Dark Sonata Split (Hold) Master Sync v30 Shopping Disco Arp Wasted Hip Hop Dawn of a New Day Mayhem Machine 10sec Shopping Disco Wavestate Rhythms Name Daylight is Fading Meanie Jillie Beat 2049 Sine Dreams WaYFunK Split 8-Knob Filter Sequencer Dbl Unpredictable Arp Meet Me in Tokyo Siren Song We 3 Trance 10 Pads on Sample Knob Deep Caramel Swirl MEGA Bass x10 [SmplKnb] Sizzling Stringz Wendy's Groove Split 20 Blades Split Deep House Beat MEGA Unison x5[SmplKnb] Ski Jam 20 Whale Song 1982 Magic Split Dionian Bells Menya SkiBeatz Split Wobble Talk MW Split 2600 in the Matrix Distortion Paradise Metallotronics Skinwalker Ranch WWind Fantasia (Hold) A Peaceful Day Doodles Monster March Split Slap in the Face Split You Better Run! Split Acid Bath -
Dsi Synth Comparison Chart
Which DSI Synth Should I Buy? It all depends on what you’re looking for in terms of features. The chart below shows how each synth differs. FEATURE OB-6 PROPHET 12 PROPHET-6 PROPHET ‘08 PRO 2 TETRA MOPHO MOPHO KEYBOARD MOPHO SE MOPHO x4 EVOLVER Voices 6 12 6 8 mono/4-voice paraphonic 4 1 1 1 4 1 Split/Stack 2-way split/bi-timbral 2-way split/bi-timbral 4-part multitimbral Oscillators per voice 2 (plus sub osc) 4 (plus sub osc) 2 (plus sub osc) 2 4 (plus sub osc) 2 (plus 2 sub osc per voice) 2 (plus 2 sub osc per voice) 2 (plus 2 sub osc per voice) 2 (plus 2 sub osc per voice) 2 (plus 2 sub osc per voice) 4 (two analog, 2 digital) Oscillator Type analog VCO digital analog VCO analog DCO digital analog DCO analog DCO analog DCO analog DCO analog DCO 2 analog DCO + 2 digital Superwaves Yes Linear FM Synthesis Yes (DX-style) Analog Filters state-variable (custom discrete) 1 low-pass (Curtis) 1 low-pass (custom discrete) 1 low-pass (Curtis) 1 low-pass (custom discrete) 1 low-pass (Curtis) 1 low-pass (Curtis) 1 low-pass (Curtis) 1 low-pass (Curtis) 1 low-pass (Curtis) 1 low-pass (Curtis) 1 high-pass (custom discrete) 1 high-pass (custom discrete) 2- or 4-pole operation 1 state-variable (custom discrete) 2 or 4-pole operation 2 or 4-pole operation 2 or 4-pole operation 2 or 4-pole operation 2 or 4-pole operation 2 or 4-pole operation Effects Dual digital effects processor 4 Digital Delays Dual digital effects processor (Chorus, 3 Digital Delays 3 Digital Delays (Chorus, Flanger, Phaser, Ring Mod, 5 Character FX (Girth, Air, Hack, Flanger, Phaser, -
UNIVERSITY of CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab a Dissertation Submitted in Partial S
UNIVERSITY OF CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by David Medine Committee in charge: Professor Miller Puckette, Chair Professor Anthony Burr Professor David Kirsh Professor Scott Makeig Professor Tamara Smyth Professor Rand Steiger 2016 Copyright David Medine, 2016 All rights reserved. The dissertation of David Medine is approved, and it is acceptable in quality and form for publication on micro- film and electronically: Chair University of California, San Diego 2016 iii DEDICATION To my mother and father. iv EPIGRAPH For those that seek the knowledge, it's there. But you have to seek it out, do the knowledge, and understand it on your own. |The RZA Always make the audience suffer as much as possible. —Aflred Hitchcock v TABLE OF CONTENTS Signature Page.................................. iii Dedication..................................... iv Epigraph.....................................v Table of Contents................................. vi List of Supplemental Files............................ ix List of Figures..................................x Acknowledgements................................ xiii Vita........................................ xv Abstract of the Dissertation........................... xvi Chapter 1 Introduction............................1 1.1 Preamble...........................1 1.2 `Analog'...........................5 1.3 Digitization.........................7 1.4 -
Order of the Shadow Wolf Cyberzine
SoCiEtIeS ArCh NeMeSiS CyBeRpUnK E-ZiNe Issue #2 December 2014 welcome to the order of the... o o . o . o o o o o . o . ________ ___ ___ ________ ________ ________ ___ o __ |\ ____\|\ \|\ \|\ __ \|\ ___ \|\ __ \|\ \ |\ \ o \ \ \___|\ \ \\\ \ \ \|\ \ \ \_|\ \ \ \|\ \ \ \ \ \ \ \ \_____ \ \ __ \ \ __ \ \ \ \\ \ \ \\\ \ \ \ __\ \ \ . \|____|\ \ \ \ \ \ \ \ \ \ \ \_\\ \ \ \\\ \ \ \|\__\_\ \ ____\_\ \ \__\ \__\ \__\ \__\ \_______\ \_______\ \____________\ |\_________\|__|\|__|\|__|\|__|\|_______|\|_______|\|____________| . o \|_________| | | | . | . | | O . o | . o | O | /\ o /\ ___ O __ ________ ___ ________ . | \-------/ | . |\ \ |\ \|\ __ \|\ \ |\ _____\ / \ \ \ \ \ \ \ \ \|\ \ \ \ \ \ \__/ . | __ __ | . \ \ \ __\ \ \ \ \\\ \ \ \ \ \ __\ / \ \ \ \|\__\_\ \ \ \\\ \ \ \____\ \ \_| / \ . \ \____________\ \_______\ \_______\ \__\ / \ . \|____________|\|_______|\|_______|\|__| . / \ O | | . | / \ O . O . | . / \ /\ THE LAUNDRoMAT OF YOUR MIND /\ O O / \ /\ /\ EXTRA BIG DECEMBER ISSUE!!! / \ . / \/ \/ \ . /..\ < . / \ . / \ \ \ _\' /_ / . / \ . / \ \ \ . / . \ . / \ /________\___\___\ | . | /____ ___\ || || || \ . / || /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ ============================================================================== The Order OF THE SHADOW WOLF IS NOW IN COLOR!!!!! your online cyber-zine for: Occult home experiments - Synthesizers - Sorcery & Magick - DIY projects - Movies - Music - Counter Culture - UFOlogy - Poetry - Obsolete computers - Artificial Intelligence - Rastafarian Language -
Nemesis Legal Notice
Nemesis Legal Notice The license included with this product is a single user license for an installation on a single computer. Please contact our support team if you need additional licenses.This product is copy protected and uses audio watermarks. Please note that Tone2 will deactivate licenses of users who share our software without permission. Violators will be excluded from customer resources, services and updates. Under the DMCA, copying and sharing copyrighted materials without a license is illegal, violations to copyright law may carry heavy civil and criminal penalties. Contact If you have any difficulties installing or using Nemesis, please contact us by visiting our website and clicking the Support button. Tone2 website http://www.tone2.com Tone2 forum http://www.tone2.org/forum/index.php Support [email protected] http://www.youtube.com/user/Tone2Audiosoftware https://www.facebook.com/Tone2Audiosoftware https://plus.google.com/b/117394698401069212106 https://twitter.com/Tone2Audio https://soundcloud.com/tone2-1 Credits Development: Markus Krause, Bastiaan van Noord Programming & Graphics: Markus Krause Manual: Bastiaan van Noord, Markus Krause, Chris McKoy Sound design: Markus Krause (MF), Bastiaan van Noord (BN), Troels Nygaard (STS), Ed Ten Eyck (EDT), Massimo Bosco (MxS), George Zondagh (GZ), Akira Complex (AC), Rob Mitchell (RM), Mac of BIOnighT (Mac), Martin Wilkinson (MW), Xavier Pfaff (XPF), Zach Archer (ZA), Reinhard Reschner (RR), Torben Hansen (TH), Mikko Nielikainen (MN), Ingo Weidner (IW), Rob Fabrie (RF), Colin Cameron Allrich (CC), Johan Landquist (JLA), Satya Choudhury (sT), Don Vittorio (DV), Lukas Jankowski (TTS), Rainer Sauer (rWs), Carl Lofgren (PH), Stephen Krajewski (SK), Allen Somerlot (BB), SupremeJA (SJA), Bryan Lee (XS), Bram van Riel (BvR), Carl Butler (BC) Thanks go to: Anna Krause, family and friends, all sounddesigners & testers, and of course to all Tone2 customers for their continued support.